Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces. The wide range of weights and the matching reweighed italics make it a versatile solution where a consistent appearance across a broad range of applications is required. Its clear and inarguable design make it suitable for a wide variety of uses, from corporate to entertainment, text to headline, signage, logotypes, magazines and reports. The italics retain the design of the upright across all characters, again ensuring consistency. Includes tabular, lining and old-style numerals.

Bumper is the ideal ultra-black Sans Serif if you wanna make noise. The three widths could even be mixed in one single word, which creates a hand-made, edgy look. Bumper falls between glossy mags and poster art, and has a great effect when used for flyers.

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.

Greater Albion always releases a Black letter each year, hopefully well before the Christmas seas (which we seem to have managed this year - September). There is something about this year's project which suggests a caste portcullis to us. Why not visit ye olde world in your next designer project?

Hailgen is a Serif typeface that explores the flexibility in contrast, with a thicker horizontal and thinner vertical contrast. Designed specially for short texts or quotes. Hailgen comes with 5 weights ranging from Thin to Black and is armed with several opentype features and Latin and Cyrillic language support.

Ruqia Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scriptsit's suitable for branding, editorial, packaging, and advertising.Ruqia Arabic Features five weights from Light to Black.

St Mika is big, black and beautiful. A little bit clumsy, Mika has his very own style of serifs and letterforms, making him very unique. If you want to yell or scream at someone, Mika is not your partner. This typeface is more about harmony and big letters.

Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!

Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apretures and a high x-height. It comes with eight weights, that range from thin to black.

Ljubljana was inspired by art deco lettering seen in Slovenia, Croatia and Romania. It includes the Latin, Greek, and Cyrillic alphabets. It is named after the capital of Slovenia. Ljubljana is unicase, composed of as few basic glyphs as possible. The basic glyphs are shown in black, and the derived or duplicated glyphs in grey. Ljubljana attempts to encapsulate the essence of both upper and lower case designs in a single glyph. It also explores the common origins of the Greek, Latin, and Cyrillic alphabets, using the same glyph in more than one alphabet.

Kanvas is a flowing calligraphy script. The typeface was drawn and created by Måns Grebäck between 2017 and 2020. Its flowing shapes are inherited from mid-century advertising, being soft and friendly while retaining a sturdy forward movement. Kanvas is a typeface family consisting of five weights: Thin, Light, Regular, Bold and Black. Use it for an invitation card, in a celebratory context or as a logotype. The font contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

Born as a revival of an Egyptian typeface, this hand-drawn typeface is is perfect for headers and even as a body text. It manages to keep the neutrality required for a legible typeface and having slight details that makes it unique. All the details are hand drawn, and it comes in 3 versions: Santa 01 Black, with the original inked look Santa 02 Line, an sketch version of the font, Santa 03 Out, an outline version with subtle different strokes. A Santa Pack is available including all the 3 styles.

Rohn Rounded is a rounded version of Rohn. This family is a modern squarish typefamily with a large x-height and soft feeling. Its letterforms are based on the shape of square with rounded corners. With particular details and large x- height, it is more legible at small sizes both on screen and paper. It has seven weights from Thin to Black with corresponding oblique styles and each weight includes ligatures, fractions, old style numbers, case-sensitive forms and more. Rohn Rounded is ideally suited for branding, logo, packaging, magazine, poster and editorial design.

My affection for Slab Serifs began in the early 1960s in Kansas City with Rob Roy Kelly and his fabulous collection of wood type. In the 1970s tried to re-create a Nebiolo Egiziano for Roger Black. Again for Roger, in the 1980s I designed a Slab Serif logo for Newsweek Magazine. Finally, in 2003, designed the Sutro Family. There were things I didn't like about it, so when I did Version 2 for Open Type, I changed it around a little, making it a much nicer Sutro.

CamingoDos is characterised by tight shapes, elliptical curves, subtle contrast and a strong, humanistic appearance: attributes that were all applied with particular care and attention for legibility. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design. Furthermore it now has two additional related families: CamingoDos SemiCondensed and CamingoDos Condensed. CamingoDos comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

The origins of the font Versailles go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs. The direct influence for Versailles was the writing on the back of the memorial to Charles Garnier, the architect of the Paris Opera. Versailles is a classic font for advertisements, perfect for shorter texts and titles/headlines and it makes an impression of elegance and strength.

I created CemeteryWalk in 2018 to illustrate a program for a local cemetery walk. CemeteryWalk places letters on pictures of gravestones. In 2022 I expanded the family by placing three different sets of letters on the gravestones. Each of the four different sets of letters on gravestones has two styles, one with black letters on white gravestones and the other with white letters on black markers (the bold style). The bold style can be placed beneath the plain style to add color or texture. All eight styles are caps only, with the lower-case letters having different shapes for the tombstones but the same letters as in the upper case. There is only one set of accented characters and it is where the upper-case letters are found. Each also has an alternate set of characters that are somewhat similar in appearance and it can be accessed using the OpenType feature of stylistic sets. A final typeface in the family is a picture font of items that may be found on old tombstones.

A playfull fancy sanserif typeface in 16 fonts Parisine Plus was designed in 1999 as an informal version of Parisine. A reaction to the subjective functionalism of Parisine. In fact, when Parisine try to express neutrality (a typeface is never neutral), Parisine Plus has fun with contrasts and not-so-obvious additions for a sans family. Parisine Plus is a precursor in the way it offers many ligatures and strange forms we generally find more in serif typefaces families that express historical connotations. The various Parisine Plus typeface subfamilies Parisine Plus is organised in various weight subsets, from the original family Parisine Plus (4 compatible fonts), Parisine Plus Gris featuring lighter versions of the usual Regular and Bold (4 compatible fonts), Parisine Plus Claire featuring extra light weights (4 compatible fonts), to Parisine Plus Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord (4 compatible fonts). About Parisine Parisine helps Parisians catch the right bus Parisine Plus and its fancy type effects Observateur du design star of 2007

HS Sondos is an Arabic display typeface designed specifically for titles and graphic projects. Drawing inspiration from Modern Kufi calligraphy, the font features a harmonious fusion of sharp and curved lines, resulting in a visually captivating and innovative take on square shapes and geometric structures. The distinctive sharp endings at the bottom of each character add an extra touch of aesthetic appeal. With three available weights -regular, bold, and black- HS Sondos offers versatility and variety. The black weight introduces a novel concept by maintaining the same horizontal dimensions as the regular weight but expanding the vertical dimensions, creating a uniquely bold appearance. Supporting Arabic, Persian, and English languages, HS Sondos opens up a world of possibilities for designers looking to enhance their Arabic typography. Its visually striking and flexible nature makes it an excellent choice for projects that demand attention and creativity. Overall, HS Sondos stands as a testament to the beauty and adaptability of Arabic typography, empowering designers to bring their visions to life with a captivating and versatile typeface.

Kasia™ is a unique contemporary sans serif family, full of character and originality. It's soft and rounded shapes give it warm, friendly, playful and dynamic feel. Special ink traps serve as ornamental details in bigger sizes, making Kasia™ a wonderful display font family. In small sizes, Kasia™ is very clean and legible. Its proportions and optimized kerning make it a versatile, friendly and organic text family, that features broad variety of OpenType features. Thanks to its various advantages Kasia™ is a great choice for all kinds of design work, both print and on-screen. It is a great choice for branding, logo design and advertising, as well as all sorts of paragraph text. Kasia™ consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Here comes a New font, Introducing BORN TO RIDE It's Weird Display Typeface is a Natural Brush Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs. It also features a wealth of special features including You can activate 22 Ligatures OpenType panel.

Spectrum font is based on a design by Jan van Krimpen, who worked on his font from 1941 to 1943 for use in a Bible of the Spectrum publishing house in Utrecht. The bible project was later cancelled but the font was so beautifully formed and universal that the Monotype Corporation in London completed it. Distinctive are the reserved elegance and unmistakeable beauty of form. The italic was kept fine and is a wonderful complement to the other weights, making it perfect for emphasis in text. The form of the lower case italic g is reminiscent of van Krimpen's italic for Lutetia and Romanée. A similar font in form is the Perpetua from Eric Gill. It displays not only similar forms to those of Spectrum, both fonts also have uniquely designed old style figures. The 7 is particularly unusual with its slanted horizontal stroke and marked bend to the left in the lower third of the form. Spectrum is an extremely legible font even in smaller point sizes and is just as suitable for headlines as for long texts.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto sub-families have two text weights and two bold styles (Regular -> Bold, Medium -> Black). Every weight has a companion Italic style as well. The serif version has been designed to work best at small point sizes (around 8, 9 points). You will not achieve calm, boring or invisible look of your text with Preto Serif. Its long, spiky and sharp serifs contribute to give the typeface a distinct and energetic character. It is very suitable for magazines, corporate identity, brochures or other print materials where a typeface for continuous reading is required. The ligatures in Preto Serif are very special. You can set them in different tracking values and spacing will increase/decrease consistently in the ligatures as well. Alternative characters in the font files allow you to change the feeling of the text from typical to more special (J, Q, g , &). Each font contains a full set of small caps and many alternative characters for complex typesetting.

FF Kievit Serif subtlety melds oldstyle design traits and a 21st century mien into a clean, straightforward suite of typefaces. As part of the FF Kievit super family it helps brands carry their voices effectively and legibly. This includes small text to display sizes, in both print and digital environments, for internal and external audiences. FF Kievit takes inspiration from classic designs like Garamond and Granjon, and is available in seven weights, plus italics. Drawn as a collaboration between Michael Abbink, Paul van der Laan, FF Kievit Serif is a natural extension to the other members of the FF Kievit super family, that also includes FF Kievit and FF Kievit Slab. FF Kievit Serif stands on its own as a multi-talented and exceptionally legible design. Large counters, a generous x-height and ample apertures ensure that FF Kievit Serif translates well to both hardcopy and interactive environments. FF Kievit Serif is available in carefully defined weights, ranging from Light to Black. The Regular, Book and Bold weights are ideally suited to long form text copy. Ligatures, several suites of numbers and small caps are also available. In addition, FF Kievit Serif benefits from the same extensive language support of the other designs in the family.

You can download Bodrum Soft PDF Type Specimen here . "Bodrum Soft" is a rounded sans serif type family, designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Soft" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances helps the legibility and gives "Bodrum Soft" an harmonious and sensible appearance for both texts and headlines. Bodrum Soft provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Bodrum Soft 14 Regular” forms the central point. "Bodrum Soft" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures can be accessed with one simple touch in all graphic programs. Bodrum Soft is the perfect font for web use. I hope you enjoy using it!

Couldn't you really use a wish right now? Girly. Swirly. Quirky. And utterly adorable. This Pro version of one of Kimberlys latest cutesy handwriting fonts has received lots of corrections and tweaks to the outlines - to remove autotracing artefacts, stroke width inconsistencies and create a better flow. Finally the character set was completed and expanded. Job done! Back to stargazing.. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Dutch type designer Evert Bloemsma created this serif FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Avance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

TAN - THE LAUNDRY ROOM is a fun display serif. Wonky yet composed and retains the legibility. *the italic font used in the display is TAN - ANGLETON (italic) — Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters. For support, please don’t hesitate to contact us at tantypeco@gmail.com.

Cotton Club remembers the fonts of the thirties of the last century and the Bodoni, but it does not present graces: it is a sans serif. It has 360 glyphs and is composed of two regular and italic styles. Cotton Club is characterized by a high contrast between thick and thin strokes. The emphasized signs give the font an essential, sharp and elegant look. The Italic style of the Cotton Club refers to handwriting and this is noticeable in the ligatures obtained with kerning. The name of the font, “Cotton Club,” refers to the famous Jazz Club in New York, in Harlem, active in the twenties and thirties, during and after Prohibition. At that time the Bodoni, in its many derivations, was widely used not only in lead composition, but also in neon signs, plaques, posters, as well as in many other applications. Redesigning a new font that brings back to those years wants to be, therefore, a tribute and a reinterpretation of the graphics of that period as well as, it is understood, to the glorious Bodoni. Supported Languages Bulgaro, Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Albanian, Serbian, Swedish, Turkish. Vincenzo Crisafulli font designer Vincenzo Crisafulli graduated from the Faculty of Architecture in Palermo and works as a graphic designer. He has been designing fonts since 1996 and has published with T26 (Type-Foundry, digital foundry in Chicago-California USA): Crisafulli, Chocolat, LST, Luminaria, and Stitching; with MyFonts: Rétrospectif, Bella Copy, Jasmin and Noahs Ark.

Linotype Bix Plain, from Argentinian designer Victor Luis Garcia, is part of the Take Type Library, chosen from the entries of the 1999 International Digital Type Design Contest for inclusion on the Take Type 3 CD. The font is composed exclusively of capital letters. The figures have constructed basic forms and show the influence of the advertisement types of the 1920s, with all their well-mannered details. The lower sections of the graceful letters are white and set against a black background, the upper sections are black on white. This makes the overall picture look as though written on stripes and gives the delicate letter stability. The nostalgic-modern Linotype Bix Pleain is best for headlines in point sizes of 18 or larger.

Stripated is an informal funky font mainly for distinctive headlines and posters, or similar display work. There's still all the features you'd expect like Class Kerning and accented characters, ligatures for ffi, ffl and so on, and a few other extras. The four versions are set up as follows: Plain has all the letters and black stripes in the normal vertical alignment; Jumbled One has the lower case letters all jiggled about but the boxes still square and vertical; Jumbled Two has ALL letters, numbers, and virtually all punctuation jumbled up; and Wild has all that and the black boxes going slightly off square as well. There's 3 different Space characters and a few other character variations in Stylistic Alternates (fuller details in the zip).

Pizza is a font fusion of our Saloon Girl and Mi Casa font families. Our new Pizza font will look great for headlines in your new restaurant menu as well as the sign out front. Pizza offers different levels of ornamentation to choose from to best suit your design needs. Pizza Margherita is a solid black version for plain text. Fill fonts are also available, however, you'll need an application that works in layers to take advantage of the Pizza fill fonts. Fill fonts in the Pizza font family are not meant to be used as a stand alone font, please use the Pizza Margherita font if you need a solid black weight. Pizza is a trademark of FontMesa LLC, initial release December 6-2021

Toffee Display is a sans serif project inspired on Gill sans, Helvetica and Eurotstile italics. This project is designed for food packaging, candies, commercial, and fast food. I recommend combining it with a light and calligraphy font to get absolute contrast. That is it, Thanks for buy it and work with it!

Fer is a sans-serif font for body text, not lacking in its own distinctive voice. The aftertaste of reading the text set in Fer is like reading the letters on old rusty plates somewhere in Southern Europe, hence the name (Fer means iron in French). Being a modern system that includes a variable font with weight and optical size axes, Fer combines the features of geometriс sans serifs and old sans serifs with closed apertures. The typeface contains three sets of styles: for captions, text and headings, — with the weight ranging from regular to black. Fer was created with the idea to unite nations. The Latin character set supports all European languages, most African languages and Vietnamese. Cyrillic has support for all living Cyrillic languages and some obsolete characters too. The font also supports the Greek language. Additionally, the character set includes currency signs of all supported languages’ countries, old style, lining, tabular and proportional figures as well as numbers in squares and circles. Lastly, the font has lots of localized letterforms and stylistic sets. Fer was designed by Dmitry Goloub for Paratype in 2020–2023.

Floro is a typographic family with 3 members designed by Carlos Fabian Camargo. Its idea combines medieval ideas, grotesque, stencil and grunge for T-shirts, stickers, advertising material design. More specifically the concept of Floro join several DNAís coordinating X height, ascendant, descendant and wide, in which proportions and adaptive optics were determined to inject great visual impact when composing titles. Its forms and counter forms have imperfections controlled with vitality and consistency. Floro is useful for ranking words and phrases with corroded edges and creases between the lines of his letters. In that vein, Floro refers to improvised design, deletion and copying. For that reason, its determinants seem stencil patterns that attract the attention of the reader. Its inaccurate decisions were planned that way, in which the type of contrast seems made with a flat tip and the amount of contrast between thick and thin is medium. Its sizes, regular and italic shine by their systematic wear and terminations sometimes in pointed forms resembling medieval darkness. In short, we can say that Floro comes from the miscegenation of Gothic calligraphy texture, foundational calligraphy and some refinements of gothic writings with italic sans-serif ideas of late 19th century. Even with the blur appearance, floro has ideal proportions to pile for horizontal and vertical areas when composing titles with striking looks and robust. And finally, floro dingbats are related shields and stamps, to accompany the written resulting useful at the level of visual support and hierarchical.

Young Money is a script font that expresses a sense of forwardness and spontaneity. Its calligraphic strokes were created with a brush, giving it a wild and fast appearance that's perfect for conveying energy and movement. This font is ideal for sporty designs, trendy logos, and anything that requires a touch of youthful vigor. With its Bold and Italic styles, Young Money is versatile enough to be used for a variety of design purposes. The Italic style gives the font a more emphasized look, while the Bold style adds an extra level of impression and strength. The swashes included in the font allow for even more customization, giving designers the ability to create truly unique and expressive designs. Whether you're designing a logotype, poster or product brand, Young Money is a font that perfectly captures the spirit of youth and vitality. Use underscore _ after a word to make a swash. Example: Wild_ Use multiple underscores to make longer swashes. Example: Bonfires_____ Use # after any letter to make a swash version. Example: Spring#Zone# The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Best life - This cool one line handwritten font is very stylish and elegant that has a great style for your work with hearts in the middle and also lowercase swashes in front and back and lowercase swashes on back and hearts in front of letters to connect.