The 1935 sheet music for Shirley Temple's "That's What I Want for Christmas" [from her 20th Century Fox film "Stowaway"] provided the hand lettered sans which became the model for Artistry JNL. A condensed block design with rounded corners, the typeface is available in both regular and oblique versions.

Auto license plates in the United Kingdom are made with a typeface originally designed by (and named for) Charles Wright and must meet strict criteria as to type height, weight and spacing. A bold sans serif design; British Vehicle JNL is available in both regular and oblique versions.

Sweet Mango is a modern sans serif font. This font is perfect for logos, greeting cards, package design, brand identity, craft designs, any DIY projects, book titles, wedding invitations, packaging, and more. Include 4 style font : Sweet Mango Regular Sweet Mango Italic Sweet Mango Bold Sweet Mango Italic Bold

Sheet music for the 1923 tune "I'm Sitting Pretty (In A Pretty Little City)" had the main part of the title hand lettered in an Art Nouveau condensed Roman type design which became the inspiration for Sitting Pretty JNL. The typeface is available in both regular and oblique versions.

The cover of the 1934 sheet music for "Your Guess Is Just as Good as Mine" offers up another hand lettered Art Deco sans with a classic period look. The square-ish lettering with rounded corners of Second Guess JNL is available in both regular and oblique versions.

The unusual hybrid of square letter forms mixed with Art Deco-influenced ones in the digital typeface Common Area JNL is brought to you by the hand lettering found on a vintage piece of sheet music for "William Tell". The typeface is available in both regular and oblique versions.

Parekraf is a natural Handwritten typeface, with 2 style : Regular & italic. full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols. Very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Tachyon is a family designed by Ethan Dunham that has clean simple lines. The family comes in four weights, regular, light, thin and hairline. The hairline version is extremely light and useable only at larger point sizes. This family is perfect where a high-tech look is needed.

Say hello for our first debut "Jello Chlour " with Modern Elegant Style this is perfect for branding, logos, invitation, masterheads and more. Jello Chlour Features : Multilanguange Ligatures Alternates PUA Encoded Files Includes : Jello Chlour Light Jello Chlour Regular Jello Chlour Semi Bold Jello Chlour Bold Jello Chlour Script

Stereohead is a retro sans serif display typeface inspired by old eighties video cassette cover designs. This font would work perfectly in magazine headlines, t-shirt design, posters, packaging, advertising purposes. Uppercase and lowercase characters, numbers, punctuation and extended latin characters included. 2 font styles available, regular and italic.

The movie poster for the 1934 comedy/crime drama “Jimmy the Gent” (starring James Cagney) featured the title hand lettered in an ultra-bold Art Deco sans serif style. This type design has been turned into Social Club JNL, and is available in both regular and oblique versions.

The hand lettered title on the poster for the 1929 film comedy “Why Leave Home?” inspired Movie Set JNL, which is available in both regular and oblique versions. A classic “thick-and-thin” design with early Art Deco influences, this condensed typeface is perfect for any period projects.

Chamber of Commerce JNL is loosely based on a type style used for some rubber stamp letters and numbers from a vintage child's printing set. Originally a cast shadow design, Jeff Levine felt the lettering merited a direct treatment in both regular and oblique styles without the shadow effect.

Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

Introducing the new fonts, Glowing Bubble. Glowing Bubble is a Pop, Bold and Retro fonts. Good for your brand cute brand. as long as you can matching your layout. Glowing bubble comes with 4 style : Regular Outline Shadows/Extrude Hightlights The font has include Multilingual Language. Thank You, Regards.

Seasick and Seasick-Mirror features wobbly, wavy, distorted letters. They were derived from the almost monoline font Kwersity. The letters of Seasick have a slight backward slant and the letters of SeasickMirror have a slight forward slant. Each of them comes in four weights: Light, Regular, Bold, and ExtraBold.

An ad appearing in the January 5, 1952 edition of Billboard Magazine promoted the then-new releases from Capitol Records. The headline copy was set in a bold, condensed sans serif stencil typeface. This inspired Music Ad Stencil JNL, which is available in both regular and oblique versions.

Introducing, Break Snooze fonts. Break Snooze have a unique shape, rounded and fun. Comes with 3 style Regular, Outline and Extrude, then can mix and match with Stylistic Set. What's Included Inside The Fonts ? Uppercase Lowercase Symbols Numerals Stylistic Set 1 Stylistic Set 2 European Multilingual Thank you, Regards!

A 1927 travel poster for visiting what was then Palestine and Near East was hand lettered in an early Art Deco thick-and-thin type face. The lettering was redrawn digitally, and is now available as the aptly-named Travel Poster JNL, in both regular and oblique versions.

Aranekie is a modern sans serif font inspired by the bold and thin serif fonts. Aranekie comes in 4 styles, regular and italic styles that are perfect for documents, and Aranekie Dxy which can be used for display fonts such as logos, pamphlets, book covers and many other projects.

Faizer is a slab serif typeface font with a display theme. Great for presentations, billboard fonts, logo fonts, and more. Faizer has 3 styles, regular, rounded, and outline. The faizer also features alternates with bouncing styles, as well as alternate lowercase and alternate numbers with in-circle styles.

The model for Deco Moderne JNL was the hand lettered title on the sheet music cover of "Did You Ever See A Dream Walking" (from the 1933 Paramount musical "Sitting Pretty" starring Jack Oakie, Jack Haley and Ginger Rogers). The typeface is available in both regular and oblique versions.

Mula is an extra large super family of 80 styles. Mula has such a big abundance of contrast, styles, weights, width. The complete Mula family consists of regular, slim and rounded versions for use in a multifunctional settings, especially for cooperative work, websites, magazines, editorials, publishing, packaging and more.

GROOVY HAPPY FONT A hand-drawn, bubbly font with a groovy look! There are three fonts included : Regular Outline Extrude. GROOVY HAPPY is perfect for: shirts, retro designs, procreate, stickers, logos, branding, greeting cards, Cricut projects, posters, magazines, social media, prints and more! Have a great day, Haksen

Styled after the monogram of the USS Greenling 213 emblem (a submarine that my grandpa proudly served on), I created this typeface in honor of his long and wonderful life. With both Regular and Rough styles, this typeface comes complete with multi-language support, special characters and symbols.

Commentary JNL is a serif treatment of Jeff Levine's popular Stylor JNL sans serif font. Offered in two weights—regular and light—Commentary is a perfect alternative to formal text fonts and has just a touch of hand-made design to make for a more casual reading experience.

A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design. These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.

A vintage Canadian-published music book circa the 1940s had the title "Strauss Waltzes" hand lettered in a bold Art Deco sans serif that featured block style letters with rounded corners. This was the working model for Formal Dance JNL, which is available in both regular and oblique versions.

This decorative, scalloped thick-and-thin Art Deco type design is one of the many inspirations found within the pages of the 1934 French lettering book “L'Art du Tracé Rationnel de la Lettre”. Now in digital format, Fancy Deco JNL is available in both regular and oblique versions.

A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space. This gives the typeface an idiosyncratic almost arbitrary take on the utility Stencil aesthetic.

Typemonger JNL is based on Two Line Sans Serif from the British type specimen book of Vincent Figgins (circa 1860), and is available in both regular and oblique versions. The word ‘monger’ is an old term for a merchant specializing in a certain commodity (such as printing type).

Hello, proudly present my newest serif font. Metafiz is an elegant typeface that presenting standout, classy, sophisticated, and outstanding purpose. Metafiz comes with 4 styles - regular, italic, bold, and bold italic. Don't worry about the features, Metafiz completed with uppercase & lowercase, numeral, punctuations, and multilingual that support 17 languages.

A script font family which include 4 variations, Light, Regular, DemiBold and Bold. An easily-legible font useful for notes, invitations and announcements, also for the package designer Read John Downers' article in Typographica®: ‘Our Favorite Typefaces of 2007’ https://typographica.org/typeface-reviews/scriptonah-and-casual-brush/

Gerush is a font in the form of a fingerprint. This font is neatly crafted to present a formal yet memorable and unique feel. very suitable for brand identity and other uses. This font is made in a regular and light style with an italic style in each.

A grotesque with an angular design.

Breaking from our catalog of typefaces to create a new handwritten font family, Modern Love was born out of our desire to see what would happen if we took a step back from the norm. We weren’t looking for the perfection of the many calligraphy techniques, but more of a natural way of writing with the same tools. Our escapist experiment into casual lettering culminated into 4 fonts: Modern Love Regular, Grunge, Rough and Caps. Modern Love Regular is a hand-painted script, each glyph individually designed with a pointed brush and walnut ink. The aim was to create an effortless hand-drawn feel while keeping the contrast high density. Playful, yet polished, this font works very well when accentuated with the family’s two distinctive styles: Modern Love Grunge, simulating a washed-out effect, perfect to add a vintage look to your projects; and Modern Love Rough, with its crunchy borders, makes letters visibly rough-around-the edges and gives large letters an unmistakeable pop. All three fonts include a hand-painted set of ornaments, swashes and alternates to limitlessly customize and decorate your texts, accessible through Opentype features. Modern Love Caps is the fourth font, a handwritten Sans Serif that ties the family together with its simplicity and readability. Designed with a pointed nib and Indian ink, this font boasts a different style that perfectly complements Modern Love Regular, Grunge and Rough. The result is a fresh font family perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging for cosmetics, fashion supplies, food products, artisanal goods, and an endless array of options for your projects. Modern Love…when brush meets passion. Check out also ‘Modern Love Slanted’ Turquoise Nautica

ARTA is an ArtDeco style font, inspired by classic font like Newport Classic with elongated typeface with high waisted uppercase letters which curve in an geometric and elegant way. It consisted of really condensed lettering which had little space available. It's a well complet font with 315 Glyphs for most latin languages as "English, French, Spanish, German, Icelandic, Afrikaans, Catalan, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbo-Croatian, Slovak, Slovene, Sorbian, Turkish and Welsh". ARTA will give to your design an chic presentation, you will be able to generate beautiful writings,thanks to 3 differents type "Light, Regular & Bold". It can be used for Shop, Restaurant, Jewelry, Cosmetic, Press identity & more. I started to work on this typeface at the creation of a logo in 2017 for the butcher shop of my uncle in Luchon in France named "Le Louchébem". I always had in mind to complete & share it. So after some years, I decided that it was time to finish it. This was my first Typography creation and I wanted to make it as an Art Deco typeface. I really love this elegant, high & classy lettering style. I want to bring this 1910's vibes back to be more use in our days.

Bank of England is loosely based on the blackletter lettering from Series F English twenty pound banknotes introduced in 2007. The font takes inspiration from German Kanzlei (Chancery) typefaces and the English calligraphers John Ayres and George Bickham. For designers using OpenType-aware applications, Bank of England includes Swash versions of all uppercase letters and ampersand, Alternates for nine lowercase letters and capital Z, and sixteen ornamental flourishes. Western European accented characters are included, and also a simplified St. Edward’s Crown (Elizabeth II’s coronation crown) at the Section (§) and PlusMinus (±) keystrokes (Windows Alt-0167 and Alt-0177).

The font DXAngelusMediaval was developed on the basis of the Angelus Mediaval font, which was issued by Russian type foundry from the beginning of the 20th century (type foundry of G. Bertgold, St. Petersburg and Moscow, before 1904). Probably, the font is a reworking of the DeVinne font (1892 (?), Designer Nicholas J. Werner) of the American Central Type Foundry. For the reconstruction, we used examples of font prints: Cyrillic from the catalog "Art Fonts", 1929, Latin part - Chicago font, from the catalog "La Fonderie Typographique Francaise" (FTF) 1924. In addition, in the font are available Digits of the old style and ligature.