Maecenas is an elegant professional. It stands out from other typefaces due to it’s timeless style and versatility. It will add smartness to all texts, regardless of the user’s expectations. In a quick and flashy way it will make an impression on anyone, who requires from his tool character and reliability. Maecenas won’t be lost in the crowd, and thanks to it neither will you. This font, marked by chivalry, is an AUGUST friend for good and bad. Light and bold weights, due to their strong personality, are perfect for display uses. At the same time, Regulars create a harmonious structure that provides excellent legibility in long texts. Maecenas covers all latin languages and cyrillic. It contains a wide set of numerals, small capitals, fractions, ligatures and other OpenType goodies.

Developer-friendly The studio has developed a wide array of weights for FS Untitled – 12 in all, in roman and italic – with the intention of meeting every on-screen need. All recognisably part of a family, each weight brings a different edge or personality to headline or body copy. There’s more. Type on screen has a tendency to fill in or blow so for each weight, there’s the choice of two marginally different versions, allowing designers and developers to go up or down a touch in weight. They’re free to use the font at any size on any background colour without fear of causing optical obstacles. And to make life even easier for developers, the 12 weight pairs have each been designated with a number from 100 (Thin) to 750 (Bold), corresponding to the system used to denote font weight in CSS code. Selecting a weight is always light work. Easy on the pixels ‘It’s a digital-first world,’ says Jason Smith, ‘and I wanted to make something that was really functional for digital brands’. FS Untitled was made for modern screens. Its shapes and proportions, x-height and cap height were modelled around the pixel grids of even low-resolution displays. So there are no angles in the A, V and W, just gently curving strokes that fit, not fight, with the pixels, and reduce the dependency on font hinting. Forms are simplified and modular – there are no spurs on the r or d, for example – and the space between the dot of the i and its stem is larger than usual. The result is a clearer, more legible typeface – functional but with bags of character. Screen beginnings FS Untitled got its start on the box. Its roots lie in Fontsmith’s creation of the typeface for Channel 4’s rebrand in 2005: the classic, quirky, edgy C4 headline font, with its rounded square shapes (inspired by the classic cartoon TV shape of a squidgy rectangle), and a toned-down version for use in text, captions and content graphics. The studio has built on the characteristics that made the original face so pixel-friendly: its blend of almost-flat horizontals and verticals with just enough openness and curve at the corners to keep the font looking friendly. The curves of the o, c and e are classic Fontsmith – typical of the dedication its designers puts into sculpting letterforms. Look out for… FS Untitled wouldn’t be a Fontsmith typeface if it didn’t have its quirks, some warranted, some wanton. There’s the rounded junction at the base of the E, for example, and the strong, solid contours of the punctuation marks and numerals. Notice, too, the distinctive, open shape of the A, V, W, X and Y, created by strokes that start off straight before curving into their diagonal path. Some would call the look bow-legged; we’d call it big-hearted.

Developer-friendly The studio has developed a wide array of weights for FS Untitled – 12 in all, in roman and italic – with the intention of meeting every on-screen need. All recognisably part of a family, each weight brings a different edge or personality to headline or body copy. There’s more. Type on screen has a tendency to fill in or blow so for each weight, there’s the choice of two marginally different versions, allowing designers and developers to go up or down a touch in weight. They’re free to use the font at any size on any background colour without fear of causing optical obstacles. And to make life even easier for developers, the 12 weight pairs have each been designated with a number from 100 (Thin) to 750 (Bold), corresponding to the system used to denote font weight in CSS code. Selecting a weight is always light work. Easy on the pixels ‘It’s a digital-first world,’ says Jason Smith, ‘and I wanted to make something that was really functional for digital brands’. FS Untitled was made for modern screens. Its shapes and proportions, x-height and cap height were modelled around the pixel grids of even low-resolution displays. So there are no angles in the A, V and W, just gently curving strokes that fit, not fight, with the pixels, and reduce the dependency on font hinting. Forms are simplified and modular – there are no spurs on the r or d, for example – and the space between the dot of the i and its stem is larger than usual. The result is a clearer, more legible typeface – functional but with bags of character. Screen beginnings FS Untitled got its start on the box. Its roots lie in Fontsmith’s creation of the typeface for Channel 4’s rebrand in 2005: the classic, quirky, edgy C4 headline font, with its rounded square shapes (inspired by the classic cartoon TV shape of a squidgy rectangle), and a toned-down version for use in text, captions and content graphics. The studio has built on the characteristics that made the original face so pixel-friendly: its blend of almost-flat horizontals and verticals with just enough openness and curve at the corners to keep the font looking friendly. The curves of the o, c and e are classic Fontsmith – typical of the dedication its designers puts into sculpting letterforms. Look out for… FS Untitled wouldn’t be a Fontsmith typeface if it didn’t have its quirks, some warranted, some wanton. There’s the rounded junction at the base of the E, for example, and the strong, solid contours of the punctuation marks and numerals. Notice, too, the distinctive, open shape of the A, V, W, X and Y, created by strokes that start off straight before curving into their diagonal path. Some would call the look bow-legged; we’d call it big-hearted.

Developed from the STP Display Cyrillic, the STP Stencil Cyrillic Typeface follows the same characteristic premise as its sister, in addition to composing the same number of Cyrillic and Latin characters. What distinguishes them it’s that the STP Stencil Cyrillic can be applied more easily anytime, anywhere, increasing the possibility of being used in a more craft and artistic way. Since it has characteristics of a stencil font, it brings a more urban and contemporary look, which makes ideal to use it in public spaces with large circulation of people. In addition, wayfinding, architectural, advertising, packaging, posters, among others projects, are a good request for STP Stencil Cyrillic show its vigor and all its beauty. The STP Stencil Cyrillic is a modular feature source, perfect to use it in major event signaling projects or similar. It can also be useful in any demands that requires improvisation and quick solutions. The STP Stencil has very expressive forms and counterforms, but still counts with the practicality of a stencil source and its infinite possibilities of use.

Melodi is the result of years of working with hand made types on my designs. Every time I draw the letters and words that I need for every design piece. One day I decided to go serious and make a real type of it and “Melodi” is the result of this work. It’s a calligraphic font, built using a regular stroke, and carefully crafted to have nice joins between all the letters. It has some playful but stylish capitals that brings lot of personality to the font. It work super nice either in lowercase writing as in all-caps texts. It looks specially good on lists of words or small sentences. Melodi is a playful but very versatile font, it can be used in lots of different scenarios. From creating a logo, writing the tittles of a catalogue or use it in a poster combined with other types (it work really well as counter point of more classical types) to motion graphics animations or advertising work. It can be cute but it also can do hard work!

Out of Line Pro BB is a comic book dialogue typeface with Greek and Cyrillic support, as well as a hefty compliment of European diacritical glyphs. It's the improved remix of Blambot's popular Out of Line BB set. Designed after Blambot letterer, Nate Piekos's hand lettering, it features opentype autoligatures, contextual alternates, and fractions.

The mono-spaced Vivala Code is designed specifically for programming. Each day developers spend hours looking at a screen. Vivala Code is aligned to their needs. It has a clear distinction between similar characters and owns an optimized punctuation, especially for source code. It's suitable for light text on a dark background at small sizes.

Berryspickers is allcaps font with handwritten style very suitable when combined with watercolor and it can makes your work more stylish. this font features with Stylistic Alternates that allows you to mix and match pairs of letters to fit your design. Perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, etc.

Say hello to Blue Rose Made from a chic brush, it will make your design more beautiful. Suitable for your any design like a quote, t-shirt printing, and etc. Features: Character Set A-z Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encoded I hope you can enjoy the font. Happy design

Clairveaux is based on samples of an ornate 12th century calligraphic style. It has some interesting features, including small caps which combine some characteristics of both traditional upper and lower cae character forms. It's ornate enough to look decorative, but not overwhelmingly complex, and looks remarkably attractive when used for titles in a large size.

DearPony is a sweet, warm, quirky, yet classy serif and signature script font duo. This charming combination offer a unique and elegant look that make it useful for various creative project. The serif's contain 240 glyphs with eight weight; Regular, Medium, Bold and Oblique with each matching oblique. It's contain language standard latin multilingual support.

Back to the future! NT Brick Sans is a pixelated sans serif. Inspired by the Pixel Art phenomenon and Lego bricks, bringing back the good old 16-bit era with open-type features. It's bold, soft rounded, supports multi-language, featuring low caps option. Brick Sans will make your project special. Grab it now.

Jacksonville is a stylish signature brush script. It has a unique, striking look which can be used to make any design stand out. It’s perfect for logos, fashion designs, stationary, quotes, and much more! To stay up to date for my latest fonts, follow me and let’s be friends because there will be many promos.

Typeface was designed in 2021-2022 by Alexey Chekulaev. It has small serifs and original contours, it’s also well read in small sizes. Each style has 1400 characters of Latin, extended Cyrillic, Greek, including small caps, as well as alternate characters. Diafragma is a good choice for headings, logos, branding, packaging, publications and websites.

Signorina is a funny font (a "funnty"?) not to be taken so seriously. It reminds me of slab serif designs, but jelly-stuffed instead of having wood. This font also works very well on small sizes because of it's tall x height. You can use this kind of font on both text and titles.

Genius is a clean, geometric typeface with great legibility and modern look, which makes it a perfect typeface for any kind of use. It's especially suitable for branding, advertising, magazines, web design and so on. Created by Ceyhun Birinci, the Genius family consists of 9 weights from thin to black along with their italics.

Misterall is a hand made, all-caps, brush font by Bartek Nowak which contains two variations for each letter and a lot of ligatures. It can be used for invitations, greeting cards, posters, advertising, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Thalia is a wonderful Artdeco typeface design reminiscent of 1900. Very likely, it was originally designed at that time. Unger redesigned the typeface based on old prints, completed the character set and expanded the typeface to cover the full Latin glyph set. Thalia is perfect for anything about theater, such as posters, programs, etc.

October Sweets is a terribly playful and creepy font. It comes with all caps uppercase and lowercase characters, a set of punctuation marks, numbers, Cyrillic characters, an alternative set of characters and numbers, ligatures and multilingual support. Ideal for Halloween parties, horror film festivals, product packaging, T-shirts, book covers, quotes, posters, branding projects, etc.

"Hello Miami" is a unique display font. This font is complemented by palm tree and beach decorations. It is perfect for your summer season. In addition, this font can also be used for a variety of your needs (product promotion, holiday promotion, congratulations, invitations, quotes, social media status, logos, branding, banners, posters, prints, etc.)

Wolfram is a bold display font based on an Art Nouveau type design from Germany. It features very thick letter forms with gnarled edges simulating antique printing, though the letter forms are stylish and rather modern looking. It's a striking font - excellent for buttons and other places you want to provide some strong emphasis.

Riley is an elegant brush Script with its roots in the 1950s American sign painting. Riley has Stylistic Alternates for every lowercase standard character and it’s equipped with Contextual Alternates and Ligatures that keep the flow and connections smooth. Riley is great for headlines and posters or as a logotype with an elegant touch.

After the successful release of Encorpada Black, now it’s time of Encorpada Pro type system. Now with seven weights and a lot of curves. Freely inspired by the didones shapes, Encorpada Pro now have a extended character set with more than 40 languages supported, Opentype Features and Amazing Swashes in Italic Version.  Enjoy It.

Proudly present AO Tenko Display Typeface, a serif font designed for a versatile and stylish looks. This font features a full set of uppercase letters, multilingual symbols, numerals, fractions, punctuations and etc, making it perfect for a wide range of design projects like a branding, social media, poster, book cover, or a website design.

A design revelation inspirited by perpetual classics—establishing a graceful, aesthetic, and dynamic font. Introducing a vintage galvanized look typeface named Emherican. Comes with three font pairing combinations, extras ornaments, ligatures, and +60 stylistic alternates—makes it ideal and perfect for creating a design piece inspired by letterheads, posters, signage, charters, labels, packaging, logotypes, etc.

Wide Plump is a bold Stylish Stencil Font. Most of the glyphs are without any holes, it's provide powerful impact. You can use it in fashion magazines covers, short advertise slogan and so on. * Uppercase and some lowercase * Numbers * Symbols * Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

August Rush is a delicate handwritten script font. The font comes in 2 weight options: regular and semi-bold. It's best used as a main headlines or as a secondary headline combed with other simple serif or sans-serif fonts. It can be used for various designs such as packaging, wedding stationery or branding.

A humanistic sans-serif typeface with subtle chamfer detailing. It’s strong lateral emphasis is combined with open apertures to create sharp and legible letter forms. These balanced and narrow proportions make it ideally suited to a variety of online applications. Details include 8 weights, a standard character set, manually edited kerning and Euro symbol.

Despite its macabre-sounding name, Headstone Roman JNL is not a novelty font for Halloween or horror movies. Instead, it's an attractive Roman typeface based on an example provided of a guide for stonecutters to use when cutting epitaphs into tombstones. Headstone Roman JNL is available in regular, oblique, condensed and condensed oblique versions.

Bigroads Script is a layered bold script with extruding, inspired by a Retro aesthetic. Made in combination with hand lettering, it comes with dramatic movement and it’s great for any next creative project that needs a retro vibe or modern touch. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Introducing Brskovo is a modern uppercase serif, use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature - Uppercase & Lowercase - Number & Symbol - International Glyphs - Multilingual support - Alternative - Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Larsson is a hand-drawn, all-caps, ultra-narrow font created by Bartek Nowak. It contains two variations for each letter and a lot of ligatures. Use for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Drakoheart Revofit is an initiative to make sans fonts. It’s one of my personal favorites, in fact. In its first release, this font had a cool appearance but was improved with better kerning and a cool look in this new release. Perfect to write some digital texts as in web articles, blogs and branding.

Introducing Bemsod Decker is a casual handwritten font and will be perfect for book, title branding, product packaging, invitation, quotes, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Introducing Dreambeach Signature! It's a modern script font with a signature style. very recommended for you who want to make some designs with natural and authentic signature designs. This font will work for invitation design, wedding design, poster, packaging, book cover title, quote, social media post, etc. Just open your Opentype features while using the script font to use the ligatures and stylistic alternate 1 & 2. As you type, your text will look like a natural signature or handwriting.

Raosand – Retro Display Serif Typeface, made with creativity and with great care to be your design solution. This font is very suitable to be applied in various aspects of design, and your branding. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Ligatures Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: fkryall Thank you

Mouvere – Old Style Serif Family, comes with four types of typefaces, Regular, Italic, Bold, and Bold Italic. This font is very suitable to be applied in various aspects of design, and your branding. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Pinehills – Font is a classical script font. With a classic style that can make your design look simple, elegant, and also bold, this font it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web design, vintage design, etc. Features : Pinehills( Uppercase, Lowercase ) Stylistic alternate Ligatures Multilingual Support If you have any questions please don’t hesitate to contact me. follow my Instagram: @fkryall Thank you 🙂