Boughy – Font Family is a versatile display serif font family with 9 weights from ultra condensed to extra expanded. perfect for headings, titles, branding and much more. Boughy – Font Family contains everything you need to create stunning typography – from headline fonts to body text fonts – all in one place. Whether you’re starting out or you’ve been designing for years, Boughy has everything you need.

Milafleur presents the second member in the series of pictorial fonts with calligraphic miniatures by Lyudmila Mikhailova. The first font of the series, Milanette, was released one month earlier. Milafleur contains more than 60 pictures -- mostly flowers which define the origin of its name. In contrast to Milanette the pictures in Milafleur are less abstract and thus can be used as small illustrations in greeting texts, postcards, intimate notes, diaries and even in Christmas cards because some of the pictures show strobiles instead of flowers and coniferous branches instead of leaves. Released by ParaType in 2011.

Introducing "Cowboy Wanted" - The Ultimate Western Retro Serif Font! Saddle up and embrace the wild, wild west with Cowboy Wanted, the font that's taking the design world by storm. This font embodies the perfect blend of old-school ruggedness and contemporary flair, making it the hottest ticket in town for all your Western-inspired design needs. Each character in Cowboy Wanted is meticulously crafted to capture the essence of the Old West, from the sweeping serifs to the rugged lines. Whether you're working on a saloon-inspired logo, a rustic poster, or a themed event invitation, Cowboy Wanted adds that authentic Western touch that's so in demand right now. Don't miss your chance to lasso the trendiest Western retro serif font of the moment. With Cowboy Wanted, you'll be the sheriff of style in your design projects, standing out in the crowded frontier of design. Saddle up and make a bold statement with Cowboy Wanted today! Here's what you get: Cowboy Wanted Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

We popped the Doohickey into the Framistat and out popped this Whatchamacallit! Is it fat? is it thin? Is it tall? Is it short? Is it light? Is it heavy? Is it condensed?! is it expanded?! Yes, yes, yes and yes -- It’s all of the above and more! Our resident mad scientist John “Mr. Fontastic” Roshell has developed a single contraption that can handle any design emergency, from crimelords to supervillain team-ups to alien invasions. Whatchamacallit is a friendly and readable sans-serif, inspired by some of our all-time favorites -- Gill Sans, Futura, Venus and Antique Olive. But, like its machinery-contraption namesakes Doohickey and Framistat, Whatchamacallit has a lively personality -- the strokes are a little wavy, the ends a bit bulbous, and the circles are like little loaves of bread, rising in the Whatchamacallit's oven... delicious!

The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima excellent legibility in small sizes and an overall even colour when set in text. Delima works well for magazines, periodicals and display work in advertising, flyers and catalogues.

Originally Mamontov has been inspired by poster (usually wooden) types of the end of 19th—the beginning of 20th centuries. The type family was named after Savva Ivanovich Mamontov (1841-1918), Russian industrialist and patron of the arts. Massive asymmetric serifs, stocky proportions, type weight... are traces of harsh imperial reality. And soft forms of ovals, exaggerated compensators, humanistic curves of serifs and horizontal strokes betray the sensitivity and artistry of Savva Ivanovich. Mamontov has 25 styles, ranging from Light to Black and from Condensed to Wide, with more than 1000 characters per font.

Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.

INTRODUCING - Magic Funk a retro serif typeface. Magic Funk is a unique display serif typeface with many ligatures and alternates that you can combine to get Amazing & Beautiful project. Very suitable for use with retro, old and vintage themed. comes with a full uppercase, lowercase, numbers and punctuation + standard multilingual support. This font is perfect for fashion related branding or editorial design and displays both masculine and feminine qualities. We recommend using Adobe Illustrator or Photoshop. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its siblings ( Revla Sans and Revla Serif ) with a touch more chunk. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It’s shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but it’s a belter!), and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the Revla Superfamily, particularly Revla Sans.

Berkin – Display Font is a captivating sans-serif typeface that breaks free from monotony with its playful and eye-catching design. Its stems and letterforms carry a dynamic and non-uniform style that instantly grabs attention, making it perfect for display purposes. Berkin’s unique design adds a sense of energy and spontaneity to your projects, ensuring that they stand out in a crowd. Whether you’re creating eye-catching headlines, signage, or branding materials, Berkin injects a distinctive and lively personality. This font is like a burst of creativity in the world of typography, making it an exceptional choice for projects that demand a playful and attention-grabbing aesthetic. Berkin’s playful and non-conformist approach ensures your designs are unforgettable and exude an enthusiastic and dynamic vibe.

Honesty was the first font published by the Studio in 2020. It was a typeface with flared stems. 2 years later, we are now publishing Honesty Sans. It is inspired by the original design but is revisited as a sans serif this time. Honesty Sans keeps the inspiration from the incise genre and font such as Albertus or the Trajan but with softness, thanks to its low contrast and smooth curves. Honesty Sans is highly lisible, which offers a variety for use, from titles, edition of texts, branding, magazines and so on. Its large variety of glyphs, including accents, old-style numbers and ligatures will give uniqueness to your designs. Honesty Sans is available in 16 styles, from thin to heavy in roman and italic.

Sunfice is a heavy retro typeface. In a style that is not quite sans, not quite serif, this bold lettering gives any project the attention it deserves. Use it for a classic logotype or headline to give your work that genuine vintage look. The Sunfice family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Glora is a modern sans serif with a soft touch made at Warkop for fun. Glora has strong upper and lowercase letters that are subtle and effective in a variety of designs for your project. This font is very good in my opinion, you must think I praise my own work, you are not mistaken I also think the same as you. It is perfect for graphic design and any display use. It can easily work for web, signage, corporate as well as for editorial design. Have fun designing with the Glora font, because I have the quotes "don't forget to be happy while you're alive" Thanks for use this font ~ Khaiuns

Are you looking for a new font to add to your collection? Look no further than St Saturn, a retro serif font that is both stylish and versatile. Whether you’re designing a logo, creating a website, or working on a print project, this font has the potential to elevate your work to the next level. Keep reading to learn more about the features that make St Saturn unique and how to use it effectively. 7 Weights Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate Glyphs Multilingual Support for ä ö ü Ä Ö Ü … Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Patron is a modern, mono-linear, sans-serif font family with large x-height and softened edges containing 12 fonts. This typeface was born as a corporate font design for non-profit sector and today it is available for public. At the moment Patron is offered as a PostScript-flavored OTF, but its construction is tuned to display well on screen as well. Works on a TrueType version with individual glyph hinting are being carried out. In addition, Patron has alternative family (Patron Alt) with enhanced personality, suitable mainly for headlines. Patron is graduation work of Matěj Hlaváček at AAAD in Prague, Studio Of Typography. Supervised by František Štorm, Tomáš Brousil and Karel Haloun.

Sullaty is a classy sans serif typeface that suitable for strong and modern looks on your works. Sulatty has two style and ending swashes for chracter j, g & y. Combine this alternate to make a gorgeous typeface for your design! Two style Font: Regular & Outlined Sulatty is perfect for sport product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Ligatures - Ending Swashes - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. --- Hope you enjoy with our font! Attype Studio

The art of accumulation. If we can give you many options then why not? Palagio is a sans serif font package that will delight you. A font family that projects simple, warm, yet modern style. Palagio comes with 7 different weights. It is versatile enough to be used as title, body or button text. Features: Multilingual Supports Numerals and Punctuations PUA Encoded It is perfectly used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing premium fonts from Din Studio. If you have any further questions, don't hesitate to contact us. Happy Designing.

Hello Everyone, introduce our new product Font Hello Everyone, introduce our new product Lazy Coffee is All Caps Bold Typeface Serif Display , inspired by the title of the sports poster and We make it very energetically. Lazy Coffee font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. That is has charming, authentic and relaxed characteristic more natural look to your text.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

Patron is a modern, mono-linear, sans-serif font family with large x-height and softened edges containing 12 fonts. This typeface was born as a corporate font design for non-profit sector and today it is available for public. At the moment Patron is offered as a PostScript-flavored OTF, but its construction is tuned to display well on screen as well. Works on a TrueType version with individual glyph hinting are being carried out. In addition, Patron has alternative family (Patron Alt) with enhanced personality, suitable mainly for headlines. Patron is graduation work of Matěj Hlaváček at AAAD in Prague, Studio Of Typography. Supervised by František Štorm, Tomáš Brousil and Karel Haloun.

Divan Pro font family is designed by Naghi Naghashian. It is a Headline font family, a modern interpretation of sans serif characters in 2 weighs: Heavy and ExtraBlack.The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Zebrawood font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly, who also designed Rosewood, Ponderose and Pepperwood together. Like its relatives, Zebrawood also displays a kind of Wild West character. Its style can be traced back to the Toscanienne typefaces which appeared in advertisements and on signs at the end of the 19th century. Typical of this capital alphabet are the split serifs and robust base forms, which emphasize the typeface's decorative character. Zebrawood is, like Rosewood and Schwennel, meant as a bicolor font, meaning that the weight Zebrawood fill complements the inner spaces of Zebrawood regular. When used carefully in headlines, Zebrawood font will be sure to attract attention.

Neufile Grotesk has its roots in some of the earliest commercially available sans-serif typefaces. This highly legible sans-serif design is well-suited for many display and text-based typographic uses. Users can apply the fonts effortlessly to a large number of messages and media, from advertising to book design. The typeface family ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s eight static OpenType font files instead. Those weights run from Extralight through Black. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Neufile Grotesk Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. But even the eight static fonts satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Whichever format you choose, the Neufile Grotesk fonts include several sophisticated OpenType features. In addition to standard ligatures, there are a few discretionary ligatures and a stylistic set replacing “a”, “g”, and “R” with geometric-sans-style forms. Other features include numeral variants – there are proportional and tabular versions of lining figures and oldstyle figures – as well as fractions and numbers in circles. The fonts have arrows and a feature for setting case-sensitive forms, too.

Sherbrooke is a simple and sans serif font. I have chosen the name of this typeface after the "Sherbrooke" Street in Montreal, Canada, that I daily walked in for several months in the late 2005 while I was studying in Montreal, Quebec, Canada. I do adore this street and also I adore the whole city of Montreal. This font comes in two different weights. "Sherbrooke" can be used in wide fields of publications such as the titles of novels, literary texts, short stories, dictionaries, books, newspapers, websites, and magazines. It is suitable for T-shirts, mugs, advertisement light boards in malls, subtitles of movies, logos, cans of foods, and medicines' names. The font is more attractive when it is printed in calendars and for displaying the contents and paragraphs of electronic encyclopedias and different online websites. "Sherbrooke" is specifically designed for educational, journalistic, literary, and social purposes. The main characteristics of "Sherbrooke" Typeface are in its sans serif new designed letters and also in its lowercase special numerals. I think that these characteristics have made "Sherbrooke" exceptionally unique with its alphanumeric combinations. You can enjoy this typeface and use it anywhere at any product or service. It is simply gratuitous for all. The word "Sherbrooke" is a person's name. Sherbrooke Street - officially Rue Sherbrooke - is a major east-west artery at 31.3 kilometers in length and it is the second longest street on the Island of Montreal in Canada. The street is named for John Coape Sherbrooke, the Governor General of British North America from 1816 to 1818.

Belle Sans is a clean, straightforward sans serif typeface family, and a very large family at that! It has seven widths, from Ultra Condensed to Extra Wide, and seven weights, ranging from Light to Black, all with Oblique companions. Belle Sans offers up great legibility for on-screen usage, and the breadth of width and weight make it very usable for text applications as well. The heavier weights, especially the Black, are exceptional for creating visual impact! Each font supports Western and Central European languages, ligatures, tabular figures, unlimited fractions, superiors & inferiors, and ordinals.

A 1963 movie poster for an Italian documentary called “Sexy Nudo” had its title lettering in a free form spur serif design reminiscent of cut paper. This inspired Winkle Picker JNL, which is available in both regular and oblique versions. Despite the subject matter of the film documentary, the lettering on the poster is fun and playful, which meant the digital font deserved a fun name as well. It was named for a shoes and boots with sharp and long pointed toes which first gained popularity in the 1950s.

Introducing Banerton, the condensed sans serif font that combines a clean, modern aesthetic with a casual vibes. Its minimalistic design and semi bold lettering make it perfect for everything from labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Nuno Sans is an elegant sans-serif typeface with a humanist touch. It offers 72 styles with 4 widths, ranging from Extended to Condensed, including 18 styles of both uprights and italics. This versatile font supports Western, Central, and Eastern European languages, as well as Vietnamese, ensuring widespread accessibility to readers. Nuno Sans excels in various applications and situations, from bold headlines to easy-to-read text, making it suitable for web, print, and corporate identity projects. Nuno Sans is a contemporary and diverse typeface, perfect for any design project.

Bechilo - is a beautiful and unique serif font that embodies charm and elegance in every letter. It beautifully combines a vintage look with a modern flair, and it would make a wonderful impact on each of your projects! Bechilo - this style works well for branding projects, gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, logo and much more... WHAT’S INCLUDED? Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

HYPOP is a strong and condensed sans serif font family with a nostalgic vibe. Combining retro and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Gerbera is a new sans-serif with a distinct personality that fuses geometric and organic elements. It is at once hip and quaint, clear yet idiosyncratic, restrained but sensual. Its deliberately varied classical capital proportions and geometric structure are balanced by slightly reversed stress and pinched terminals on curved strokes. This versatile font comes in five weights with their italics and offers a variety of Open Type features, including small caps, alternate characters and punctuation, five sets of figures, and CE, Baltic, and Cyrillic support. Designed by Gayaneh Bagdasaryan & Vyacheslav Kirilenko, 2014-2022.

Le Blanc is a strong and condensed sans serif font family with a retro vibe. Combining vintage and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Trained Monkey is a happy serif cartoon font. Use it for your book cover designs, posters, product packaging (may I suggest peanut butter?) and whatever else you may fancy. This monkey was made by hand, so the glyph edges are a bit rough and uneven - giving it ‘ye olde handmade look’. The name? Well, I was watching a movie (can’t remember which one) in which two guys were having a discussion. One of them said to the other: ‘a trained monkey could have done this job!’ That’s all folks.

Frio is a geometric monoline sans-serif typeface consisting of 15 styles: 5 weights and 3 widths plus italics. Clean, neutral and technical, Frio was inspired by the form of super ellipse and Eurostile by Aldo Novarese. The font contains stylistic and contextual alternates, ligatures, discretional ligatures for use in German, ornaments and other OpenType features. It supports all the European languages using Latin alphabets. The main thing that sets it apart from the other typefaces is a possibility of using simple typing combined with stylistic sets to add colored backgrounds to numerals.

Sans-serif, with clean and fresh Character. "Ye Paradigma" has been established in order to keep its forms as simple as possible - without losing the unique character of each letter, and without simplifying too much. The process was gradual, like the ripening of a sauce that leaves it to be reduced to strengthen flavors, so the letters ripened while reducing unnecessary details, until the taste became more concentrated and uniform. The result is a clean, fresh, remarkably useful 24 fonts typeface, with a clear and stable graphic language.

Makro is a family of extended display sans fonts with an imposing profile with six weights, ranging from Light to Black. This series is distinguished by the excessively contrasting shapes and tones of the shapes on each opening joint and adjusted open counter. This font was designed primarily for large display text that demands more space, such as on out-of-home graphics, headings, titles, or another similar application. The most recent version of Makro supports variable weight and italic axes, as well as OpenType features such as alternatives, circled numbers, etc. In addition, the family has enlarged its linguistic repertoire to incorporate Cyrillic in addition to Latin.

‘Scion’ is an original design by Alex Kaczun. The inspiration for the typeface came from the Toyota SCION logo, which bears its name. In Alex’s own words, "I loved the simplicity, proportions and hi-tech look of the logo and decided to create an entire new design series based on its unique look". The fonts come in five flavors: thin, light, regular, bold and black. All the font weights were designed systematically on tabular widths so that the user can make adjustments to overall type color without changing the line length. In addition, Alex Kaczun has provided us with several alternate glyph substitions to further enhance the overall appeal of this contemporary new design. The large Pro font character set, which supports most Central European and many Eastern European languages, makes this typeface series ideally suited for display copy as well as text composition. In the near future, Alex plans to include a narrow, compressed and ultra expanded, along with true-drawn italic variations to further expand the possibilities of this great new display series.

I've always been in love with fat didones. That’s the reason of Posh. In search of something unique, I started this family back in 2013 with the aim of creating the fattest yet readable bodonian typeface in the market: It was a challenge, because roman fonts need generous counters (or what some call white spaces) and taking them to the extreme of inexistence attempted against the construction of many glyphs. Ears, dots, terminals and serifs always need some extra space so I had to find the exact point of boldness to make characters which have those attributes work well in the middle of those which haven't. (1) After a while, I felt I was again ‘in my element’: Big contrasted letters, sexy and elegant curves, and that Lubalinesque feeling that characterise my fonts. (2) Words written with Posh are a explosion of elegance and sensuality due to the fact that its didone attributes were exaggerated. Since it’s full of alternate glyphs, one can change and choose them until a nice block of ‘‘black’’ is achieved. (3) To accompany the regular style, I designed Posh Inline, a font with the same quantity of glyphs than the regular one; an all caps style called Posh Capitals, and also a really playful Italic version. I hope you find this one delicious like I do! This font is dedicated to all who understand letters are not just meant to be read, but also to be appreciated in group and individually. Enjoy it. NOTES (1) In example, it can be easy to design a fat letter ‘n’ with almost no counter, but really tough to make a satisfactory letter ‘s’ with serifs to match that ‘n’. (2) Also, it wasn't my first attempt in fat didones. Take a look at my font Reina, made in 2012. (3) Posters above show many words with ball terminals that seem to dance above and below the words in order to fill those “undesired” blank spaces.

Fungia is the result of an experiment to remelt loose natural forms to a coherent structure of a typeface. The idea appeared as a kind of joke: what letters look like if based on the shape of mushrooms. In a sense the structure of�mushroom has some affinity to the structure of�a letter: a cap and a stalk remind�a serif and a stem respectively. So it was pretty easy to design such straight letters like I, E, L, F. The captivating challenge was to apply the idea on round letters (O, C, D, G), letters with diagonal (N, M, Z) and signs without serifs (digits, @, &). The result exceeded expectations. The typeface turned sophisticated and vibrant but absolutely consistent. It became capital-only font in one weight. Because of its opulent forms Fungia performs best in large size and short inscriptions. However it provides readability in small size as well. Fungia is more likely thing-in-itself. Initially it wasn't intended to solve specific design challenges. But the alleged scope could include book covers, posters and billboards, street signs, magazin spreads and all situations that demand�expressive typography. Fungia supports extended latin and russian cyrillic script systems.

OKABA a sans serif typeface full of personality and taste. A display typeface at its core, complete with several ligatures and alternatives for capital letters. With a clean, minimal, and modern sans typeface. Look elegant by using ligatures for your magazine, brochure and editorial layouts.