The font is inspired by the history of the native land - a city that blossoms on a high mountain, surrounded by the blue ribbon of the Unava River. The swift rapidity of the river, the important slow flow of its reservoirs, golden beaches and steep banks of which remember the glorious times of Cossack glory. Times when bright flags flew over the Cossack army, which swiftly swept the green meadows with lightning cavalry, and dusty paths under the scorching sun. To go out to defend their homes, to cross the cold steel of ringing sabers with the enemy, and, bravely going into battle, to fight back the invaders. The font combines the straight lines of sharp steel sweeps, the broken lines of jousting blows, and the refinement of the accent of undulating flag lines.

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

RARE BIRD SPECIMEN III Rare Bird Specimen III is a graceful hand by Karla Lim of Written Word Calligraphy. This all lowercase font feels both modern and feminine. While uppercase letters are still lowercase in shape, they are larger and read as caps. OBSERVATIONS Specimen III has a dancer-like form; supple and lithe. Willowy letters are nimble and lissome, content alone or paired with a stronger, more masculine specimen. DEFINING CHARACTERISTICS Opentype programming, formal title and preposition word art, 7 alternate lowercase t cross-strokes, Roman numerals, old-style numerals, seamlessly semi-connecting calligraphic letters, realistic double-letter ligatures, in and out-stroked letters at the beginning and end of words where appropriate, basic Latin encoding. POTENTIAL SIGHTINGS Bridal + baby shower stationery, logo design, gourmet food packaging, clothing labels.

The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab , I followed my instincts and gave it a sans serif companion. Henderson Sans comes in seven weights plus italics, each of which casting an eye on the crafty lettering origins of what is now the ubiquitous mode of corporate communication. This sans serif is a glyph-for-glyph match for Henderson Slab , inheriting pretty much all of its features and quirks, like the wealth of alternates and swashed variants — simple, endearing or otherwise. Henderson Sans is a family of seven weights plus italics, all full of open features and extended Latin language support. (Basic version do not include alternates, swashes, etc).

Hispania Script is a distinctive and distinctly nineteenth century script. It was released by Schelter & Giesecke of Leipzig, Germany around 1890. Particularly noteworthy are the sharply-pointed legs of the upper case ‘K’ & ‘R’ that seem to be characteristic of the period. Similar strokes, often with a slight curve, may be seen in typefaces like Alt-Romanish and Tinteretto by Schelter & Giesecke, Artistic and Lateinsch by Bauer and Berthold and the poster lettering of Edward Penfield. The angle of this script (approximately 24 degrees) and the sharp delicate points must have made the manufacture of this face in metal type a challenge. The resulting type was probably quite fragile and subject to accidental damage. Additionally, the sharp points would be subject to wear. With digital type, these concerns are eliminated. As far as I know, no one has ever dropped a digital letter on the floor. Nonetheless, creating a digital outline for a typeface like Hispania Script, with many crossing strokes, can be quite time-consuming. Even with an accurate scan of a good quality original, it is usually necessary to construct each crossing stroke separately and then remove the overlap in order to obtain a sharp and convincing intersection. Steep internal angles are often defined with two points, rather than one, to minimize ink or toner fill that can muddy the rendering in smaller sizes. Like all formal scripts, Hispania Script is always useful for announcements and invitations. However, the distinctiveness of of this design strongly suggests that there are other applications that may benefit from its use. Step outside the box and try it in some unexpected places. It is the unexpected that often draws a person’s eye.

A literary font FS Neruda takes its name from Chilean poet Pablo Neruda, described as “the greatest poet of the 20th century in any language”. As such, it’s a font that references the very best literary typeface traditions. Smart, sharp and classical, FS Neruda bridges the gap between the classical and the offbeat. This font started life in the world of newspapers and books and is the perfect storytelling typeface for savvy, inquiring readers whether in printed journals, hard news, short online missives or poetry. Idiosyncratic precision FS Neruda is clear and legible in body text, while also being a space-saver fitting in more characters on each line than the typefaces that inspired it. In larger sizes it becomes a different beast – livelier, quirkier, but no less sharp. This is a truly classic typeface designed with long text setting in mind, thanks to its large x-heights, and short ascenders and descenders. FS Neruda mixes suave, sharp confidence with a sense of fragility and quirkiness. It’s knowledgeable, informative and idiosyncratic; one for readers and enquiring minds. Subtle weight modifications The construction and details of the letterforms differ across each of the five weights, with each cut separately to evoke different flavours: Thin is typewriter-like, Light is classy, Regular is canonical, Bold is robust, Black is magazine-esque. FS Neruda also boasts a radiant italic companion, a wide set of small caps, lower and uppercase ligatures, case punctuation and spacing, four sets of figures, and some ageless typographic symbols such as manicules, fleurons and teardrop crosses. Suggestive simplicity “The key to success in the current type design landscape is to design a typeface which looks conventional at text sizes but has a few small, suggestive touches visible at bigger sizes that make it distinct,” says designer Pedro Arilla. “Another thing we wanted to achieve with this typeface is simplicity.” FS Neruda is available in ten carefully crafted styles: it’s designed to work perfectly at text sizes, but still glows as a display typeface.

Calamity Wayne is a reverse-contrast slab serif, inspired by the ‘wild west’ French Clarendons (aka Italians or Egyptians) of the late-1800s. Despite the idiosyncrasies that make it ideal for display and headline uses, it is also surprisingly legible in text settings. Calamity Wayne supports Latin, Cyrillic and Greek, and is available in OTF and TTF formats. Acknowledgement: I am very grateful to David Jonathan Ross (https://djr.com) for his support and encouragement.

It don't mean a thing if it ain't got that swing, and it's easy to get into the swing of things with this bouncy little number, based on another offering by the irrepressible Ross George. Bright, bouncy and a little sassy, Nellie Kay will save the day, no matter what the occasion. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Camp is a rough-hewn, woodsy font that gives new meaning to logging on to your computer. With engraving-like, hand-rendered details, it harkens back to frontier days and simpler times. Whether gliding across a placid lake or trekking through untarnished nature, Camp will let you see the forest among the trees. A family of 5 fonts gives you the option of printing a single color outline w/drop shadow or up to four different colors using the shadow, fill, ends and outline variants.

The 1930s, 40s and 50s contribute many elegant and clean font families to the design canon. Plebia—the plain font—is Greater Albion's homage to that elegant design canon. The basic design is offered in a range of decorative forms chosen to preserve this basic simplicity: shadowed, outline and a subtle semi-serif. Use this font in signposts, labels and posters, anything that needs to get its message across with impact regardless of visual distance. Bring back the spirit of the middle years of the last decade.

Faithful Fly is an alphabet of capital letters designed by David Sagorski in 1994. Vital and dynamic, the figures of Faithful Fly dance across the base line. Zigzag strokes and energetic forms define this frolicsome font. Little ovals decorate the figures in different places. A marked contrast between finer and stronger strokes can be seen in all characters and builds the foundation of the unmistakable image of this font. Faithful Fly's fresh, young look makes this font perfect for comics, cartoons and trend magazines.

Charming and friendly, Hiruko Pro is a modern and legible font cleverly combining smooth lines and playful curves. It’s a complete revamp of the original 2008 Hiruko family. With its softened edges, it emits a family friendly, kids welcome vibe and is easily legible in any situation. With a full family of 21 weights, varying from bold and attention-grabbing, to slick and smart outlines, to extra light and delicate, Hiruko Pro has a tonne of applications, and we still come across new ones.

De Ruyter font was inspired by old and new. Old beautiful calligraphy and blackletter fonts used across the ages and new clean, simple sans-serif style fonts which may be use in many types of modern media. This typeface include 438 glyphs which cover 98% of Latin Plus languages and 94% of Latin Plus diacritics. De Ruyter include regular and italic version which will perfect works in any branding, logos, magazines, films projects, badges and headlines. The font is distributed in TrueType format including kerning.

Waverly CF combines the tone and flow of art deco with updated, clean letterforms and a modernized construction. Variation in letter width creates a pleasant rhythm perfect for artwork and logos. Waverly CF offers wide language support across Latin and Cyrillic glyphs, and includes a host of swashes and alternate letterforms. Waverly CF is an expressive display typeface and pairs well with simple, elegant serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Notre Dame is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Notre Dame was designed by Karlgeorg Hoefer, who was inspired by the structure of forms once used mainly for liturgical purposes. Digital techniques made it possible to add Gothic ornaments and borders to the font, perfect for designing anything which should have a late Gothic feel.

Amitié is another typeface design by Ralph M. Unger. With its French origin already hinted at in the name, Amitié comes across as friendly and lively. This design reflects Unger’s interest and love in classical, expressive type with the right sense of style. Amitié is very readable at small sizes, but it can be used as well in headline sizes, e.g. for book title and the like. As usual for URW++ fonts, Amitié is supplied with the full range of Latin glyphs including those for Eastern Europe.

Flowing like warm honey, Mielle® CF is a playful cursive script perfect for logos, signage, and posters. Automatic ligatures and contextual letters flow across Mielle's six weights. Mielle® CF pairs well with simple, elegant typefaces that won’t compete for visual attention, such as Artifex CF and Artifex Hand CF. Please note that some contextual glyphs may not appear in the generated previews, but will work correctly in the full typeface. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Discover Bergins – Grotesque Sans Serif Modern Aesthetic Initially, Bergins captivates with its modern grotesque aesthetic. Designed meticulously, it embodies a fresh and contemporary vibe, ensuring visual appeal and innovation in design. Clarity and Precision Additionally, clarity reigns in its design. Every stroke and curve in Bergins speaks precision, offering optimal readability across various platforms and sizes, facilitating diverse applications. Versatility Unleashed Moreover, Bergins exhibits remarkable versatility. It seamlessly integrates with a multitude of design layouts, from digital platforms to printed materials, enhancing adaptability and usability.

Clio, Clio XS and Clio Condensed —each available separately— is a big family of 72 fonts. They were designed by Gabriel de Souza in 2012. They are simple and stylish and they have the ideal appearance to your work. Furthermore, features such as italics, obliques, great language support and flexibility. They can be applied in many different forms but their primary use is indicated to display use and luxurious trade mark creation and also available for Clio Icons.

Montana is an elegantly playful handwritten font family with separate fonts for icons and illustrations included. This font is based on tight, condensed Grotesk typefaces, combining geometry and legibility with the originality of handwritten strokes. The result is a fresh font family perfect for headlines, typographic posters, t-shirts, food packaging and other print works. Its optimized legibility, simple structure and low contrast was made to perform excellently with e-books and mobile apps in mind.

Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. OpenType features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript). Klik comes in three widths – each featuring eight weights and corresponding italics.

A new modern classic. Kana Sans is a versatile sans serif font family that’s ideal for building a contemporary yet timeless brand look. Inspired by iconic typography, Kana Sans is designed to be balanced, modern and easily adaptable to web, print, and signage applications. From fashion to corporate industry, this font gives the designer full flexibility to express his/her vision. With Six different weights and matching italics, Kana Sans is a powerful communication tool for today.

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Meat and Seafood”, our offer also includes Dairy, Bread and Confectionery, Vegetables and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

Katka is a informal playful typeface entirely cut-out of paper. With two stylistic variants for each letter it enables your text to appear hand-made. Three layers of the type family – Basic, Contour and Confetti – give its users plenty of opportunity for creativity. By making use of its dingbats and icons you can create distinctive user interfaces, social media campaigns or festive designs. Katka feels at home in branding projects, editorial use, children’s books and packaging.

Introducing QARVIC TYPEFACE, a simple and beautiful font made with persistence and passion. QARVIC has a unique character when compared with the others sans serif font, it has two types of letters (plain type and type grunge) and there also has an outline QARVIC icon characters. QARVIC typeface is suitable for simple logo design, website header, wedding design, badges, menu fonts for website, to design fashion and others that have a minimalist and simple concept. Thank you and enjoy :)

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Vegetables”, our offer also includes Dairy, Bread and Confectionery, Meat and Seafood and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Fruits”, our offer also includes Dairy, Bread and Confectionery, Vegetables and Meat and Seafood. Everything in one style. Mix and match as you see fit. Bon appetit!

EPOXY - A font that exudes the playful and iconic vibes of the y2k era, inspired by the beloved Barbie cartoon style, where all hues are dipped in pretty pink. With 6 captivating styles for each type - Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Features: Epoxy Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Instructions (Access special characters, even in Cricut Design) Simple Installations PUA Encoded Characters Dharmas Studio

Vintage Wedding is a collection of 432 icons, divided into 4 categories. These symbols were selected and created in order to bring to mind the past times, yet at the same time, to retain the modern design. You can find here such rare and beautiful objects as phonograph or cult eyeglasses. The font includes many diverse elements, which will help you create compositions out of flowers, to choose commemorative vases, and even to dress the bride and groom!

With two styles available for each type - Regular and Script, KNEEHOLE is your ideal choice for crafting logos, signboards, or elegant wordmarks. This font draws inspiration from the iconic typography trends of the late 60s and throughout the 70s, adding a touch of nostalgic flair to your creative projects. Features: Kneehole Main File Has 2 Families: Regular and Script Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Enjoy Designing! Dharmas Studio

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Dairy”, our offer also includes Bread and Confectionery, Vegetables, Meat and Seafood and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

Falena is a type family designed by Gianluca Boffito. This simple, easy-to-read, geometric-style sans serif family is published by Typoforge Studio and consists of 18 weights (together with italics). It has more than 300 glyphs per style (including special characters). Falena works equally well in long form type settings and for titles, headings, posters. It comes with two sets of original dingbats (set 1 contains 52 ornaments, set 2 contains 52 truly distinctive and stylish icons).

Friends is a complete and contemporary language system for postmodern graphics. Inspired by the idea of making new art and graphic design keeping in mind new ways of visual language like emojis as a formal way of communication and contemporary graphic arts. Friends is perfect for web design, postmodern arts, book design, posters, editorial design, branding, advertising, headlines, and short texts. Friends includes 14 style typeface plus italics, icons, emojis, arrows, ligatures, fractions, special numbers, etc.

Sink your teeth into the World of Horror! SPOOKYTOOTH is sharp enough to penetrate even the most stubborn necks and has proven unnerving enough to make Ghost Rider, Deadpool, the Confessor and even ELEPHANTMEN’s Obadiah Horn sound both sinister and nefarious! Remastered Spookytooth includes a new Bold weight, automatic alternate letters, improved spacing & kerning, additional European, Vietnamese & Cyrillic language support, and Crossbar I Technology™ Script by Jeph Loeb & art by Ian Churchill with Liquid's Aron Lusen

This is a modern icon set with geometric shapes. A tasty set for the creation of the visual identity of shops, restaurants or bars. Thanks to its simplicity it will be perfect for printed and online materials. Baobaby Studio prepared an entire delicious set specially for you. Apart from “Bread and Confectionery”, our offer also includes Dairy, Vegetables, Meat and Seafood and Fruits. Everything in one style. Mix and match as you see fit. Bon appetit!

Hey there! I'm happy to introduce to you my new ethnic-based font. Hurray! It was long and hard work because every glyph is unique. I sketched each letter of the font. Each letter is uniquely designed and has nordic folk art in the background. What you will get: Filled and Regular styles Icons and patterns font Uppercase (lowercase glyphs are same) Numbers and symbols Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

Yeti is tall and hand-drawn with a hint of calligraphy. It is quite possibly influenced by a yeti’s penmanship, but even that cannot be proven. Whether you enjoy writing or designing in all-caps or not, this font has something for you. Something furry. Yeti supports multiple languages and includes graphics and web icons to help get those creative juices flowing. Naturally, yetis love Easter egg hunts and being superstitious. This font is no exception.

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell. Offering contrast and balance to the square structure, Sánchez Slab is a new version, more robust with straight edges, that give greater character and power. Sanchez Slab comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free.

Funky Retrovy is a groovy and energetic font that perfectly captures the essence of retro nostalgia. With its funky and whimsical letterforms, this typeface exudes a vibrant and carefree spirit reminiscent of the colorful era it celebrates. Each letter boasts bold and playful curves, inspired by the iconic designs of the past. Funky Retrovy adds a touch of fun and funkiness to any project, making it ideal for eye-catching posters, vibrant branding, and retro-themed party invitations.

Hello all, I will introduce my new font with the name “Sweet Girls” “Sweet Girls” is the form of letters that many variation and look very beautiful. available over than 50 glyphs for alternative letters that will make this font look so cute, funny, beautiful and fascinating. What's Included : Sweet Girls OTF Sweet Girls Slant OTF Sweet Girls Icons OTF Thanks so much for checking out my shop! Hope You enjoy it so much All the best, Haksen