VetteLetters is proud to bring you the TpKurier-family. It is cooked up by our German chef Martin Lorenz currently living in lovely Barcelona! Chef Lorenz about the TpKurier recipe: “TpKurier is the second redesign we did of Courier. The first redesign in 2000, although based on a five-unit grid, was drawn completely by hand. Six years later we designed another grid version of Courier, and the TpKurier family was born. This version is completely constructed up till its last detail. We didn't want to correct ‘mistakes’ deriving from the use of the grid, but instead make them visible (see “S”). TpKurier is based on a very simple grid, composed a proportion of four units high by two units wide. A series of other links between them make it possible to form a font from this grid. We felt it was important to consistently work within these limitations so that any unexpected asperities would help provide the font with its character. Even though it is a rough constructed typeface it was important to us to design real italic lower case letters and not just a sloped roman (see “a”, “g” or “s”). The first family published contained a serif and sans-serif version of the TpKurier, with italic and bold.”

Introducing Tumbasan - Modern Minimalist Sans Serif by Look Minus Today. Tumbasan is designed with a modern and minimalist aesthetic in mind. This versatile font is perfect for all design needs, from print materials to digital media. Geometric shapes give it a contemporary feel that will add a touch of sophistication to any project. The font's design is based on a simple and legible sans serif style, with just the right balance of thickness and spacing to ensure clarity and ease of reading. Its simple, elegant lines and smooth curves make it a great choice for a variety of design applications, including branding, advertising, packaging, and editorial design. Our modern and minimalist sans serif font is a versatile and stylish choice for any design project. Its clean lines, geometric shapes, and legibility make it an excellent choice for a wide range of applications, while its modern aesthetic ensures it will stand out and make a bold statement in any design. Features: - Uppercase - Lowercase - Alternates & Ligatures - Numerals & Punctuation - Multilingual & Symbol - HOW TO ACCESS ALTERNATE CHARACTERS - Open glyphs panel: In Adobe Illustrator go to Window - Type – glyphs In Adobe Photoshop go to Window – glyphs For any further questions or assistance, please feel free to contact us at look.minus.today@gmail.com Thank you and have a nice day!

Clobot is a tough and strong decorative display typeface. It is suitable for any design needs, branding, art quote, cover title, t-shirts, any lettering design needs and more. It has many alternative and ligature glyphs which make it very versatile font and it’s also multi-lingual. It comes with stylistic alternates and 10 stylistic sets. It provides flexibility to enhance your designs.

Are you ready to elevate your design game with the unique counterless 21st Century Art Deco typeface, Pound? Pound is not your average typeface. Its bold, beefy design is perfect for pounding out meaty phrases with confidence and vigor. With its counterless design, Pound stands out from other typefaces on the market, making it the perfect choice for designers looking to make a bold statement. One of the key features of Pound is its letter pair ligatures, which interlock and break up the monotony of plainly repeating characters. You can turn off your application’s “standard ligatures” function to disable this effect. In addition to its unique design, Pound is also available in a simpler Web style for situations where less detail is required. So what are you waiting for? Take your designs to the next level with Pound, the counterless Art Deco typeface that packs a punch. Get ready to make a statement and stand out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

In the world of journalism, headlines are the lifeblood of a publication. They need to be compact, sturdy, and project a voice that exudes trust and neutrality. Enter Built, the font family designed specifically for creating striking headlines that grab the reader’s attention. With its wraparound curves and subtle curls, Built evokes a feel of a bygone newspaper era without being too old-fashioned. The font family is available in five weights, ranging from Extra-Light to Bold, each with its own unique character and style. But what sets Built apart from other fonts is its ability to scale up without sacrificing readability. Lighter typefaces may look great on paper, but on-screen, they can quickly become unreadable if not properly designed. With Built, however, the font becomes narrower as it becomes lighter, allowing designers to set oversized page titles without worrying about copyfitting. In addition to its unique scaling capabilities, Built also offers a simple solution to the problem of aligning numbers in headlines. By disabling kerning, Built ensures that all numerals, monetary symbols, and most math symbols will line up perfectly, saving designers time and frustration. Built also includes a range of other typographical features, such as fractions, primes, ordinals, and vertically compact accents. And as the font becomes lighter, the asterisk grows more legs, allowing it to appear tonally even in Extra-Light. So whether you’re designing a front page for a major newspaper or simply need to create eye-catching headlines for your blog, Built is the font family that can deliver the perfect balance of style and readability. With its range of weights and styles, it’s the perfect choice for any journalist or designer looking to make a bold statement on-screen. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The alcoholic beverage Gin is drunk around the world, as far back as the 13th century. Originally distilled as a medicine, it draws its main flavour from juniper berries. Gin is colourless itself but – due to its smooth taste – a major ingredient in a long list of famous colourful cocktails. Gimlet, Singapore Sling, Negroni, Charlie Chaplin, French 75, Vesper, Tom Collins, White Lady, Aviation, Monkey Gland, Southside, Gin Gin Mule and New Orleans Fizz are but a few of them. That made us decide it simply cannot be missing from the Vette Letters font collection. Vette Letters designer Henning Brehm originally designed VLNL Gindicate for the 2015 action movie Hitman: Agent 47. It was specifically used for the logo and signage of the maverick ‘Syndicate International’ organisation in the film. It lay dormant in a folder for a while, when it was reworked into this flashy 5 weight family. VLNL Gindicate is a rounded modern sans serif family, suitable for a multitide of applications, corporate or otherwise. It has somewhat of a warm sci-fy feel, without being overtly techno-ish. In the family are 3 regular weights (Light - Regular - Bold), but also an Inline and Multiline weight for extra design possibilities. Company logos, brand identities, music flyers or posters, you name it. VLNL Gindicate will spice up any design. Bottom’s up!

LiebeDoni is pure Italian art. A contemporary nod to Italian typographic heritage, LiebeDoni’s warm and friendly style is perfect for—literally—bold headlines and impressive invitations. Take a seat on LiebeDoni’s Vespa and enjoy the sweet curves of dolce far niente. But don’t let the relaxed hand-crafted appearance fool you: You’re dealing with a solid quality typeface that has received painstaking attention to detail. Round like the Colosseum, some lines are as colloquial as the Tower of Pisa—but all this with almost Teutonic obsession for technical perfection. Feature-wise, we went the full quattro stagioni: Variations and alternatives for many letters, swashy initials and swirly ligatures—plus language support that goes way beyond English and Italiano. Double-o ligature, anyone? Two different www ligatures? Check. (Please make sure your software supports OpenType if you wish to use the advanced features.) Get both the outline and the filled version and go crazy on creative layering and endless possibilities. Each font contains over 600 glyphs and both contain the full character set. Make a bold move to italy—treat yourself with this font. If you like LiebeDoni, you may also like its perfectly matching sisters LiebeErika and LiebeOrnaments—or any of our other 100% compatible LiebeFonts.

Designed with a hand-chiseled feel, Blau’s sculpted characters add a refined personality to a wide range of brand, corporate, product and service applications. Highlighting the sculpted theme, inkwell treatment variations are prevalent throughout Blau, with several key glyphs that are stenciled for increased legibility. This sturdy, typographic workhorse shines when a slightly unorthodox typographic approach is required — a prime choice for distinctive and dynamic logotype use. The Blau family is available in Light, Light Italic, Regular, Italic, Bold and Bold Italic. The name Blau was chosen to celebrate the color Blue (or Blau in German, Blaauw in Dutch, Bleu French, Blå in Norwegian, Swedish & Danish, Blua in Esperanto, Blár in Icelandic) Blue is nature’s color for water, sky, mountains and glaciers. Blue is embraced as the color of heaven and authority, denim jeans and corporate logos. Surveys in the US and Europe show that blue is the color most commonly associated with harmony, faithfulness, confidence, distance, infinity, the imagination, and cold. In US and European public opinion polls, it is the most popular color, chosen by both men and women as their favorite color. Another very popular Wilton Foundry font in the “blue” family is “Cyan” and “Cyan Neue”.

Oktah is a geometric grotesk that comes both as a variable font and 22 static fonts: 11 uprights and 11 matching italics, which make it a great tool for those seeking a versatile font with a strong character and high legibility. Throw in a very pleasing look, elegant curves and a wide range of weights, and you'd get what Oktah aspires to be: a perfect typographic tool for every need.In Oktah, elegant geometric curves meet bold strokes and wide apertures. Round letters are nearly circular, but, to boost readability, slight changes were introduced for optical compensation. Oktah is also equipped with amazing OpenType features: case sensitive punctuation, ligatures, fractions, superscript and subscript figures, two kinds of circular figures, stylistic & contextual alternatives and much more! Oktah supports all major European languages, as well as Vietnamese and some dozens of foreign languages that you may encounter in your designs. We've got all that covered. The glyph count for each of the styles is 800+ characters. Two styles (Extra Light and Bold Italic) are free to try and experiment with. If you need wide language support and more extensive OpenType features, consider taking a look at Oktah Neue, a bigger version of the classic Oktah.

Philadelphian is a revival of a MacKellar, Smiths & Jordan font from 1867 by the same name. The regular version with shadow outline was the only style that was offered in 1867. We've taken the original design further by creating two additional weights of medium and bold plus plain black versions. The medium and bold weights are unique because only the horizontal strokes increase in thickness while the vertical strokes remain the same in each weight. Philadelphian Nite is the plain black version of this font family, Nite is the casual spelling of the word Night meaning dark or black. In the late 1800's Philadelphian was a very popular typeface which can be seen on many billheads and letterheads through the early 1900's. If you're looking for a western style font that doesn't look like any other then Philadelphian is the right choice. While the name doesn't remind you of the cowboy genre we've kept the original name for historical reasons because this font was so popular in its day. We plan on going forward with a weathered version of Philadelphian which will be released under a southwestern style name. With Philadelphian we've decided to set the complete family price to an amount that may be considered on sale all of the time.

Ribfest is a new font based on lettering found on old United States currency from the 1800’s. Named after the Ribfest held in Naperville IL over 4th of July weekend each year, this font will be perfect for your next summer barbecue party. Ribfest offers three Fill fonts that can be layered behind the main open faced fonts, the regular Fill font covers the complete opening on the main fonts while the Fill T for top and Fill B for bottom gives you the option to fill with two different colors for top and bottom. The Fill fonts for Ribfest may also be used as stand alone fonts, the Fill T and Fill B fonts when layered together creates a unique look on its own. Expand your summertime fun with Ribfest and save me some of those rib’s, with extra barbecue sauce please. Special Note: When using the Opentype format of Ribfest, if you experience some letters appearing too bold at point sizes of 36 or above please install the truetype version that came with your purchase. Due to the extra detail in this font some graphics drivers may increase the boldness of the Opentype version of this font, the solution is to uninstall the Opentype and install the Truetype version.

Bodrum Collection: 1- Bodrum Sans 2- Bodrum Sweet 3- Bodrum Stencil 4- Bodrum Slab 5- Bodrum Styte 6- Bodrum Soft Bodrum Stencil is a stencil serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Stencil is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give "Bodrum Stencil" a harmonious and sensible appearance for both texts and headlines. Bodrum Stencil provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Stencil 14 Regular” forms the central point. "Bodrum Stencil" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Stencil is the perfect font for web use.

The core design of Pepper family, designed by VIDI Visual Design Studio, is the fingertip handwriting style inspired by children’s writings on windows. This distinctive low-contrast typeface combines characteristics from neo-grotesque and organic models. Warmer than most Helvetica inspired typefaces, Pepper has organic shapes, playful strokes, rounded endings, and a generous x-height which makes Pepper easy to read. This family could be used well for food packagings, content aimed for children, book covers, branding, high-impact titles and small body texts, advertising, editorial design and more. What makes Pepper Sans Vol.1 competent and more spicy then some other fonts is that it contains a set of more than 900 characters for each of 5 weights that support many Latin-based languages, Greek and Cyrillic. As the weight decreases, the typeface gains impact with becoming elegant, giving titles in (Hair, Thin or Light) a breath of fresh air. We derived a typeface family consisting of Hair, Thin, Light, Regular, Semi Bold in this Vol.1 edition. Typeface features: • 5 weights: Hair, Thin, Light, Regular, Semi Bold • Latin, Greek & Cyrillic multilingual support • More than 900 characters for each of 5 weights Font Specs: • Created: August 2020 • Files type: .ttf

So classic, so retro... it's Retrology! Introducing, Retrology. This monoline typeface will bring you to the good ol' days with its classic touch!

Galista is a modern and casual script font. It has beautiful swashes and it’s perfect for logos, wedding invitations, branding and much more.

Kolyada is a modernist semi-serif with a friendly nature. This type is well-suited for use in retail, magazines, logotypes, books, etc. It comes with 4 styles, from Ultra Light to Medium, each with its Upright Italics.

OMG it's the funky shed! The height and width of each character vary to make it look jumpy. At the same time, Funky Shed, has got a crunchy line which makes it even more funky to look at!

Discover Wintery Christmas, a font that embodies the spirit of the season with its sweet and approachable handwritten style. Its versatility ensures it's a perfect fit for a diverse range of design projects, limited only by your imagination.

Brohemyan is a vintage-modern serif typeface. It has vintage, modern, classic & elegant. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also it works great for other projects.

Economica Pro is a font specially developed for printing complex situations. It has been tested successfully in very small sizes without losing legibility. It's ink traps ensure its smooth operation even in low quality papers. Ideal for newspapers.

Casual Style This is an excellent font family that includes ( script, bold script, sans serif and outline sans serif). These are multi-purpose fonts and they are suitable for all kinds of design, from modern fashion projects to vintage logos, editorial designsand, headlines, advertising and much more. This font is easy to use and has OpenType features.

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

Okomito Next is a sans serif inspired by the classic typefaces that were imbued with a sense of functionality, boldness and industrial strength. OpenType features: Access All Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Fractions, Kerning, Standard Ligatures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Ordinals, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Superscript, Tabular Figures

Proudly Present, Misty Black Font. Misty Black is a Stylish Bold Script Font. Misty Black is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Misty Black also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

An old printer's advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time. Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline. This font is available in both vertical and oblique versions.

Alstoria is a Bold Serif Display font. Suitable for your projects like branding, packaging, printing, header, and many more. Contains 320+ glyphs and 10 ligatures. You could check the full glyph map at this link. This font also contains many swash alternates option to play. Works well for vintage and modern style like you see in our preview images.

When we fall asleep, we become free in our thoughts, in our judgments, in our choice, we decide on bold actions and words. This font will bring all this to life. UNCONSCIOUS-This font is for brave, free and liberated creators. For people with a good sense of humor and able to derive joy even from bad things.

Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into the font family. The character set support is similar to Palatino nova, but Greek and Cyrillic are not available in book weight fonts.

Lookin for unique logo font? we present to you Nesora, a bold handwritten font that was comes with alternates font and multilingual glyphs to easily use this uniwue logotype font Nesora is very suitable like as logo, tagline, adventure project, posters, book cover & etc.To use alternate this font just change the regular font to alternate font.

Tulip Algarve font family showcases elegant and trendy glamour through a bold contrast between horizontal and vertical stems. The basic glyph design was inspired by the beautiful silhouette of a tulip flower, and a classical beauty was added to the typeface system. With a modern display sans serif personality, this type system will interact well with any layout design.