A very solid, square and sturdy font, but with some special and quirky details. It is perfect for logos and trademarks - and now supporting many more languages. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The first handwritten font from CheapProFonts - and what a beauty it is! The original font had no diacritics at all, so all have been designed to fit. This friendly looking font is ready to scribble some notes or something. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A funny and quirky handwritten script - with an original "monoheight" letter design. It is cute and adorable, and now available for setting text in most latin-based languages. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Time to grunge it up again with another detailed masterpiece from Guillaume Séguin. Character set has been greatly expanded, ready for some rough and tough designs in many languages. Rock on! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The freeflowing and quite feminine style of this script appealed to me, but it needed a bit of taming. Quite a few of the letterforms have been normalized - to better accommodate the diacritics. :) All fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Spantaran is a sporty display typeface which is very suitable for logos, titles, player names on the jersey, and more. It was made with italic & bold characters which give it a strong feel.

Becka Brush is a bold and chunky lettered display font, created with the help of a brush pen. Add it to your most creative ideas and notice how it makes them come alive!

Mancave SRF is the perfect font for the ultimate party Neanderthal. Holding court in his den with a case of beer, wide screen TV and all of his sports buddies, he is safe and secure in his lair. Bold, brash and angular, this typeface was designed for Stella Roberts fonts by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

PIXELOUT is a display font based on bold serifs combined with a psychedelic style and given a low pixel effect like in a game. With its pixelated stroke characteristics, this font is perfect for different or unique designs such as in games or for bands and music event posters. The uniqueness of this font is psychedelic-pixel, it can be categorized as a vintage font because usually old school games use this style plus it can be used for bands because psychedelic is also found in one genre of music. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Straits is an oddball fun ALL-CAPS font, a modern take / re-imagining of some old Art Deco signage and a sister to my other font Penang. The font is available in 2 weights for now, a light and a medium. In general I think ALL-CAPS steal 26 characters from you, so each letter in each case is a little different, however subtly. This being an ALL-CAPS font I imagine it will work best in Headlines and other bold statements, but buy it and find out. The font is loaded with plenty of extras and glyphs. This was designed to be fun, so I hope you can have some with it.

Introducing Madriz, a slab serif font with a retro feel that's perfect for any project that needs a touch of old-school charm. With over 32 fonts in one font family, Madriz offers a wide range of styles to suit any need. You can choose from Thin to Black weights and Regular to Extra Expanded widths to create your perfect look. Madriz is inspired by the old-school signage of Madrid, Spain. The name "Madriz" is actually the affectionate nickname that Madrileños, the people of Madrid, gave to their city. The font's bold, blocky letters capture the essence of Madrid's vibrant and historic streets. Madriz's versatile nature makes it a great choice for a wide range of projects. Its bold, retro style is perfect for showcasing heritage brands or giving a modern touch to classic designs. Madriz can also be used to create a sense of nostalgia, making it ideal for retro-themed projects or campaigns. Here are some of the ways you can use Madriz: Titles and headings: Madriz's bold, eye-catching style is perfect for titles and headings. Text blocks: Madriz's wide range of weights and widths makes it suitable for text blocks, from body copy to large paragraphs. Logos and branding: Madriz's retro charm makes it a great choice for logos and branding. With its 32 font styles and support for over 90 languages, Madriz is an incredibly powerful tool for any designer. It can be used to create a variety of looks, from classic and elegant to modern and edgy. Whether you're working on a print project, a web design, or an app, Madriz has the potential to make a lasting impression. Madriz is the perfect font for anyone who wants to add a touch of old-school charm to their designs. With its wide range of styles and features, Madriz is sure to make a statement in any project. Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. Happy creating everyone!

Monotype’s hot metal Bell series from 1931 was based on original types made by the punchcutter Richard Austin for the foundry of John Bell in the 1780s. The different sizes of Monotype’s series were not all based on the same model. As type historian James Mosley wrote on Typophile, “For 18 point and above (the metal type was cut in sizes up to 36 point) Monotype’s model was a larger type [than the model used for the text sizes], the ‘Great Primer’ cut by Austin. This has greater contrast in the capitals and a flat foot to letter a.” The digital Bell closely follows the design of the hot metal 18pt version, and is therefore somewhat lighter in color than the text sizes of Monotype’s original metal face. James Mosley’s Typophile article can be found here.

A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.

Sintesi Sans. Sans meets serif. Are you looking for a robust, contemporary but nonetheless an elegant font? Sintesi Sans might be exactly what you are looking for. Sintesi Sans builds together with Sintesi (SemiSerif) and Sintesi Semi an extended family. However each of the three member of the Sintesi-family accomplish the «synthesis» between Sans and Serif on its own way. Sintesi Sans scores because of its readability, robustness and contemporary style. It is a true Sans Serif and therefore really flexible, universally applicable especially as a body text font and in a broad number of other applications. Worth mentioning is the particularly slim «Extrathin» style, which elegance is not to be outbalanced. Thanks to the good readability and the wide set of styles and glyphs, Sintesi Sans suits to a wide spectrum of applications. Download a free trial package of the extended family with a reduced character set – check it out! Download a free trial version of Sintesi Sans with a reduced character set. Check it out!

Black Street This is a large and bold font, it is very suitable for all design work, it looks elegant and clear and dares to display a unique impression in it for magazines, clothing posters and others.

Cute Lime is a bold and colorful display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

DrivEddie was an attempt to create a rough, hand-drawn typeface that was quirky but easily readable. It has a few serifs so it is almost but not quite san serif. All vertical stems are curved. For almost 25 years DrivEddie was a one-font family and one-font families often have limited applications. In 2020 I returned to this typeface to increase its possible uses by adding five new styles: italic, semibold, semibold-italic, bold, and bold-italic. I also corrected mistakes and added characters.

Do you want your visuals to be louder? Hurtmore typeface can make your visuals more powerful. A fun handwritten design with a realistic scribble style. It can add a sense of loudness and boldness to your visuals. Hurtmore also features a unique stylistic alternating character. You can mix and match it however you like! It is perfect for packaging, posters, quotes, editorial, and branding projects that need a bold impact. Features: - Total 232 Glyph - Uppercase - Alternates & Ligature - Numerals & Punctuation - Multilanguage Supports 60+ Latin based languages

LD Grandpa is such a great font for any journaling application...and definitely not just for your masculine scrapbooking creations. It's bold and casual handwritten style is a perfectly useful addition to any font library.

Introducing, Farland. a bold script font that carries the vintage feel. This font is perfect for logo, headline, signage, packaging, branding, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded

This typically handwritten script fonts are based on my own handwriting. First release of the Hybi4-Script was back in 1999. Now it’s renewed and completed with many more special characters and a bold style.

Proudly present Cvltre Dope - Funky Brush Font, created by ikiiko. Where bold script meets funky in a stylish letters! This brush font is a rebellious celebration inspired by the vibrant pulse of street culture. Imagine a font that's as daring as your streetwear style – it's not just a font, it's a statement! Cvltre Dope is the wild offspring of graffiti vibes and urban flare, giving your phrases a streetwise edge. This font screams attitude with every stroke, making it the ideal complement for any streetwear business looking to break the stereotype. Bold, funky, and ready to conquer the streets, the font that doesn't just speak; it shouts in style! This font is very suitable for making a streetwear brand, poster, magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligatures Multilingual Support Works on PC & Mac

Just call me CHAKIE. I'm born from the old natural brush chalk look from the 60's and 70's. Use meto create very bold and strong design! Great for posters, t-shirt designs, branding, packaging, labels, and more. Bring back me to the 60's brother! :D And why you must grab me? - Simple installation - Support for 23 languages (WOW!) - Compatible with MAC or PC - PUA encoded - Lots of fun!

Say Hello to Ballsye, a Superb bold display font. This font is a very bold font so it has a strong impression. But other than that, this font can also be a fun and playful font. Ballsye is perfect for branding design, posters, apparel, for logotype, website header, fashion design and any more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Kochay is an unique bold and blurred hand lettering monoline font. this font is outstanding with its sharp and bold style that makes kochay font is more tough and aesthetic. This font equipped with extra ligatures and alternates. Kochay is perfect for branding, text header, t-shirt design, logotype and other stunning graphic design. Features: Basic Latin Glyphs Multilingual Numeral and Punctuation Standard Ligatures Stylistic Alternates Thankyou for picking up this font, hope you enjoy it. Regard. Grontype

Happy Boy is a handwritten sans typeface that has a rounded corner in each glyph. Inspired from speech bubble for comics, illustrations and kid writing. Happy Boy is perfect for comics, illustrations, cartoons and very suitable for speech bubble text. It is fun, easy communication and an eye catching style. You can use it for cover book, tagline, poster, branding, advertising, wallpainting letter, graphic design, and more. Happy Boy comes in 4 styles, regular, italic, bold and bold italic.

Here’s another gem by Ross F. George from the Speedball Text Book. It was originally entitled simply Bold Display (Modern Alphabets on Parade) and had a graduated spatter pattern. This version omits the pattern, but keeps the bold, brassy lines. Use it whenever you need an unusual and dynamic headline with a strong retro vibe. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Designed for Linotype Library GMBH and the International Typeface Corporation in 1997 by Phil Grimshaw. Based on bold script Banco designed by French graphic and poster designer Roger Excoffon and released in 1952 by the Fonderie Olive. Originally Banco was an all-caps bold typeface, and the lower case and the corresponding light weight were created for ITC. The tapering slightly slanted strokes of Banco made by sharp-edged flat brush. The face has the effect of being quickly sketched by a powerful hand. For use in advertising and display typography. Cyrillic version developed for ParaType in 2000 by Tagir Safayev.

Fluffenhaus is a vintage bold retro-font, the glyphs are soft serve ice cream, sorta Cooper Black after to much party. A fun playful look that suggests the 1960's and 1970s rock posters and cereal box art as well. Fluffenhaus is a fat bold font, apply to projects that need an attention grabbing headline that expresses the fun of the information being convened. Tightly spaced in the metric, suggested uses would be for it to be used BIG and then bigger. Fluffenhaus is a groovy beautiful and tuned into the psycho-fab of the now!

Introducing Bandaland – Stylized Serif Font When it comes to fonts, Bandaland – Stylized Serif Font stands out as a bold and unforgettable choice, designed to captivate and demand attention. Let’s explore what makes this font a standout option for those aiming to make a lasting impression. Bold and Unforgettable At the core of Bandaland is its bold, strong serifs, shaping a distinctive and highly memorable look. With this font, your message remains vivid and unforgettable, avoiding easy oversight. Versatile Across Design Projects Bandaland showcases remarkable versatility, effortlessly fitting into various design projects. Whether you’re working on branding, crafting eye-catching headlines, or designing impactful posters, Bandaland injects a dose of strength and character that sets your work apart from the rest. The Fusion of Strength and Captivation What sets Bandaland apart is its remarkable fusion of strength with captivation. Its powerful and memorable design ensures your message takes center stage, making it a perfect choice for designers seeking to create a bold statement. Regardless of your level of design experience, Bandaland – Stylized Serif Font equips you with the perfect tool to draw attention and make a lasting impact.

Tatline was intended to be a fun side project that developed into something cool and rather unprecedented. It's bold, it's chunky —and it just looks good whether it's a mock movie poster or a key element in a brand identity for a business. With serifs thicker than stems, it looks more down to earth, solid, reliable and firm. And yet there's an almost imperceptible playfulness in the way it looks and behaved on the screen and paper. Tatline would look great on posters and flyers. We've tried creating a coffee brand identity with it —and surprise, looks great again. Maybe it's magic, but we like to think it's just a result of tough work put into creation of Tatline. Try it yourself and let us know what you think!

Highest Praise is a bold and expressive brush script. It has condensed proportions and subtle texture on the edges, giving it a blend of modern and vintage qualities. While stylish and distinct, the typeface is very readable, making it great for branding, packaging, quotes, invitations, headlines, etc. Features include swash characters and alternate “s” to give a different look, double-letter ligatures for certain combinations, and extras (swashes, lines) built into the font to add decoration.