XComputerBugs is a pictorial font of insects, mostly butterflies and moths. A few are based on actual species, but most are fanciful and meant only for decoration.

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.

Foliage Ornaments was inspired by the foliage designs used in historic art and architecture. There is an assortment of 47 ornaments located under the character set keys.

Baldwins was inspired by the beauty lettering of ephemera prints. Ideal for product names, packages, labels, old fashioned signs and everything with specific characteristics of past times.

Pinback was inspired by the science fiction movies of the 60s and 70s. The name is taken from one of the protagonists of John Carpenter’s Dark Star.

Elegant custom font with rounded corners, great for logos, posters, motion graphics and t-shirts. The name is inspired by the sleek curves and its smooth look.

AZ Harper's July font is inspired from original early 1900's Edward Penfield's poster art. This font is designed for use as a worn and antiqued headline.

Inspired by printed texts from 18th century France, Millesime has a gritty grainy texture that adds a natural and sentimental feel to this stylish rusty style font.

Syage a classy, contemporary of Serif font, inspired by Art Deco Era. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters.

Hand lettering from the opening credits of Alfred Hitchcock’s “Strangers on a Train” (1951) inspired Train Car JNL, which is available in both regular and oblique versions.

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

Folk Art Flowers was inspired by the flowers used in many folk art designs. There is an assortment of 47 ornaments located under the character set keys.

Kircher is a typography inspired by old building facade letterings. It is a vintage style geometric sans serif typography great for logos, banners, posters and graphic artists.

Inspired by Thannhaeuser's Liberta, completely fresh drawn and designed, Trybuna is a pronounced, freestyle serif font family, intended for body texts in print and for the web.

Buncher Georgia is a vintage display typeface inspired by the art of ancient decoration which is suitable for retro-style designs with ancient concepts. File Included Multilingual

Kartago was inspired by the inscriptions in the Roman ruins in the city of Cartago in Tunisia. Designed with plenty of uppercase ligatures for better design possibilities.

Shepherd is a beautiful calligraphy font with an incredibly luxurious feel. It will add a romantic touch to any crafting project! Get inspired by its whimsical charm!

TAN - MARJORIE is a display sans serif. Bold and groovy. Inspired by fonts you can find in 80s book covers, it gives a modern yet retro vibes.

Old style handwriting, inspired by 1800-1900's letters. Contains hundreds of alternate glyphs; each lower case letter has four variations, accessible through contextual and standard alternates.

Giglio Rosso is a decorative typeface with a floral design. The font is named giglio rosso, “red lily,” because it is inspired by the symbol of Florence.

RTCO Fransworth Inspired by Vintage Horror Novel & Movies Poster Typograhphy This font is suitable for graphic designs such as logotypes, merchandise, printed stickers, and other branding needs.

Some Impko decal letters and numbers with a "college look" from the 1960s were the inspiration for designing "Forward Passed JNL"; Jeff Levine's second sports-themed font.

Handsta Signature a classy, contemporary of script font, inspired by Handwriting Signature. Ideally suited for advertising and packaging, festive occasions, editorial and publishing, creative industries and posters .

Retro British A classy eighties Poster inspired serif, offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Gallero Vintage Inspired by Renaissance Design Era. Gallero offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Claudia Betta Font is a formal script font with multilingual support. It is ideal for wedding invitations, magazines, social media, restaurant menus, greeting cards, birthday invitations, headers and more. This font is equipped with a complete set of lowercase and uppercase characters, various kinds of punctuation ligatures, numbers and and multilingual support.

Silence Rocken Handwritten Font is perfect for logo, branding, invitation, tittle, wedding invitations, social media posts, advertisements, product packaging, product designs, labels, photography, watermark, special events, magazine, web design, etc. What's Included : Silence Rocken ( otf, ttf ) Ligatures Multilingual support If you have any questions please don't hesitate to contact me. Thank you!

It suitable for branding, crafting quote, t-shirt, poster, packaging, book cover, display design, cards, invitation and any cute handwriting needs and more. display font, this font is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, retro style design, Book/Cover Title and more.

Many blackletter and calligraphic typefaces are elegant and can be used for items like invitations and liturgical or religious texts. Rankensteen is probably not one of them. It is crude and bizarre and with a somewhat menacing appearance. It seems more appropriate for a letter from a pirate than for a formal invitation.

Avegreat is a clean and modern serif typeface with a visually appealing character, complemented by a variety of discretionary ligatures, making it a chic serif font. Perfect for versatile applications across various formal formats such as logos, wedding/invitation cards, packaging, magazines, fashion, books, makeup, invitations, novels, labels, stationery, or any advertising purposes.

Pompeian Cursive is a calligraphically-inspired display typeface featuring a limited number of alternate characters and a handful of graceful ligatures. A lively set of non-lining numerals accompanies, as well as a few calligraphically-inspired flourishes for ornament. The history of this typeface: Oswald Cooper’s relationship with the Barnhart Brothers & Spindler foundry was one instigated under the auspices of creating new styles of type in lieu of following stylistic trends. In 1927, BB&S requested that Cooper create a script-like cursive typeface design in step with Lucien Bernhard’s Schoenschrift and ATF’s similarly-styled Liberty typeface. In response to BB&S’s desire to emulate instead of innovate, Cooper wrote to Mcarthur, “I am desolated to see Barnhart’s hoist the black flag. Your own efforts through the years to boost the foundry into a place in the sun as an originator seem wasted.” Still, Cooper took up the task at hand, creating a delicate, sophisticated type design which he named Pompeian Cursive. The typeface featured a limited number of alternate characters and a handful of graceful ligatures. A lively set of non-lining numerals accompanied, as well as a few calligraphically-inspired flourishes for ornamenting the end of lines of type accompanied the typeface, as well. By reviewing the few remaining original drawings for the type, as well as copious samples of Pompeian Cursive from both Cooper & BB&S' proofing process and period-specific type specimens, Wordshape presents the first digital version of this classic hybrid script/sans typeface, complete with all original alternate characters and ornaments. Pompeian Cursive has been intensively spaced and kerned for the finest setting for weddings, announcements, and general display work. - What was the inspiration for designing the font? While researching a biographic essay for Japan’s IDEA Magazine, I came across the original proofs and drawings for Pompeian Cursive. While a number of foundries have released interpretations of Cooper’s assorted typefaces, they stray from the original rather dramatically in parts. Cooper is without a doubt my favorite type and lettering designer, and to bring a refined return to his original intentions is an immense gift. - What are its main characteristics and features? Pompeian Cursive is a typeface which functions as both a display face and a limited text face. It features classy, thoughtful, and delicate swash capitals and rugged lowercase characters with a low x-height and gracefully long ascenders and descenders. - Usage recommendations: Display type or text-setting. Perfect for newspaper work, editorial design, materials intended to invoke an "old-timey" flavor, or just about anything in need of personality.

Hazelton is a neo-humanist typeface inspired by the explorations and development of early British sans-serif typography. Six weight have been developed for Hazelton. The lighter weights are loosely inspired by Edward Johnston’s Underground typeface. The heavier weights glean inspiration from Stephenson Blake’s Granby. Sharp, pointed terminals that are indicative of British typography have been omitted in favour of a more modern sensibility. Subtle humanist characteristics become more exaggerated as the typeface increases in weight, making the lighter weights practical for text purposes and the heavier weights ideal for display use. A unique set of numerals have been developed to infuse them with a humanist quality that is often lacking when typesetting technical data. The result is a diverse typeface that is as powerful as it is beautiful.

Hastina is a beautiful handwritten font with a flowing and elegant style. It features a varying baseline, smooth lines, and stunning alternates. Hastina is perfect for creating a personal and inviting touch to your designs, such as wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and more. Here are some of the key features of the Hastina font: Handwritten style with a flowing and elegant look Varying baseline Smooth lines Stunning alternates Versatile and can be used for a variety of purposes Hastina is a great choice for: Wedding invitations Thank you cards Quotes Greeting cards Logos Business cards Other designs that need a handwritten touch Overall, Hastina is a beautiful and versatile handwritten font that is perfect for creating a personal and inviting touch to your designs.