The Comic Sans® typeface, one of Microsoft's most popular designs, has received a makeover courtesy of Monotype Imaging. The company has introduced the four-font Comic Sans Pro family of typefaces. Featuring elements such as speech bubbles and cartoon dingbats, Comic Sans Pro extends the versatility of the original Comic Sans, designed by Vincent Connare for Microsoft in 1994. Hats off to Monotype Imaging for enlivening Comic Sans and getting it back to its roots as a comic book lettering face. Now everyone can write with more panache - and look even more like a pro using swashes, small caps and other typographic embellishments," said Connare. "Every day, millions of people rely on Comic Sans for countless applications ranging from scrapbooking to school projects," said Allan Haley, director of words and letters at Monotype Imaging. "Comic Sans is also a favorite in professional environments, used in medical information, instructions, ambulance signage, college exams, corporate mission statements and executive reprimands - even public letters from sports team owners to their fans. Breaking up with your spouse? Why not write a letter in Comic Sans Pro, embellished with a typographic whack!, pow! or bam! Comic Sans is everywhere, and now it's even better." The Comic Sans Pro family includes regular and bold fonts, in addition to two new italic and bold italic fonts drawn by Monotype Imaging's Terrance Weinzierl. "Our aim is to put the 'fun' back in 'functional.' We can't wait to see Comic Sans Pro used in everything from second wedding announcements to warning labels," said Weinzierl. "Long live Comic Sans!" Comic Sans Pro contains a versatile range of typographic features including swashes, small caps, ornaments, old style figures and stylistic alternates - all supported by the OpenType® font format. OpenType-savvy applications, such as Adobe® Creative Suite®, QuarkXPress® or Mellel™ software are required to access these features. Comic Sans Pro can also be used in new versions of Microsoft® Office including Microsoft Word 2010 and Microsoft Publisher 2010. In addition, Comic Sans Pro includes a set of ornaments and symbols, including speech bubbles, onomatopoeia and dingbats, pre-sized to work well as bullets."

Morque – Sans Serif Font: Bold and Expressive Boldness in Every Letter: Morque – Sans Serif Font stands out with its all caps design. It’s perfect for impactful titles and displays. This font commands attention in any visual space. Ideal for Titles and Displays: Morque’s bold structure makes it ideal for titles and visual displays. It enhances the readability of headlines. This font is a go-to for designers aiming for a strong statement.

Aestero Futuristic Typeface Cutting-Edge Inspiration Aestero Futuristic Typeface, drawing from Gundam and sci-fi aesthetics, embodies a cutting-edge design for a bold display impact. Sleek Sci-Fi Elegance Named Aestero, this font seamlessly blends Gundam inspiration with sci-fi elegance, presenting sleek characters with a futuristic charm. Dynamic and Bold Presence Aestero commands attention with dynamic and bold letterforms, making it an ideal choice for projects seeking a strong visual presence.

Bariso Cawfu bold display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Bariso Cawfu bold display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Bariso Cawfu bold display font.

Introducing, new bold serif, Augillion - a soft bold serif with ligatures and alternates! Augillion is a modern and bold serif with a bunch of ligatures and alternates that will make your presentation or logo even more stunning and stand out! Augillion also support Multi Language. and already PUA Encoded! Including a special character "✦", just type A+ to access it! Features Uppercase & Lowercase Number & Symbol Multi language Ligatures Alternates for each characters PUA Encoded

Brose - Bold oblique font with sharp angles for dynamic effects. Use ligature characters to give you unlimited designs, this font is great for your work such as posters, logos, branding, covers, banners, t-shirts and headers, or even large-scale artwork Brose oblique Bold, offers you: Brose -oblique bold font including Upper & Lowercase characters(ALL CAPS has a different form characte), Ligatures Character Numbers and Punctuation Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Geiger is a geometric typeface inspired by type found in the intros of Commodore 64 games, its attention to the grid and its limited set of building blocks. The design of Geiger respects these criteria to create a sturdy alphabet without diagonals, and loosen its grip on the classic limitations to produce a complete character set worthy of today`s high-resolution displays with a retro touch. The properties of classic computing platforms, like their limited memory and low-resolution displays, required that the designers and programmers of the time devise and use certain techniques to produce interesting visual results. These platforms offered limited sets of default building blocks from which to build more complex graphics and type, and some skilled coders would work around these limitations to produce the unexpected. One of the areas that saw experimental digital type flourish is the Commodore 64 intro scene. The Geiger family includes four styles (regular, oblique, bold and bold oblique), all include common ligatures (fi, ff, ffi, fj, fl, jj, tt, Th, TT) and a few stylistic alternates (K, L). A particular attention was paid to the pattern created by the vertical stem and negative spaces of tightly set text, especially for Geiger Bold. Geiger produces good results at a size of 30pt or more, but we suggest using it at higher display sizes.

Meet the MIX SUNNY SUMO, the perfect blend of playful and bold that’s sure to make your designs stand out. This three-piece font family includes SUNNY SUMO, SUNNY SUMO LINE, and SUNNY SUMO XOs, each with their own unique style. SUNNY SUMO and SUNNY SUMO LINE are layering fonts, which means you can use them separately or stack them to create dynamic designs. And for those fun finishing touches, SUNNY SUMO XOs offers a variety of doodles including X marks, circles, erase marks, and cross-offs that can be used alongside any graphic work. Designed as a bold handwritten sans serif, SUNNY SUMO is ideal for display fonts and headlines that require attention. This versatile font can be used by designers for logos, book covers, greeting cards, posters, packaging, and so much more. As a multilingual font, SUNNY SUMO supports multiple languages, including all the characters, glyphs, and accent marks needed for specific languages. With SUNNY SUMO, you can strike the perfect balance between relatable and professional, making it a great choice for anyone seeking a playful, bold, and fun layering font. MIX SUNNY SUMO and MIX SUNNY SUMO LINE come with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· .,:;'”\|/?{}[]<>“”‘’-–—_÷×+−±≈=≠≥≤ …‚„©®™‹›«»°¹²³¡¿₱¢€£¥½¼¾¶§№† ÁÀÂÃÄȦÅĂĀĄÆĆĈČĊÇÐĐĎÉÈÊĚËĖĒĘḞǴĜǦĠḠĤȞḦḢIÍÌÎÏĪĮĴḰǨĹĽŁḾṀŃŇÑ ÓÒÔÕÖŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪŢȚÚÙÛŨÜŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâãäȧåăāąæćĉčċçðđďéèêěëėēęḟǵĝǧġḡĥȟḧḣıíìîïīįĵḱǩĺľłḿṁńňñ óòôõöōőøœṕṗŕřṙśŝšşșťṫţțúùûũüůŭūűųẃẁŵẅẇýŷÿźẑžżƶ MIX SUNNY SUMO XOs comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ

Haigrast Script is the light and thin handwritten font that brings a touch of fashion and fun to any project. Designed by Mans Greback in 2023, this signature script font is the perfect choice for designers looking to add a touch of personality to their work. With its cute and feminine design, Haigrast Script is ideal for wedding invitations, fashion logos, and other creative projects that require a fast, active and wild style. This font is perfect for those who want to make a bold statement in their design work. Whether you're creating a fashion magazine cover, a social media post, or a wedding invitation, Haigrast Script is the perfect choice for designers who want to make a lasting impression. Use underscore _ to make an underline swash. Example: Love_letter Use multiple underscores different underlines. Hand__________writer The Haigrast Script family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Wanderlust Letters has returned, but now offered in a beautiful collection of hand painted scripts. New versions include Wanderlust Letters Pro, Decorative, Boho, Chic, Shine, Gold, Caps, and Ornaments. Wanderlust Letters Pro is an extended version of the immensely popular Wanderlust Letters. This latest version includes three sets of basic alternates, one set of decorative alternates, and one set of ligatures. Wanderlust Decorative Pro offers a magnificent updated flow from the initial Wanderlust Letters release. Decorative Pro includes two sets of decorative alternates, two sets of basic alternates, and one set of ligatures. Decorative Regular comes with one set of decorative alternates. Boho, Chic, Shine and Gold are an updated spin off of Wanderlust Letters. These fonts offer new letter styles that blend seamlessly with all Wanderlust fonts. Pro versions of Chic, Shine and Gold comes with three sets of basic alternates and one set of decorative alternates. Boho Pro comes with with two sets of basic alternates and two sets of decorative alternates. Caps is a perfect choice for headline use since it’s an all uppercase font. But don't be afraid to mix it up with all the other Wanderlust fonts. The entire Wanderlust Collection works impeccably to enhance your magazine, packaging, advertising, branding, posters, websites, and films. Combine all Wanderlust fonts with Ornaments to create unique hand painted typography art.

Brumder is a condensed sans serif typeface. Inspired by Industrial style. Comes in several styles namely regular, round, rounded, rough, and stamp, with matching oblique, making it 10 styles. Brumder is perfect for branding, headlines, and many more.

Hello Everyone, introduce our new product Font Fortieth This Is Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 7 Ligatures and 42 Alternate glyphs OpenType panel.

Hilmar Sans is a neo-grotrsque typeface family in 7 weights, support most European Languages and features. The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.The typeface is versatile to blend in your design- with 7 weight, ranging from thin, extra light, light, regular, medium, semi bold, bold variable type. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Bósamble is a striking and contemporary Bold Display Sans Serif typeface that effortlessly commands attention with its bold, geometric letterforms. Its distinctive design features a perfect balance between thick and thin strokes, creating a sense of power and modernity. Bósamble’s uppercase characters exude a sense of confidence and boldness, making it an excellent choice for headlines, posters, and branding projects where a strong and impactful typographic statement is desired. Its clean lines and clear readability make it a versatile choice for a wide range of design applications, allowing Bósamble to stand out as a compelling choice for those seeking a bold and assertive typeface.

Ginder – Bold Serif Font: Striking and Versatile Bold and Commanding Presence: Ginder – Bold Serif Font stands out with its strong, bold character. It’s perfect for titles and posters needing a powerful impact. This font captures attention effortlessly. Ideal for Titles and Posters: With its robust design, Ginder excels in creating striking titles and posters. It enhances visibility and readability. This font is a top choice for impactful visual designs. Adaptable Across Mediums: Despite its boldness, Ginder is surprisingly adaptable. It works well in both digital and print formats. This versatility makes it a valuable tool for various design projects. User-Friendly for Designers: Ginder is designed for ease of use, suitable for all skill levels. Its compatibility with multiple design platforms adds to its appeal. It’s a favorite among graphic designers for its simplicity and impact.

A bold, decorative, striped font for display and headlines.

Gothic Leavenworth, a display type, very bold, sans serif.

A bold, decorative, striped font for display and headlines.

The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 1940–1956 by the group of designers under Anatoly Schukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. So no wonder that it was digitized quite early, in the first half of 1990s. Until recently, Journal Sans consisted of three faces and retained all the problems of early digitization, such as inaccurate curves or side-bearings copied straight from metal-type version. The years of 2013 and 2014 made «irregular» geometric sans-serifs trendy, and that fact affected Journal Sans. In the old version curves were corrected and the character set was expanded by Olexa Volochay. In the new release, besides minor improvements, a substantial work has been carried out to make the old typeface work better in digital typography and contemporary design practice. Maria Selezeneva significantly worked over the design of some glyphs, expanded the character set, added some alternatives, completely changed the side-bearings and kerning. Also, the Journal Sans New has several new faces, such as true italic (the older font had slanted version for the italic), an Inline face based on the Bold, and the Display face with proportions close to the original Erbar Grotesk. The new version of Journal Sans, while keeping all peculiarities and the industrial spirit of 1920s-1950s, is indeed fully adapted to the modern digital reality. It can be useful either for bringing historical spirit into design or for modern and trendy typography, both in print and on screen. Designed by Maria Selezeneva with the participation of Alexandra Korolkova. Released by ParaType in 2014.

LaFarge is a typeface primarily inspired by the historic mosaic titling capitals found in the New York City Subway, designed by architect Squire J. Vickers and his staff between 1915-1927. These elegant but industrial signs are characteristic of early-20th century American architectural lettering, and show an evolution of the classical Roman capitals to lower contrast, bolder serifs, and more regular character widths. The majority of this lettering still remains in subway stations today, and though elements of the style vary from sign to sign, many carry the unique features that are reflected in LaFarge: high-waisted crossbars with angled serifs, elegantly curved “R” leg, and distinctive trapezoidal serifs. LaFarge expands this style into a lower case, taking cues from contemporary typefaces like Bookman, Cheltenham, and Della Robbia. A number of typographic features are included, such as small caps, ordinal indicators / superscript letters, arrows, and a set of borders inspired by early subway tile. The result is a fashionable, architecturally-minded typeface that is just as at home on the façade of a grand public building as it is on packaging, magazines, or the web. LaFarge works well in both text and display settings, remaining readable at small sizes but showing off its elegant details in larger uses. LaFarge has received the Communication Arts Typography Award, the ADC Annual Merit Award, is included in the 2020 STA 100, and was part of designer Greg Shutters’ winning portfolio in the 2019 Type Directors Club Ascender Awards. You can download a PDF specimen of LaFarge, and also view a video of LaFarge in action.

Hello Everyone, introduce our new product Font Enchatty it is Handwritten Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 13 Ligatures glyphs and 4 Alternate glyphs OpenType panel.

Hello Everyone, introduce our new product Font Cassella This Is Quick Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 28 Ligatures and 22 Alternate glyphs OpenType panel.

Hello Everyone, introduce our new product Font Babitta This Is Fun Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 23 Ligatures and 4 Alternate glyphs OpenType panel.

Hello Everyone, introduce our new product Font Montass This Is Quick Brush Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 30 Ligatures and 18 Alternate glyphs OpenType panel.

Hello Everyone, introduce our new product Font Doubtless This Is Hand Drawn Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 8 Ligatures and 31 Alternate glyphs OpenType panel.

Picture this: You’re sitting at your desk, staring at the same old boring font on your screen, and you can feel your eyes glaze over as you read yet another tedious document. Enter Squirty, the typeface that injects a much-needed dose of life into your words. Inspired by the vibrant promotional visuals of Japanese nightclubs from back in the day, Squirty is like a breath of fresh air in a stale room. Its hand-painted letterforms are quirky and playful, with a personality all their own. And don’t worry about being too rigid—Squirty’s unconventional style gives you permission to let your hair down and loosen up a bit. But that’s not all. If you’re lucky enough to have access to OpenType ligatures, Squirty takes things to the next level. Letter and numeral variations shuffle around automatically, so your words flow more naturally, like a conversation with an old friend. No more stuffy, robotic language—Squirty lets you be yourself. So why settle for boring when you can have brave? Give your words a personality all their own with Squirty—your new wingman in the design world. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Duos Pro, a script for illusionists, comes in 10 styles. Whatever style you pick: apply this speedy monolinear handwriting font in large sizes, because it is made for catching the attention. Take Duos Sharp, which comes with speedy strokes and sharp endings in light, regular and black weights. Or pick Duos Round, and its 3 styles with a softer voice and round endings. Some people call those endings “funky ball noses“, an odd but appropriate description. Round styles look more like round tip speedball lettering, but contrary to most speedball letterings they're written with a very high speed. Especially Duos Round Black is more cuddlesome than its sharper counterpart. For an even more intuitive feel, we added two more sets: Duos Brush & Duos Paint. Duos Brush combines monoline strokes with brush beginnings and endings, for that graphical, freshly lettered touch. A closer look will reveal how its brushed tails vary all the time. Duos Paint is made up out of rough & artistic painted strokes, with all its accompanying shortcomings. In contradiction to the finesses of lighter weights, Duos Paint Black scores in being the most nonchalant and impressionistic. Poésie brutale! As well as having the option to choose between (or mix) these 10 styles, Duos Pro has additional hidden functionalities. For example, every style has many alternate lettershapes and ligatures, offering various different results and lengths to display every single word. Or manually add one of the swashes for more emphasis. A bonus font, Duos Tools, includes tool icons, strokes and banners. If that ain’t enough, throw in some polysemic letters for smart, ambiguous communication if you like. Want to become a signpainter? Then be a signpainter. Always wanted to be an artist? This is your chance! Duos Pro boosts your look. Make your visual vocabulary as grandiose, dramatic, sensitive or picturesque as you want. But whatever you do, don't hesitate to apply Duos Pro “short & big”!

Captain Tall Ship is the clean version of Captain Tall Shipwreck. The font can be used in many project themes, from birthday party invitations to beer labels. The font could be potentially used is a number of design themes including bars, pubs, pirate, navy, seafarer, alcohol products, western/cowboy, card game/gambling, biker gang, tattoos, emblems and crests, old military & hunting to name a few.

HOKKIEN is an all caps sister to my other font Penang. It was inspired by some old pieces of Art Deco signage I had discovered in Penang Malaysia, The font is available in one weight for now. The font is loaded with plenty of foreign extras and currency symbols. I have also included an alternate cap S which works better visually in blocks of copy.

Agafia handwriting script is based on the hand of Agafia Karpovna Lykova - the last member of the Old Believer family lived like an hermit in the Khakass taiga. The face is developed for the new book on the history of Lykov's family by Lev Cherepanov. It's built in OpenType format with a contextual substitution of letterforms and specific ligatures. Designer - Gennady Fridman. Released by ParaType in 2009.

Tobu means 'to jump' in Japanese. I came across a haiku by Matsuo Bashô wich reads: The old pond… a frog jumps in… the sound of water (Furu ike ya… kawazu tobikomu… mizu no oto). The font is named Tobu because of its jumpy character: it doesn't have a real baseline, which makes it playful and fun to use. Tobu comes with a pond full of diacritics.

Calendar Blocks JNL was inspired by old-fashioned wood type used to assemble calendar pages in the days of letterpress printing. The A-Z keystrokes contain the dates 1-26. The lower case a-z keystrokes have the remaining dates 27-31, along with the split dates 23/30 and 24/31 and blank boxes. The days of the week are located on the 1-7 keys.

Found within the pages of the 1927 edition of the “Welo Studio Handbook - Letter and Design for Artist and Advertisers” is an elegant Art Deco multi-line alphabet. Digitally redrawn as Theater Alley JNL, it is available in both regular and oblique versions. The font takes its name from that of a street in New York, although the street’s name uses the old-fashioned spelling of “theatre”.

This is not a brush font! This is an imitation of brushstrokes, done by pen. But I guess you've already noticed that - the brushstrokes are way too obvious, to have been made by brush. Although being a "fake", the letters leaves you with quite a good impression. Letters were inspired by an old horror movie poster, but is very useful for something less terrifying!

Rudolph Ruzicka designed his font Fairfield as a legible text font. His philosophy: The reader expects optical assistance with reading. He does not want to be distracted while interpreting and understanding the ideas of a text." Fairfield font is based on the forms of Venecian Old Face fonts as well as on the designs and details of Art Deco, giving the font a distinctive appearance"