Kokomo is a beautiful handmade contoured font - which was drawn with an old-fashioned steel pen and Chinese ink. The open, shadowed letters are great for posters and ads. Kokomo comes with extensive language support and has an alternative lower case a, for those who don't like the one I used.

Office Stamps JNL is a collection of twenty-six images recreating the familiar 'stock' rubber stamps used in offices for decades before self-inking stamps and desktop printing made them relics of the past. Modeled from vintage sources, all of the images have been re-drawn by Jeff Levine to have a crisper look than simply utilizing scanned imprints of old marking devices.

Patrick Cleo is a sophisticated signature font in manuscript style and with an elegant ink flow. Patrick Cleo has swashes for the lowercase only, which makes it perfect for projects that need an elegant glow, like logos, wedding designs, branding, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any project that requires a handwriting touch.

Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone. This hand written style font is based on Alissa's signature calligraphy style and pairs beautifully with fonts like Frosted and Icing.

From Okaycat is the Azsion font, hand-lettered with loving hand in a distinctive style. This font is artistically textured with great detail, yet highly legible with a soft pleasant look. Azsion matches well with Okaycat font, Azsitra. Illustrated pen & ink, artistic typography for that hand drawing look. Azsion is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Nanquim is a versatile font, available in three sketchy options. At display sizes the line art is very eye-catching. At smaller sizes it turns out like textured faces. Always with a pleasant handmade feel. Nanquim characters were hand drawn with pen and India ink on film, like we use to do when preparing artwork for screenprint. Hope you enjoy!

Chiller is the work of British designer Andrew Smith, a chaotic, reckless fun font. Although the ink blots and stray strokes might look undisciplined, the forms of this typeface were carefully planned and it is surprisingly legible even in small point sizes. Chiller is equipped with a number of alternate characters as well as illustrations and almost guarantees eye-catching graphics.

Fusione is a handwritten, informal, sketch-like typeface drawn by hand using ink and a sharp nib pen on smooth paper. It is useful for display, poster, books titling, advertising, and magazine work. Best used in Open Type apps, it has automatically exchanging alternates for better simulate true handlettering. Character set support Central and Eastern European as well as Western European languages.

Mokka is a robust and crisp typeface with strong serifs and individual forms. Even in text and striking in display, it is suitable for a wide variety of uses. The style-linked family includes oldstyle and lining figures both tabular and proportional.

"Beast Sketch" is an extraordinary handwritten font created with bold, untamed strokes using ink and a bamboo pen. It boasts a masculine aesthetic, an organic, natural feel, and extensive Latin character support. Perfect for book titles, magazine covers, logos, and more, it adds a raw, authentic, and compelling vibe to your projects.

I am creating new fonts for my Halloween collection and Gallows Hill is the latest one. It was made using a cheap brush, gouache mixed with Chinese ink and paper. The result is a very messy, rough and scary font. As a bonus, I have added double letter ligatures for the lower case.

Ice Cream is the product of an abandoned typeface concept a non-connected script for food packaging. The original exemplars were so iconic, so inspiring, it demanded completion. Curvy with a huge dollop of fun, to be honest, and I wouldn’t have it any other way with this one. Influenced heavily by Kari and Juicy (and even the shameless copies of my originals, wink wink), Ice Cream’s recipe blends in some very simple elements that are unobtrusive and clean, perfect for packaging designs, children’s books, and anywhere a light-hearted scoop with a cherry on top is needed.

This calligraphic type is based on a free-styled blackletter with an ink-stained spirit. By having several stylistic alternates (on both U&lc.) plus some non standard ligatures, your text may look like it’s written or handmade! You should combine this font with Agony, also available on MyFonts.

Compact sans, ideal for setting long texts in small or very small type sizes: for packaging, instruction booklets, drug information leaflets and anything else that has to be legible at very small sizes. Lean and rhythmical, designed ideally to be used at less than 8 points (Brevier was the old typefounders’ name for 8-point type), Brevier holds up well even under adverse printing conditions. The apparently geometric letterforms hide Renaissance characteristics, the x-height and openings are very generous and the strokes slightly modulated. In order to offset ink spread – which is inevitable when printing very small sizes of type – Brevier has large white spaces between the letters. All internal angles have deep ink traps and many connections have been left open.

Scrawny Cat is a bit of an unusual font: it was made with a brush and some China ink and has no real baseline. It is messy yet legible and in a strange way beautiful. The font is all caps, but upper and lower case differ and can be freely interchanged. Comes with a litter of diacritics and some cool end-ligatures to boot.

We used to have a composite worktop in our 'old' kitchen. It was cheap and the kitchen-guy warned us not to put any hot pans on the worktop, as it could crack due to Thermal Shock. Duh... When we installed our new kitchen, we opted for a ceramic worktop, which can handle hot pans being placed on it! Thermal Shock font is a very nice, handmade brush font. If you ever bought any brush fonts of mine, you will know that I almost always use Chinese ink and cheap brushes to create 'the look'. It is always a bit of a surprise how a Chinese ink brush font turns out: I created one the other day and it looked horrible, so it was banned.. Thermal Shock turned out to be a looker. Thermal Shock comes with one set of alternate glyphs, extensive language support (including Greek and Vietnamese) and a guarantee it won't crack in super hot designs.

A couple of weeks ago, I found my ink well, which I thought I had lost. I decided (there and then) to create a bunch of inky brush fonts, which resulted in Dirrrty and Scrawny Cat. And now, needless to say, Garden Bed. It is named after a strophe from one of my favorite Soundgarden songs: Just Like Suicide. Garden Bed is a hand made didone-ish font, with a very irregular baseline, some interesting glyphs and a secret garden filled with diacritics.

Enjoy is a font family designed by CFCG. Its 5 fonts work in groups or independently. When used to complement illustrations or spontaneous projects requiring organic fonts, in Enjoy you will find expressive attributes reflected in uppercase, lowercase and numbers written with brush and fluid ink. Its strategies were carefully written providing greater handcrafted realism in its bonds and alternatives to create with eloquent letters at the beginning, middle or end of the word without losing order and readability. Enjoy contains many special textures to maximize its typographical benefits activating opentype buttons. Enjoy contains an authentic worn texture reflected in a variety of alternate characters and ligatures. Due to its maximum and coordinated cursive logic, captivates the interest in graphic design or advertising for cafeterias, sales of plants, bakeries, etc. When complement illustrations or spontaneous projects requiring organic fonts, with Enjoy you will find expressive attributes reflected in uppercase, lowercase and numbers written with brush and fluid ink.

Cross Stitch Formal is based on upper case characters 20 stitches tall and contains upper case characters A-Z. All characters are linked by at least one stitch.

Raguki is a sans serif display font with a modern and unique style. Aesthetic letterforms with stylistic ink traps make this font have bags of personality. Raguki has open-type features (salt and ss01) that enable the user to transform the letterforms to create different designs. We hope you enjoy it. Saga Studio

Jesitta Signature Font is a modern and elegant signature style script font with magical ink strokes. Jesitta Signature is a great choice for watermarks on photography, advertising, logos & branding, watermarks, weddings, invitations, product design, labels and other design projects. Please contact us if you have any questions, we are happy to help you!

Better Step is a handmade font with stunning characters. Made with a brush and high-quality water-based ink. Ideal for name tags, handwritten quotes, product packaging, merchandise, social media, greeting cards, etc. To make your designs look even more naturally handwritten, Better Step has 1 extra set of alternate lowercase letters.

A vintage matchbook advertising the New York Liquor Mart – oddly enough, located in Chicago, Illinois – featured a pen and ink line drawing of the store’s exterior. The Art Deco lettering on the mansard was portrayed with a straight left shadow (as opposed to drop cast or extruded), making for an interesting multi-line typeface design. This is now digitally available as Packaged Goods JNL.

ITC Vinyl was designed by J. Keith Moore, who was born in Germany but raised in Colorado. The typeface is a hybrid of Art Nouveau, street attitude, and 1950s design and was created with pen, ink, and French curves before being converted into digital fonts with Adobe Illustrator. ITC Vinyl is a family of four display faces in outline and solid designs with corresponding sawtooth" variants for each."

Dingos is a display typeface specially handcrafted for potent usage. It is compact, solid, and dense, with a heavy-built structure, tight internal space, and a versatile touch. Dingos is perfect for large settings due to its precise shapes. The 'Display' and 'Display Outline' styles have sharp and clean paths with angular ink traps, while 'Stamp' and 'Stamp Outline' have round ink traps and irregular, soft, curvy outlines optimized to ensure high-quality contours. Stamp textured styles have three sets of alphabets that slightly differ from one another. Thanks to the Contextual Alternates, these alphabets are automatically alternated to avoid repeating the same curvy textures. Some of Dingos' features are ligatures, discretionary ligatures, stylistic sets, numerators, fractions for any number combinations, arrows, special decorative characters, and a glyph coverage that ensures extended language support.

Freaky Prickle script was written using ink and various wooden sticks and digitized/ Autor’s target was to create the spontaneous, light, flying script with dynamics and energy at the same time. Upright and cursive styles are available. The type was planned for use as headline in fiction and display matter.

Bellis is a hand painted brush font. Painted on absorbent paper with a chinese brush to make the ink spreading texture. The original texture was a little bit messy but we translated into a more clean textured font. Bellis is a very easy to read brush font and it can be used for posters, magazines or graphic artworks.

Fairground was created by calligrapher Rachel Yallop using a vintage nib and ink. This gives it a light flourishing feel, combining the formal penmanship of calligraphy with something a little more informal at the same time. It’s a delicate font with a full range of upper and lowercase alternate characters. Oh, and it has ligatures too!

A Qilin is a mythical hooved creature, looking a bit like a cow with a lion's head, reptilian scales and deer antlers. The Qilin features in Chinese lore, where it is often associated with good luck and prosperity. Qilin font is a rather messy typeface, created with a steel pen and Chinese ink. It might not be a classy font, but it will bring the buyer good luck! ;-)

Inspired by the carvings on meso-American monuments, David Lemon of Adobe's type staff created Copal. It is named after a resin that was burned as incense by ancient cultures and which is used today as a binding agent in printer inks and varnishes. The fonts in Copal can be used individually or combined to achieve chromatic effects. Try the decorated letters in headlines when you are in need of a burst of primitive energy.

I never needed to digitize this early design from 1988. I found it in a drawer underneath layers of dozens of other type designs. The drawings were made with ink on paper, about 15 cm high, meticulously executed and retouched separate glyphs for a primitive photo-lettering. I used a photographic magnifier to set words and lines in my darkroom. In 2018 I decided to make a font out of it just for fun...

Kirillik is a hand-drawn font, based on early Russian cyrillic script (“Ustav”), elegant calligraphy written with flat ink brush. Traditional Slavic feel for ethnic Russia-inspired design. This is an all caps font that includes Latin and Cyrillic alphabet with extra characters (covering most European languages), numbers, punctuation and symbols.

Lutfey Arabic is new version of Lutfey with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. It is a chunky & cute typeface, visually featuring bold, firm and gentle characters. It’s has smooth lines on each side, especially on the outside, with subtle ink-trap details at every corner.

I was playing around with an old brush I found in our kitchen: it had fallen under the stove and it had probably been hiding there for quite some time! I dusted it off, got my Chinese ink and set to work. The result is a scary-ish font. Mortal Coil comes with discretionary ligatures for double lower case letter combinations.

Hand-drawn with calligraphy ink and an antique dip pen, Mignonette is ready for all uses charming and rustic. She's heavy on the bottom and hairline at the top, and includes all sorts of additional numerals, currency figures as well as multi-language support. Mignonette shines in both correspondence and display; she has a particular affinity for offbeat and heartfelt branding.

Seluas Handmade is a bold and beautiful brush lettered font. It's perfect for using in ink or watercolour based designs or on its own as bold hand brushed lettering. Use it for websites, branding, weddings, social media, product design, stationery and advertising, etc. Seluas Handmade is versatile enough to add that natural nuance to any project where you need that to look real.

Atipla ND is a contemporary sans serif typeface. It works best at large sizes, with softened ink traps pair legibility with aesthetic, while its strict horizontal and vertical terminals give it a rigid yet friendly appearance. The typeface contains a stylistic set, case sensitive forms, symbols and arrows, and the font covers all Latin Extended-A languages.

Fabrice is a font based on my handwriting, which has been reworked to be turned into a font. I write differently with each pen I use, and this font corresponds to my handwriting while using a pen I refill myself with special inks. It contains a wide range of characters, and will be readable anywhere, yet different!

A self made bamboo or reed stick nicely cut down to a broad edged nib must have been the tool with which the designer Andrew Weed wrote his letters for the typeface Pine.Its irregular outline is the result of the flowing of the ink. Ideal for a headline or a poster which reflects the personal touch of the tool.