Kolkman is a nondescript, bold, sans-serif typeface. In addition to a standard version, there is a version with shattered letters and another with striped or grayed letters. The shattered and striped versions can be layered on the regular version to get letters with two colors.

Environment is an geometric, minimalism and elegant sans serif font. It perfectly used for product presentation, elegant logo design, packaging or invitation cards Four weights, four very different personalities. Environment Bold Environment Bold Italic Environment Italic Invorenment Regular Features Four weights/ Numbers & Punctuation / Extensive Language Support/Alternate

Modeled from an example in the book “Lettering” by Harry B. Wright (1950), the poster alphabet shown was reminiscent of the kind of style used in the early 1900s by sign painters and show card artists. Vintage Poster JNL is available in both regular and oblique versions.

Pureline is a modern signature font full of life. Get inspired by its unique charm! Available in regular and italic style. Pureline: is perfect for branding projects, logo, social media posts, advertisements, product packaging, product designs, label, photography, watermark, stationery, and any projects that need handwriting taste.

A 1940s sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was set in a popular metal type slab serif face. It is presented digitally as Elite Resort JNL, in both regular and oblique versions.

An example of hand lettering from a vintage instructional book was the basis for Fashion Statement JNL; available in both regular and oblique versions. This extra-wide "thick and thin" design is perfect for replicating the classic signage and print work of the Art Deco era.

Sheet music for 1907's "Just A Little Fond Affection" had the song title hand lettered in a simple sans serif design with influences from the then-current Art Nouveau movement. This is now available as Nouveau Titling JNL; available in both regular and oblique versions.

Bushy family is a clean and lining brush scripts. It is available with four different styles: Regular, Italic (Oblique), Shadow, Shadow Italic (Oblique). Bushy fonts are swashy and decorative, fun and cheerful, it will easily revive your design. The family has an Latin Supplement and Cyrilic characters.

Sunnyside is groovy retro concept typographic come with duo combined, regular and extrude, bring if the old west and the 70s had a lovechild with not a unformal usage, it's the perfect typeface for adding sophisticated playfulness to any design project. fit to logo, brand, apparel, etc

The sheet music for "Good Night Angel" from the 1937 motion picture "Radio City Revels", had the movie's title hand lettered in a free form Art Deco sans serif design. This has been recreated digitally as Reveler JNL, which is available in both regular and oblique versions.

Introducing a vintage look label font family named "Road Rage". All available characters you can see at the screenshot. This font have 4 styles - Regular, Shadow, Rough and Rough Shadow. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Callephane is our newest font. Its retro style is inspired by a unique design in the 60s. This fonts is perfect for any project, posters, clothing, labels, logos, badges, and many more, that would benefit from a retro look. Callephane has 3 styles: Light, Regular and Rough.

A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design. This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.

In 1935, Morris Fuller Benton designed Phenix American for American Type Founders. For 2017, the classic Art Deco design has been reinterpreted in an all-caps display version with an ever-so-slight "hand made" feel. Industrial Arts JNL is available in both regular and oblique versions.

Oversimplified JNL is based on some examples of lettering silk screened onto plastic pieces for use on an interchangeable sign board. These thin, monoline letters are modular in nature and have the look of a ‘constructed’ alphabet. Oversimplified JNL is available in both regular and oblique versions.

The 1913 sheet music for "You’ll Be Welcome When You Get Back Home" had its title hand lettered in a simple, yet attractive Art Nouveau sans serif design which has been preserved as digital type. Basic Nouveau JNL is available in both regular and oblique versions.

The opening title sequence for the 1958 film “The Long, Hot Summer” was hand lettered in a free-form style as if painted with loose paintbrush strokes. This served as the model and inspiration for Summertime Breeze JNL, which is available in both regular and oblique versions.

Handmaster is an elegant monoline handwriting. with 2 options regular and thin will make your project stand out, look classy, and extraordinary in any of your design projects. Iso it looks natural and unique, perfect for branding, packaging, grating cards, website headlines, and other fantastic projects.

Moneta is an elegant transitional serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on January 2020.

Sheet music published in the 1860s for "The Soldier’s Chorus" [from the Gounod opera "Faust"] had the title and the arranger’s name hand lettered in a bold, condensed chamfer font. This was the basis for Condensed Chamfer JNL, which is available in both regular and oblique versions.

Mister Twiggs is a comtemporary modern sans created by the American type designer Alex Kaczun. There are absolutely no curves in this elegant typeface. It has sharp corners with extra tall capitals and a narrow waistline. Mister Twiggs comes in 3 flavors: regular, thin and heavy.

Lard Pro Regular is an extreme contrasted extra black typeface designed for usage at larger sizes. Lard Pro Bold is an extra black typeface designed for usage at larger sizes. They contain extended Latin, Cyrillic and Greek alphabets to support a very wide range of languages.

Kindwall, Fraktur Blackletter is carefully hand-drawn and organically crafted, boasting two captivating styles: Regular & Stamped. This font is tailor-made for commanding headlines, captivating packaging, and alluring labels, exuding a robust and assertive persona while exquisitely channeling a vintage aesthetic, characteristic of the esteemed blackletter tradition.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” is a stylized, condensed slab serif alphabet he referred to as “Poster Slab”. This has been digitally redrawn as Poster Moderne JNL, and is available in both regular and oblique versions.

Introducing Oleragie, a classic modern serif with an aesthetic look inspired by the Egyptian and middle east atmosphere. Perfect for those who need a touch of elegance, stylish, classy, beautifully thin, and modernity for their design. Complete with ligatures alternates regular italic icon kerning multilingual support

Marbellya an Condensed Sans Serif Font with luxurious style. Available in 6 styles : Regular, Italic, Outline, Bold, Bold Italic and Bold Outline. Included alternates, ligatures and multilingual support. It's perfect for headlines, logos, quotes, packaging, magazine covers, editorial design, and many more project with suitable purpose!

Introducing a vintage look label font named "Brew House". All available characters you can see at the screenshot. This font have 5 basic styles - Regular, Full, Shadow, Light and Aged. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Hypne Pop is inspiring by retro pop culture, groovy, and funky. Hypne Pop comes with 9 weight unique regular and unique slanted style. Hypne Pop have a different characters in every style. This font also suitable for making headlines, stickers, T-shirt design, logotypes, poster, magazine, etc.

Inside the pages of the August, 1930 issue of “The New Movie Magazine” is an ad for Warner Brothers-First National Pictures – hand lettered in a bold Art Deco sans. This was the basis for Movie Production JNL, which is available in both regular and oblique versions.

Shabon Dama is a cheerful fun Arabic typeface, it bridges the gap between formal and fun, thus keeping it readable. It fits well with video games rated for everyone, kids comics and books, and cheerful marketing. Featuring three weights: Light, Regular, and Bold. ARABIC CHARACTERS ONLY.

One example in the 1919 instructional book “One Hundred Alphabets for the Show Card Writer” was for an elegant sans serif with a subtle Art Nouveau style to the letter forms. This is now available digitally as Show Card Elite JNL in both regular and oblique versions.

Favorite Stencil JNL is inspired by and modeled after the classic hot metal typeface "Ludlow Stencil"; a design that enjoyed popularity around the 1950s and is not to be confused with Ludlow's similarly-named "Stencil" which was released in 1937. Available in both regular and oblique versions.

A 1930s casual Art Deco type style with as much influence in 1970s graphic design as in its day was found within the pages of the 1930s French publication L'Art du Tracé Rationnel de la Lettre. Discotheque JNL is available in both regular and oblique versions.

A movie poster for the 1952 Dean Martin & Jerry Lewis comedy “Sailor Beware” had the text rendered in a casual style of brush lettering similar to that found on store show cards. This inspired Show Card Brush JNL, which is available in both regular and oblique versions.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Introducing our newest typeface called Sallenas Grandes - Elegant Serif Font with many Ligatures & Alternates . can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the alternates & ligatures makes this font very attractive. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazine headers, books, greeting / wedding cards, Clothing Branding, product packaging, fashion, make up, quotes, stationery, novels,cutting, labels and advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures stylistic alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Thanks & Happy Designing !

Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes. Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design. Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Leipziger Ornamente is another font inspired by the architecture of my home city. I draw inspiration from various buildings of the 1920s to the 1950s. The majority of motives in this font is adapted from sgraffitto ornaments found on residental buildings in the northern borough of Gohlis. The Leipsic Ornaments offer a delicate range of both floral and geometric embellishment pieces, to create fresh and lively designs from. You can use this font for smart and cool borders, frames and textures as well as for sparkling headpieces or vibrant eye-catchers in magazines, brochures, leaflets or personal stationary. If you’re interested in more ornaments, see also my classical Andron Ornamente, the splendid Art nouveau Behrens Ornaments and the exciting Art Deco Arthur Ornaments.

Introducing our latest display typeface called Mentality A unique Fonts with vintage taste can make your logotype become more interesting. A bold script that will stands out from the crowd! Perfect to be used as logotype, badge and label!. inspired by the decorative arts and architecture movement Mentality fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more. What’s Included : Standard glyphs Web Font Multilingual Accent Works on PC & Mac , Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.