Loaded with various auto-ligatures (primarily for ALL-CAPS typesettings), Troubled has all of the rebellious custom lettered attitude of a vintage pulp paperback. Troubled PB began as a digitization of a film typeface known as Toronado by LetterGraphics, perfect for typesetting early children books, candy packaging, toy packaging, birthday invitations, or any other playful design need. It's lowercase typesetting is straightforward and casual, with a light animated feel, while the all-caps typesetting goes wild with auto-ligatures galore to create wonderful and interesting interwoven letterform combinations. This typestyle has such an offbeat appeal to it that it just draws your attention. Great for headlines (especially in all caps settings), but also great for small bodies of text in mixed case setting. So whether child-friendly design pursuits, or reminiscing of vintage pulp paperbacks novels, Troubled PB has a little something for everyone.

Thought, with its versatile five styles, is ideal for contemporary display work. It has style, flair, legibility, and interesting, flowing letter shapes. The Family: -- REGULAR - of medium weight - clear and legible; -- BLACK - for bolder statements and best readabilty; -- LINEAR 25 - light weight, mono width line -- LINEAR 45 - medium weight, mono width line -- ZEST - variable line, casual, exaggerated appearance Use a combination of styles for product branding, book covers, invitations, greeting cards. Thought has not been designed to be used in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Thought contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in most European languages.

Structorator is a grid-based, experimental display font. This typeface emerged from experiments with generative type design. It evolved from a piece of code into a fully usable opentype font. The two main features are its rigid but playful design and a multitude of alternate glyphs. These features make it possible to create interesting lettering when using the default spacing. The glyphs are constructed from a limited set of patterns which are arranged within a predefined grid. The line thickness corresponds to the different cuts. Due to the rather complex shape this font will look best in larger sizes and resolutions. Its best suited for headline, display or illustrative work. - 3 weights: light, medium and heavy - 5 character sets - 3 number sets - Basic punctuation - Seperate diacrits - Ornamental glyphs - Access via stylistic sets *OT feature - Random access from the whole range of chars *OT feature - Total of 1062 Glyps

Highland Morning is a thick weight serif font in slight watercolor or ink textures with fun retro nuance and complex styles. Its main characters are the addition of small lines/hooks on the top or bottom of the letter and the curvy ending wipes on some of the letters’ edges. With a number of alternative symbols, Highland Morning provides your designs with unique edges and has other interesting features you can utilize. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Highland Morning fits for any design projects, such as posters, banners, logos, book covers, album covers, invitations, quotes, greeting cards, name cards, headings, printed products, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thank you and happy designing.)

Dave West’s Italiano is a smooth and sensuous typographic dish with a few extra savory dashes. The silky semi-serif combines ingredients from eighteenth-century engraved italics and nineteenth-century Italian Modern, softened by fine stroke endings and plump dolloped terminals. Preserve Italiano’s subtle flavors by maximizing its size in headlines, advertising captions, and identity campaigns, or capitalize on its swash characters to sweeten package and poster designs. However you use it, Plinc Italiano is a tasty typographic treat—non ci piove! Drawn in the late 1960s for Photo-Lettering, Inc., Italiano was digitized by Steve Ross with Ken Barber in 2015. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

A grungy, blocky, sans-serif font, Soto has one goal: get the message across. Saying it plain and simple, in a way that no-one can misunderstand, Soto’s very slight angles and thick style carry a weight and impact that make it stand out. With the textured finish it even jumps out from the backgrounds it’s placed on, so you can make use of the contrast to draw people in. Soto is best used in headlines and announcements that want to get their message across in an interesting and quick way. Stand out from the crowd and make people want to read what you’re writing by using a font like Soho to shout it out. If you like Soto but you're not feeling the grunge texture, then check out Ebisu.

Experience the precision, elegance and history of the Chalet font family. This collection of ten typefaces in three unique styles is the creative genius of acclaimed clothing designer René Albert Chalet. Originally used in his early advertising campaigns, Chalet appropriately echoes the attitude of its creator: function with flair. Modest and unpretentious yet bold and daring, Chalet’s distinctive air allows for a variety of uses ranging from text to display applications. Add modern panache to any design with the Chalet font family. CHALET CREDITS: Typeface Design: Ken Barber, René Albert Chalet Typeface Production: Rich Roat Typeface Direction: Ken Barber, Andy Cruz Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

In drawing the Avenir® typeface, Adrian Frutiger looked to both the past and the future for inspiration. His goal was to reinterpret the geometric sans serif designs of the early part of the 20th century in a typeface that would portend aesthetics of the 21st century. He succeeded handsomely. In doing so, Frutiger added a bit of organic humanism to the design, freeing Avenir from the rigid geometric overtones of the earlier designs. Avenir is employed on signage at Dallas Fort Worth and Hong Kong international airports. The city of Amsterdam adopted Avenir as its corporate typeface in 2003. The original Avenir family is made up of designs with gradual weight changes in order to satisfy the needs of specific text applications. While the book and light weights have similar stroke widths, the book weight is well suited for body text, whereas the light was designed for captions and subhead text. Featured in: Best Fonts for Resumes

Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than the setting of long running text, or books. Many traits in Benguiat's design are worth further notice. The thick stems of the roman weights have a very stately, solid presence. Their thin serifs have been finely grafted on, a masterful solution to the challenge of bracketing presented by Modernist designs. The italic weights have a very flowing, script-like feel to them, and the letters take the form of true italics, not obliques. The ITC Modern No. 216 family contains the following font styles: Light, Light Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, and Heavy Italic.

Thellor is an elegant handwritten script font. Get inspired by its unique shape and character! Thellor contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, and international characters.

The numerals and alphabet of the Semaphore Flagging Code, as well as black and white version of the flags and pennants of the International Code of Signals.

Designed with high contrast. The stems are not completely straight, slightly narrow in the middle, combining rounded and right angle at the terminals and serif ends. Gibralt consists of 8 styles from Extra light to Black, each matching with italics version. Suitable for Headlines, paragraph, text, printing and more.

LunchBox is a uniquely hand-drawn typeface that gives infinite customizable options and a fully authentic look. Using Lunchbox’s OpenType features gives access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps Lunchbox as well as stylistic alternatives. It takes special letters and gives a unique interaction with the characters around them, giving your design a unique and personalized look. Swashes also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold and can be purchased with Lunchbox Ornaments for an extra element. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want. Enjoy!

Thrift is a beautifully curvaceous serif font with smooth curves and fine lines and plenty of OpenType features. Thrift is perfect for your next editorial, advertising, branding, book, or invitation project. Thrift Regular and Thrift Italic each include approximately 800 glyphs. Specific OpenType features include stylistic alternates, several stylistic sets with features like curved ascenders and descenders, multilingual support (including multiple currency symbols - for kicks I even included a Bitcoin symbol in there), standard and proportional oldstyle numbers, and four ampersand styles. It also includes 24 standard and discretionary ligatures that add character and interest to your typography. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access most of these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu. If you have questions about this, ask me!) Mail support : julie@upupcreative.com Find inspiration (and sneak peeks at my next font-in-progress) on Instagram: http://instagram.com/julieatupupcreative Facebook : https://www.facebook.com/upupcreative Pinterest: https://www.pinterest.com/upupcreative My website: http://upupcreative.com Please enjoy! I can't wait to see what you make with Thrift! Feel free to use the #upupcreative and #thriftfont tags to show me what you've been up to!

The late-19th-century Prussian-American printer and publisher Louis Prang, the “father of the American Christmas card”, was well-known for his efforts to improve art education in the United States. He published many instructional books and even founded a training school for art teachers. One of the books he published included a series of alphabets for sign painters, lithographers, illuminators, architects and civil engineers. There was nothing truly original there — in the book’s preface, Prang says that the alphabets were “based on foreign forms and adapted for American taste”. The one alphabet that caught my attention in that book was one simply called “Italic”. It’s a high- contrast modern, a Didone really, but with an interesting little twist: the lowercase is almost entirely connected, which makes for an interesting mix of modern typography and classic calligraphy. That stuff is right up my alley now. Whenever my eyes happen on a modern, it’s easy, even almost impulsive for me to envision swashes coming out of serifs and terminals. The caps melt and the minuscules dance with them. And so I brought my vision to life. Prangs is an italic set of three weights, each containing more than 1400 glyphs with plenty of OpenType features and Latin language support. This set celebrates the convergence of three centuries of fancy display alphabets. These fonts should work wherever moderns are used to elevate and scripts are used to appeal — namely today’s branding, packaging and glossy publications.

A typography can often be a deniable, yet crucial factor in designs’ displays and nuances. Additionally, it may be hard to find prominent, elegant, catchy fonts, whereas customers can easily forget designs without the right typography and remember nothing about your brands. Even the most interesting designs will look dull and too ordinary with inappropriate fonts. Therefore, we would like to introduce you to the Stay Calm, the perfect font option to create prominent designs. Stay Calm is an elegant, prominent display serif font to attract everybody's attention. It has bigger and thicker font proportions than the other ordinary serif fonts as its character to ease people to see it in big text sizes. Such unique characters as curvy thin lines and big, protruding dots, make this font suitable to create unique, interesting designs and applicable for bigger text sizes. You may also enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Stay Calm fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

While I was developing this font, my mother kept feeding me something she calls "Dream Cake". This indescribably delicious confection fueled my inspiration (there's nothing like a constant sugar-high to keep you going!) and the result is this cute little font. Dream Cake is casual in nature and as with all of my fonts, you'll find some quirky little twists to make your type projects interesting.

Introducing our latest Vintage Slab called Redzein Retro Display Slab with vintage taste can make your logotype become more interesting. inspired by the decorative arts and architecture movement. Redzein fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Egory castle was inspired from the history of the medieval age. The idea was to make us interested to explore in the aspect of art and decorative letters forms. Lots of studies that we have learned from history in middle age and inspiration from many different sources make very valuable references for us to develop a new idea in the development of this typeface.

Kodama are spirits in Japanese folklore that inhabit trees. The term is also used for trees in which a kodama houses. Kodama Forest is a rough, spikey and inky font, in the style of the great Ralph Steadman. Kodama Forest comes with a bunch of alternates, some interesting ligatures and a lot of splatter. And, of course, all the diacritics you can throw a tree spirit at.

It's not a new idea - combining two typefaces into one design, but when it works, it makes for an interesting novelty font. Nightcap JNL is a fun typeface that can be used by itself, or along with the two original fonts that comprise it (Parkitecture JNL and Typesetter Oblique JNL) to create some wonderful retro headlines. Nightcap JNL contains only the alphabet, numbers and basic punctuation.

Samuel Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” was a go-to source of inspiration for generations of layout artists, graphic designers and sign painters. An interesting example of free-form pen lettering was found amongst the pages of one edition and it has now been recreated as a digital typeface called Nouveau Cartoon JNL; available in both regular and oblique versions.

Introducing our latest Sketch Display Slab called Sketchup Display Slab with Sketch taste can make your logotype become more interesting. inspired by the decorative arts and architecture movement Sketchup fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Introducing Dalty. is a stylish Signature font with a contemporary and sophisticated accent. Perfect for logo/branding projects, large header text, and product packaging. Dalty. Style Features : Ligatures Alternative Swash Multilanguange We really hope you enjoy and are interested in our offer. We will be happy to answer your questions. Alternatively, you can send me a message and you can immediately start your service ~Reza Studio~

Introducing our latest display typeface called Baby Stingrays - Strong Bold All Caps Font Display Vintage Serif with can make your logotype become more interesting. Font is 2 Style Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement Baby Stingrays fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges and many more that are beautiful.

Sketch Zone is a unique and interesting display font. Incredibly versatile, this font fits a wide pool of designs. Fall in love with its quirky style and use it to create spectacular projects! What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfont – Compabilty Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Typefaces designated as Latins were popular during the last half of the nineteenth century. One of the styles that continued to be popular into the twentieth century is the bold condensed typeface Latin. Readily identifiable by its triangular serifs and sharp terminals on the strokes of some of the lowercase letters, Latin Condensed makes an interesting display type and its condensed proportions easily solve copyfitting problems.

Introducing Kostantera is Roughted Sans Typeface that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Kostantera has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. design more interesting. Kostantera is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Hello Cattia is a cute and casual handwritten font with a very friendly feel. Whether you’re looking for fonts to make beautiful wedding invitations, beautiful artwork, interesting social media posts, and funny greeting cards. Hello Cattia also has several alternative letters that can make your project look modern, luxurious and classy. This font will turn any creative idea into a true work of art!

The Lastwinter comes from hand scratches to get natural and natural writing. With the main vintage theme it will be very interesting if added with various kinds of Alternates (Uppercase) and also 8 kinds of Stylistic Sets in Lowercase. Lastwinter is very suitable for use in various media such as; packaging, logo, label, poster, shirt design, quote of wisdom, handlettering, typography and many other media.