Introducing PUTREY Typeface PUTREY font is designed with a modern concept that is simple and dynamic. The sans serif style adopted by the PUTRAY font is a 2022 style font, has a unique swash alternative, has a large selection of ligatures. In addition. Sans Serif typefaces such as “PUTREY typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The PUTREY typeface contains 837 glyphs with many unique and interesting alternative options. Plus, there's a cool sans serif font family for header and description text from light to black. In the poster preview all the letters are in the PUTREY typeface.

In 2011, while tutoring an exercise on Slab Serifs, Josema discovered Robert Thorne’s work for Thorowgood. Specifically, he was fascinated by the extraordinary density of the 6-line Egyptian Pica from 1820-21. As a simple exercise, he wanted to test the limits of readability within the context of a contemporary alphabet. Rothwood Ultra is the result of this experiment. As a way of developing the series, he found it interesting to go to the opposite end of the spectrum and discover how to evolve the extra-black Ultra’s DNA into a super lightweight model. The Hairline and Thin styles are her slim sisters. The third challenge has been the creation of the text version. Light, Book, DemiBold and Bold, including italics and Small Caps close the Rothwood cycle for editorial use.

Hi There! Meet our first modern serif typeface Palmire Palmire is a stylish font that is both modern and minimal. A light font that is perfect for feminine logo marks, fashion mastheads & editorial design (works great in layout design for quotes or body copy). The ligatures feature is so amazing, you can convert regular random word to elegant logo just by using the ligature. And there is 75+ ligature to support your amazing design project! Is there anything else? Of course! it has multilingual characters too! We work so hard to keep this elegant font looks elegant, classy, readable, stylish, eye-catching, and easy to use. You can easily pair them with script or sans serif font from all over the world to make your work more interesting!

Fanya is a modern calligraphy design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Fanya includes a change of the OpenType language style, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. Fanya is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use the Font Book, and Windows users can use Character Map to view and copy one of the additional characters to insert into your favorite text editor / application.

Hi, presenting a vintage "Spirit board" font set. It has decorative old-school look with four font layers (one font file for each layer). This combination allows easily to recolor lettering and create an interesting effects. Also one font file is availeble with all shapes in one. Thank you & have a great day!

The Art Deco style of the 1930s offers many variants of the popular "streamline" look in hand lettering found on old sheet music titles. Thoroughfare JNL is one such example of a monoline design with the interesting curves and angles that was considered so modern and up to the minute for its time.

Salsa Billa is new, fresh, funny, interesting, cute calligraphy font. It includes hearts and cute cords as alternatives. It is suitable for greeting cards, branding materials, business cards, quotes, posters, and more! Salsa Billa is coded with Unicode PUA, which provides full access to all additional characters without having special design software.

Contrary to its name, Curmudgeon is a fun and whimsical typeface that's perfect for children's books, holiday announcements or anything that needs a charmingly playful touch. Its naive and bouncy personality will add interest to any project, whether it be a logo, packaging, or any other project that needs some quirky character.

Pyragy is a display font with a classical vibe. It has beautifully crafted nine swashes. It’s genuine, interesting, and perfectly fits different design works, such as posters, book or album covers, digital spaces, or any other media. It supports various Latin-based languages and comes with powerful open-type and true-type features.

Mister Clown is a simple, fun and fresh font. Easy to apply to various products such as logos, product brands, t-shirt designs, birthday invitations because this font is very universal and has unique characteristics. This font has 2 layers so it will be more interesting when combined with the extruded style.

A 1935 piece of sheet music entitled “(There’s A) Little Picture Playhouse in My Heart” had its movie-themed title hand lettered in a condensed Art Deco style with a few interesting character variations. The resulting digital type design is Stage Production JNL, which is available in both regular and oblique versions.

Kids Arabic Dashed Font is an incredibly unique and interesting dashed display font. It was designed especially for letter tracing worksheet for children, but it could be employed to a variety of other designs. Add it to your portfolio of fonts and it will soon become a favorite option, no matter the creation!

Barefood Sign carries a modern and classy style, with two weights that work well together. Barefood Sign font which is very elegant and modern for you to use and your design interests be it for logos, branding names, posters, podcasts and so on. Features Uppercase & Lowercase Numbers & Punctuation Multilingual Support Ligatures Alternates

In Issue Number 84 of Push Pin Graphic, Seymour Chwast offered up this rather odd variant of his own extrablack, superbold in-your-(type)face, Blimp. Not recommended for body copy, but makes interesting and unusual headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Cheeky Moghster is a fun slab serif font mixed with vintage style. Cheeky Moghster are ready to be used to make your design projects more interesting. Its special stamp style gives your design a unique and classic touch. Features : – Uppercase and lowercase – Punctuation and symbols – Multilingual support – Style: Regular, Stamp, Expanded, Slant

Varyloop font family is suitable for creating minimalistic logos, wordmarks, titles, taglines. It consists of one solid font and four outline fonts. Each style has a number of alternate characters. You can mix different styles and alternate characters to get an interesting result. For any questions about the font please contact: arbuzzu@gmail.com

Zanardini it’s a bold serif display font with a high contrast between the stem width and between sharp and curvy terminals and slab / egyptian serifs. All the glyphs was freehand drawn so the curves are strong and they create more interesting shapes in the negative space between the letters. Use it irresponsibly!

Rocket Aviator is a modern brush font, contemporary design approach, has a bold style and this font also has an underlines that makes your designs more interesting. Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and more.

Introducing Rollions, an unique All-Caps display serif typeface with beautiful rounded serif. This font have a Stylistic Sets, Discretionary Ligatures and Multilingual support which adds to the aesthetic that makes your work more interesting. Use this beautiful serif as a memorable logotype or header and pair it with something contrasting and clean.

Labyrinthus Rounded is a multiline decorative font that works very well for identity logos, posters and 3D-works. It continues the tradition of the precedent Labyrinthus but with a softer rounded impact. It's interesting to note that with it it's possible to play with the multiline concept to create endless overlapping geometric creations.

Kaytek™ Rounded completes the Kaytek typeface family with seven carefully rounded weights. Every style of the typeface takes up exactly the same amount of space, thanks to the careful creation by Radek Łukasiewicz. This means designers can switch between styles without the text being reflowed, making it particularly useful in magazines, where space might be limited, and also on the internet, where hover links appear in a different style. Kaytek Rounded comes in seven weights, from Thin to Black. It pairs also with Kaytek Sans, Kaytek Slab, and Kaytek Headline.

This is not an ordinary fonts, this is how the real throw up graffiti come into fontype! if you want real throw ups style graffiti fonts, this is the answer! because this is pure from my real graffiti eperiences around the streets. Kerning, spacing i adjust more tight, similar with the real throw up in the streets. The intersection between letter also you can erase it or leave it collide, depends of whats your styles, see our tutorial in the picture slides. I hope you guys like it, cheers!

Boottering is a modern handmade script, organic, energetic and dynamic, can be used for various purposes. such as the title, correspondence, wedding invitations, letterheads, signage, labels, signature newsletters, logos, posters, badges, etc. Boottering features 222 Glyphs, 40 alternate all lowercase characters, including ligatures, International support for most Western Languages is included, And for Boottering Sans do not have International Language support.

Make your instant X-mas and Winter Holiday Greeting cards with the HF Xbats dingbats. 26 regular (capitals, A-Z) and 26 inverted (lowercase, a-z) images with the upcoming Winter Holiday Season as a theme. 7 instant Holiday Messages (numerals, 1-5 and inverted on 6-0 for English; ¡, !, ¿ and ? for Spanish) will make your Greeting complete in any combination.

Rukou originated as a logo for a fashion designer. The idea was to make a fusion of a geometric typeface with the flavour of childish features. Rukou was inspired by school hand-writing models, but adds very specific and interesting features to it. Rather than focusing on readability, the primary goal was to have a unique type texture. This is the reason why lowercase is disconnected. The disconnected letters opened the possibility to create the special shapes for individual letters. The typefaces consist of two different styles inside one font. You can choose to set your titles in uppercase, or lowercase/titlecase. As each style has a slightly different texture, there is the opportunity to combine them in interesting ways. The uppercase can even be set in small paragraphs

This font creation is inspired by a fairy tale from a modern fantasy country but does not eliminate their culture, a country full of love and peace removes people's minds to commit evil. Hugtophia is a simple typography and easy to read so comfortable to wear. You can use them as logos, badges, badges, packaging, headlines, posters, t-shirts / clothing, greeting cards, business cards, and wedding invitations and more. The flowing character is ideal for creating interesting messages to your taste. mix and match a group of alternate characters to fit your project. It will be more interesting if you add swash. Alternate characters in this font are divided into several OpenType features such as Stylistic Alternate, Ligature and Ligature Alternates. Email support: maculinc@gmail.com Thank you! Maculinc

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

Designed for Linotype Library GMBH and the International Typeface Corporation in 1997 by Phil Grimshaw. Based on bold script Banco designed by French graphic and poster designer Roger Excoffon and released in 1952 by the Fonderie Olive. Originally Banco was an all-caps bold typeface, and the lower case and the corresponding light weight were created for ITC. The tapering slightly slanted strokes of Banco made by sharp-edged flat brush. The face has the effect of being quickly sketched by a powerful hand. For use in advertising and display typography. Cyrillic version developed for ParaType in 2000 by Tagir Safayev.

Syabil is a sans serif font family designed by Eko Bimantara. This font crafted with the intention to present a clean, legible, multipurpose that easy to read wether it on screen or print. Fit for all purposes; Text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium. This font consist of 9 weight; Thin, Light, Book, Regular, Medium, SemiBold, Bold, ExtraBold and Heavy with each weight paired by italic. Also including Latin Plus language support with more than 11.700 glyphs in all weight which make this font contain broad language support.

Winterbreak is a playfont font and doodles set. It includes: 3 variations of the Winterbreak font that can be used together to create interesting hand-lettering compositions 1 set of doodles that complement the handwritten fonts perfectly Use Winterbreak in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging.

Bufon is a font that holds many ligatures (815); a characteristic that intervenes in the rhythm of words. For this aim, a study of the combination of signs in the text was made. The interest was to detect the most frequent duets and trios of letters. Three languages were studied; English, French and Spanish.

Clairveaux is based on samples of an ornate 12th century calligraphic style. It has some interesting features, including small caps which combine some characteristics of both traditional upper and lower cae character forms. It's ornate enough to look decorative, but not overwhelmingly complex, and looks remarkably attractive when used for titles in a large size.

LABYRINTHUS PRO is a multiline decorative font, works very well as a type of identity logo, poster and 3d works. It continues the tradition of precedent LABYRINTHUS but with a hard linear impact. Its interesting to note that with it its possible to play with the multiline concept to create endless overlapping geometric creations.

Designed with a flat brush and inspired by the modern fraktur from Rudolf Koch, Berliner Fraktur is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy. The font contains some interesting alternates and ligatures that make this type more real. We recommend to combine Berliner Frakture with: Turquoise Nautica

Jenifer Malvia is a script font created with love, sincerity, and patience. can be used to make invitation writing, lettering, and all graphic design needs. This font is equipped with 7 stylistic sets that will make your design look more attractive and beautiful. Thank you if you are interested in purchase and using this font.