Savior Sans is the third collaboration between Sudtipos and Vástago, this is a 9 weight typeface in 3 different widths, condensed, regular and expanded. Its simple design with open shapes offers a different texture that works in different uses, such as web design, packaging or branding. Savior Sans offers a contemporary look at traditional sans fonts, maintaining the identity in each of its weights. In its variable version, it allows multiple options when designing, adapting to different composition solutions. We hope you enjoy it and get the most out of it.

Heavy Rain is a decorative roman typeface. Drawn and created by Mans Greback during 2020 and 2021, this medieval serif font has a distinct classic style and a historical character. It gives antiquity to any graphic project, and with its ornamental capitals it accentuates your message. In addition to the decorated uppercase, it is provided in a regular, simplified text style. Heavy Rain is built with guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

I really like the Japanese language, as it has words that describe a whole world of meaning. Like Shoganai. It literally means: ‘It cannot be helped’. That’s life, get used to it. Shoganai sums up a lot of the Japanese culture and way of thinking: if things cannot be helped, then accept it and move on. Shoganai is a set of Brush fonts: a thinner, script font and a heavy display font. Use if for book covers, product packaging and more. If you can’t use it, then, well, Shoganai.

Fisionada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2023. It is a condensed sans serif typeface with sharp edges and a very technical aesthetics. Its condensed design makes it very effective for space economizing and its geometric features make it a very attractive choice for display usages such as futuristics logos, video games and sci-fi content. It has been conceived to be most suitable for headlines and short length text blocks. Fisionada consists of 8 styles. Each containing small caps and glyph coverage for several languages.

Adorn Garland is a script face that runs along a somewhat “vintage” direction. Rather than deriving its strength from a heavy skeleton or structure, it uses its sense of contrast, its light touch upon the page, and its elongation to provide a visual break – it can function as a long string, rule, or dividing line. With 166 swashes. See what's included! http://bit.ly/1rYDcmQ This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Insider is a warm & legible grotesque. It’s custom made for Insider Consulting in Düsseldorf, Germany. It’s highly legible in small sizes because of the basic proportions and the balanced inner forms. It’s optimized for setting longer texts, but also works very well in headlines and leads. The fonts contain loads of OpenType features to spice up your design. The matching Stencil font is very suited for creative designs. The Stencil Regular has the same dimensions as the Insider Regular, so you can mix them without hassle. The font family has real italics and not just mathematically slanted romans. The dynamic cursive shapes root in handwriting. With 9 styles (5 weights + 4 italics), the family is very versatile and can be used for designs with a complex typographical hierarchy.

While browsing through a sourcebook on historic calligraphy and antique type I came on an interesting sample of a gothic style attributed to the legendary artist Albrecht Durer. I had previously seen fonts based on the peculiar style of lettering Durer used on prints for his signature and some captions, but this style was radically different and much more characteristic of the lettering and early printed types of the 'Northern Renaissance' which Durer was a big part of. Whether it's authentically Durer's work or not is up in the air, but it's a very nice example of early gothic type. We've called the resulting font Albrecht Durer Gothic and it's a very striking face well suited to titles and other contemporary uses where you need something heavy and eye catching.

Outset is a rough, display font family designed for a wide range of expression. It's all-caps design gives additional variants to make sure that you can create with your desired intention. Each letterform for the Outset font family was drawn by hand to insure natural deviations for it's roughness. These deviations help make this typeface feel authentic and relatable. The boldness of the letterforms makes this typeface an excellent choice for display type for posters, titles, merchandise, and specific marketing opportunities. Outset was originally drawn up for a range of t-shirt designs, and has now been extended into the full typeface you see now. It's rough edges interact perfectly with textures and overlays. Outset's multiple styles and variant letterforms allow for a very versatile range of outputs.

Some 40 km north of Helsinki, surrounded by meadows and a serene Finnish lake, lies Ainola, the former home and now museum of composer Jean Sibelius (1865–1957). I know the place quite well, since it is only a stone’s throw away from the art school where I began my graphic design studies. We sometimes went there after classes—a beautiful walk, especially in spring, when the days were getting longer, the snow melting in the sun and the ice cracking on the lake. The composer often professed his love for this landscape and found constant inspiration in its moods, sounds and scents during different seasons. For many people, Sibelius and his music, most notably his famous symphonic poem Finlandia, are a symbol of Finland. I decided to name the typeface family I’m presenting here FinlandiaScript, because it owes its influence to both Sibelius’ manuscripts and the Finnish landscape around Ainola. The shape of letters, their poise and the rhythm they create resemble Sibelius’ handwriting without copying it. The letters form gently flowing lines of text which is legible without giving up individuality. The font family comes in three styles: FinlandiaScript, FinlandiaScript Bold and FinlandiaScript Frost. Together they are perfect for magazines, websites and brands aiming to create a personal and sincere image. While the fine details of FinlandiaScript Frost are best suitable for display sizes, FinlandiaScript and FinlandiaScript Bold work well in both headlines and texts of smaller sizes. Hundreds of ligatures give them an especially flexible appearance. The FinlandiaScript family contains Western, Central European and Extended Cyrillic character sets and supports almost 100 languages. It is best suited for Opentype savvy programs with the “standard ligatures” and “contextual alternates” features turned on.

As a designer, it’s crucial to choose a typeface that not only complements the overall design, but also conveys the intended message. Octin Spraypaint, a typeface that exudes streetwise grit and toughness, is a perfect choice for projects that demand a bold and fearless statement. Octin Spraypaint boasts two distinct styles—sans and serif—each offering three weight options: regular, bold, and black. The sans style offers a sleek, modern aesthetic with sharp, angular lines, while the serif style offers a more classic and sophisticated feel with its clean and sharp serifs. Together, these styles and weights provide designers with the flexibility to create striking headlines that command attention. This typeface is the perfect choice for design projects that demand an edgy and daring look. From police and military themes to sports, prison, construction, and school, Octin Spraypaint is versatile enough to lend its tough appeal to various themes and contexts. Octin Spraypaint is a typeface that offers a distinctive look that’s hard to ignore. It’s ideal for projects that need to convey strength, power, and authority, and its bold, spray-painted style is sure to capture the attention of viewers. With its unique blend of streetwise design and raw power, Octin Spraypaint is a must-have tool for any designer looking to make a bold statement. Check out the rest of the Octin families: Octin Sports, Octin College, Octin Prison, Octin Stencil & Octin Vintage. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Remissis—the sans-serif typeface that’s the perfect balance of casual and refined. With its off-grid letterforms, Remissis has a natural and organic feel that’s hard to come by in other typefaces. It’s not too laid-back to be dismissed as whimsical, but it’s not too rigid either. It strikes the perfect balance of being approachable yet professional. If you’re looking for a typeface that can convey the idea of softness and naturalness without coming off as too playful or zany, then Remissis is the perfect choice. Its delicate horizontal angles add a touch of elegance, making it ideal for projects that require a refined and sophisticated aesthetic. Designed for high-resolution displays and print, Remissis’s unique “lining old-style” numerals are available in OpenType-capable apps, giving you even more design flexibility. And with numerous mathematical symbols, monetary symbols, and diacritical marks, Remissis is versatile and functional. Available in seven weights and italics, Remissis is a typeface that’s sure to elevate any project. So if you’re looking for a typeface that’s both approachable and refined, choose Remissis. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Brighton was designed by Alan Bright with a feeling of warmth in the design. Its charm lies in the simple construction of its letterforms which makes it suitable for nearly any typographic requirement.

Bendita could evoke the didones of the 19th century. It has and an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.

Christmas Lantern is a straightforward handwritten font. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Springbok is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Intentness is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

profonts Stina is an cursive font based on cross stitch pattern. It can be used in (very) tall letters but it also keeps legible in smaller sizes. Because of its joined letter pairs and ligatures it keeps the flow of a "handwritten" cursive font. So, you ever felt like stitching? - Start today.

Futura Display was designed by Paul Renner in 1932. Its original German name was Futura Schlagzeile, which means “headline”, alluding to its suitability for display use. Its forcefulness and robustness have made it a widely used typeface in film posters, advertising, logos, and music covers. Futura is a Trademark of BauerTypes SL

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Karepe FX is a modern sans family, which comes in a variety of styles. Includes 54 styles with regular, rounded, and outline options. They all work perfectly with each other. It can easily fit into any project, so add it to your creative ideas and see how it can make it stand out!

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Kids Arabic Dashed Font is an incredibly unique and interesting dashed display font. It was designed especially for letter tracing worksheet for children, but it could be employed to a variety of other designs. Add it to your portfolio of fonts and it will soon become a favorite option, no matter the creation!

Lazy Monday is a flowing and beautiful handwritten font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Treves Sans is a scratchy, messy, hand written display font. It has the look of charcoal or a brass rubbing, reversed in lighter tones it looks like chalk. It reminds me of Edward Gorey's or Eddie Campbell's styles of sketching. It has about 200 glyphs including all those extra pesky foreign features.

Bourgeois is a squarish geometric font that plunders mid-century modernism and gives it a contemporary edge. It speaks with a distinctive self-assuredness that makes it highly-suited to branding and identity work. With 24 styles in its 2016 form, Bourgeois is one of our most extensive, versatile and widely-used typefaces.

Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century. Its obsession with technological precision makes it perfect for use in corporate systems and visual communications of technocratic businesses. Thanks to its broad range of cuts, it is also ideal for display advertising.

Discharge is a bold, heavy, distressed and destroyed sans serif typeface. It was started alongside Universally Corrupt and Insurgent, but it took a couple extra years to finish. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets, so it will work with most languages in Europe and the Americas.

Miamour is a cartoon-like and quirky display font. Get creative with its childlike style, and use it to brighten up any project. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Pragma ND is a sans serif typeface with calligraphic features. Its vital rhythm facilitates the reading of long texts. It also has an “authentic” italic imitating the movement of handwriting. Its high legibility makes it an ideal typeface for long texts in analog and digital contexts. Pragma is a Trademark of BauerTypes SL

Toffee Display is a sans serif project inspired on Gill sans, Helvetica and Eurotstile italics. This project is designed for food packaging, candies, commercial, and fast food. I recommend combining it with a light and calligraphy font to get absolute contrast. That is it, Thanks for buy it and work with it!

ETTORE is a font for onomatopoeia. Friendly-looking, it is inspired by the lettering of the classic French comics with an adventurous and humorous font-style. It is chunky, marked, with low contrast. The kerning is perfectly balanced. It is made with a chisel-tipped marker determining its thick, square, flat stroke.

Introducing Abesif sans serif font. This font is stretched from the normal theme, it is boring, while different, it seems strange. from there we design the appearance of this font that is not normal so that it is not boring and we display it differently but not look strange. so if you use this font it will look different from the others but it doesn't look strange because it has a normal design. so that it creates an impression that is easy for each of your audience to remember when they first see your project. This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

Planc has emerged as an approach to reconsider the grotesque font anatomy in a contemporary way. It is a new grotesque family with its subtle touches of details. Its relaxed proportional structure differentiates Planc from the usual grotesque anatomy, meeting the grotesque font requirement that can keep up with today. In addition to the solid grid structure on the horizontal axis, with its smoothed curves, Planc provides a comfortable reading flow and avoids being dull with its details. Its minimalist approach comes from Planc's reduced dysfunctional details. As a clean design principle, it contains innovative letterforms. Planc font family consists of 10 weights including matching italics with extended Latin character set. It is a designer-friendly typeface with extra symbols, standard-old style,tabular-proportional numbers, arrow sets, and stylistic alternates.

Elyanor is a classic display serif font, drawing inspiration from French Renaissance type. It is available in both regular and italic styles, making it versatile for use in various design projects. Elyanor's serifs make it perfect for creating headlines and titles that grab attention. Additionally, its classic look lends itself well to editorial design, where it can add a touch of sophistication and elegance to text-heavy layouts. Elyanor is also suitable for use in monograms, logos, and branding materials, where its distinctive and memorable appearance can help establish a brand's identity. Its versatility extends to poster design, allowing it to create bold and eye-catching typography that stands out from the crowd. Elyanor is a versatile font that offers a unique and shabby-chic aesthetic, perfect for a wide range of design projects.

A gentle breeze on a warm summer's day. A cozy gathering of friends and family around a crackling fire. The sweet aroma of freshly baked cinnamon bread. A slow walk in the autumn woods, light sparkling down through the multi-colored leaves. Billowing white clouds against a stark azur sky, leisurely floating past the tops of palm trees. What do these idyllic scenes all have in common? A: Most people can never find the time to enjoy any of them. B: These are just some of the things you would never try to describe using a crankish font like Spleeny Decaf GD. Just as ITC Fontoon was designed to be used with the many critters that populate the "Toonie" series of fonts, Spleeny Decaf GD was created by Steve Zafarana for use in the balloned dialogue portions of a new panel cartoon feature currently under development. Spleeny Decaf GD is the first completed font in a family that ranges from the jittery san serif Spleeny Espresso GD to the sedate and serifed Spleeny Asleep GD. Each font in the series appears a little more relaxed and staid than its predecessor. None of them however, will find themselves being used for the text of any legal documents. Spleeny Decaf GD is the perfect font to use when the weight of the message is leaning towards the light and jocular side of things. So remember, if your documents are starting to put you on edge, it may be time to switch to decaf. Spleeny Decaf GD that is.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone. What is Lorem Ipsum? Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum. Why do we use it? It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout. The point of using Lorem Ipsum is that it has a more-or-less normal distribution of letters, as opposed to using 'Content here, content here', making it look like readable English. Many desktop publishing packages and web page editors now use Lorem Ipsum as their default model text, and a search for 'lorem ipsum' will uncover many web sites still in their infancy. Various versions have evolved over the years, sometimes by accident, sometimes on purpose (injected humour and the like). Where does it come from? Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32. The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested. Sections 1.10.32 and 1.10.33 from "de Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham. Where can I get some? There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. If you are going to use a passage of Lorem Ipsum, you need to be sure there isn't anything embarrassing hidden in the middle of text. All the Lorem Ipsum generators on the Internet tend to repeat predefined chunks as necessary, making this the first true generator on the Internet. It uses a dictionary of over 200 Latin words, combined with a handful of model sentence structures, to generate Lorem Ipsum which looks reasonable. The generated Lorem Ipsum is therefore always free from repetition, injected humour, or non-characteristic words etc.

Rusulica Antique distinct aroma & flavor Rusulica Antique is a modification of the erstwhile script. With rough edges it has a distinctive appearance, rich aroma and antique charm. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica Antique has a high contrast. Its edges are rough and there is an alternate for almost every capital letter. The typeface’s x-height is bigger than usual and it is constructed at a 30° angle.

Monema is a modern serif font with a unique, high-contrast binding style. The letterform morphology makes this typeface ideal for display purposes such as large bold logos and titles. Also, thanks to its large x-height, it works flawlessly in headlines with tight prefixes. On the other hand, its high contrast and very simple and easily recognizable form makes it very easy to read, so it also works with small and long text.

Antique Vintage - Script font is a type of font that features thick and prominent strokes, giving it a bold and impactful appearance. The letters are usually interconnected, creating a flowing and handwritten look. The boldness of the font makes it stand out and grabs attention, making it a popular choice for headlines, titles, and logo designs. It exudes confidence, strength, and creativity, making it suitable for various design projects that require a strong visual impact.