Based on a specimen of an obscure and uncredited old face called Kitterland, Hamlet is one of those curiosities hardly ever noticed in the world of modern fonts, the kind that infuses a variety of historic Blackletter and calligraphy traits in an otherwise Roman alphabet. Such typefaces, what few of them exist, are almost always classified by typophiles as traditional decorative Roman alphabets. We beg to differ. We think such hybrids are fascinating enough to deserve a classification of their own. And we think today's aspiring letterers and type designers would benefit from paying special attention to this kind of hybrid alphabet, not only because it has much more hand than machine in it, but also because it is a prime example of how to succeed in mixing different lettering techniques into one self-contained and distinctly functional alphabet. As in any efficient mixture of lettering methods, Hamlet ended up with characters that are uniquely its own, such as the cupped A, M, V, W and Y, the very luscious and inviting curves on the arms of E, F, L and T, both single- and double-story forms of the a, and the humblest, friendliest g and y ever. A dozen alternate characters are sprinkled throughout the character set, so check out the map for a few pleasant surprises. We also made the Handtooled and Headstone styles because we thought these friendly forms were just crying out for such treatments. The Handtooled version turned out quite lovely, if we may say so ourselves, perhaps even better than the main font. The Headstone version is available as a free bonus to those who purchase the complete Hamlet package. All Hamlet styles come with lining figures as well as old style ones. Hamlet comes in all popular font formats. The OpenType fonts contain push-button swapping alternates and figures, which come in handy in software programs that support this kind of thing.

A creative variation of the Oldstyle form designed by E. Pechey for Stephenson Blake early in the twentieth century.

These are the letter forms from the famous monument in memory of the founders of the state of Israel.

The Cinio family was specially designed for sign applications. This type family is used by several cities in France.

Based on an ancient writing system of India. NOTE: this font comes with an interpretation guide in pdf format.

Offered in both solid circles and "donut" versions, this fun font is quirky and cute but still completely legible.

Meet Brexon! A heavy display typeface that commands attention. Ideal for use in prominent headlines and heavy text layouts.

Based of the ancient Persian writing system. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Roza is a cute and lovely handwritten font. Designed to use when in need of something light and playful.

Celebrate the Revolution that brought about our great country and freedoms! LD Bostonian is unique and rooted in history.

A fun typeface for Easter, which lets you make banners and headings with eggs enclosed in letters. Chocolate anyone?

Monday Monkey Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Based on the 60-point Amati designed by Georg Trump and issued by C. E. Weber (Stuttgart) in 1953.

TARIK SES! Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative

A clean-cut blackface type. As with all highly ornate typefaces, this should not be used in all caps.

GroteskRemix — remix of a Grotesk typeface in 6 styles (thin - light - regular - medium - bold - black) language: all latin glyphs

These series of fonts contain numbers in circles and other characters that are useful for tabular setting and annotations.

Adapted from Ronsect to make a sans a bit unusual semi-italic in appearance. An Italic is also available.

I used Arabic letters to give the same sound of each letter in the English Alphabet (a, b,c,….)

Based on Lucien Bernhard’s idiosyncratic Schoenschrift, Liberty was designed for ATF two years later, in 1927, by W.T. Sniffin.

Ermia Monoline Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Elegant and refined, Rendezvous has a smooth, calligraphic appearance and can be used in a variety of design settings.

Black Rose is the plain version of an old Bruce Type Foundry font called “Black Ornamented” created in 1873.

Ciento is a multi purpose sans serif, inspired in old style typefaces, have 5 weights and four stylistic sets.

Based on custom design work by DTP Types Limited in 1992 with associated Small Capitals and Old Style Figures.

Font Cap is a font based in ancient arches , it has a clear text and Greek and Cyrilics characters .

Andhira Monoline Script Font I hope this font is interesting to use in your design projects. Thank you GFRcreative

Worthy Yank Brush Script I hope this font is interesting to use in your design projects. Thank you GFRcreative

Yello Cat Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative

More vintage cartoons, decorations, embellishments and various letterpress dingbats have been re-drawn and collected in Printers Decorations JNL.

A highly decorative font inspired by victorian and flourish like designs. Great in header and large vintage style designs.

Audio Sans is a loud geometric sans-serif font family, set in six weights, inspired by vintage album covers.

Balone Kids Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative

HIGH SPEED Racing Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Carved in stone or wood? this old looking typeface will be great for signage, posters and short texts too.

Aleante Sans is very readable (even in small sizes), clean and beautiful sans serif designed by Pedro Alexandre Teixeira.

Salamemingoe is a playful, young, jumpy and vibrant display font design. Works great in quirky and children's design projects.

Brother Samphen is a hand-written script in with a sharp, young, spirited look. It includes multiple alternate characters.