After release of Wood Bonnet Antique No.7 some of my clients asked for a sans serif version. So I printed my second batch of old wood type. I transferred these wood type into a digital font and tried to preserve the warm vintage look. » pdf specimen « The font offers up to four glyph variations of all the Latin base letters, figures and some additional letters - It has an build in letter randomizer. Please check you have turned on contextual alternates in your application. If you prefer a more common look and need more weights or to use the font in smaller text sizes I have done clean and sharp font family called Bonnet Grotesque Nr. It’s the preferred version for all the usages on websites, apps or ebooks. Have fun!

Bodaholic is a very cute, elegant and unique script font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! Bodaholic is appealing because it's sleek, clean, feminine, sensual, glamorous, simple and easy to read, thanks to its many fancy lettering connections. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

The Bringhton Script This is a Vintage calligraphy script font that comes with beautiful alternative characters. copper plate mixed calligraphy with handttering style. Designed to convey stylish elegance. The Bringhton Script has a smooth, clean, feminine, sensual, glamorous, simple, and easy to read typeface. The Bringhton Script comes with a Clean and Aged version, beautiful upper and lower case, binding and favored by many finishes. It has Multilingual support (West European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards and more. Recommended for use in Adobe Illustrator or Photoshop. Custom features don't work in Microsoft Word.

Clip is a display typeface inspired by the shape of a paperclip, but it’s not designed with the usual minimalistic modular approach. Instead, Clip mimics the construction, proportions and contrast of classic bold text typefaces and has one unique characteristic: each of its characters is drawn with only one single line. Clip family consists of 3 fonts, Hair, Light and Regular, each with 745 glyphs (supporting more than 70 latin based languages), 4 stylistic sets and advanced OpenType features. When Stylistic set 1 is activated, the overlapping loops contract, giving the text a whole new character. Moreover, every uppercase character is also available in an ornamental swash variant, which means most of the capitals have four different versions. Learn more about the OpenType features in Clip fonts at http://www.urtd.net/clip.

Squeezing yet more life out of the Revla skeleton! This is Revla Round, a child-friendly version of Revla Sans, completely overhauled so there's no chance of cutting yourself on any corners. Every rounded terminal and corner has been painstakingly drawn, rather than using a round-corners filter. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It's shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates, standard and discretionary ligatures, and case-sensitve forms. Obviously, in sharing a common skeleton, it will work well with other members of the ever-growing Revla Superfamily.

Bodaholic is a very cute, elegant and unique script font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! Bodaholic is appealing because it's sleek, clean, feminine, sensual, glamorous, simple and easy to read, thanks to its many fancy lettering connections. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Rogik by Holyline, Rogik is a expressive serif font family, This font very elegant, unique , has a strong and sharp character. This font comes in nine weight with italic so there are a total of 18 fonts and support variable for upright and italic. It's very unique, playful, elegant and very easy to combine with your design style. Rogik also inspire by metal, pop, punk and street ware, fashion brand. Rogik perfect for headline, sub headline ,custom logo, packaging, quote, merchandise, sticker, badges, social media posts, label, album cover and anything for your creativity. Rogik is perfect font if you want something new with your project, you can play the 18 fonts style, and you can pairing this font with the weight, its very satisfy. So happy creating!

The genesis of ApronSoft font type family is inspired by soft-vertical structure of airplane window. On the other hand ApronSoft is making a reference to technological design mentality of early 2000's. In short texts it has stable view and also humanist effect. Very suitable for mobile apps, web designs, sportive & technological product packs and ads designs. Especially Narrow Bold and Condensed Bold Italic weights have fluid and strong expression for striking headlines. User friendly ApronSoft serves rich opentype properties; small capitals, alternative letters (a, c, e, g, k, l, q, s, y, A, C, G, K, M, N, R, S), stylistic sets, standart and optional ligatures, oldstyle figures, tabular linings, arrows, bullets and wide money currencies, fractions and math symbols. With reduced file size, it’s softer now!

Symbojet is the first professionally designed font equally covering alphabetic and pictographic characters on a large-scale scheme. It’s typographically based on Andreas Stötzner’s recent “Lapidaria” design and uses brandnew standard Unicode-6.0 codepoints for about 340 symbol characters. Use Symbojet for combined text/signage composing to design wayfinding, tourism and leisure, sports and transport matters, for media and communication, for birthday invitations or bistro menu cards … With Symbojet the combined usage of text and signage becomes as easy and elegant as it has never been before. Symbojet is available in a Regular and a Bold version. Both fonts contain about 340 alphabetic (full Latin and Greek) and 400 pictographic characters; in total they count about 1000 glyphs each. The pictographic content is the same in both fonts.

TE Mona Tharwat Emara," a masterpiece of Arabic calligraphy crafted by the renowned Egyptian calligrapher, Tharwat Emara. This exquisite Ruqaa font seamlessly blends tradition with innovation, offering a timeless elegance that captures the essence of Arabic script. Tharwat Emara, a distinguished figure in the world of calligraphy, has lent his artistic prowess to create a font that is not merely a collection of characters but an embodiment of cultural richness. Each stroke of the pen reflects the heritage of Egyptian calligraphy, echoing the historical echoes of an ancient civilization. "TE Mona Tharwat Emara" stands as a testament to Emara's dedication to perfection. The font's graceful curves and meticulously designed letterforms pay homage to the classical Ruqaa style, while subtle contemporary touches infuse it with a modern flair. It is a harmonious blend of tradition and innovation, making it an ideal choice for projects that demand sophistication and cultural resonance. Designed with precision and passion, this font is not just a typographic tool; it's a work of art that brings the beauty of Arabic calligraphy to the forefront. Each character is a brushstroke of inspiration, contributing to a seamless flow that captures the eye and mesmerizes the reader. Whether you are working on a branding project, publication, or artistic endeavor, "TE Mona Tharwat Emara" adds a touch of timeless class. Embrace the elegance of Arabic script with this font, where every detail reflects the expertise of a master calligrapher. As you embark on your creative journey, let "TE Mona Tharwat Emara" be your muse. Elevate your designs, captivate your audience, and embrace the heritage of Arabic calligraphy with this exceptional font. Embrace the legacy, embrace the art – TE Mona Tharwat Emara awaits, a font that transcends time and tradition

Bill Corporate is a geometric typeface with generous capitals. A modern classic, based on Max Bill’s lettering work, its straightforward and uncompromising construction can be both edgy and sublime. With minimalist letterforms, pointy apexes instead of flat ones, and archetypal proportions, this font family doesn’t follow any trends but strives to achieve a timeless formal vocabulary. The skeleton of its letters is based heavily on the famous primary shapes of the Bauhaus: square, circle, and triangle. This makes for quite wide uppercase and much narrower lowercase letters. The contrast between uppercase and lowercase benefits inexperienced users, who will be able to get appealing results quickly. At the same time, it’s a powerful tool for seasoned designers, who can employ either case selectively to set the desired typographic course. Bill Corporate Medium’s 16 styles (including a set of eight lighter-than-light fonts from “Two” to “ExtraLight”) are an excellent choice for editorial design, branding, headlines, and even short to mid-length copy in a wide range of applications and industries. The uppercase letters in particular—with their varied widths and lavish dimensions—are suitable for cosmopolitan and stylish logotypes and wordmarks. Whenever a timeless, staid, and classy look is demanded, choose Bill Corporate.

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.

MGN Albiston is a condensed display typeface that we designed with a strong and sporty look. It is perfect for headlines, posters, and logos. The condensed form gives it a compact and powerful appearance, making it stand out in any design. The serif touches on certain parts of the letters give it a classic touch, adding complexity to its overall impression. This typeface is suitable for various design projects, such as sports branding, fashion, and entertainment. It has a versatile and dynamic look that can add a bold touch to any project. Give it a try and see how it can enhance your designs.

Valsity is a squarish slab-serif family with five weights and two widths, each with an italics for a total of twenty members. With negligible contrast, it is almost monoline. It is for decorative uses; it is too square and lacks the contrast to make it a good choice for extensive text. Valsity began with a blending of two other squarish slab-serifs, Valgal and Kwersity, and its name reflects that ancestry. From there it took on a life of its own, often diverging from its parents.

Glaster is a beautiful calligraphy typeface with a distinctive style of its own. It is a bold and elegant script font. Fall in love with its incredibly versatile style and use it to create spectacular designs!

It occurred to me years ago that the graphic arts community might find useful a digital typeface that mimicked the classic look of nineteenth-century handwriting. Conveniently, my mother then still volunteered at the Center for American History at the University of Texas at Austin, my hometown. She made copies of the letters of a few famous Texans -- Houston, Austin, Travis, Burnet, Rusk. Thomas J. Rusk’s penmanship caught my eye as the most accessible of the bunch. I hadn't realized at the time what a challenge it'd be to render a realistic-looking script face, but the result has, in fact, filled a niche.

Mangarans is a Modern Victorian Blackletter, which is combining modern and classic typography. It has a vintage feel, and as a result, it matches a wide variety of designs. Get inspired by its retro feel.

Interrogator Stencil. This is not your average typeface. It’s a weapon in your design arsenal, engineered for maximum impact. With its military-inspired design and crosshair divisions, Interrogator Stencil is built to command attention and convey authority. Its technical style makes a bold statement, lending your message an assertive accuracy that cannot be ignored. Whether you’re creating a poster for a sci-fi blockbuster or designing a logo for a cutting-edge tech company, Interrogator Stencil is the perfect typeface to elevate your designs to the next level. This font is not for the faint of heart. It’s for those who demand perfection, who refuse to settle for anything less than the best. So if you’re ready to take your designs to the next level, gear up with Interrogator Stencil and get ready to dominate the battlefield of graphic design. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Earthpig is based on samples of poster lettering from classic club posters of the 1960s, from venues like the Fillmore in San Francisco and the Armadillo in Austin. It combines elements of several different styles to recreate the unique look of poster lettering of the psychedelic era. It's far out, man.

Here comes a New font, Introducing WORTHLESS It's Weird Display Font is a Natural Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. WORTHLESS a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details.

Hi, presenting a classic style font Aquatory Serif. It's a decorative classic style typeface with lots of ligatures and thin high contrast shape. A descent advantage of this font is a set of 75 ligatures for small letters. Aquatory Serif font supports most of the european languages and also has ukrainian cyrillic characters. *Make sure that "Standard Ligatures" feature is supported & enabled in your software. Also please consider that this feature is available only for english alphabet.

Larchmont is a piece of pure fun, inspired by inter-war enamel advertising hoardings (often known as 'street jewelry') and by traditional sign writing. It's ideal for poster design, book covers and any sort of signage, or just about anywhere you need more than a hint of flair. Larchmont combines a sense of fun with a traditional ethos. The family is offered in three widths, each in upright and oblique forms. Revive the golden age today!

Kufica is a geometric sans serif display family based on the kufic style, a 7th century calligraphic form of the Arabic script originates from Kufa, Iraq. It’s quite amazing that a historic Arabic calligraphic style can be implemented into a modern (even futuristic!) typeface that serves so well in modern advertising, branding, packaging, posters and so on. Kufica family comes in 2 weights with italics, each of the fonts has solid language support with over 430 glyphs.

Ramsey is stout and warm, rectangular with rounded edges, and dynamic with swift cuts. Ranging from thin and condensed to extended and black, Ramsey has seen applications in sports teams to movie titles and even art magazines. Through the years, Ramsey has proven itself to be a true workhorse of a font. This version has a lot of minor updates to the form and spacing, and we now see an extended family to complete it’s legacy. A true workhorse.

Here comes a New font, Introducing SANTOS It's Sans Display Font is a Textured Natural Style and Authentic Classy Style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. SANTOS is a vintage natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details.

Girona is a contrasting sans serif typeface which comes in 5 weights from light to bold. Large inktraps and many playful details create a modern typeface with a distinctive look. Girona offers many discretionary and standard ligatures. With different stylistic sets you can change the feel of your design from more delicate to more bold. It’s a perfect typeface for branding, editorial design, logo design and many others. Girona works best in larger sizes or headlines.

Nicely scribbled script font. It has a masculine, wild and wild mood. It also has a feeling of being torn. It is good when you want to use a lively atmosphere because of the fast flow of strokes. It is good to use when you want a cool and striking design such as a bromide for a rock festival, an album cover for music, a beer package, or a beer logo.

Themoment is a Playful Display Font that will make your designs look modern, unique and fun with 23 Ligatures. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

Nymphe is a monoline typeface based on the form and character of an art nouveau illustration from 1907. It's somehow old fashioned but has modern influences that are reflected in irregular serifs in combination with decorative elements. Nymphe is best at sizes above 7 pt.

Beyond is a natural & modern handwritten font. It's perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermark, special events or anything. This font include : Standar Ligatures, Stylistic Sets (SS01-SS05), Stylistic Alternates and also Multilingual support.

Mommy Lemon - a smooth handcrafted font with delightful characters. It's great for headline, logo, poster, spa or hotel projects, food projects, and many more. Mommy Lemon features Uppercase and Lowercase, Numeral & Punctuation, Ligature, Special Characters (Multi-lingual), is PUA Encoded and easy to use.

Bold modern sport font with rounded corners in consistent angles. A strong and unique style instantly adds power of movement to your creative projects. It's perfect for logotypes, headlines, game covers, sports events, posters, magazine covers, branding, product design, labels, and other suitable projects.

Charlie is a contemporary and stylish display sans serif typeface. Charlie is made with inspiration from art deco style. Charlie works best for use in such as book titles, stationery designs, quotes, branding, logos, packaging designs, posters, and more. it's look classy and authentic!

Morning Sweetest and Morning Sweetest Neue is a Classic feat Modern serif family. It's clean and smooth with 9 variable weight combining the regular and italic and much alternative inside. Suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc.

Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Merry Fleurons is a bit of fun for Christmas, New Year and the holidays. It's ideal for decorating your own cards, party banners and any sort of Christmas publications. Need Holly? Christmas Trees? Baubles? Candy Canes? Angels? Merry Fleurons is just what you need.

Pecorino Script is a lower-case script font with an authentic, handwritten feel. It's perfect for: logos, branding, wedding invitations, greeting cards, quotes, textiles, posters, magazines, social media, planners, prints, and more. FEATURES: Stylistic end swashes to add personality Initial characters Multilingual accents + support

It started in 2007 with Chennai, the first of a three-part series of sans that I envisioned with slab serif counterparts. Each font would differ from the others in how the stem terminals were expressed. The initial font was extremely well received, and a revitalized and remastered Chennai made its appearance two years later, complete with new weights and new, novel OpenType features. Then came Madurai, a variation of Chennai based on the same core, only without the rounded stems. Chennai’s rounded stems made it distinctive and great for headlines but left it lacking appeal as copy--a problem that Madurai easily solved. And now comes Sangli, the final iteration of my original 2007 vision. Sangli is a happy medium. Like Chennai, it’s great for headlines--but not too distinct for copy. Sangli keeps the same core structure as the other two, but new less sharp forms give this latest font a friendlier look that’s more versatile than the original Chennai and less formal than Madurai. The font includes a whole range of six weights from light to black, along with condensed and extended options as well for a total of 54 fonts. There are plenty of OpenType features, including small caps. Alternates include normalized capitals and lowercase letters that include stems for when you want a more traditional look or when you’re writing copy. Sangli also supports over 70 languages that use the extended Latin script. Use Chennai, Madurai, and their slab serif variants interchangeably with Sangli, too, for even more options in your work. All three complement one another well. So when you need a balanced font that stands boldly on the page and commands your reader’s attention, look within and find your Sangli.

Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant trait from the melting-pot origins of the entire family. It’s almost like a tribute album to some famous band’s covers of older songs. It may also be a good conversation piece on our tools shaping the very things for which they’re used. Can’t really get any more post-Grotesk than this. In the 21st century, this is the one genre to rule them all.