Extra Crunchy is my handwriting when I am eating cookies while drawing! No, it's true! I did eat a whole box of cookies while drawing this font! :) The letters are a bit jumpy, and have no steady x-height, however, your text may look a bit off, but it is clear and legible. Fits perfect for a children's book, a postcard/poster design or something else that needs that extra crunch :)

Bodoni Classic Swashes is my personal addition to Bodoni’s family of typefaces. Bodoni did not design a decorative version. His quest was for purity in book design. Even though in his days it was not called design; he thought of himself purely as a printer. But I think, especially after visiting the Bodoni museum in Parma, if Giambattista were alive today he would design a decorative typeface. Yours classico, Gert Wiescher

Organic Respect is my monospaced and organic slab serif font. Although the font is monospaced - which may not lead your mind to something organic - I did my best to make the letters appear vibrant and lively in an organic way. I've added 6 slightly different letters for you to choose from, and they automatically cycle as you type, or you can manually select them from the glyph menu.

Saitama is a new calligraphy handwritten typeface, elegant and vintage feel character set. Saitama includes a full set capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, punctuation & some extra glyphs. Thank you for checking and i hope you enjoy it. Always put your heart into it and don’t worry to try. I hope you have as much fun using it as i did making it. Khurasan

Stateside is a bold condensed serif with a vintage feel. It has an urban and, I like to think, urbane character which puts me in mind of classic Thirties architecture like the Rockefeller Centre or the Empire State Building. I did consider calling it Rockefeller, but the family might think it a bit of a liberty, and I can’t afford to get into a copyright battle with them!

Drunken Hour is not your everyday-ransom-note font! It has autoligatures for both double numbers and letters, and a good handful of the most common letter combinations...even the accented characters has got their own unique look! Well, that means you can make your next punk-grunge project look like YOU actually did all the cutting of letters! :) You will need to use OpenType supporting applications to use the autoligatures.

There is no such thing as a talking cat, however, you can often find these in adventures, movies and other stories. At least, now you can have your own font called "Talking Cat", and perhaps even your cat will like it! Mine did! Talking Cat works very well with packaging, toys, posters, postcards or perhaps even flyers - the smoothly rounded edges makes sure your design keeps that handmade look!

Honeyvoid is my handwritten font, and it is perfect for invitations, greetingcards, prints, logos and decorative sayings or headlines. The letters vary beautifully in both height and weight. Using contextual alternates, the font cycles with 5 different versions of each letter - and that’s a sweet trick to make your text look excactly like you did all the brushstrokes! Honeyvoid comes with a large amount of accents, for many languages!

Soul Leo ist a special Version of my font „Soul“ (soul ultra black). For a long Time i want to make a Font like this. Before FL6 that was impossible. I know it is a big File Size for a Font with all the Graphics but i need a Font like this for a LadyProjekt. And so i did it myself. I hope you like it as i do!

You can’t reinvent the wheel When it comes to designing a sans serif, many designers stick closely to existing models. How boring! Others try to demonstrate self-reliance by special stylistic elements – at the cost of readability or aesthetics, or both. I did chose a different way: My Font should just look pretty and friendly, being the good buddy for all days. This is how the name is explained.

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

Buttercake is a from bold and fun script and includes many different swashes to help you make great work. It's versatile and great for many purposes such as poster design, logos, branding, labels, quotes, headline profiles, banners, t-shirt design, packaging, magazines, brochure, and many more. Features: - Simple installation - Support for MAC and PC - PUA encoded - Stylistic Alternates - Multilingual support (for 16 languages): Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu. Kind regards Good Java Studio

Eldwin is a connected script type family with a friendly demeanour. With two styles of Script and Capitals, they combine playfulness with functionality, which allows it to perform best in display and headline situations. The inspiration for Eldwin was drawn from traditional Italian and American sign paintings. Details include six weights in two styles, 526 characters per Script font and 431 characters per Capitals font. Opentype features consist of stylistic alternates, ligatures, fractions, arrows and language support covering Western, South and Central Europe, and Cyrillic.

Circolino is calligraphic script typeface set that is inspired by the letterforms taught in Italian schools. Each letter combination is designed to tie in perfectly within the word. In this regard, many contextual alternatives and letter variants have been designed, especially to make a more calligraphic feel. The Circolino character set consists of two families: Circolino Classic and Circolino Sport. The Classic Family has an almost vertical tilt axis, while Sport Family has a much more pronounced tilt axis that gives it more dynamism and movement.

Lovely Emily is a simple, quirky and adaptable handwritten font. Its informal style and casual vibe will make this font a go-to choice for each of the creations that require a relaxed touch. The font Lovely Emily contains 194 glyphs, supporting 66 languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu, and more. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

This illustrative alphabet was inspired by the decorations of Godfrey Sykes, whose work was greatly influenced by that of Raphael and Michelangelo. This tile alphabet follows a Venetian 16th-century tradition of letters decorated with figures symbolizing each initial, a High Renaissance style. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for artistic publications, storybooks, fairy tales, and texts conveying the feel of the apogee of the visual arts in the Italian Renaissance.

Monotype Corsiva is an italic typeface made in the style of the early Italian cursives as exemplified by the work of the writing master, Ludovico degli Arrighi, in the sixteenth century. The capitals of the Monotype Corsiva font are of swash design, with characteristic flourishes, designed primarily for use as initial letters. Monotype Corsiva can be used for short text passages in advertising but is best used to add sparkle to invitations, greetings cards and menus and to give a sense of occasion to certificates and awards.

Brigston Calligraphy is a calligraphic font with a modern style and an elegant touch, inspired by Italian women's handwriting and ancient manuscripts. Carefully designed to work together in harmony making it perfect for wedding favors, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires modern, formal or extravagant. Try Calligraphy Desired, enjoy the wealth of OpenType features and let its elegant fun and excitement make you happy and boost your creativity! You can use this font very easily.

Balloon Bash is a hand lettered serif font. It's very playful and could be used for a variety of designs, such as a wooden sign or a kid's t-shirt! - Contains over 200 accented characters for language support. Some of the languages supported are: English, Spanish, Portuguese, German, Italian, French, Polish, Catalan, Irish, Norwegian, Croatian, Gaelic, and more! If you would like to know if a certain language is supported, please contact me with the language and/or any special characters you wanted to know about.

Introducing our new typeface, Garine - a contemporary, Art Deco-inspired display typeface full of character, quirky ligatures and glyphs to keep your designs fresh. This is a modern Sans font that we recommend using in the following types of work; magazines (titles and layouts), logos and branding, invitations, quotes, blog headers, posters, and advertising. Language Support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Italian Norwegian, Portuguese, Spanish, Swedish and Zulu. What's included: Uppercase and lowercase glyphs Punctuation Numbers Multilingual support Unique ligatures glyphs

Zero To Hero is a bold handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and ultimately, incredibly versatile. Zero To Hero will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. You will get : Zero To Hero OTF Thank you

Hello! Spooky Hill is an incredibly unique and playful display font. Fall in love with its authentic feel and use it to create spectacular Halloween designs! Spooky Hill is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Spooky Hill.otf - Spooky Hill Inline.otf - Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portugese, Spanisch, Swedish, Zulu) --- Hope you enjoy with our font! Attype Studio

Almanach is a multifunctional, sans-serif font, suitable for a wide range of applications. The universality is it’s strength, but it is not impersonal. It’s character can be felt in the delicately softened endings of letters and in the dancing numbers. The italics is designed in compliance with the rules adequate to the italian sherif typefaces. This is particularly evident in the Cyrillic script, where a lot of characters have a different form than their upright counterparts. Almanach looks familiar. You will surely hit it off.

Bastardre Hand is a beautiful calligraphic face based on medieval miniscule script. With characters closer together yet still recognizable and easy to read, this font works well for illuminated text designs and wherever the look of a scribe's hand is desired. Bastardre Hand has punctuation and diacritics for: Afrikaans, Albanian, Bassa, Cebuano, Danish, Dutch, English, Estonian, Faeroese, Finnish, Flemish, French, Frisian, Gaelic, German, Haitian Creole, Hiligaynon, Hmong, Indonesian, Italian, Iloko, Kurmanji Kurdish (Roman script), Marshallese, Norwegian, Papiamento, Portuguese, Spanish, Swahili, Swedish, Tagalog, Trukese, Wolof, Xhosa, Zulu.

Impetus is a powerful capitals-only geometric sans in a solid and inline variant. Built around a framework of a circle and square, it echoes angular Deco or Italian Futurist "moderne” forms, and is about as heavy as it is possible for a font to be. Alternate forms are provided in the lower-case keystrokes for the S, G, J and W, and there is also an alternate 1. The two styles can be combined in one setting for effect. Use Impetus where maximum impact is required.

Chaste a very elegant sans serif font featuring clean lines, and sharp edges with oval combinations, very pretty but still has strong straight lines. Chaste makes it very easy for those of you who design minimalist and modern designs, it has upper and lowercase letters that are very easy to combine with other fonts. Support for 80 languages : Afrikaans, Albanian, Czech, Dutch, English, French, Italian, Portuguese, Swedish, Irish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Filipino, Finnish, Swiss German, Taita, Teso, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo Etc.

Baked Milk is a display font family with nostalgic motives. The font is created in a groovy retro style. Baked Milk includes Regular and Symbol Styles. The font is suitable for retro summer posters, menu and social media design, branding, event design etc. Baked Milk has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Baked Milk font contains ligatures: aa, dd, ff, ft, hh, jj, kk, ll, mm, nn, oo, pp, rf, rr, rt, ss, tt, uu, Ti.

The Waymar font family is an modern elegant high-contrast serif, inspired by the fashion glossy magazines typography and handwritten signature script. It perfectly represents modern & vintage esthetics. Both fonts includes multilingual support (32 languages: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Zulu), alternate characters and beautiful ligatures. The font is perfect for wedding elegant invitation cards, beauty and fashion package design.

Calliagona font Serif Font typeface with a sturdy structure, complements Swash + Alternates + Ligature + Ornament and is very comfortable for the reader, also simple in nature. very suitable for official media such as banners, magazines, newspapers, product name, logo, lebel, namebooks, and others. Font file Includes: Supported Languages: Breton, Catalan, Czech, Danish, Estonian, French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh . Basically, all European languages ​​are based on the Latin alphabet. Thank you purchase!.

Introducing an elegant script font called Sunbathe, every shape of this font is made by the natural strike. To customize, Sunbathe comes with some features like alternate and ligature. It's perfect for branding, magazines, greeting card, wedding invitation, social media stories, etc. What you will get : - Opentype features - Multilingual, support 16 languages ( Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, Finnish, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanisch, Swedish, Zulu ) If you have any questions or need technical support, don't hesitate to comment, message or contact java.indonesian@yahoo.com.

Vultura is a razor-sharp typeface with an elegant feel. Inspired by old-style serif fonts, Vultura features exaggerated elements and delicate hairlines for maximum contrast and a classic, elegant aesthetic. FEATURES Two weights: Vultura Regular and Vultura Outline 36 ligatures incl. nested or overlapping caps per font Comprehensive language support including: Albanian, Basque, Catalan, Croatian, Danish, Dutch, English, Finnish, French, German, Hawaiian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Slovenian, Spanish, Swedish, Turkish, Welsh & more Designed in 2020 by Sweetest Goods

Among the many display faces Milton Glaser designed during the heyday of Push Pins Studios was the pattern for this dramatically shadowed face, whose original name—for reasons unexplained—was "Kitchen." Well, whatever the reason, it's definitely "what's cooking," so the Italian word for the latter half of that phrase gives this typeface its name. Equally at home being kookie or spookie. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

The Best Smile is a cute, quirky and childish handwritten font. Whimsical and relaxed, this font will brighten up each of your designs. Add it confidently to your projects, and you will love the results. The Best Smile font contains194 glyphs, supporting 66 languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. So what’s included: Basic Latin A-Z, a-z, numbers, symbols, and punctuations. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You. We hope you enjoy our fonts

Spiralis is a font that wants to maximize the spiral by including at least one in each letter of the alphabet. It is a font that lends itself to being used for headlines or otherwise in large sizes in order to be best appreciated. It is based on the golden spiral, Archimedes' spiral, the golden rectangle and the square from which the construction grids are derived. 2 styles 179 glyphs for each style 6 ligatures Italian, english, french, spanish, german, danish https://www.behance.net/gallery/147197043/Spiralis

Serico is a font family that rekindles the past. It supports 114 languages, features a total of 508 glyphs and includes an italicized version.