Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the Italics.

Discharge is a bold, heavy, distressed and destroyed sans serif typeface. It was started alongside Universally Corrupt and Insurgent, but it took a couple extra years to finish. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets, so it will work with most languages in Europe and the Americas.

The Anthelope is a retro bold script with groovy style. The Anthelope is perfect for retro lovers and it is perfect for branding and logos such as, barbershop, motorcycle club, clothing, coffee shops and much more!

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

Bandes is a bold, thick lettered, retro styled display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

Simple, unassuming, yet fully functional in all sign, poster and headline applications is Unpretentious JNL and its oblique counterpart. Where plain, bold titling is necessary, this typeface will draw attention to the message with minimum effort.

Fancia is a bold, detailed and assertive serif font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

Roxy Vp comes in bold, its a cool, robotic and thick lettered display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a modern and techno touch.

The NOS font embodies sleek, dynamic lines mirroring the speed and energy of modern sports racing. Its bold typography captures the essence of velocity, with sharp, futuristic contours that evoke a sense of adrenaline-fueled motion.

Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century 'grotesque' designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.

The Alphacorsa font embodies sleek, dynamic lines mirroring the speed and energy of modern sports racing. Its bold typography captures the essence of velocity, with sharp, futuristic contours that evoke a sense of adrenaline-fueled motion.

Grabag is a bold vintage display font that comes with four styles. It will look great for headlines, branding, magazines, logos, and more. Grabag will add a masculine and firm impression in every design you make.

Brough is a carefully crafted bold sans serif font. You can use it for a variety of design projects like posters, business cards, invitations, games, covers, social media posts, quote photos, branding, editorials, and much more.

The Lined font started out with some scribbles - playing with lines and making shapes fold, underlap and overlap, eventually evolving into letters. This is a display/ornamental font and it was made in 2009, it's meant for decorative use and not in large bodies of text. For example it does well used as a headline font. It is proportionally spaced and uppercase only.

Kesmod is a clean display typeface that excels in urban posters, music covers, clothing print design, impactful headlines, large page headers, billboards, signs, bold headlines, modern acid typography, Brutal Bold design, and much more. This modular Sans Serif typeface features 12 styles spanning from delicate thin to bold black, which really can help in modern experimental design. You will receive: - 12+1 styles - including Uppercase Alphabet, numbers, punctuation, and common additional glyphs.

Kailey Force contains 3 powerful effects for her kissing cousin: Kailey. The Bold (Drop Shadow), the Brave (Distressed), and the Beautiful (Combined). Kailey is a hand lettered, voluptuous typeface that is very special to the Great Lakes Lettering team. This oblique font is inspired by Molly Jacques’ “signature” lettering style, using bold brush strokes, fluid flourishes, and distinctive characters. Kailey has a distinct feminine feel that takes on a bold attitude to match her curves.

Bariso Cawfu bold display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Bariso Cawfu bold display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Bariso Cawfu bold display font.

Brose - Bold oblique font with sharp angles for dynamic effects. Use ligature characters to give you unlimited designs, this font is great for your work such as posters, logos, branding, covers, banners, t-shirts and headers, or even large-scale artwork Brose oblique Bold, offers you: Brose -oblique bold font including Upper & Lowercase characters(ALL CAPS has a different form characte), Ligatures Character Numbers and Punctuation Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Rainbow Chalk is a playful serif fun kid's font and it contains uppercase and lowercase letters, a large range of numerals, and punctuation. The Rainbow Chalk font will be perfect for use in all your fun design projects be it logos, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, kid's books headlines, or other typographic projects. Multilingual Support for 33 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

Technology in mind in 12 fonts Allumi is a different font. Different from anything Jean François Porchez has designed in the past. Allumi is a sleek typeface designed with technology in mind. It’s a perfect font family for any communication concerning design, robotics, or functionality. Pushed to its extreme limits, the Allumi shapes are neither perfectly round or geometrically square. It’s a human design with a high tech touch. Allumi can be described as the Eurostyle (designed by Aldo Novarese in 1964) of the new century, mixed with Frutiger. Allumi is a serious typeface because of the unique design and sturdy form. The pure shapes can create a global presence today with an eye on the world of tomorrow. Two widths The Allumi family has been built around two series of widths, standard and extended. Italics have been carefully designed as slanted roman with all necessary optical and human corrections to create a perfect and neat italic. I Love Typography 2009

Charming and friendly, Hiruko Pro is a modern and legible font cleverly combining smooth lines and playful curves. It’s a complete revamp of the original 2008 Hiruko family. With its softened edges, it emits a family friendly, kids welcome vibe and is easily legible in any situation. With a full family of 21 weights, varying from bold and attention-grabbing, to slick and smart outlines, to extra light and delicate, Hiruko Pro has a tonne of applications, and we still come across new ones.

Zero To Hero is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and ultimately, incredibly versatile. Zero To Hero will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. You will get : Zero To Hero OTF Thank you

Are you looking to add some personality to your next project? Then Floats Around is the answer! This fun, playful font is just what your work needs to stand out. With its unique character, Floats Around can create bold headlines that grab attention. Plus, it's also great for branding and logotypes, making it a versatile choice for any project. Floats Around Font includes : Standard Latin Uppercase & Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Bella Donna is a delicate and slim handwritten font. Its distinct and well balanced letters make this font a masterpiece. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Bella Donna comes with opentype features such alternate set, beginning and ending swash, and ligatures set. This font also come with two weight regular and bold, you can switch it. Bella Donna is perfect for branding, logo font, qoute text, wedding invitations, advertising, publishing, headline text, and etc.

Ardagh is the younger ›Irish brother‹ of Arthur Sans. I thought it was about time for a new Art-Deco exercise in Irish type. Ardagh will adorn your title settings and headings, ennoble a new menu card, festivity invitation or label design. For a perfect combination with other languages in mixed settings, go to the Arthur Sans or Arthur Cabinet series. Ardagh matches Arthur Sans Medium and Arthur Cabinet Diamond, Onyx, Pearl and Timber in proportions and stroke weight. • Please note that ARDAGH is a capitals-only product! For more new wonderful Irish fonts look at Andron Gaeilge and Hibernica!

Storybook is a friendly informal script with rounded features and a generous x-height for enhanced legibility. This distinctive italic typeface comes in three weights and bridges the gap between traditional scripts and contemporary hand-written styling; it adapts to a nostalgic or classic purpose whilst retaining a modern feel at the same time. The design lends itself to subject matters like childrens' books, various literature projects and even speech bubbles in equal measure. The Storybook glyph palette boasts an extended European character set and a well considered series of swash alternates which instantly transform the appearance of any texts when activated.

The Confetti is a typeface created about 1930 by the defunct José Iranzo foundry in Barcelona, and imitates the forms and gestures of handwriting created with a round nib as “Speedball”Series B. The original typefaces were a pair, called “Escritura Energica ” and “Escritura maravilla”. The typography has a dynamic air, caused partially by irregular alignment of the characters respect to the baseline and aesthetics takes us to the proposed commercial lettering or advertising of years 20-30. Confetti was one of the fonts selected by the website Typographica.org in its prestigious list of “Our Favorite Typefaces” in 2006.

Hurme Geometric Sans No.4 includes seven weights with true Small Caps, obliques and swash alternates. Uppercase swash alternates can be automatically applied to all characters or just to first and last characters of each word. Please see the specimen PDF for complete overview of the typeface and its features. Alternate characters and other Opentype features make for a versatile family that can be adjusted for specific needs. Hurme Geometric Sans is a series of font families all with distinctive qualities and features but share the same basic construction and proportions. See also the other Hurme Geometric Sans families.

Initially created for use in a logo and with a limited number of characters, Edgewater evolved into a full typeface suitable for everything from projects requiring a space-age, futuristic feel to logotype for the most refined, conservative corporations. Edgewater was joined in November, 2008, by Edgewater Hairline, which supports more than 30 languages and is especially attractive in larger point sizes. The hairline version also is a nice complement to the other fonts in the Edgewater series, though still striking enough to stand on its own as the dominant visual in a virtually unlimited number of displays. Timeless, unique and flexible.

Futurette is a large weight family, covering all your needs for futuristic or sport projects, logos and others. Each style comes with 409 glyphes and can be used for Display titling, but in text also well. It was inspired by a bunch of 70's and 80's types like Handel Gothic or the ITC Bolt, and more recent faces like Typodermic's Conthrax and Good Times...

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

Routerline Rough is a script monoline with 4 styles, nice applied in various products. Complete with multilingual characters, ligature and alternate. It is suitable for quote, clothing design, vintage logo, label, poster, packaging design and other designs. File Include (All Styles) : Routerline Rough.otf Routerline Rough.ttf Routerline Rough Slant.otf Routerline Rough Slant.ttf Routerline Rough Bold.otf Routerline Rough Bold.ttf Routerline Rough Bold Slant.otf Routerline Rough Bold Slant.ttf Features (PUA Encoded) : UPPERCASE. LOWERCASE. MULTILINGUAL. PUNCTUATION & SYMBOL. STYLISTIC SET. LIGATURE. I hope you enjoy and thank you.

Hallo Aluyeaholic! Introducing Manverse, a bold manly typeface. Inspired by the things that make up the world of men. With a bold, strong, and firm vibe. Coming with 2 styles, all caps and multilingual support. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Thanks for checking out my font. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message!

Astronika Font is a retro bold script style font. Inspired from retro typography and lettering in the 70's and 80's combine with bold typography style. This font perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, packaging, signage, book coverand so much more! it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Whats Include: Multilingual Support Alternates, Extrude/Shadow Thankyou

Here's a deluxe comic book dialogue font with a vintage feel! Nerves of Steel BB comes with Regular, Italic, Bold, and Bold Italic. Contextual Alternates and Auto-ligatures enable six versions of every letter, and three versions of each number, the exclamation point and question mark. Barred-I correction is included as well as bouncy baselines when three or more duplicate letters are typed. To top it off, you get glyphs included for manga letterers, and a large European set of characters!

Introducing a clean geometric font family in Modernism style. Neat and at the same time provocative font attracts attention with its forms. New-fashioned font with original letters will perfectly complement both trendy abstract designs and designs in a retro style. Constructing letters with a bias towards heavier weights and contrast. Versatility of the typeface works well with designs in different styles. Features: Geometric and Modern 6 fonts in family: - Thin, Thin Italic - Regular, Italic - Bold, Bold Italic Kerning ld.luxfont@gmail.com

Say hello to Joules et Jacques! A stylish modern font duo consisting of a natural handwritten script and a refined, elegant serif font. Perfect for making bold stylish statments - or adding a touch of class to your designs. The script has a multitude of natural looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. The Serif includes two weights - regular and bold - and built-in OpenType kerning features for a professional touch.