This series, with 104 illustrations in three files, collects original ink drawings with absurdities, bizarre people, whimsical personalities and risky behaviors! There is a very peculiar sense of narrative in the sucession of characters, even if they came out rather spontaneously and their order is random.With a vintage look and feel, these people seem to come out of a time capsule from Victorian times. Almost everything in the Bizarries (and also in their close relatives, our Illustries, Whimsies, Ombres, Absurdies and Genteta dingbats) is invented and drawn with no references —just a handful of images were sketched from historical photography. These illustrations can be very useful for a variety of projects, either in black and white, or colored in a paint or drawing application. You can use them at any size, from a small spot illustration to a huge poster, depending on your needs. The outlines remain crisp and clear no matter how much you enlarge, reduce, distort or tweak their shapes.

Kurri Island is a positive sans-serif typeface. It was drawn and created by Måns Grebäck between 2017 and 2020. With its slightly irregular strokes and bends the font has a characteristic fun and comical and look. The sans is easy-going and relaxed while being serious enough to be used professionally. Kurri Island is an extensive multi-style font family, composed of 24 high quality fonts. The weights are Thin, Light, Regular, Medium, Bold and Black. Being favorably used as a block letter sans-serif, it has an additional Caps style to maximize the impression, and each font are provided as Italic. Its range of styles gives the typeface great flexibility, while also giving the ability to emphasize phrases or words. Kurri Island contains all characters you'll ever need, including all punctuation and numbers. It has an extensive lingual support, covering all European Latin-based scripts.

The Country Blues it's a cool fancy font family inspired by the good old vinyl records / movie covers, bowling and golf aesthetics and good old Rock'n'Roll melodies such as "Runaround Sue" was. The sans comes in five widths from light to black. Each letter has a stylistic alternate to get your typography more individuality. Especially it looks good with all caps and bouncing baseline. But it still good with normal block texts with straight line. The script has also stylistic alternates for each capitals and some lowercase features as awesome underlined 'g'/ 'j' / 'y' or special 't' with long stroke. All these fonts come as Clear or Raw (roughen) style if you want to add some "Horror" mood. As a dessert you'll get the graphic font with a lot of vintage sign shapes. 78 graphic elements total. The PDF graphic navigation file is include. Multilingual.

A distressed typewriter font design, great for mimicking the distressed and sloppy ink effect of older machines.

A creepy, blood-splattered horror font, made entirely with brushes and ink. Ideal for websites and halloween.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

Luella is an elegant, hand drawn vintage inspired font by Cultivated Mind. Luella has been carefully crafted and comes in three weights (Regular/Bold/Black). This font works perfectly with the Luella frames and ornaments sets.

A futurist inspired geometric stencil in clean and rough versions. This design approach was distilled into a more regular typeface in Futura Black; State takes its inspiration from the more eccentric designs that predated that font.

Koumon is modern family of Display fonts. Koumon has 8 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.

A powerful, versatile and multipurpose font family with modern typeface. Consist of 10 fonts, from extra light for the elegant feel, to black for the biggest impact. Neutral Jack is ready to elevate your brand image.

Gluster Serif Display Font Typeface is a single weight black serif, modern casual typeface perfect use for headline, logo, magazine, and any editorial design needs also readable body text. I hope you like it, keep awesome!

Burkey is modern family of Display fonts. Koumon has 8 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Jessie's Letter is based on an old typed letter by Kerrie's great step grandmother. This letter was undated, but we think it must have been from the 1920s or so. Jessie wasn't much for punctuation, so there aren't any of those pesky question marks and exclamation points. But, she did make mistakes in her typing, so we've included cross outs and strange resulting characters to make up for the lack of everyday punctuation. Maybe Jessie wanted to visit Paris, or maybe she secretly made paintings in her back yard, or maybe she dreamed of painting her house bright pink. Well, maybe not, but it's fun to dream...

Surakarta is a display face of western characters with numerous optional ligatures modeled after the graceful Javanese alphabet still taught in many schools on the island of Java in Indonesia, though it has been replaced by the latin alphabet for most everyday purposes. This is the second in Parquillian Design’s series of fonts inspired by some of the beautiful lesser-known native scripts of Southeast Asia.

Break out the love beads and fire up the lava lamps, and make way for this hippy, dippy homage to the Sixties. Finely tuned letterforms and extensive, thoughtful hand-kerning means your headlines will ride with the tide and go with the flow. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

It is NOT the END, my friend. Beyond the Saga, beyond the Hype, Beyond the expectations of marketing executives and studio shareholders lie prequels AND sequels. It has been said that every journey has a first step as THE STORY BEGINS, and every Generation has a Legend, a Story, a Franchise and an inevitable descent into mindless exploitation where THE STORY ENDS. It's true, all of it!

Katieya is a handwritten font set. Great for logos, name tags, handwritten quotes, product packaging, merchandise, social media & greeting cards. It saves a lot of time in designing a product. This font will add a fun and friendly touch to any of your projects! This font is PUA coded which means you can easily access all the glyphs and strokes and much more. Have fun using Katieya.

Typography created in Montevideo, Uruguay. The project's development typography Economica covered much of 2007 and received assistance of colleagues from all over Latin America. Economica has four basic versions: normal, bold, italic and bold italic. It was inspired by saving space for publishing texts without loss of height. Includes a comprehensive set of characters that lets you deal with diverse languages in its four variants.

Ornata D is the fourth of a series of old ornaments that I am trying to save from oblivion. I am completely redesigning the ornaments from scratch, trying in this one to keep the rough "letterpress" character. These ornaments have been first designed by Auriol around 1910. This set is perfect to design a great number of frames. Your digitizing type-designing savior, Gert Wiescher

Eight years after the initial release of Brandon Grotesque , the typeface has grown into a font family of 48 styles, including a version for small sizes and a space saving condensed version. This type family was completely drawn from scratch with the look and feel of the original normal-width version. Today, Brandon supports at least 116 languages, from Latin based languages to Greek and Cyrillic.

Marchello simply amazing with Regular, Extrude & Shadow styles, so you can save much time for create design. Marchello inspired from retro style 70's and perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative lowercase - Ligature - Swash If you need anything else please contact : dedukvic@gmail.com

ขอแนะนำฟอนต์ Khonsong ฟอนต์แบบ semi-condensed sans serif ซึ่งผสมผสานความทันสมัยและอนาคตเข้าด้วยกันอย่างกลมกลืน ด้วยรูปลักษณ์ที่โฉบเฉี่ยวและร่วมสมัย ความกว้างแบบ semi-condensed ทำให้มีความสมดุลที่สมบูรณ์แบบระหว่างการประหยัดพื้นที่และความสามารถในการอ่าน ทำให้เป็นตัวเลือกที่เหมาะสำหรับการใช้งานที่หลากหลาย ตั้งแต่สื่อออนไลน์ไปจนถึงสื่อสิ่งพิมพ์ Introducing "Khonsong," a semi-condensed sans serif font that embodies a harmonious blend of modernity and futurism. With its sleek and contemporary appearance, Its semi-condensed proportions strike a perfect balance between space-saving efficiency and legibility, making it an ideal choice for various applications, from online media to print media.

Mesmerised by the sparkling greenish-yellow mineral called Olivine hidden within the black basalt of Lanzarote's lava fields, we named the gem of our library after this natural beauty. Peridot is not just another typeface – it's a multifaceted sans serif type system crafted with passion and precision by Foundry5. Painstakingly developed through long hours and a keen focus on every minute detail, this typeface boasts a high-quality 10 weight family with matching italics in 6 widths, and the highly versatile variable format. Brimming with character, Peridot invites you to experiment with its various stylistic variants, allowing you to tailor the typographic tone to fit your creative vision perfectly. The diverse range of widths and styles in Peridot offers a dynamic typographic toolbox, ready to inspire and captivate even the most innovative designers. Peridot Devanagari supports Devanagari and Latin and covers over 330 languages. It includes all required localised variants, tabular numerals and currencies, fractions, clever discretionary ligatures and many more features. Peridot performs in varied environments – from branding, display, corporate use, editorial, advertising, poster, web, screen usage etc. Think of any other use case as well, and Peridot will perform. Peridot Devanagari comprises 20 static fonts, family package, and variable support. It is the gem you ought to have in your collection.

Created as a logo typeface in 2004 by Francesco Canovaro, Duepuntozero is one of Zetafonts classic typefaces. A monolinear sans serif typeface with rounded corners and condensed proportions, strictly based on modular geometric design, it was at first designed in five weights to be used as a condensed companion typeface to the rounded display family Arista. In 2019 the family was completely redesigned by the Zetafonts Team, expanding the original character set to include cyrillic and greek glyphs and adding four extra weights and italics to the original weight range. This restored and revamped version, named Duepuntozero Pro, also includes full Open Type features for positional figures, fractions and Small Caps. With his rounded, minimal aesthetic, Duepuntozero embodies the desire for simplicity and playfulness of contemporary mobile applications, making it a perfect choice for gaming and app interface design. Its compact design allow for maximum space saving on mobile screens when used as a text typeface, while the strictly geometric design and the extreme range of weights (including thin and black) make it excel in display, logo and editorial use. A complementary set of free icons in the same range of weights of the font is provided to help designers build consistent branding through pictograms in infographics, interfaces and editorial products.

The clock struck 2am. In the Wixendorf Café, a dingy diner off Route 75, the waitress behind the bar took another swig of whiskey—it was one of those nights. Ask to get a cup of coffee and you’re never sure how much will end up in your cup and how much will end up on the bar top. But it is hot, and paired with a plate of cherry pie? Why, that place is a slice of heaven. Tipsy Waitress, with a few too many swigs of liquor, is full of character and ready for any task—if you don’t mind a bit of sloppiness! The font includes: - A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics - Western Europe language support - A whole heck of a lot of fun Need an extended license? Simply email us at hello@sajatypeworks.com and we’ll be happy to help! A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks. Get in touch: We’re here to help! If you have any questions or need assistance, please DM or contact us via hello@sajatypeworks.com Languages supported: Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

Introducing Bubbble Gum - sans serif typeface - 9 fonts Bubbble Gum is modern, rounded typeface with 9 fonts, regular, italic and multilingual support. It's a very versatile font that works great in large and small sizes. Bubbble Gum is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, Lowercase numeral, punctuation & Symbol Hairline Light Regular Bold Black Italic ( Hairline, light, regular, black ) Ligature glyphs Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

German type designer Steffen Sauerteig created this slab FontFont in 1999. The family contains 4 weights: Regular, Italic, Black, and Black Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Typestar provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Typestar super family, which also includes FF Typestar OCR.

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Linotype Cutter was designed by Georg John in 1997. As the name suggests, the font looks like it was cut out of black cardboard pieces. Each letter has a irregular rectangle black background and they combine to form heavy rows of letter elements. The strong contrasts of the font make it good for short headlines or initials in larger point sizes and combines well with almost any text font. Georg John made a second version of this theme called Linotype Schere (scissors) it is a companion typeface where the conturs of the letters are even rougher in its form.

Burlesk Queen JNL was inspired by the hand lettered title “Gypsy” on the sheet music for "Everything's Coming Up Roses" from the movie musical based on the autobiography of famed stripper Gypsy Rose Lee. With just four basic letters to work with [G,Y,P and S], a full character set was drawn from scratch. The design features bold spur serif characters on individual ‘marquees’ bordered with lights. Burlesk Queen One JNL is the original version with white characters on black panels, while Burlesk Queen Two JNL has those panels stripped away to provide black letters on a white background.

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

I have just returned from a trip to Malaysia, Java and Bali with my family: my wife had some family business there, so we turned it into a holiday. The last time I visited these places was 26 years ago and I knew things would have changed, but I wasn’t prepared for the ugly truth. Malaysia’s interior has been converted into one big oil palm plantation, Java is choked in plastic and Bali is one endless string of concrete hotels, restaurants and cheap tattoo parlours. Plastic Fantastic is not an ode to the many uses of plastic. It is a wake up call: we really need to stop using disposable plastic! You can start by implementing the Plastic Fantastic font family in your durable water bottle designs, the compostable bag holding your organic potato crisps or that big ole sign advertising your local food truck event. Or whatever it is you want to create. ;-)

Ice Creamery is a new variation of our Saloon Girl font family complete with italics and fill fonts which may be used to layer different colors into the open parts of each glyph. We don’t recommend using the fill fonts for Ice Creamery as stand alone solid fonts, Ice Creamery Chocolate was designed as a the stand alone solid font for this font family. Fill fonts go back to the 1850's where they would design matched sets of printing blocks and the layering of colors took place on the printing press, they would print a page in black then on a second printing they would print a solid letter in red or blue over the letters with open spaces to fill them in. Most of the time the second printing didn't line up exactly to the open faced font and it created a misprinted look. With the fill fonts in Ice Creamery and other FontMesa fonts you have the option to perfectly align the fill fonts with the open faced fonts or shift it a little to create a misprinted look which looks pretty cool in some projects such as t-shirt designs. I have some ice cream making history in my family, my Grandfather Fred Hagemann was the manager of the ice cream plant for thirty years at Cock Robin Ice Cream and Burgers in Naperville IL. In the images above I've included an old 1960's photo of the Cock Robin Naperville location, the ice cream plant was behind the restaurant as seen by the chimney stack which was part of the plant. If you were to travel 2000 feet directly behind the Cock Robin sign in the photo, that's where I started the FontMesa type foundry at my home in Naperville. My favorite ice cream flavor was their green pistachio ice cream with black cherries, they called it Spumoni even though it wasn't a true Spumoni recipe. Their butter pecan ice cream was also incredibly good, the pecans were super fresh, their Tin Roof Sundae ice cream was chocolate fudge, caramel and peanuts swirled into vanilla ice cream. One unique thing about Cock Robin and Prince Castle was they used a square ice cream scoop for their sundaes.

Back in the nineties I had a deck of Tarot cards. It was part interest and part curiosity, but I also liked the look of them. My readings were just for fun; I thought it was all a joke, but when people started to return for more readings (because what I had predicted actually happened), I quit. That was way out of my comfort zone! Fortune Teller is a nice brush font. I made it with one of my late father in law’s Chinese brushes and ink. It comes with all diacritics and a set of alternate glyphs. If you buy this font, you will meet with a tall and handsome stranger and you will win the lottery. Guaranteed! Haha!

Revista is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. The font harmoniously blends different styles into a single big family, which consists of a Didone uppercase and small caps family—including 4 variants ranging from a monolinear Thin to Black with matching italics—and an Inline Black variant that works as a decorative alternative to the Didone fonts. Revista Stencil, one of its versions, comes with the same number of variants. Revista also comes with a Script Family that includes 5 weights, ranging from Thin (monolinear) to Black, contrasting in a tidily untidy way with many ligatures and alternates. You can choose between using stylistic alternates—if you want to give your designs a different untidy look, in the style of the modern calligraphy—or switching between different options if you are looking for a hand-written style. We highly recommend using the default contextual alternates and discretionary ligatures in order to take more advantage of this great font family. Revista includes 2 sets of dingbats, varying from zodiac signs symbols to technology symbols, and complementary ornaments in 3 different weights: Thin (monolinear), Regular and Black. All these features make Revista an ideal typeface for users to design to their liking! Photo by Fervent-adepte-de-la-mode

Velvet is a heavy rounded block retro face inspired by the typeset album cover of the protopunk rock band The Velvet Underground’s debut. Stylistically, Velvet’s extreme angled terminals exude a sense of tension and irreverance, contrasting the smooth rounded block letter forms.

Footloose was a work in progress when its original designer, my friend and colleague Bob Alonso, passed away. Back then just 14 lowercase letters were designed so far. Several years have since gone by, but lately I took on the task of developing Bob’s design into a full-fledged font. The distinctive style of his supplied letterforms provided much inspiration. In blocks of short text there is a dynamic that communicates much verve and vigor, owing in part to gracefully curving lines and high contrast of stroke weight. I guess you could say that this project has been a sort of “passing on of the baton”; and I trust that Bob would have been pleased with the outcome.

Smith-Premier Typewriter is a typewriter font design, great for mimicking the sloppy ink effect of older machines.

Hand-drawn lettering to add authentic calligraphy style to your work. Rough, jagged edges for realistic ink-bleed.