False Idol is based on bad rub-down lettering from 1970s pornographic magazines and home-made religious leaflets. The letterforms were intended to mimic a feeling of cheap glamour but just became seedy. Somehow an alluring beauty emerges from this mix of sleaze and chic...

Real one specific! This font duo comes with a script typeface as well as a sans serif typeface. The two typefaces complement each other really well with beautiful, eye-catching handwritten nuances. This font is very light and can also make your job stand out.

Parenting JNL is a stylized Art Deco sans serif type design originally found on a vintage WPA (Works Progress Administration) poster designed by the Federal Art Project and touting the topic of "The Job of Being a Parent". Available in regular and oblique versions.

Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!

Footloose was a work in progress when its original designer, my friend and colleague Bob Alonso, passed away. Back then just 14 lowercase letters were designed so far. Several years have since gone by, but lately I took on the task of developing Bob’s design into a full-fledged font. The distinctive style of his supplied letterforms provided much inspiration. In blocks of short text there is a dynamic that communicates much verve and vigor, owing in part to gracefully curving lines and high contrast of stroke weight. I guess you could say that this project has been a sort of “passing on of the baton”; and I trust that Bob would have been pleased with the outcome.

Coleface was created by the British typographer Roy Cole, completed shortly before his death in 2012. It comprises six fonts: Coleface 30, 60, 90 and the italics 33, 66, 99. As with his earlier typeface families - Lina, Zeta and Colophon - Coleface is a highly-readable sans serif typeface that offers significant flexibility in terms of its potential uses. Roy Cole studied typographic design under the tutelage of Emil Ruder at the Gewerbeschule in Basel, at a time when typographic history was being made through the creation of a style that epitomized modernity. Consequently the principles of order, simplicity and legibility, fused with experimentation, became a hallmark of his practice, as exemplified in his last font Coleface.

Ornamental caps with scrolls and flourishes inhabited by satyrs, mermaids, Medusa heads, birds, cats, dogs, snakes, and other creatures, inspired by designs from Italian Renaissance artists dating back to 1730-1750. Beautifully ornate and perfect for the beginning of paragraphs in publications and texts conveying the feel of the Italian Renaissance, your own fairy tale stories, or religious texts to grab the reader's attention. Includes one set of A-Z ornamental caps conveniently assigned to both the upper and lower case alphabet characters.

A mysterious 1930s Italian luggage tag inspired Bagaglio. Given its historical and geographical origin, this rough-hewn font could be considered a cousin to the P22 Il Futurismo font.

Angelin Love is a gorgeous script font, beautiful and romantic. This font looks perfect for Valentine’s Day designs, or for other romantically inclined styles and projects. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Cuckoo Fat was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo Fat is a loud and proud, classic and informal display font designed to work well on any job.

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point to 36 point. Good for places where you really don't want to shout.

BistroScript is a contemporary calligraphic script inspired by promotional art in the 1960s. Thanks to OpenType features, a variety of ligatures and alternative glyphs allow the user to create more authentic and varied connections between letters. Used thoughtfully, BistroScript is guaranteed to enhance any print job.

It is monospaced and organic. Two words that often not goes hand in hand, but in this case it does. You have 6 different versions of each letter to choose from, or just let the Contextual Alternates do the job by automatically cycles as you type.

Superion is a supercharged, street-wise brush font bursting with energy. Extra attention was given to quick strokes and sharp details. This font is perfect for challenging jobs, titles, t-shirts, websites, hoodies, clothing, headline, logotype, branding, advertising, event and various energetic print and digital media projects.

Springfield is a narrow, western-style display face from Bob McGrath. The design recalls wood types that were popular during the late 19th and early 20th centuries, but which also found resonance during the 1970s. Use Springfield to liven up otherwise dull headline and logo projects.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. The Italian stencils that I chose as a model for this font are roughly based on classic French stencil letters. Please compare the figures (numbers) with their French counterparts. However, the Italian stencils are made with a different production technique. The design of the letters is clearly not punch-cut into the plates, maybe they are drilled, milled or etched. Details such as the serifs look bold and clumsy, and when using the stencils as they are meant, with viscous sign paint, smaller details easily fade away. So I took my freedom to design a font close to the original design but adding several typographic tweaks to let it shine, hoping to get closer to the intended design idea of these Italian stencils. Enjoy the vintage!

Named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

Despite being drawn digitally, Angeletta is a typeface in the hand-lettering tradition. It draws on designer Rob Leuschke's three decades of experience with pen and ink, including his time creating scripts for Hallmark Cards. Spontaneous and energetic, Angeletta is satisfyingly inky – with strokes almost spilling into one another. Its quirky personality and titling version makes it a good choice for packaging and social expression, while its distinctive character could work well in branding, perhaps paired with a more sedate sans serif. The Angeletta typeface is a calligraphic script designed by Robert E. Leuschke exclusively for Monotype. It is available in OpenType OTF and TTF fonts formats. Angeletta has 900 glyphs with OpenType typographic features like contextual and stylistic alternatives, swashes, ligatures and fractions.

Courteous is absolute elegance. It's semi-condensed serif font with straight and consistent shape in every letter that will give a taste of professional feels to any design. Adding ligature will make it more stylish and modish, very suitable for fashion or beauty projects. Courteous also have the bold version that will looks more gentle. FEATURES: Regular and Bold Version Uppercase and Lowercase are the same 35 Ligature that only works with lowercase, so you can access regular letter by using only uppercase. Ligature: od ai ad ap ed eb ab ib ob ud id ub ou rt yl al le an lu ur gn ha ri ce ho ry ev in ro um ox ve as on Numbers, symbols, and punctuation Multi language support

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , and Gans Italiana .

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , and Gans Italiana .

Pepperwood font is a joint work of the typeface designers K.B. Chansler, C. Crossgrove and C. Twombly. These artists also created the typefaces Rosewood, Zebrawood and Ponderosa together and as the names suggest, all of these typefaces are so-called wood types. The origins of this kind of typeface can be found in the early 19th century. Called Italian or Italienne, these typefaces quickly became very popular. They are distinguished by square serifs whose width is larger than the stroke width of the characters. When the letters are set together, the heavy serifs build dark horizontal bands. Pepperwood font has a couple of unique characteristics of its own. Small squares decorate the middle of the letters and the edges of the serifs are not straight, rather, they have small, fine tips. Pepperwood is reminiscent of the Wild West with its shootouts and heroes, but also suggests the glamor of the 1970s with their platform shoes and wild hair-dos. The different weights allow a large range of design possibilities. Used carefully in headlines, Pepperwood font is sure to draw attention.

Inspired by Rob’s years of living in Japan, Shibuya Dancefloor is an expanded version of an earlier font that we did, adding hiragana and katakana to the mix. It's perfect for anime artwork, sci-fi lettering or even just making flyers for that party you're planning down in Roppongi!

Black Bruno is a supercharged, street-wise brush font bursting with energy. It includes extra attention to quick strokes and sharp details. This font is perfect for challenging jobs, titles, t-shirts, websites, hoodies, clothing, headline, logotype, branding, advertising, event and various print and digital media with energy.

Well Done is a flower calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its unique look! To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.