The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Borek is a geometric monoline sans-serif display font. It works well in both display and text applications.

Tina is another powerful script designed in the style of the classic forties and fifties American advertising fonts.

Originally written out in his own blood by Shrill Richard Starkings, this font is NOT FOR THE NERVOUS!

Did you ever draw something with you finger in milk that has been just spilled on the table?

This is a revival of a Wagner & Schmidt font, released in the first quarter of the 20th century.

A neat handwritten font in an upright, feminine style. The bar key | contains a cute slice of cake.

Bangilan Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative

MM Zaftig is a display typeface for setting text in posters and headlines where big impact is needed.

Little people that appear to be made with putty stretching themselves in fun configurations to spell out words.

Essential version of PragmataPro™. It contents a selection of glyphs useful for programming in English language only.

Diffie is a funky font that is informal yet legible, in 4 standard versions and 2 FX versions.

a free digitization of ancient types of Ottaviano Scotus, from incunabula times, printed in Germany by Anton Koberger

Dakon Script Font I hope this font is interesting to use in your design projects. Thank you GFRcreative

DB Fright Night is a collection of fun sketches and doodles just in time for Halloween. Happy Haunting!

Gargoyle is designed for use in headings, informal announcements or any project where a friendly look is desired,

A chunky fat font perfect for titles in both a chalkboard sketch style and a regular solid version.

ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.

The Brigida font was influenced by a very common European letter form used in Sweden between 1350-1500.

Westro is great for portraying western look and feel in a poster, banner or any kinds of headlines.

A unique semi geometric type that is inspired by natural round forms that flow in a sweet harmony.

Blarak Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative

A highly decorative set of capitals suggesting nineteenth century forms, designed by Louis Minott for VGC in 1965.

Decorative Arrows JNL is a collection of twenty-six decorative arrows provided in right and left facing directions.

STAR7 Racing Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Kapelka's design was prompted by a candy wrapper and brush lettering. For use in advertising and display typography.

Based on an ancient secret writing system. NOTE: this font comes with an interpretation guide in pdf format.

Mortised Caps join the victoria font Renouveau in a classic mortised frame from golden times of american foundryes.

Asdonuts Display Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Ariesa Blackletters Font I hope this font is interesting to use in your design projects. thank you GFRcreative

This font family is based on original Roman capitals created by Ludovico Vicentino Arrighi in the 16th century.

PragmataFlash is the version of Pragmata to use in Macromedia Flash at 9, 11 and 12 point size.

Patented in 1867, this face adds peaks and shadows to the Egyptian form so popular at the time.

Anderik Script Font I hope this font is interesting to use in your design projects. thank you GFRcreative

Another variation of the many Clarendons created in the 19th century and there are probably more out there.

Dreamline is a set of elegant monoline scripts in three variations that can be mixed with each other.

Evil Type in its purest form Multiple Weights, Alternates, Ready for t-shirt production non-readable NORD weight