Mehriban Outline is a revisit of Mehriban, Michael Browersí most successful text face that was originally released in 2006. Mehriban & Mehriban Outline are deconstructivist revivals inbred from Michael Browers' previous work: Formasi and Disjecta. Formasi characters were morphed with their Disjecta counterparts, and in some cases with previously unpublished letterforms from Disjecta's concept stages, resulting in a grunge font with its own unique swagger.

Mayak is a geometric sans serif inspired by the Soviet constructivist fonts of the 1920s-1930s. It contains traditional upper and lower case characters as well as small caps and a great number of stylistic alternates. The font comes in 12 styles: 4 weights in 3 widths. Mayak was designed by Yana Nosenko with contributions from Dmitry Kirsanov and released by ParaType in 2017.

It is necessary to keep the memories of our ancestors alive. Although the languages and cultures of the past societies were different, in my eyes the ancestor of our humanity is. Having to experience everything in that world, no matter where in the world it is. This font is a Runic member. It is a kind of variety that belongs to different geographical regions.

Peanut is a face full of bounce and playfulness but is based on the traditions of the long revered Roman minuscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. Peanut and Peanut Sans come in a ‘Salted’ style which features many alternate letterforms. Both the Salted and regular styles are combined into in the Pro fonts.

“The Film Daily” issue for August 30, 1927 ran an ad for Tiffany Pictures in which all of the main text was hand lettered in a sans serif style displaying the beginnings of the Art Deco movement. With their rounded terminals, the characters were designed using a round nib lettering pen. Redrawn digitally as Silent Cinema JNL, it is now available in both regular and oblique versions.

Inspired by the iconic Fenoglio-Lafleur Liberty building in the city of Turin, in an area with significant Stile Liberty buildings and New Gothic architecture. Lafleur is a decorative face with a remarkable art nouveau flair from 19th century. Perfect for creative contemporary uses in print and on screen. We recommend it for book covers, packaging, branding, editorial, web, advertising, apparel, purposes are endless.

Gopher is a reverse contrast, geometric sans serif typeface in 3 optical sizes ranging — Text, Normal, and Display. With the most subtle contrast,Text works best in smaller type settings while Display is the most dramatic as the contrast has been pushed more to the extreme for an immediate visual impact. Gopher works great in a variety of settings for branding, advertising, posters, magazines, packaging, and more.

Slughals is danish for someone who eats to much in a kind of greedy way. It came to my mind that "slug" ("swallow" in danish) is snail in English. It lead my mind to the brushtraces of the font, could look like traces from a snail/slug. Slughals has ligatures for most double letters and two fancy swashes for the letters r and k.

Antario is a high-contrast sans-serif font with a classic rounded style so it looks elegant and attractive. Available in two styles, Regular and Bold including various OpenType features such as disrectional ligatures, swashes, stylistic sets, fraction etc. Antario font also supports multilingual including Cyrillic. With more than 600 glyphs, you can be more creative in creating various types of typography in graphic design.

Linotype Didot™ was drawn by Adrian Frutiger in 1991, and is based on the fonts cut by Firmin Didot between 1799 and 1811. Frutiger also studied the Didot types in a book printed by the Didots in 1818, "La Henriade" by Voltaire. This beautifully drawn family is the right choice for elegant book and magazine designs, as well as advertising with a classic touch.

Propaganda in a poodle skirt? Another gem gleaned from Schrifti Alphabeti, a book of Cyrillic alphabets published in Kiev (now Ukraine, then USSR) in 1979. Flouncy, bouncy, perky and quirky, this typeface will add sass and charm to any project it graces. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Pisang Manis means ‘sweet banana’ in Bahasa Indonesia. I don’t think this particular combination is used in everyday life, but it sounds nice. Pisang Manis is based on an older font of mine, called Pisang, which I created in 2013. It looks similar, but it is a different font altogether. Pisang Manis is a ‘Tall & Thin’ display font, ideally used for product packaging, websites and book covers.

Punch Tape JNL emulates the old-style pin-punched paper tapes that were used in everything from ticker tapes to moving electronic signage to early digital typesetting equipment. Pin punch characters were also used in the early days of banking as a secure way of canceling a check so that it was rendered useless if re-submitted. In this version, the "dots" are square rather than round.

In the middle of 18th century Leibniz Fraktur appeared in German print shops. This blackletter font with its great x-height preserved the then fashioned trunk in many of its uppercase letters. It was a cast font of Genzsch & Heyse, Hamburg. Leibniz Fraktur contains a bunch of useful ligatures, and by typing 'N', 'o' and period plus activating the Ordinals feature you get an oldstyle number-sign.

Occulista began as a modern take on a vintage tri-line style of typeface, but quickly evolved into something quite different. This heavyweight optically-stimulating family features nine weights, with alternate uppercase letters in place of lowercase. This typeface works best in eye-catching headlines or short bursts of text, and the variant styles can applied to accent key wordings in many interesting combinations.

ฟอนต์ Bantat เป็นแบบอักษรแซนเซอริฟ ที่มีความเรียบง่ายโดยออกแบบให้หลังคาและฐานตัวอักษรกลุ่มหนึ่งราบเรียบไปกับเส้นบรรทัด ผสมกับหลังคาแบบปกติ เพื่อให้มีไดนามิคแทนที่จะราบเรียบไปทุกตัวอักษร มีให้เลือกใช้ 18 น้ำหนัก และ 5 ความกว้าง ทั้งตัวตรงและตัวเอียงรวมแล้วมี 90 ลักษณะ เหมาะสำหรับงานทั่วไป บนสื่อได้หลากหลายขนาดไม่ว่าจะมีความกว้างหรือแคบ -- The Bantat font is a simple Sans Serif typeface designed to flatter parallel to the baselines and x-height. Available in 18 weights and 5 widths, both upright and italic have 90 Styles in total. Suitable for general work on media in a variety of sizes, whether wide or narrow.

A poster circa 1930s-40s designed for the WPA Federal Art Project promoted free band concerts at the Brooklyn Museum in Brooklyn, New York. Its headline (“Free Band Concerts”) was hand lettered in a dual line Art Deco sans serif design. Now recreated digitally, the font takes its name after the poster’s topic. Band Concert JNL is available in both regular and oblique versions.

It is necessary to keep the memories of our ancestors alive. Although the languages and cultures of the past societies were different, in my eyes the ancestor of our humanity is. Having to experience everything in that world, no matter where in the world it is. This font is a Runic member. It is a kind of variety that belongs to different geographical regions.

“My goal in creating the Cardamon family,” says Brigitte Schuster of her first design, “was to make an unobtrusive serif typeface which, at the same time, has a determined and straightforward demeanor.” “I wanted to design a typeface with sharp edges and corners,” explains Schuster. “I was influenced by the angularities in Vojtěch Preissig‘s “Antiqua” and “Cursive” in addition to Oldřich Menhart‘s “Menhart” typeface.”

Waves is a sans serif typeface with pure but expressive look, which is notable even in smaller sizes. The softly decorative characters are also nicely visible in bigger sizes what makes Waves unique. A user can choose from two sets in all four weights. Each font features alternate letters, offers wide sets of characters including fractions and language support with all characters for Central European countries.

Lodestone is a sans serif decorative typeface, and was created by Steve Jackaman (ITF) in 2017. The original design was known as ‘Marvin,’ and was created by Face Photosetting (London) in the early 1970’s. Since the name ‘Marvin’ was in use by another foundry at time of publication, ‘Lodestone’ was born. Lodestone has a clean, retro feel, and is electrifying at display sizes.

Goudy Type was designed by Frederic Goudy for ATF in 1916. He endeavored to create a lively design with some brush-lettering qualities. In his words, he believed he was still attempting to ‘find himself’ as a designer. Thirty years later he was shown the design and could hardly recollect its creation. Steve Matteson has digitized Goudy Type to preserve its place in typographic history.

Sheet music for the 1939 song “On the Paraña” featured Art Deco hand lettering in a classic “thick and thin” style, with many stylized characters. The publisher of the song was the Theodore Presser Company of Philadelphia, so the name “Presswork” aptly fit this typographic design. Presswork JNL is available in both regular and oblique versions. For trivia buffs, the Paraña is a river in Brazil.

Cities often have their own voice, a voice that can be read... in each location and each business, voice portraying a cultural fabric with an array of manifestations. Balneario Script is a small tribute to a coastal port and tourist city. Through the Sign Painters, in its golden age, a clear, friendly, practical, and functional way of making itself heard evolved. Far from wanting to be perfect, a typeface seeks to be close, warm, and casual. Inspired by the gestures of the brush, Balneario Script reverts to the use of “Casual Letters” so used by Sign Painters. In this adaptation, we sought to adjust its morphology to optimize its performance in small formats and extend the system to include lower case letters as part of the set. The set of fonts has two script weights in addition to an all caps version. The design emphasizes creating a harmonious morphological criterion. Friendly, rhythmic, and with a firm stroke Balneario Script is unique, ideal for headlines and short texts that need to be gestural but simple and highly functional. This typeface was designed to be used in promotional posters or for relaxed and fun Packagings. Balneario Script goes beyond constructive or functional aspects. It seeks to capture the smell of the sea, the warm summer breeze and the nostalgic feeling of a city that from its daily life, knew how to forge a unique personality. This atmosphere allows it to host millions of tourists year after year, and with them reinforce their spirit each summer.

Go Pixel is an exciting game-themed display font designed in uppercase, capturing the essence of retro pixel art. The consistent proportions of this font create a harmonious and balanced visual experience. Each uppercase letter is crafted with precision, ensuring uniformity and maintaining the overall aesthetic appeal. This design choice guarantees that every character fits seamlessly together, resulting in a cohesive and visually pleasing typographic composition. The uneven borders of Go Pixel add a touch of vintage charm and quirkiness to the font. Each letter is outlined with varying thickness, mimicking the imperfections found in retro pixel art. This unique feature gives the font a distinct personality and captures the nostalgia of classic video games. With low contrast, it embraces a softer and more subtle approach to readability. The slight variation in stroke width allows for a smooth and comfortable reading experience. While the low contrast may be unconventional, it enhances the overall retro feel of the font, immersing your audience in the world of classic gaming. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Go Pixel fits in headlines, logos, posters, titles, branding materials, print media, editorial layouts, website headers, and any projects that aim to evoke a sense of fun and nostalgia. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The name Corpid derives from “Corporate Identity” — which is what this family of low-contrast sans-serifs was made for. Corpid was originally commissioned by Studio Dumbar in the Netherlands as a corporate typeface for the Dutch Ministry of Agriculture, Nature Management and Fishing. The font was designed to replace the existing standard typeface (a well-known business-like sans-serif) to provide the organization with a unique and strong identity. Although it was designed to fit strict technical requirements, Corpid has a personality all of its own. This was in part a result of what Luc(as) calls “creating tension” between the inner and outer curves of each character. “I tend to put a little more diagonal contrast into fonts than is the case in most neutral sans serif fonts. This brings a certain humanistic touch to the typeface. Much more subtle here than in Thesis – but although it is almost invisible, it is still palpable.” Corpid was gradually expanded into a five-weight, three-width family. The new Corpid SemiCondensed has double functionality. It is a no-frills, compact headline font that offers optimum legibility in sizes from small to huge. It is also a great space-saving text typeface for magazines, newsletters or annual reports: economic, versatile, and provided with several different numeral sets. In this OpenType type version, all weights come with Small Caps. With its wealth of numeral styles and complete character sets (including Central European) the Corpid family is now well equipped to tackle the most complex of typographic tasks.

Alethia Next is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types of modern style. Alethia Next comes in 7 weights + matching italics and upright italics, each supporting numerous Latin-based languages as well as major Cyrillic languages including Bulgarian local forms. It is packed with OpenType features like ligatures, small caps, and numerous alternatives.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Introducing, Nora's Blooming is a chic + modern sans serif font. Nora's font is perfect for branding, logos, social media, prints, stickers, shirts, svg files, and more! Nora's Blooming is unique in that it can be used for a variety of design styles. Me Great for free-spirited boho designs as well as for a classier editorial look! There are fun style alternatives available for use with this font. These letters are embedded in font files and easily accessible in programs such as Photoshop and Illustrator. thank you!

An ad in the April 19, 1919 edition of Motion Picture News for the (now lost) silent drama "Josselyn's Wife" featured some wonderfully stylized Art Nouveau hand lettering. Primarily a condensed character set with rounded serifs, there are a number of letters that take liberties in both width and character shape. Adding to this, [mostly vertical] parallel lines are cut through the characters to create a "striped' type of "double engraved' effect. Silent Drama JNL is available in both regular and oblique versions. **Uppercase

Erbaum is a display square sans serif type family. It is straight-forward in overall structure, simple and rational in details. Erbaum was designed to maximise clarity, with an emphasis on construction and pragmatic aesthetics. The concept behind this typeface was uncompromisingly function driven, which was to provide a clear and effective medium for communication and a modern alternative to similar fonts in the aforementioned category. Extended x-height and sharp details aid legibility. Other features include seven weights, Cyrillic, alternative characters and various OpenType features.

The sheet music for "I Used to be Color Blind" (from the 1938 Fred Astaire-Ginger Rogers movie "Carefree") had its title crafted in ornate Art Deco hand lettering. Keeping the original letter forms, the interior embellishment was simplified to a dot-and-line pattern [eliminating a secondary squiggly line] for a cleaner look. The type design is now digitally available as Performing Arts JNL, in both regular and oblique versions. For those who prefer no ornamentation, there are also regular and oblique versions in solid form.

Populaire Typewriter font is a retro set of typewriter fonts sourced from a real 1970s typewriter. It includes Regular, Dirty and Misprints fonts. The Regular and Dirty versions of the font are monospaced fonts, with three alternatives for each character that show up randomly through contextual alternates. These features make these fonts extremely realistic and fun to use! Use this set in any design that needs a vintage touch. Use it in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc.

Gladiora Sans serif font family with tapered accents in some of the letters gives it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short wording for a letter-based title and logo. With 20 types and support for multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety to each sentence by combining it with several sizes.

Speeday is a Display and Sans Serif typeface family, slanted at 23 ° with a rounded finish, with 3 styles, Regular, Bold and Small Caps that include 9 sets of numbers, 3 sets of uppercase and alternate letters, as well as advanced Open functions Type. Thick typography with a contemporary appearance that brings great dynamism to the texts written with it, its use in graphic, editorial and advertising design guarantees originality, difference and maximum readability, the kerning has been carefully configured in all versions. See specimen in PDF

Riveta is a sharp type family available in 18 styles, designed in 2021 by Joël Carrouché. Medium and medium italic styles are 100% free to use. The typeface features a simple and solid geometric construction, with straight terminals and a very discrete triangular serif that gives the font some extra spice in big size. Riveta is equipped for advanced typography, with features such as ligatures, tabular and proportional figures, arrows and icons, stylistic alternates, case-sensitive forms, fractions, scientific inferiors and superiors, and circled figures.

agasthiya rococo is a script type font with 552 glyphs, supports western & eastern europe, turkish, cyrillic languages. equipped with alternates lowercase, ligatures, and swash. inspired by the art of rococo architecture, which is an ornamental architectural style that emerged in the 18th with its characteristic intricate and layered details. The rococo style is a further development of Baroque, where the forms used have not changed. The Rococo style first appeared in the 18th century in Paris. makes this font has a distinctive character style similar to victorian

Styling is a simple, light, sans-serif typeface inspired on old cars and planes with an aerodynamic shape. The font comes in 5 weights plus italics. Styling and Styling Alt families offer professionals a wide range of creative options. Styling was created in 2014, while its designer was 30,000 feet in the air and the plane was flying over some Latin America cities. A flight full of flavours and shapes. This typeface is the result of anxiety and speed. Keep on rollin’ and fly high with Styling!

Gemsbuck Pro is a typeface that was designed by Atok Khoirudin in 2022. It is a sans-serif font known for its bold and geometric design. Gemsbuck Pro features clean lines and a modern, industrial aesthetic, making it popular for various applications, including posters, headlines, and logos. The font family includes several weights and styles, ranging from light to bold, allowing for versatile use in different design contexts. Gemsbuck Pro has been widely used in print, advertising, and digital media due to its distinctive and impactful appearance.

"Moyt" is a display slab font that has an art deco retro feel in a slanted modern design. This family is perfect not only for TV and film titles and credits but also for holiday season materials such as greeting cards, Christmas cards and many other purposes. Individual fonts - light, regular, medium and bold - are available in addition to a variable version which can be perfect if you would like to adjust its weights in detail. Hope you’ll have fun using this typeface for your projects.