Psychoscout is an initial cap font, originally developed for the Psychoscout record by Flat Earth Society (2006). In 2011 the font was updated for commercial use. It's highly recommended for headlines or posters. It can also be used as a stencil for decorating walls etc.

Dedicated to the XXII summer Olympic Games. I was inspired by the icons of these games when creating font Olymp80. This is an excerpt from the official report of the Moscow Olympics: "Sports pictographs, as we know, are pictographic drawings symbolising sports. They serve as points of reference and help overcome language barrier. Over the past few years, they have been integrated into the decoration of Olympic cities, and have been depicted in Olympic posters, commemorative medals, postage stamps, tickets, souvenirs, etc. On the OCOG-80’s request, graduates from several art colleges took up the design of the pictographs of the insignia as the theme of their dissertations. With the help of the research institute of industrial aesthetics, the Organising Committee chose the work submitted by Nikolai Belkov, Mukhina Art School graduate from Leningrad. The State Committee for Inventions and Discoveries under the USSR Council of Ministers recognised the new design as a production pattern. Though highly stylised, the new signs are easily comprehensible. They are smoother in outline because they are constructed at an angle of 30-60 (previously the angle was 45-90). Another merit of the new system is that the designs can be adapted for use in four representations: direct (solid, black against a white background), reverse (solid, white against a black background), contour (black contour against a white background), and reverse-contour (white contour against a black background), and permit several colour and shade and size variations." All text and pictures you may see on 1980 Moscow, Volume 2, Part 2, Page 420. Monospaced font for names, logotypes, titles, headers, topics etc. Font includes only uppercase letters with two alternative designs for each letter.

La versión propuesta por la SEMOVI (Secretaria de Movilidad) es un estilo más angosto y ortográfico, creadó con la finalidad de aligerar las aplicaciones tipográficas del sistema. Se emplea oficialmente en todas las aplicaciones del sistema de Movilidad Integrada de la Ciudad de México. El creador de la tipografía es Lance Wyman. En esta edición, los tipos minúsculas son una adaptación “no oficial” para el Tipo Movin CDMX, enriqueciendo la tipografía a un estilo visual de altas y bajas, por lo que se prescinde del diseño base como trabajo propio para enfatizar los tipos minúsculas exclusivamente, además de que se han añadido algunos caracteres de acentuación extendiendo su uso a otros lenguajes. Los tipos son una nueva propuesta por Ixipcalli en el presente año 2023. The version proposed by SEMOVI (Secretary of Mobility) is a narrower and more orthographic style, created with the purpose of lightening the typographic applications of the system. It is officially used in all the applications of the Integrated Mobility system of Mexico City. The creator of the typeface is Lance Wyman. In this edition, the lowercase types are an “unofficial” adaptation for the Tipo Movin CDMX, enriching the typography to a visual style of highs and lows, so the base design is dispensed with as my own work to emphasize the lowercase types exclusively, In addition, some accentuation characters have been added, extending their use to other languages. The types are a new proposal by Ixipcalli in the current year 2023.

Best collection of display fonts, don't miss it: Standing font is vintage elegant, these typefaces are truly made for one another. They work very well to give you the perfect design label you have designed. It's perfect for Logo, Advertising, Apparel Design, Label, Signage, Etc. Enjoy!

Seluas Handmade is a bold and beautiful brush lettered font. It's perfect for using in ink or watercolour based designs or on its own as bold hand brushed lettering. Use it for websites, branding, weddings, social media, product design, stationery and advertising, etc. Seluas Handmade is versatile enough to add that natural nuance to any project where you need that to look real.

Mixed Tape Rough is a simplified version of the Mixed Tape font family. It’s a rough calligraphic font duo which includes 2 Styles: Regular and Capitals. It doesn’t have as many alternates as Mixed Tape and supports more languages. Mixed Tape Rough is a dynamic calligraphic font so it can be used for posters, t-shirts, menus, packaging, headlines, etc.

Introducing Al Nevrada Font. It's a display typeface with sharp serif forms. If you want to stand out then this is the font for you. It’s a chic and luxurious serif font with a contemporary feel. Use it to add a bold flavor to any design! It’s ready and perfectly fit for your logo designs, headlines, music projects & social media posts, event posters, brand imagery, product packaging, quotes, merchandising, etc. Features : OpenType features ( ligature, alternate ) Easy to use, you can use combination like a.2 e.2 etc Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works in Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual support

Christmas Festival. A magnificent curved monoline font with christmas theme. Use it to add vintage and mystique flavor to any design! It’s ready and perfectly fit for your logo designs, headline, music projects & social media posts, event poster, brand imagery, product packaging, quotes, merchandise, gift card, wedding invitation, etc.

Arthura is a sans serif font family with subtle reverse contrast, particularly visible in its ultra bold ‘Black’ style. Six weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. It’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc.

Jill Bell's typefaces are energetic, highly decorative, and refreshingly unpredictable. Some are friendly and childlike, while others are rough and nervous. Her latest creation is ITC Swank, a connected script whose shabby-chic" sophistication communicates a worn elegance. Bell begins the design process "with black stuff on white paper," she explains, preferring to draw letters before she digitizes them. Often the inspiration for her typefaces comes from a piece of hand-lettering. "Bruno began as a reminder to buy cat food," she says, "and ITC Swank started out as a small bit of lettering for Wurlitzer Pianos." Bell finds that working with blocks of lettering is a good start for script typefaces. "If I'm drawing a script typeface, I have to write out sentences in the letters first," she explains. "Drawing each letter separately doesn't establish the flow and spontaneity that scripts deserve." Bell's newest design is ITC Swank. It's a somewhat tattered formal script with definite links to early copperplate scripts. Though probably not for wedding invitations, Swank's elegant underpinnings are evident, with its slightly narrow proportions and a baseline that can best be called "bouncy." Graphic designers will appreciate the abundance of swash letters, making it easy to create distinctive headlines and short blocks of copy. Bell has a fondness for the "open, genuine" quality of Chinese and Japanese calligraphy. "Eastern styles incorporate the natural flow of the hand," she says. "Natural, human qualities shine through. Mistakes are accepted, not scorned as in the 'white-out' Western culture." This philosophy is evident in Bell's own designs. Whether it's ITC Clover 's carefree spirit, the slightly spooky Hollyweird, Caribbean 's< rustic charm or the weathered elegance of ITC Swank, there is a natural honesty in her work."

Basuto is a sans serif typeface that is characterized by its unusual shapes in the counters. It was originally created in 1927 by Stephenson Blake. After International TypeFounders, Inc. acquired exclusive rights to the Stephenson Blake Collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) created a digital revival in 1997. Basuto is an unusual yet highly legible typeface with upturned counters and crossbars. It brings a fresh, quirky feel to any project.

BULKY is the 19th Font of André Toet. It’s Unusual, it’s Heavy, it’s Irregular, it’s Rough, it’s Stripy, it’s Angular, it’s BULKY. But it has character and extremely useful for headings, posters and even logotypes. Just-Use-It! Concept/Art Direction/Design: André Toet © 2017

Soft Rock is a bold condensed sans serif with rounded contours that contrives to be gentle and dynamic at the same time: rather like the soft rock bands (Chicago, Air Supply, Fleetwood Mac etc) after which it is named. It's a warm, friendly font ideal for branding everything from soup to soft furnishings.

Laureen zaza is an Arabic typeface that has a very particular appearance. It combines the characteristics of different genres; most notably the contrast of serif faces. While its design is influenced by Kufic and the Naskh style. Laureen zaza consists of two typefaces, text and display, and 4-weights. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

It's a mix of two simple fonts that can make your design projects amazing. You could say that it is beautiful and eye-catching for this one font. You can apply it to branding designs, social media posts, logos, posters, quotes, food menus, wedding invitations, book covers, video content etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Thanks.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.

Mifelin is a well-defined serif font. Serifs are small ornaments that appear at the ends of the lines of letters, giving them a neater, more structured appearance. The well-defined serifs in this font create an elegant and professional impression. This serif font has a balanced and harmonious proportion of height and width. The proportions ensure that each letter looks proportional and easy to read. The line of letters in this font has a smoothness and clarity that distinguishes each character. Sharp, clear lines give off a professional and organized impression. This clarity also helps strengthen the legibility of the font in a variety of design settings. This serif font with an elegant look has a classic style that remains relevant in modern designs. Despite having strong roots in traditional typographic design, this font is able to adapt to more contemporary design contexts and give it a touch of elegance and class. Even though it has a touch of elegance, this serif font still prioritizes good readability. Each letter is carefully designed to ensure that the text remains easy to read and understand for the reader. Prominent readability is the hallmark of this font. Enjoy the various features available in this font. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Mifelin is suitable for any designs that require a formal and official impression. This font is can be used in the design of books, magazines, reports, formal invitations, brand identities, and other design projects that require elegance and professionalism. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Laureen pro typeface Laureen pro is an Arabic typeface that has a very particular appearance. It combines the characteristics of different genres; most notably the contrast of serif faces. While its design is influenced by Kufic and the Naskh style. Laureen pro consists of two typefaces, text and display, and 4-weights. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc.

My Sister is a new modern calligraphy typeface built in 658 glyphs. It has OpenType features with PUA encode. This is a smart font works with popular design software such as Photoshop, Corel Draw X version, Illustrator, Microsoft Office, etc. This modern calligraphy typeface welcomes you to use it for various purposes such as logo, card, wedding invitation, headings, signatures, t-shirt, letterhead, cutting, hot stamping, signage, labels, posters and more. It's very craft friendly.

Hello friends! The 'Wolfie' font family is coming; a dynamic and new vintage feel. It's perfect for branding, logo, packaging, header, title, etc. Wolfie is great if you pair it with an 80s illustration, it will make the design even more dope. Wolfie are available in 3 Widths (Condensed - Ultra Condensed - Normal) with matches 5 weights (Light - Semi Light - Regular - SemiBold - Bold) total 30 fonts and support for 75+ language. Happy creating :)

Keyboard is a condensed and elongated Egyptian font family with thin serifs and a large x-height. Its original design was created in 1951 by Stephenson Blake. International TypeFounders, Inc. gained exclusive licensing rights to the Stephenson Blake Collection, and then Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) created its digital form in 1994. Keyboard excels in display and subhead sizes, and brings a formal feel to any project. Its condensed nature gives it great visual density in the bolder weights, and the lighter weights allow it to retain legibility at both small and massive sizes.

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

Best collection of display fonts, don't miss it: The Gramorel font is vintage elegant, these typefaces are truly made for one another. They work very well to give you the perfect design label you have designed. It's perfect for Logo, Advertising, Apparel Design, Label, Signage, Etc. Don't hesitate to contact me if you need anything. Enjoy!

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

It's bold, it's blocky, it has rounded corners and was inspired by hand lettering on a vintage booklet for children's craft gift projects. It has regular and oblique versions. It's Gift List JNL.

Meet Coastly, a handwritten font that makes you think about vacation, summer, holidays, friends and family. It’s a calm and relaxing font that works great headlines, posters, product design, quotes, branding, marketing materials and more. This font supports latin alphabet with its accents and glyphs. It also covers the most used punctuation marks and glyphs. Coastly is your friendly go to font. We made it thinking of the Amalfi Coast in Italy and its lemons, explaining its name and colour palette. Thinking of limoncello, lemonade from fresh squeezed lemons, granita, ice cream, beach and ferry trips. But we’ve also associated Coastly with your yearly holidays as: Christmas, Thanksgiving, Easter, New Years Eve, Mothers Day and so on. It’s a celebration of life and what its delights.

Steinweiss Script began its journey towards daylight when Michael Doret was asked by Taschen Publishing to do cover lettering for the huge commemorative edition they were putting together on the work of Alex Steinweiss—“The Inventor of the Modern Album Cover”. The lettering was to be created to appear similar to the famous “Steinweiss Scrawl” the calligraphy that Steinweiss had used on countless album covers. While designing this piece of lettering, Michael realized that there was great potential for a font that was designed in the spirit of that famous “scrawl”. Through his contacts at Taschen Publishing, he was fortunate enough to be able to contact the Steinweiss family, and get the official Steinweiss approval to proceed with his “Steinweiss Script” project. Michael decided that in addition to giving the font his name as an homage, that he would donate a portion of the proceeds from the sale of this font to the man himself: Alex Steinweiss. Read more about the background of Steinweiss Script in Steven Heller’s article in Imprint. Steinweiss Script is a family of fonts in three weights: Light, Medium, and Bold. Additionally, within each weight there are three variations: Simple, Fancy, and Titling. These variations relate to the size/ratio of the caps to the lowercase, the complexity of those caps, and the size of the ascenders/descenders on the lowercase characters. These variations add usefulness to the font, making it accessible not just for headlines, but for longer passages of text as well. For a better understanding of its unique features please download The Steinweiss Script Users Guide from the Gallery section. PLEASE NOTE: the three Steinweiss Script fonts are cross-platform fonts which depend to some extent on certain advanced OpenType features, therefore they can be used to their full potential only with programs that support those features. When setting Steinweiss Script one should almost ALWAYS select the “Standard Ligatures" and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Have you ever used a handwritten font on your design project? Have you ever felt bored or dissatisfied with its glyphs style that looks stiff and doesn't flow even doesn't really characterize the peculiarities of a handwritten font? Or fonts that don't have alternative glyphs so they look monotonous in a word or even sentence. And in the end, it makes your projects so far from your expectations, even your clients. It's so frustrating, isn't it? Just wake up from your dissatisfaction and this is your time to make a good choice for your design project. So, we have a solution to fix it. We introduce 'Stylish Classy' just for you. This is a font that really characterizes from the handwritten style. This font is crafted carefully in every its single scratch, created to look as close to a natural handwritten script so that it can create the perfect combination on each glyph. When we make this font, we really want to create a touch that is so free-flowing that it gives a natural impression on its use later. For example, if you want letter 's' that has a flow sketch with letter 't', you can find it in 'st' ligature glyph. So if you really want a so natural and flowing touch in your project, Stylish Classy Font gives you 210 Natural Ligatures ( combining of two or more letters in a glyph ), Two Alternates, and Slant Version. Stylish Classy is a fashionable handwritten script font and obviously it's so Stylish and Classy :) Stylish Classy Font offers beautiful typographic harmony for your design projects diversity e.g. logos & branding, wedding designs, social media posts, advertisements, product designs, quotes, watermark, photography, poster design, magazine, stationery, or simply as a stylish text overlay to any background image. - Included Languages support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, German, Icelandic, Indonesian, Italian, Norwegian, Malay, Portuguese, Spanish, Swedish, Zulu. - All Natural Ligatures (210 Glyphs): Bh Cl Cr Cs Ct Cy Hy Jh Ji Kh Kl Lo My Mrs Mr Mt Si Sl Sp Sp St St1 St2 St3 Ul1 Un1 Ut1 Ul Un Ut Wh Yo aa ab ab1 ab2 ak1 all ant app arr art ask ast at at2 at3 at4 att af ah aj ak ak1 al al1 an ap ap ar av bb1 bb cc ch ck co ct dd ever ee1 ee2 ent er1 err ett ee ek el en er es et ff1 ff2 ful ff fi gg1 gh gh2 ght gn1 gf gg gh gi gl gn hh ight ill1 ill2 it's itt1 if1 ill ion ism it1 it2 ith itt ity if ii il it jj1 jj kk ll1 ll2 la lh ll most nt oll on2 on1 op1 ops or1 orr oth ous of oh ok ol om on oo op or ot ow ox oz ph pp pt rk1 rta rk rr rt sl1 sl2 sl3 ss1 ss2 st1 st2 st3 st4 st5 st sh si sl sp ss st the tt1 tt2 th to tt tv ty ull ure ut1 ut2 ut3 us ut ve vs wh wt yl1 yl2 yl3 you yr yr2 yl yn yr mm1 mm2 mm3 mm ms nn1 nn -Swash on pictures are not included

Mindlove Script is is a beautiful and unique typeface. It includes amazing swashes which will add an elegant touch to your designs. It’s suitable for greeting cards, quotes, invitations, printable, such as posts, signatures, logos, wedding invitations, t-shirts, letterhead, signage, labels, news, social media, posters etc. Fonts featured : Uppercase, Lowercase, Numbers, Symbols, Accents, Stylistic Alternates, Swashes, and Ligatures. Mindlove also multilingual support

Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France in the 30s of the XIX century. It's Cyrillic versions were offered by typefoundries of Revillion and Co., Pluchard, Semen, etc. In our version we also added support for Hebrew (with vowels).

By 1915, all the major foundries offered families of sans serifs, sometimes called Gothic in the USA. Franklin was a response suitable for countries in the vanguard of the machine age. Designed by Morris Benton in 1903-1912, Franklin has preserved its own personality ever since. The ITC Franklin Gothic font family is a redrawing by ITC that keeps the original strength intact, meeting the demand for a strong typeface. ITC Franklin Gothic is better read in display sizes and considered a standard in the newspaper and advertising fields.

Taler is a serif typeface is represented by seven weights. It was conceived as a continuation of the sans-serif Nekst. In the process of design it became clear that it is a completely different typeface. The rectangular, slightly elongated serifs, the plastic stiffness, and the combination of different styles make Taler a true representative of contemporary. It's old-fashioned and modern, it's for a display titles and for plain text, it's rough and elegant — it's all present in design at the same time. The duality of it nature is it peculiarity.

It's legible, it's handmade and it has a lot of personality...with a twist of organic freshness it is guaranteed to make that next project of yours stand out!

Introducing Cremétalks Signature! It's an authentic handwriting font with a signature style look. It's highly recommended for you who want to make some designs with a natural signature style. This font will work for invitation design, logos, autograph, wedding design, poster, packaging, book cover title, quote, social media post, etc. You just only open your Opentype features at photoshop or adobe illustrator while using the script font to use the ligatures and swashes. As you type, your text will look like a natural signature or handwriting. So, enjoy it...

Really excited to introduce British Classical and British Classical Neue is a Classic serif family. It's clean and smooth with 9 variable weight combining the regular and italic and much alternative inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. If you need anything else just shoot me on email at: Suandana_Ipandemade@hotmail.com Hope you enjoy it.

It's a bold, It's HOT ROAD! A realistic hand brushed font just raring to get going. HOT ROAD is handwritten made with a wet brush, dynamic spontaneous flow and natural. It's perfect to leave a realistics impression on social media posts, advertisements, posters, products packaging & more. HOT ROAD FONT comes with several alternates character, ligature, punctuation, numerals. Also included is a bonus extras swashes. Use it for magazines, t-shirt, packaging, logos, advertising, quotes, branding, posters, editorials, cover artwork, movies, websites, etc HOT ROAD Font is coded with Unicode PUA, Allows full access to all the extra characters without having special software designing. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor / app. Thanks so much for looking and Enjoy it!

Gardenia is a grotesk sans-serif. It comes in 9 weights with matching italics. It was designed by Salvador Rodríguez in 2015/2016. It is characterized by legibility in the medium sizes, black and thin weights are great performers in display sizes. Gardenia is well suited for longer texts and headlines. It’s perfect for graphic design, web, print, motion graphics, interaction design etc… Gardenia is equipped with a wide range of opentype features. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry Check out our website!