Dusty Circus™ is a five layer stacking display face designed to be infinitely morphed. The metrics are set identically in the individual and family set, to provide for typographic ease (although we seem to prefer an offset appearance). Great for a vintage western feel or a modern aesthetic. In addition, note that it is very easy to omit a layer and add multiple copies of other layers to produce a 3D bevel on the fly, or inline styles with flair and substance. LTD is a short set for non-commercial use only and combines two of the layers with many features/glyphs removed.

Barthez is an old vintage serif font that heavily inspired by victorian design. Comes with Regular, Inline and Stamp version, each has a shadow version which makes 6 font styles variation. Perfectly match to use for any branding design that needs a handcrafted victorian touch feel. Barthez is a font that you can use to make a vintage logo for branding, typography design, magazine or book cover, website header, product packaging, t-shirt design, label poster and many more. Feature : - 6 Styles included - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

So I made five rather odd characters for a logo for a friend… Then I thought I'd fill a couple of spare hours expanding it to a single alphabet… And some considerable time later I ended up with a whole font with full punctuation, a bunch of alternates, pretty broad international support and some OpenType features to keep things varied… There are elements of Art Deco, Art Nouveau, Lego, circuit boards and Ceefax, Memphis lamps and lab clamps, hieroglyphs, googly eyes and who knows what else… Intricate, insane, highly irregular, but somehow it hangs together… Throw down a few letters nice and big when the fancy takes you…

Factor is a letter that breaks with convention, providing an attractive geometric look. Fits perfectly sober rigor contemporary editorial design, and for the creation of logos, labels or advertising, just fits both vintage designs spirit as the simple graphic humor. Factor comes with a wide variety of alternative shapes for a more versatile use. As display font readability features that allow use as an innovative text font. Usage recommendations: Due to its linear simplicity of construction, handy for creating 3D characters. In terms of its form, is related to mechanization, the industrial and metallurgical. The black form may be combined with the inline to create colorful typographic uses.

Crillee is a family of our styles that was originally produced by Letraset. In 1980, Dick Jones designed Crillee Italic. Jones also designed the family's second style, Crillee Extra Bold Italic, in 1981. Peter O'Donnell designed Crillee Bold Italic in 1986. The fourth style, Crillee Italic Inline Shadow, was completed by Vince Whitlock. At the time of Crillee's development, Jones, O'Donnell, and Whitlock were all employees of the Letraset Type Studio. Crillee's slight lean to the right and geometric forms create a feeling of power and speed. Crillee should be spaced closely in word settings and is perfect for anything which should have a cool, modern appearance.

Comic Sidekick: A Screwball Comedy Font Family! A hand-drawn brush font with multiple styles, perfect for light-hearted designs such as comics and children’s books, film posters, titles, games and packaging. This 11 font family includes variations on a core theme that can be layered up for interesting effects or used individually for a cleaner look. Led by its regular chunky design, this is accompanied by outline, inline, brush and pen variants offering multiple options to mix and match while staying within consistent boundaries. Also included are a bundle of comic shapes including speech bubbles, underlines, banners and other random objects for experimenting with.

Stepon is a versatile display font that offers a plethora of creative possibilities. This font is characterized by its bold, modern, and unique design, making it an excellent choice for a wide range of projects. The distinctive feature of Stepon is its versatility, with six different variations that include inline, outline, texture, and rough styles. Each variation stands strong on its own and can be easily combined with others, allowing you to unleash your creativity in various ways. Whether you're working on a logo, branding materials, invitations, packaging, posters, headlines, business collateral, greeting cards, magazines, films, or any other design project, Stepon has got you covered.

Molliquam font starts from a brush stroke with a script style and also follows the times. Molliquam is very suitable for use in various media such as; packaging, logos, labels, posters, shirt design, quote of wisdom, hand-lettering, typography and many other media. - Ligature - Natural brush touch - PUA Encoded open - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or other software design Thanks Garisman Studio

Collibryums is a modern signature font inspired by social media advertising and product titles. It has Opentype features Ligatures. Collibryums support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Collibryums signature font. Cheers, MaulanaCreative

Vanio is a wedge serif font family that crafted with precision, focused on both aesthetic and legibility. The letterforms and other typographic elements are made in a way to achieve optical recognition and fit for various typesetting. Its have a strong serif and spacious width letterforms on the upright styles. Its shown a medium contrast and caligraphic strokes. Its have a moderate vertical heights either at the x-height, caps, ascender or descender. Vanio consist of 10 styles from regular to extrabold with each matching italics. Its contain more than 460 glyphs which support broad latin languages. Also contain several opentype features; Ligature, oldstyle figures, fraction, and other variation of figures.

Diaria Sans Pro is a sans-serif counterpart of Diaria Pro. With its extensive 9 weights and corresponding italics, extensive language support, and various OpenType features it is meant to build visual heirarchies of any detail and complexity in editorial design. This modern sans-serif typeface designed as a universally legible medium for both titles and paragraph text. Its large x-height and static exteriors allow comfortable reading in printed narrow columns as well as in screen graphics. Some of the styles of Diaria Sans Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Kigara was Elena’s first attempt at designing a text typeface. The result is not exactly a conventional book face. Strongly influenced by handwriting, Kigara is best suited for short texts set at medium to large sizes. However, its open letter shapes and subtle serifs make it a very readable face in smaller sizes as well. Kigara will also make headlines as a modest, light-hearted display typeface. Kigara is named after an African mushroom - hence the mushroom vignettes and African ornaments in the OpenType version and the ‘B’ set. Both the sets also include small caps, alternate figures, special ligatures and other expert glyphs.

Crake is a contemporary high-contrast serif typeface with a distinctive look. It combines organic details with strong geometry shapes. The typeface comes in 5 weights from Light to Bold. Crake has rounded counters of uppercase letters A, B, E, F, P and R which creates an unique and organic character. With different stylistic sets you can change the feel of your design from more organic to more standard. The typeface also offers many discretionary and standard ligatures. Crake is a display typeface with large x-height which works best for headlines or short to medium-length texts. It’s a perfect typeface for branding, editorial design and much more.

BOnuts is a modern rounded sans built in 8 styles and crafted for you by BOtype. It's clean and minimal and modern rounded design gives you a wide array of uses such as branding, editorial & print, and also makes it perfect for UI & digital applications. We designed Bonuts to have the most legibility to give you a very versatile font family you use for any use you want. It includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages, basic Cyrillic and Greek. The type family consists of 8 weights (Thin, Light, Normal, Regular, Medium, Bold, Black and Heavy).

Coben is a modern and futuristic san-serif font family. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Coben Family consists of 2 widths (Condensed, Normal), 4 weights (Light, Regular, Medium, Bold), and Italics for each format. Coben provides a Central European character set. Each font includes support for Tabular numbers, Old-style Figures and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Brutalista is a typeface inspired by the architectural brutalist style, which seeks to use the expression of raw or raw material. In graphic design it has been used to break rules and attract attention. His drawing has its roots in grotesque and neo-grotesque sources from the early twentieth century, but with a current style. It has a medium x height, clear counterforms, low contrast, which give it versatility and functionality. Peculiar cuts and drawings are also used in some characters, which give them personality It is an ideal font for headlines and brands, but also for when you need to present simple and clear information.

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design. The result is a simple but dynamic typeface with retro and technological airs. Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts. This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support. We are proud to introduce: Cannon.

Amnestia is a vintage serif typeface with a modern-classic feel. Inspired by vintage signage and minimalist serif style, this All-Caps font comes with 100+ alternates that gives you more options to get many variations in your designs. Amnestia has a medium height that looks perfect for display or sub-text. Amnestia available in 2 styles, distressed and normal, and is a great choice to be used in logos, insignia, apparel, labels, packaging, posters and more. Amnestia has a stylistic set 01 - 10 as the alternates of the letterforms. Some alternates have swashes and tails that you can explore to get more possibilities to create different typographic looks.

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.

Segaon Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Hello... this is Cherries, a cute and bounch hand drawn font family. Cherries have 5 weight: light, regular, medium, semibold and bold with 2 styles: regular and slanted also included with pairing font Cherries Display. Cherries included with some alternate character and ligature to make your design awesome. Cherries is fun and very suitable for cute or girly design needs such as cover design, typography, sticker, greetings card, logo, merchandise and many more. Cherries also easy for read and you can use it for quote or caption. Add this beautiful handwritten font to each of your creative ideas and notice how it makes them stand out!

Leonardo Sans is a modern sans serif with a geometric touch. It comes in 10 weights, clean and modern caps, thereby creating more variability. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. 10 Weights (Thin, UltraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black, Heavy) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it. Check out Newgate which is a great pair for Leonardo Sans.

The concept of M Elle comes from M Hei and M Yuen, with a sense of contemporary graphic design, aims to accomplish a refreshing, harmonious balance of softness and toughness. The combination of regular crossbars (橫) and stems (豎), rounded hooks (勾) and angles (折), as well as dots (點), ticks (剔) and downstrokes (撇、捺) that are ended sharply, makes it a classy but contemporary, clean and affectionate typeface. The font family consists of 3 essential weights to cater for different needs. Xbold appears elegant and magnificent, Medium weight is practical and affectionate, while the Light style is especially clear, legible and flexible in use.

This new script font was based on our previous font ‘Rachele’. Mentha is a very flexible script with a big set of swashes, condensed, strong and with nice loops at the end of some letter shapes. This font script was designed using small brush pens and playing with pressure and release methods. Mentha Medium has a tiny extra stroke, that helps to make this font a bit stronger and solid, specially if you need to use in a very small scale. Mentha is fresh! If you are looking for a new and original script Mentha suits your needs! We recommend to combine Mentha with Turquoise

Basic Sans Cnd: A new sans. Designed by Daniel Hernández Basic Sans Cnd is a narrower version of Basic Sans. It is a family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality. Basic Sans Cnd is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more! This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and it has a set of 416 characters that support 206 different languages.

Ribbon Cursive was developed largely from Mercator's Italic Hand, which originated from Italy, during the Renaissance. Ribbon Cursive is fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text. It should be noted that, due to the heavy embellishment of all the capital letters, this font will not work well if your text is set in all capitals! Ribbon Cursive is contains the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

Elevate your designs with the captivating allure of Makeshift Font. This extraordinary display typeface brings a bold and fun look, infusing your creations with a powerful and distinctive touch. Perfect for designers seeking originality, Makeshift Font is poised to make a lasting impression on logos, headlines, posters, product packaging, and more. Its versatility shines through in both digital and print mediums, making it a must-have for innovative projects. Makeshift Font boasts an extensive range of features, including uppercase and lowercase letters, numbers, punctuations, and comprehensive multilingual support. With PUA encoding, accessing the wide array of glyphs and swashes becomes effortless, empowering you to effortlessly customize your designs.

Nürnberg (Nuremberg in eng.) New blackletter-sans font family in modern look with contrasts elements in six widths. Impressive style with non-typical Blackletter uppercases as alternates and normal Sans as standard. In the company with good-looking lowercases and their alternates you can get outstanding result for your project. Six widths give you wide range of use. Massive Bold or Black will be really good in none-long magazine headlines, some logos or cafe/bar signs, menu's or coffeeshops. Medium or Regular is for normally (not giant) text blocks or any of accented texts. Light and Thin are good in big pt. Short word forms or numerals is just awesome.

Fossa is an unconventional serif designed primarily as a display typeface. Its splayed, pinched vertical strokes and pointy wedge serifs give it a distinct flavour. The style for Fossa was initially conceived while studying the forms of Optima – in particular, the subtle taper towards the midpoint of the stems and strokes. Taking the idea of vertical strokes with a nipped waist to the extreme, Fossa was born. The sharper style created by these vertical strokes is echoed within the serifs, resulting in a contemporary wedge serif with an elegant but dramatic character. Available in five weights: ExtraLight, Light, Regular, Medium and Bold. OpenType features including ligatures and fractions.

Enfluence is a modern typeface perfect for titles and short texts. It could worked in print and digital mediums. It depicts a fresh and modern image but with some winks to older typefaces. About the shape of the letter, it was built with a wide “x” height, short ascendants and descendants, a high contrast, angular serif, and some round terminals. Some letters such as “m, n, h” show a light inclination in the right stem. These characteristics give this typeface great readability with a strong attraction to the eye for its cool forms. Not enough? Also includes a set of ornamental capital letters perfect for the creation of awesome designs.

Galpike Sans is a neat and clean variable font. The typeface is versatile to blend in your design- with 9 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing gimana sans serif display font, meticulously designed with deep inktrap details. Crafted for optimal legibility and aesthetic appeal, this font seamlessly blends modernity and tradition. Its generous proportions and balanced letterforms provide exceptional clarity and readability across various digital and print mediums. With its deep inktraps, this font showcases subtle details that enhance its overall visual texture, adding a touch of sophistication to your projects. Its humanist characteristics ensure legibility and readability, making it an ideal choice for a wide range of applications. The deep experimental inktraps add an intriguing element to the font, creating an interplay of light and shadow that captures attention.

Rimbomba is a freehand style font with long ascenders and descenders and a steep slant making it elegant yet casual. It is inspired by writing letters by hand, as it was done before, with strokes that in the normal style imitate the tip of a pen and in the medium and bold styles they imitate a round pen stroke. It is a font with strength in its movements and finesse in its curves, which creates a homogeneous set that is easy to read and which produces a certain reading speed. It is complemented with stylistic alternatives for the beginning and the end of the words.

Devoid is a sans serif typeface with a no frills stripped down design. The design has all the features of the neo grotesk typeface, horizontally cut endings, modern capitals, oval counters, with a bare bones appearance. The typeface comes in three subtle widths, Devoid Slim, which is spaced most narrowly, Devoid and Devoid Set, which have a wider letterspacing. There are regular, medium and bold weights with accompanying italics. The vertical metrics align across weights and widths, this allows for optical size adjustment as well as adjusting for same size text fit. Dutch designer Pier Taylor designed the typeface in 2020 for use in catalogs, lists and registers.

Boyscotte Handwritting font, a elegant mix beauty and masculine font, its crafted to deliver the simple style it self, and brings mature on design style, Boyscotte also have 3 different weight, so you can easily combine and adjust the design theme with it Its perfectly suited for crafter and graphic artist to complete their design such as invitation, advertisement, poster, logo, birthday, product sign, magazine, book, and many more! even so contains All Standard glyphs and punctuations --- File Include: - Boyscotte Regular - Boyscotte Medium - Boyscotte Bold Thank you for let us be your design partner, If you have any questions please don't hesitate to drop me a message

The font has a truly futuristic nature. It perfectly conveys the atmosphere of technology and futurism and it's the best choice for sci-fi and hi-tech topics and pictures. The font letters are unrounded, it's build is very simple and straight. The font includes 7 styles: thin, extra light, light, regular, medium, bold, and black. With the variety of font widths, there is the ability to make different combinations in graphic or web design projects as well. Carefully kerned letters look well in paragraphs and titles. Special attention to uppercase headings. The font counts 477 glyphs for each style. The thin style is free to use.

As a spinoff to his Tagesstempel™ design, Georg John created Johnstemp™ in 2008. The Johnstemp family has four weights, as well as a special Mix" variant. Each of the basic fonts (Light, Medium, Bold, and Heavy) contain many alternate glyphs, allowing users to set text that realistically simulates stamped impressions. For even faster design, Johnstemp Mix is the perfect choice; it contains letters with far more stylistic and weight variation out-of-the-box, and was developed to create even livelier impressions. Here as well, many alternates are included in the character set to prevent too much repetition of the same glyphs. "

CONCEPT/CHARACTERISTICS
 The constructed, clear and modern cha­rac­ter of the typeface based on the basic form of the triangle. The motto is geometrically and italic. APPLICATION AREA
 The modern, futuristic and constructed font „slan­ted ITALIC shift“ would look good at dis­play size for poster, flyer, comics and gra­phic novel let­te­ring and logos. Head­lines in maga­zi­nes or web­sites, packa­ging, music covers or webbanner etc. TECHNICAL SPECIFICATIONS
 Head­line Font | Dis­play Font | Geometric Font „slan­ted ITALIC shift“ OpenType Font with & 308 gly­phs & 6 styles (thin, light, regu­lar, medium, bold, black). Alter­na­tive let­ters, symbols and liga­tures (with accents & €) FONT IN USE www.typographicdesign.de/font-in-use-slanted-italic-shift/