Juicy is different… in a good way. An art deco-inspired, high-contrast, upright semi-script, layered typeface best describes the playful letterforms that make up Juicy Pro (semi-connected) and Juicy Simple (unconnected). Great care has been taken to provide a wide complement of options and intelligent letter combinations thanks to OpenType. And that’s right, Juicy *is* a layered semi-script typeface. Pro and Simple variants provide a full character set (yep, lowercase). Pro variants include a wide variety of Stylistic, Swash, and Titling Alternates to really allow the expressiveness of the typeface shine… and all characters are available in the layered font counterparts… no shortcuts were taken on the delivery of this typographic chimera.

A Semi-Slab face with a distinct emphasis on power and legibility. Very paced for packaging, posters, logos and various other applications.

A semi-serif font in vogue in the 1970s. Usage recommendations include captions, packaging, cards, posters, ads, book jackets, manuals, and menus.

The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally designed for use on signs at the new Charles de Gaulle Airport at Roissy. The straightforward sans serif shapes are suited well for both text and display setting. Six additional styles were added in 1998-2000. Multilingual versions of 6 styles (Light, Demi and Extrabold) include Armenian alphabet designed by Manvel Shmavonyan in 1997. Two condensed Cyrillic styles (Demi Condensed and Bold Condensed) designed by Manvel Shmavonyan in 2005.

Gratique is a semi-rounded sans-serif typeface. The curvature of the corners fits perfectly and makes it look so cool. Gratique comes with 3 different font variants, namely medium, bold, and black. Gratique is perfect for headings, typography, branding, mockups, or any other design you need especially for a sans-casual style, it will work really well. FEATURES: - STANDARD CHARACTER SET -Case Sensitive Forms -Denominators -Fractions -Historical Forms -Standard Ligatures -Scientific Inferiors -Subscripts -Superscripts -Multilingual Support, etc.

Tenby is a series of modular geometric display sans serif fonts with a hint of Art Deco combined with a 1980s finish. The fonts' underlying grid is ten squares high. Their widths correspond to condensed (Tenby Four), normal (Tenby Five) semi-extended (Tenby Six), extended (Tenby Seven), and extra-extended (Tenby Eight). Each contains two weights, light and regular. Although smaller text sizes are still quite legible, the fonts work better at large sizes.

RundigPencil has a semi-informal but very neat and rigidly upright handwritten look. It comes in three weights, each with italics. The calligraphic typeface Rundigsburg is based on similar letter shapes.

Conseration is a condensed font family. This family has 5 styles: Light, Regular, Medium, Semi Bold, and Bold. You can use it according to your needs. Luxury, classy yet still looks fun and playful in the same time. This font is perfectly made to be applied especially in logos and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels or any type of advertising purpose.

Laureen is a clean, smooth-edge, casual script with many potentials made possible by its 429 glyphs and great legibility. This TrueType font was manually kerned & edited for its semi-connected and informal look.

It's spring time and this is our tribute to the wonderful city of Colonia! Bloemche is a warm-hearted display serif font combining a set of floral symbols with an extravagant semi-script style. It is perfect for blogging a revitalizing style into the loveliest season. Create floral typography dreams and socialise with the people around you. Enjoy yourself! -- Typeface Features 711 Glyphs 45 Stylistic Alternates 6 Styles: Regular, Medium, Bold, Extra Bold, Black, Flowers Full Latin Language Support Numerators/Denominators Sub- and Superscript Fractions Ordinals Standard Ligatures Slashed Zero

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

Luxor Pro is a semi-encircled Egyptienne with exaggerated serifs. It is a font of Victorian style which was widespread in Europe and America at the fin de siècle, especially in advertisements.

Nice One is the font with a modern, clean and semi formal looks. We have three styles on Nice One; light, regular and bold. The characteristic of the font is tall, neat and thin almost like a serif font. Try this font on your book, magazine, or poster and believe me your work will be the nice one! :)

Dueblo is a font family in serif, sans serif and semi serif with variability in weight and serifs. It's a classical antiqua with a sans serif basis, a semi serif version, two decor styles for headlines and initials and the italics in sans and in serif. The small caps, alternates as well as other useful optional and contextual open type features are included in the fonts. It has been in development since 2012 and in use for several projects and publications since 2015. It was worked on until 2020, the cyrillic and greek letters were added, and it was built up in a new and modern way. Now it's really ready for building words and paragraphs.

The typeface was baptized as "Caldense" in order to honor the city of Caldas da Rainha, a small city in Portugal, the typography's birth place. It has three weights, Regular, Demi Bold and Bold and it is a sans serif and grotesque. Each character was based on a grid and was built in modules, having round edges and straight finishes. The font can be used in titles and normal text while being easy to read.

Regon is a modern sans serif typeface/font family (18 fonts) designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, novels, labels and many advertising purposes. Styles: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black (All with Italic). Features: Uppercase, Lowercase, Number, Punctuation, Symbol, Multilingual. All the pictures used in the preview are not included. They are intended only for illustration purpose.

Hello, let me introduce my font called de Floras - 5 Fonts Family. de Floras is a lovely and beautiful script typeface that designs manually by hand and love. de Floras comes with 5 weight, light, regular, semi bold, bold and extra bold. de Floras comes with a beautiful start and end swash that made who look for the first time is falling in love. Very suitable for designing wedding cards, birthday cards, invitation, greeting, and many more.

Rossanova is a complete semi-serif font family. Its consist of 36 fonts; 2 optical sizes, 8 weight from thin to black with each matching italics. Rossanova is enriched with beautiful personality, it's shaped in high contrast strokes for the normal optical style and moderate contrast strokes for the text styles which fit for reading. Contains more than 470 glyphs with some OpenType features e.g, stylistic alternates, ligature, discretionary ligature, old number, variation of figures etc.

Mochalatte is an attractive and modern semi bold, elegant decorative font with a fun, dashing style look. This font equipped with extra ligatures and alternates, that will make your creative designs projects look impressive and stunning. Mochalatte is perfect for logotype, posters, t-shirt designs, packaging brand, or quotes, magazine header etc. Features: Basic Latin Glyphs Multilingual Numeral and Punctuation Standard Ligatures Stylistic Alternates Thankyou for picking up this font, hope you enjoy it. Regard. Grontype

An image for a travel poster for the resort of Tulum, Mexico with its 1970s-era highly stylized semi-stencil type design inspired Vacation Mexicana JNL; available in both regular and oblique versions.

Ninfa is a modern semi-serif, characterized by the search for a personal dash with calligraphic influences. The result is a font with unique features.

A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

British Stencil JNL was sketched from images of a vintage stencil set made by Reese and Sons of England that was being sold on ebay. In truth, this is a semi-stencil, as some of the characters are solid; lacking the breaks in the letter shapes so typical of stencil alphabets.

Pelago is a semi-formal sans-serif type family by Adobe Principal Designer Robert Slimbach. The family has a crisp contemporary appearance and an understated elegance.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

Ebura is a funny and fashionable sansserif (or semi-serif?) type. Extended Latin, extended figures and SmallCaps are supported in OpenType. OpenType features: Ebura contains 740 Glyhps Standard Ligatures Discretionary Ligatures Denominators Ordinals Scientific Features Superscript Slashed Zero Small Capitals Old Style & Lining Figures Proportional Numerals & Tabular Figures

Rainbow Candy font is a very neat handwritten font that gives a cute and tidy note-taking style! Its semi-bold weight conveys relaxation and cuteness to your projects. It offers support for all the characters in English, Italian, Spanish, French, and German as well as standard punctuation glyphs. It is perfectly suitable for numerous use such as quotations, banners, logos, product packaging, titles, headers, menu lists, and even for digital note-taking!

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans OT Std The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

Banda is a semi-serif typeface characterized by a tall x-height and rounded semi-serifs. Although it was first designed as a display typeface, Banda quickly evolved into more complex type consisting of seven weights plus their respectful italics. Banda can be used for short passages of text as well as a fancy display type. Varying from the elegant and finesse, thinner weights to the almost childish bubbliness of the heavier weights, Banda is a great all-round performer suitable for logos, headlines, package & food designs & much more.

Arcadian was first produced in wood type around 1870 by William H. Page & Company. It is a semi-ornamented face based on a French Clarendon, with dots added to the median and the tops and bottoms of the letters. It has a distinctly “Old West” feel, and was likely used to add a little pizzazz to advertising and broadsides of the time.

Here's a clean, semi-condensed sans serif font with a square shape and an easy-to-read look: Deerfield JNL from Jeff Levine. Some of the varied uses of Deerfield JNL are labels, titling, short descriptions and headlines. The limit is your own imagination. Deerfield Bold JNL is a heavier weight of Deerfield JNL. Both fonts feature a hand-lettered look.

Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grüger, a German artist and designer, first began the design of her typeface by writing out its letterforms with a wooden stylus. She wanted to create a new semi serif face that had uniform stroke widths, but still maintained some aspects of calligraphy. Veronika achieves this; the terminals that begin the first strokes of most letters are round and bulbous, as if the writing instrument added extra emphasis on that spot. This adds a dynamic, movement-like quality to texts designed with Veronika. Aside from some sans serif-ness, Veronika appears similar to old style typefaces from the renaissance: classical inscriptions inspired the proportions of the capital letters, and the lower case letters stem from Carolinian minuscule. These proportions allow Veronika to function very well in text and at small sizes. However, only when you design larger headlines, logos, or other elements with Veronika, will you notice all of its special qualities, like its weight distribution and stroke characteristics.

Flagtail Display combines the familiar feeling of classic typeface with the modernish touch to suit the nowadays trend. With its semi-bold and sharp type of shape, it can easily catch and engage the reader's attention in an instant. The excellent readability of Flagtail Display will put any of the messages being delivered to be the limelight. This typeface suits for you who aim to catch attention through headlines, rebrand your products, and beyond.

Channels is a semi-modern font family that is wrapped into a retro style that is very creative and strong and will be very suitable for the various types of design projects you place it in.

Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

Inspired by and tribute to arcade game logos in 80s and 90s. Clonoid can give futuristic, sci-fi and mechanical impression by its geometric framework but its rounded bowls and semi-rounded edges can make natural and soft impression too. And its orthodox letterform make it possible to use this font for all uses. Clonoid family consists of 12 styles, 6 weights (ExtraLight, Light, Regular, SemiBold, Bold and Black) & italics and it’s available in OpenType format. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

Introducing Botham Grotesque, a versatile typeface meticulously crafted to embody the essence of modernity and sophistication. This exquisite font, classified under the renowned Grotesque category, boasts four distinct styles that seamlessly blend form and function. Its clean lines and balanced proportions lend a professional, making it an ideal choice for a myriad of applications, from corporate branding to editorial design. What’s Include ? 1. Uppercase, Lowercase, Number and Punctutation 2. Ready 4 Style : Condensed, Semi Condensed, Reguler and Semi Ektended 3. Multilingual Support 4. Ligature and Alternate 5. Installed on Mac and Windows 6. PUA Encode Enjoy our Font.