Nice Dream is a fun display Font font, this font Is perfect for lproduct packaging, product designs, label, photography, watermark, special events or anything. Caps Only Fonts. Nice Dream comes with uppercase and lowercase letters, multilingual symbols, numerals, punctuation.

Dino Dingbats Font is cute and adorable Dinosaurus dingbats font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!.

Introducing Akahe, a font that blends traditional elegance with modern sophistication. With its thick strokes and serif edges, Akahe adds a touch of classic style to any design. And with its stylistic set options for upper and lowercase letters, you can personalize the font to suit your unique style. Whether you’re working on a website, a brochure, or a branding project, Akahe is the perfect font to elevate your designs. Its thick strokes and serif edges make it highly legible, so your designs will always be easy to read and understand. But Akahe isn’t just beautiful, it’s also versatile and functional. You can use its stylistic set options to customize the font to your specific needs, making it perfect for a wide range of design projects. And with its comprehensive character set, you can create designs in multiple languages. So why settle for a standard font when you can have Akahe? Download it today and start creating designs that are both classic and modern, sophisticated and stylish. Whether you’re working on a large-scale project or just looking for a new font for your personal designs, Akahe is a perfect choice. What’s Included : - File fon - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like - many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the value family pack. The fonts are inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.

Shackie Handpainted is a striking custom lettering font, embodying the charm and flair of a script brush. This logotype font is perfect for projects requiring a cool and edgy touch, such as T-shirt designs and sign painting. With its unique hand-painted style, Shackie Handpainted brings a distinctive appeal to your creative work. The font's dynamic brushstrokes lend it the authentic feel of a sign painter's masterpiece, making it an excellent choice for projects that call for custom lettering and a personal touch. The Shackie Handpainted font family includes six expressive styles to suit various design needs: The weights Thin, Regular and Bold, with each thickness as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Wien Pro, the sans serif by Ekke Wolf. Typeface lovers looking for a modern, well-developed sans serif font with a touch of retro and warm, individual lettering will get excited about a new addition to the font market. The more than complete Wien Pro front comes in three styles and four different weights. In addition to the upright Wien Pro there is the Wien Pro Oblique with a moderate 6° slant and the Wien Pro Superoblique with an 18° slant. Available weights are light, regular, medium, bold and black. These fonts are equipped with extended Latin alphabet for Central and Eastern Europe and also Cyrillic and Greek alphabet. The set of characters includes nine different sets of numbers, plus its own set for the small caps, as well as alternative characters and groovy ligatures. In addition, all Wien Pro styles are also available as unicase with upper case and lower case x-height alignment. The style, metrics and proportions of Wien Pro combine perfectly with the Liebelei Pro and the script fonts of the Calafati Pro.

leviatan is a spooky display font featuring horror & scary characters This font is inspired by blood Add this font to your most creative ideas

This font is a new fresh type of caligraphy hebrew font. The opentype features are much better then those are in the font market.

This vintage, iconic typeface of original Czech letter-founding has been faithfully revised, extended and newly rendered in 2012. The majority of Vojtěch Preissig’s type faces have been, from their very creation, subject to controversial evaluations which might perhaps fill more pages than have been set in these type faces so far. The considerable technological backwardness of Czech typography between the world wars intensified the author’s creative effort even more. He had been devoting thought to his Antikva type face from 1912 onwards and dozens of hardly perceptible nuances of the same design have been preserved in his drawings. It was his only book type face, but it shows no signs of any hard struggle in creating it. Its extraordinary vividness and elegance are really surprising. It may be still indebted to the forms of Art Nouveau, which was withering away at that time, but its proportions, colour and expression inspire other Czech type designers. Preissig’s Antikva, Menhart’s Figural (and also Růžička’s Fairfield) and Týfa’s Antikva represent a clear line of development, very far away from the soft aesthetics of Tusar, Dyrynk or Brunner. The co-author of the modification for computer composition is Otakar Karlas. Without his experience the work would remain only a shadow of Preissig’s design. Our aim was to produce a large family of type faces for the setting of both books and jobbing works. The digital transcription of Preissig’s Antikva came into existence from summer till winter 1998. The direct model for this type face is the most successful, two-cicero (24 pt.) design dating from 1925. The designs of other sizes (12 pt., 14 pt., 16 pt. and then 36 pt. and 49 pt.) lack vividness and are the source of the widespread mistaken belief that Preissig’s Antikva consists of straight lines. That is, unfortunately, how even Muzika and Menhart describe it. Neither is it a Cubist type face as many of the semi-educated think today. Special attention had to be paid to italics. It is apparent that their design is not as perfect as that of Preissig’s Antikva. In contradistinction to the original we have deleted almost all lower serifs in the lower-case letters, enlarged the angle of inclination and completely redesigned the letters a, e, g, s, k, x, ... All crotches have been lightened by marked incisions. In other words, none of the italic letters corresponds to Preissig’s model. The signs which were missing have been supplemented with regard to the overall character of the alphabet. Preissig did not deal with bold designs, but the crystal-clear logic of his “chopping-off” of the round strokes enabled us to complete the type face family without any greater doubts. An excessively fragile type face, however, cannot be used for setting in smaller sizes; that is why we have prepared a separate family of text designs which has shortened ascenders, normal accents, slightly thickened strokes, and is, in general, optically more quiet and robust. We recommend it for sizes under 12 points. By contrast, the elegance of the basic design will be appreciated most in the sizes used for headlines and posters. Preissig’s Antikva is suitable not only for art books and festive prints, but also for poetry and shorter texts.

Style and elegance in 14 styles PS Fournier, created by Stéphane Elbaz, is designed in tribute to Pierre Simon Fournier. Fournier was the prolific Parisian type designer whose work is best known for its iconic representation of French transitional style. PS Fournier elegantly represents the transition to the modern era of typography. Featuring three optical sizes, PS Fournier is designed to perform in any context. The Pierre Simon Fournier heritage Pierre Simon Fournier (1712—1768) was a leading innovative type designer of the mid-18th century. Early in his career, the young Pierre Simon developed a strong aesthetic that he cultivated throughout his life. His art is representative of the pre-revolutionary “Age of Enlightenment” (Siècle des Lumières). Precursor of the Modern style, Fournier’s body of work deeply influenced his times, and created the fertile ground from which the Didot family and Giambattista Bodoni developed their own styles. During the historical period of the 18th century, Fournier exemplified the intellectual pursuits of the times with his own research on type, documenting in detail the typefounding process. He also offered a unique vision: he is the first to clearly comprehend the concept of “type family,” sorting a set of similarly styled alphabets by sizes, width, and by x-heights. In addition, Fournier is one of the earliest advocates of the point system to organize the practice of typography, the point system that contemporary typographers continue to use to this day. The refined and discreet elegance of PS Fournier With a close look at the family, one finds you’ll find that the difference between the optical sizes (Petit, standard and Grand) is more than a contrast variation between the thin and the thick; the eye can also denote a palette of distinct tones: More streamlined and robust in the smaller sizes (Petit), more refined and detailed in the larger sizes (Grand). The PS Fournier standard family is designed to adapt to any situation with its intermediate optical size, from body copy to headlines. With a bit of tracking, PS Fournier Petit will make the smallest captions perfectly readable. However, Petit family is not limited to body and captions — its “slabby robustness” will make a relevant headline choice as well. PS Fournier Grand presents a higher contrast adapted to large text sizes, displays or banners. Its refined elegance makes it a perfect choice for Design, Fashion or Luxury publications. As a “modern” type PS Fournier Grand features a larger x-height than the preexistent old style typefaces such as Garamond or Jenson. These proportions provide any basic text set in PS Fournier Grand a strong typographic texture. As a result, the PS Fournier global family is a versatile alternative to the Modern typefaces commonly used in the publishing industry. The optical sizes, the large range of weights, and the design variations make this family adaptable to captions, paragraphs, and pages, as well as to large texts and displays. A leading-edge typography in the 18th century In the spirit of modernity, Pierre Simon Fournier did not find any use for the conventional swashes still produced by peers such as Caslon or Baskerville. Nevertheless the French designer created many inventive elements to decorate the page and set delightful variations in the text itself. To this regard PS Fournier includes a large set of glyphs variations, ligatures and more than one hundred glyphs for borders, rules and ornaments or — as called in French — “vignettes.” PS Fournier: A tribute to the French modern typography era by Stéphane Elbaz

High atop the mountain of fonts, a new structure has been raised--one solid and strong against the challenges of time. Civane is a victorious conqueror among fonts, standing above the clutter and the mundane. Its firm structure joins effortlessly with graceful calligraphy in a new flowing, inscriptional typeface. Civane is inspired by monuments of great civilizations, whose lofty inscriptions remain chiseled into the very stones and columns of their structures. The font’s medium contrast with its flared stroke ends lead the reader to feel the solemn presence found in these great obelisks and shrines. Even Civane’s thinnest weight holds a quiet power over its audience. Still, its classic lines provide a beautiful flow between the strong letters, allowing the reader’s eye to move easily across the page. Civane supports OpenType features and comes with upright italics, alternates, ligatures, old-fashioned figures, titling and small caps. Preview all these features in the interactive PDF manual. The font family has 48 fonts, with three widths and eight weights. The font family also includes glyphs for 72 languages; over 550 glyphs per font stand ready for you to command throughout your design. Civane is built for advertising and display typesetting as well as title and small text, making it an excellent choice for websites as well as flyers and packaging. Use it for defining your brand or for creating designs that evoke academia, militaria, monuments, automobiles, signs, and so on. Its 48 well-designed fonts are well-equipped to help you leave your mark on history. Production assistance from Lucas Azevedo and ikern.

TT Severs useful links: Specimen | Graphic presentation | Customization options TT Severs is a geometric grotesque with emphasized elements of internal brackets. A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing. TT Severs has a strong character and is great for use in high tech (IT), the web, in robotics, computer games, and sports. TT Severs is a 2-in-1 font family. In a large body size, it works great as a display font, creating a distinctive character for logos and headings. At the same time, when TT Severs is used in a small body size or in large text arrays, the font’s peculiarities of bracket construction fade, and it perfectly functions as a text font, thanks to both the low contrast between vertical and horizontal strokes and the detailed logic of interaction of black and white letter elements. The font family TT Severs includes 18 fonts, each of which consists of 558 glyphs. The family has standard and discrete ligatures, which include experimental ligatures for the Cyrillic alphabet. In addition, TT Severs can be made a little more humanist—it is enough to turn on stylistic alternates, and due to them the font takes the form of a humanist grotesque, which refers us to traditional broad nib writing. As part of the font family, you will also find old-style figures and a large number of OT features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac.

Walentiny is a Script Font with Handwritten Style. The Walentiny font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

This would be a great font for a book. There are 7 fonts in the font family, so there are a lot of choices to work with. The font features all capital letters with some alternate glyphs for certain characters.

Arionna is a Script Font with Calligraphy Style. The Arionna font made with modern digital brush pen strokes that making this font look beautiful. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Hedymosia is a font that has unique glyphs on the curve intended to be shaped like noodles or spaghetti or similar food. font suitable for the food. Noodle food Font or anything about foods, New and Fresh font 2023, Thank You

‘Black Orchestra’ is a black letter font inspired by heavy metal. This font consists of uppercase and lowercase and is supported by ‘Latin extended’ which allows wider use of this font. This font will turn any horror project into a standout!

Firsta is a Script Font with Handwritten Style. The Firsta font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Baliung is a Script Font with Handwritten Brush Style. The Baliung font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Reinstay is a script font with textured brush style. The Reinstay font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Vagnotie is a Script Font with Modern Brush Style. The Vagnotie font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Rakeboom is a cute handwritten font. This font is equipped with uppercase, lowercase, symbols, and punctuation. This font is suitable for branding purposes such as logos, book covers, quotes, crafts, magazines, advertisements, and others. This font also supports multi-languages.

Curly gloom is an experimental font adapted from a combined groovy font and graffiti that makes its unique character as a display font, this font is very suitable to use as your project design such as a graphic template or clothing.

Vezthisory is a Script Font with Handwritten Style. The Vezthisory font made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brand, wedding invitation, business card, logo brand, signature, and then calligraphy.

Aquaboy fonts are display fonts that are inspired from water, bringing you to a feeling of relaxation and peace. This font is very suitable for use in water nuanced design work. let your mind flow by using this nice font. Thanks ...!

Blantica font is inspired by something harmonious and is made with variations in inktrap with bold font sizes making this font look unique and harmonious. suitable in the use of display fonts and graphic designs such as logos, covers, and others.

The HeiT ASC Font family contains 3 Traditional Chinese fonts with Big 5 support. HeiT ASC Font Family features a sans serif style with consistent strokes. HeiT ASC Bold Font Family character Set: Latin-1, Traditional Chinese (code page 950).

Segoe™ Chess font is part of the Segoe family of fonts from Microsoft. The Segoe Chess font contains the chess figurines and symbols for creating chess diagrams. Segoe Chess was designed by Jim Ford and is a symbol-encoded font.

Tomatoes Cake is a Cute Handbrushed Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Shield Classic 2 Letters Monogram Font is a perfect shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield Classic 2 Letters Monogram Font comes with font file in OTF format.

Simpleoak is a Modern Handwritten Font. Simpleoak is a cute and vintage styled handwritten font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. - also multilingual support Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Obelisk Stone is a Modern Calligraphy Font. Obelisk Stone is a dazzling script font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. - also multilingual support - Ligatures Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Theater is narrow and monoline font, it definitely retrospective font, but it is also modern and contemporary. Perfect font for display, poster and logo.

Fabulous Rabbit is a Handbrushed Script Font. Fabulous Rabbit is a cute and slim handwritten font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. - also multilingual support Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

MGN Ismawan. This font was created in 2022 and was inspired by the Helvetica font. With a standard shape and being a bit wide, this font is suitable for writing, but for headlines, we think it's still OK. There are several forms of this font that have a distinctive character, which makes this font suitable for logo writing.

Cupid Gummies is a Sweet and Cute Handbrushed Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!