Infusion is a type family designed by CFCG & Fabio Godoy for andinistas.net. The creative process of Infusion evolved throughout a myriad of experiments supported by my font gluten This is why its expressivity comes from the addition and subtraction of its parts by mixing and combining, resulting in a great variety and new versatility of uppercase, lowercase, multiple and different numbers to be applied at the beginning, middle or end of the word. Infusion is used to write sentences in craft contexts that require organic graphic design, with meticulous imperfect look. Infusion offers typographic solutions out of the limits, or out of borders that divide the mechanics of the drawn by hand. Infusion has 6 decorative and legible fonts to write casual messages with organic, friendly and natural personality. Infusion “Script, Mix, Roman, Shadow, Extras, Dingbats” contain unconventional visually appealing ideas to work independently or in group in the design of logos, packaging, presentations, headlines or editorials.

Italic type was invented by Aldus Manutius in 1499 or 1501, first, before to be a style name, it was a plain font familly name. This Italique style font was inspired from these who was used by Jean de Tournes in Lyon (France) to print La mÈtamorphose d'Ovide figurÈe, a splendid book with numerous gothic style wood carved pictures. The original font contains almost all modern usual characters except accented ones, no longer in use on that time. They have been added, with some others, with respect for the original design. . A render sheet, enclosed in file, help to identify various others unusual letters on keyboard. It is used as successfuly as web-site titles, posters and fliers design, editing ancien texts or greeting cards, invitations, gastronomic menus... and much more, as a very decorative and elegant font... It supports easily as enlargement as small size, remaining clear and easy to read from 8 or 9 points to 72 and more, particularly on prints.

While throned before your keys, under your drumming fingers awaits the most astounding standard computer typeface ever devised: BuGlobal. In addition to all the usual alphanumeric characters and symbols, this lone font lets you type more than 400 accented letters appearing in more than 80 English-variant languages worldwide, 70 common math and science symbols, and dozens of other useful characters —more than half a thousand all told— all within the digital parameters of one standard computer typeface, without needing any alternate keyboards or other clumsy digital luggage. Here is a sample: You can add any accent appearing in more than 80 English-variant languages used around the world to any letter appearing in all these languages simply by typing ANY letter then the accent. This includes more than 400 diacritic-laden letters in all —without needing to remember several keystrokes to type any of these letters as a few of them appear in standard computer typefaces. You can type more than 50 math/science symbols that do not appear in standard computer typefaces. These new symbols include several kinds of arrows plus constants, centerlines, dimensions, and graphs and scales that when retyped create continuous scales and graphs. Common symbols such as ballot boxes, rating stars, checkboxes, hearts, fancy fleurons, and similar motifs that do not appear in standard computer typefaces. Dozens of flashy arabesques like ========= [in BuGlobal these equal signs are kerned together so when you type them you create a continuous double line]. In this typeface more than 30 symbols that never appear twice in a row are kerned together so when you continuously type them you create all kinds of flashy arabesques that will make your typing more attractive. No other standard compute typeface allows you to do this. As for Beauty, BuGlobal’s characters are designed according to several axioms of ocular perception until each profile is as iconically simple as Shaker furniture. These axioms make BuGlobal’s letters easier to read compared to other typefaces, and a few of them are: Each letter should look much like the others but for one defining detail. The letters should be as similarly wide as possible. The letters’ midbars should be the same height and thickness. The higher the lowercase letters are compared to capital letters, the more legible and easily readable are their texts. BuGlobal has a typeface user’s guide, titled A Lovely Face, in which a description of each ocular axiom compares BuGlobal with Baskerville, Georgia, Palatino, and other commonly-used standard computer typefaces so you can quickly see why the other typefaces are inferior. You can download a pdf file of this typeface user’s guide, for free, at BuGlobal’s website, butlerfontforge.com, at any time so you can learn all about BuGlobal’s many amazingly new features before possibly buying it. BuGlobal’s plain letters are perfect for texts, its italics are gracefully emphatic, its bolds are ideal for titles and headers, and its arabesques are a fancy way to make your texts look dressy —all of which will add more shimmer to your semantic plumage. One good typeface is more useful than an infinity of poor ones. Robert Bringhurst

Merchantry is a hard-working display font inspired by vintage signage you might find in local supermarkets of days gone by.

Monterra is a font family ideal for flyers, label, logos, magazine, product branding, corporate branding, signage, posters and especially in advertising.

Tanqueray is a modern new and sleek modular font. It is contemporary in its design; but also playful and dramatic. Intoxicating.

Mories is an elegant display serif with unique letter shapes to complete any designs, especially in fashion, branding, and for logos.

Hey Buffalo is a rather unique handwriting script with 55 very beautiful ligatures, as well as several alternatives in the lowercase.

This would be a Clarendon if it weren't for the cute serifs, which set it apart. Reads well in copy blocks.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

It is an Alternative version of "Paihuen Pro" containing 3 styles that can be combined and all in a rough style.

Luxerie is an elegant display sans with unique letter shapes to complete any design, especially in fashion, branding, and for logos.

Introducing Nightingale calligraphy font. Nightingale have a 631 glyph, Nightingale works well in Logo, poster, title, header, clothing and many more.

Oporto is a modern font which blends the cosmopolitan and bohemian mood from Oporto city in a elegant and timeless design.

A condensed American blackletter designed for ATF in 1932 by Morris Fuller Benton; the face grows out of nineteenth century roots.

Geometric stencil with a variety of weights. It is so orthodox and simple that you can use it in various creations.

Domiland is a beautiful script font that has a classy, elegant, and modern look. Fall in love with its flowing curves!

Presentation JNL is built on the letterforms of Gilbert JNL (which in turn was modeled after Eric Gill's classic sanserif design).

Billing and Shipping JNL is the perfect dingbat font for replicating rubber stamps and labels used in the transit of packages.

Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font.

Passo Borgo is a blackletter typeface inspired on classic vampire filmes from 50"s and in Dracula's Bram Stoker novel... creepy...

The Ihre-Götlin Runic inscription is one of the other runic inscriptions in America. I couldn't find much data on it.

A bold and arresting geometric font built from parallel stripes. Most effective in short headings or logos at larger, display sizes.

Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les never released this completed typeface before his untimely death in 1983.

A delicate script font with a modern signature style, looks great in big texts and it is suitable for any project.

Saddle Hitch JNL is a Western font inspired by a few words set in a decorative typeface from an 1887 publication.

Cykor is a display typeface with reversed contrast inspired by typography of the late 70s designed in 2020 by Kacper Janusiak.

Modeled after an old sign on a building in New York City, Chinese Menu JNL is a modular style Oriental typeface.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.

Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra

Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.

Walk so fresh, talk so fresh - we like it, we like it! TalkSeek is in town and is ready to rock!

Limbus Sans Double Vision is a psychedelic approach on the Limbus Sans Regular created in 2023 by Lukas Gerber of LukerType.

Cayenne is an all-caps hand-lettered font in three weights, two dotted versions and an outline and an inline font.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

Nobbin was designed to be used in a children's picture book called "Nothing to do..." written and illustrated by Tracy Sabin.