Sharpless is a handwritten script font in a natural and modern handwritten style. It's perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermarks, special events and more. This font includes Ligatures and also Multilingual support. A series of additional dingbats/doodles can be accessed as an OpenType feature in the stylistic set 01.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Luis Serra was born in Alicante. There he grew up and even started a family His life was there. But at the age of 35 he split up with his wife and decided to go to Barcelona in search of a new life. And it wasn’t easy for him. He had to turn his hand to all kinds of jobs and didn’t manage to find the stability he needed. Luis is a shy, retiring person who takes great pleasure in the little things in life such as walking in the mountains or celebrating the victories of his football team, Barça. After four years living in Barcelona, Luis found himself in a position he’d never imagined. “The street’s much worse now, there’s more trouble, there’s more tension,” says Luís. In the street he had to learn, as he always had, to move fast, to find a place to sleep and something to eat. Luís is one of those people who don’t let circumstances mould him, but adapts to them and always tries to do his best.

NEW! Includes a set of 42 connecting word character glyphs along with 23 alternate lowercase glyphs. MARLIN is a condensed vintage style serif display font that works great for logos, packaging, branding, menus, advertising, and posters. The lowercase letter set has different letterforms allowing you to mix and match upper and lowercase for a variety of looks. In Illustrator, the custom connecting word set can easily be accessed in the "Type → Glyphs" panel and in Photoshop through "Type → Panels → Glyphs Panel".

The 1913 sheet music for "There's A Girl in the Heart of Maryland (with a Heart That Belongs to Me)" may have had no shortage of words in the title - fifteen to be exact, but it also offered some nice hand lettering in the Art Nouveau style. Maryland JNL is a condensed typeface with an unusual twist. The "S" and "G" both have spurs on them, which is reminiscent of the preceding Victorian period and the popular spurred Tuscan alphabets of the time.

Boris Mahovac has adapted a friend’s handwriting in this new font called Kloi (pronounced Chlo – ee). It has a very casual feel and includes alternative swash glyphs of some key characters as well as some extra ligatures. Taking advantage of the ligature and contextual swash features in OpenType, the alternate glyphs automatically replace the standard glyphs when appropriate, creating a very unique look. Available in PostScript OpenType format, Kloi’s extended glyph set covers the Western and Central European, Baltic and Turkish languages.

Under the commission of the American Century Magazine"", Linn Boyd Benton designed a new text typeface in 1894 with a design typical of the Neorenaissance movement in typography. Morris Fuller Benton produced various interpretations of this font for American Typefounders and the companies Linotype, Intertype and Monotype quickly took up the typeface. New Century Schoolbook font is a very legible font, fairly narrow and with relatively little stroke contrast. This font is from Morris F. Benton and appeared in 1915.

Inspired by the iconic modernist letterforms in the poster for Stephen Sondheim's 1972 musical Company, Another Hundred People is a gleeful set of solid geometric glyphs — as though a set of Colorforms decided to express itself in words. In addition to its lowercase and caps (which don't share a baseline with the lowercase, but hang below it), Another Hundred People has solid alternates (for those who don't like the divided letterforms) and overlapping ligatures! Part of the Ampersand Forest's Sondheim Series.

Rikon is a modern Sans Serif Family designed by Joël Carrouché and available in six weights, from Thin to Black. With its simple yet original letter shapes, this family displays a strong personality and will really shine in branding or titling applications, while being legible enough to endure longer texts and smaller sizes. The fonts are available in OpenType format, and include diacritics for most European languages and a selection of OpenType features (two stylistic sets, case sensitive forms, tabular figures...).

In the 70's I went out with a girl whose father was a card-carrying member of 3 of the biggest unions in the printing arts. He gave me 2 things, a pre-war Linotype specimen book and an ancient 'how to' lettering book that contained 30 or 40 script specimens from lettering artists of the time. Tiamaria is the developed glyphs of one of these specimens. Tiamaria is the name of one of the islands in the Galapagos chain.

According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

Linotype Matthia is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dieter Kurz designed Matthia as a slender, flowing brush font. Its characters are in a handwritten style yet stand almost straight, making Matthia a mixture of reserved and lively, of static and dynamic. The font is reminiscent of advertisement typefaces popular in the 1950s and extremely versatile, suitable for short texts in small point size or headlines on posters.

Alf Becker was a talented sign writer and a prolific contributor of unique alphabets to Signs of the Times magazine. More than one hundred of his designs were showcased in monthly installments with each new issue of the publication. One in particular is a casual, free form sans serif design which has been recreated digitally as Casual Signage JNL, and is available in both regular and oblique versions. Thanks to Tod Swormstedt of ST Publications for providing the reference material for this font.

Heavy techno music, a personal computer, a font creation program and some inspiration had been the sources to the Face 2 Face font series. Alessio Leonardi and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. The Provinciali letters look like they would be reversed in the spotlight."

Lovina Script is our first font in 2019 and has a handwritten script style with a touch of natural rough from the shape of the brush. For Scripts, Lovina fonts have 2 choices namely "Lovina 1" and "Lovina 2" and in this font script there are many alternative choices of characters from Swash Lowercase, SS01 to SS06. Lovina Script is very worthy of being the newest collection in 2019 as a project design creation, social media quote, badges, logotype, fashion design etc.

vastra is a slim, futuristic, bauhaus inspired typeface. It has plenty of those pesky foreign glyphs and various alternates of the standard alphabet. It’s available in 5 different weights from light to Heavy and is complimented by 5 italicized versions of the 5 different weights too. I wanted this font to look like background set typography in a 70’s sci-fi movie. D A N G E R You can buy it in singles, pairs or the whole damn brood.

Ruber - Sans serif font family - Multilingual - 12 Styles You can easily use the sans serif font feature in many areas. You can compose your text with regular characters, highlight heavy characters and titles. Functional in many sizes and environments. If you are looking for a modern - geometric and sans serif style that can be effective in branding, you can easily use this font. It is also assertive about being a highly readable font with different weights. Have a good time.

High Peak is proud to present Rondoy, a clean, readable yet distinctive sans-serif typeface. The Rondoy family comes in six weights and matching italics for a total of 12 styles to unleash maximum expression and creativity, ready to give you all you need to bring your project to the next level. Each glyph in this family is crafted with passion and care. Rondoy is designed to be used in any context where style, modernity and legibility is a requirement. Enjoy!

Rum Silhouette is developed as a display face within the type family »Rum« Rum Silhouette is a decorative all caps font, with uppercase letters based on Rum Soft Sans Black and a thin companion has replaced lowercase letters. It is suitable for posters and editorial design in large sizes. Includes two sets of numbers & punctuation marks that are in betweens. The complete family consists of Sans Serif & Serif in both sharp and soft version + the display fonts Rum Plakat & Rum Silhouette.

It's been said that creativity requires ten parts to perspiration to one part inspiration. But not always. According to its creator, Mira Vucko, ITC Needlescript was designed in one breath." An accomplished lettering artist, Vucko was sketching letters one afternoon. "I was using a calligraphy nib and was drawing the alphabet without much thought," she recalls. "When I allowed the down strokes of a couple of letters to fall below the baseline, I realized that I had created the impression of movement. I kept drawing letters in this fashion and did the same with horizontal lines. I added a firm ending to the descenders. Instead of dots above the 'i' and 'j,' I placed strokes in the opposite direction." In this way, the first characters that were to become ITC Needlescript emerged. The finished design is a lively, distinctive alphabet that produces a striking texture on the page. Letters intertwine and overlap to create a sense of movement and graphic intensity, especially when reversed out of a dark background. Vucko lives, works and was educated in Zagreb, Croatia. She lived in France and Sweden while in her twenties, but then returned to Croatia to work as a graphic designer for the country's largest newspaper. It was here that her passion for type and typography was born. Vucko has since gone on to become one of Croatia's leading graphic designers, and has won many awards for her advertising and packaging design. Vucko recommends that ITC Needlescript be used for "titling, lively but 'thorny' content, and anywhere that a little typographic drama is called for.""

Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Eclectotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese. Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing. *I looked at a few fonts and drew some lazy conclusions.

Collette was named in honor of an art deco font called "Independent" designed in the 1930s by Collette and Dufour. Collette is influenced by the design of the original font, however, there are substantial differences: instead of small caps, a true lower case was created, the upper case character proportions and shapes have been greatly modified, and all missing characters have been created to make a truly modern font which nevertheless has all of the panache of the original. It is best used to create a retro feel and in headings, subheads and in short passages of text.

This all caps display font is defined by its close spacing and thick serifs for a distinct appearance. Inspiration came from old movies set in the Wild West. The characters are tall in stature so works well in spots with limited space. Use Durango Western for a wanted poster, social media, or team logo. Basic/Extended Latin, European accents, punctuation, diacritics, kerning, and Cyrillic characters are included. The eroded version features varying levels of distress between the uppercase/lowercase and contains a few alternates. NOTE: Due to the level of detail in the eroded version temporary computer slowdown may occur.

Swan Song is a digitization of gorgeous free form calligraphy by British artist Rachel Yallop. It first appeared in The Calligraphy Source Book edited by Miriam Stribley (Running Press, 1986). Rooted in day to day handwriting, Swan Song is a quick and irregular artistic jolt at first impression, and surprisingly richly-textured art at second glance. Whatever these letters are used to communicate, the communicator is content, confident, humorous, strong and experienced, and the reader will be glad to receive the personal contact of such a communicator. Swan Song comes in all popular font formats, and includes plenty of built-in alternates.

Skope is an experiment in horizontal stress and also a recreation of the extreme lettering style of comic masters such as Josep Coll or Manuel Urda from his cartoons in the pages of the classic TBO (Barcelona, Spain, 1917-1998) or our contemporary favorites Francesc Capdevila -Max- and Joost Swarte. The proportions and some of the fundamental features of Skope are drawn from the features of the masthead of the magazine Triunfo (Valencia, Spain, 1946-1982). The inspiration for the numbers comes from a kitchen clock from the 70’s photographed in the distance in a second-hand shop.

"Bevel Gear" is a racing display font with multiple layers that can be used to create a three-dimensional (3D) effect in your text. Fonts like this are often used in racing-related design projects, including logos, posters, and advertisements for racing events or automotive-related content. By utilizing the multiple layers available in "Bevel Gear," you can give your text a three-dimensional appearance that adds depth and dimension to your design. This font allows you to create text that looks dynamic and is well-suited for designs in the world of motorsports and racing.

Australian typographer Harry Pears continues to explore ancient type forms while maintaining his consultancy business Typeface Research Pty. Ltd., of Lake Cathie, Australia. Born in Quirindi, Australia, Harry has had a long career in printing and graphic arts and has been the guiding force behind the creation of the Lindisfarne Nova family. Lindisfarne Nova Incised and Lindisfarne Runes are wonderful illustrative companions to the Lindisfarne Nova text fonts. In a unique partnership, Harry develops the concepts, and calligrapher Margaret Layson brings the designs to life. They both then work on the digital incarnation in a true collaboration.

Designed between italic and script styles Airco is a typeface designed between italic and script styles. The letterform finish is rounded. Designed ultra slanted (27°), the shapes evoke a fast and assertive movement. The result is a human typeface, dynamic, that will visually work well in technology and sport, without ever being dry, rigid or dehumanized. The structure of the letters is influenced by Renaissance italics, at the difference that in the case of Airco, the lowercases and capitals are visually homogeneous thanks to the giants lowercases. In fact, the default numerals can be used in capital as well lowercases settings.

Malina (raspberry) is a plump, sweet-tempered display typeface. It comes in one style that includes small caps, ligatures, and ornaments. The face “speaks” several languages. Malina works wonders in titles and bite-size text nuggets. On top of the regular set of characters, the typeface hosts with ease a duck and fox, owl and crocodile, mammoth and pig. They’re irresistible when used by one or in bunches forming patterns. The typeface is ideal for signs, posters, sweets and kids product packaging; will feel at home in fun & entertainment stuff design and as a part of playful projects.

The first development of Karsten typeface was inspired by signs on some old Dutch-buildings in Java. Then in the making, it blends with modern style. It's a synthesis between two cultures, the East & the West. The typeface was named after the Dutch architect who gave major contributions to architecture and town planning in Indonesia, Herman Thomas Karsten. It comes in nine weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. See the full presentation on Behance

Dare is a bold, single-weight titling font in capitals only. It is built from flat-pen strokes, with looping bowls and sharp, incised darts. It borrows a pinch of the hand-drawn swagger of Bauer's Cartoon (designed in 1936 by H. A. Trafton), used as Dan Dare's signature logo in the British boy's comic Eagle, and also the upward-pointing serifs of machine-moderne typefaces such as Dynamo (designed by K. Sommer for Ludwig & Mayer in 1930). Suitable for book covers, magazines, branding, packaging – any place where an impactful, contemporary statement is required, but still with an undertone of 20th century tradition.

Regia Sans is a typeface that was designed in 2008 in Concepción, Chile, and was first released for sale by Latinotype. It is a very thin and condensed font with a modular design, well-suited for short texts, logos, magazines, posters, etc. This new version includes more than 1,300 characters in Opentype format, many ligatures (including diacritical marks and numbers), two groups of alternate characters, and some swash characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren. Designed in 2010 by Luciano Vergara.

The Mramor family first appeared in the Stormtype catalogue in 1994. The first sketch arose in 1988 through the narrowing of Roman capitals. It has uniform width proportions and, above all, original lower-case letters, unprecedented with Roman Capitals. The text designs are discontinued since they were replaced by the related Amor Serif family (along with its -sans version). Now, Mramor has “only” 10 designs that each include true small caps, Cyrillics and a rich variety of figures, ligatures and alternates. Mramor excels in corporate identity or bottle-label design, also whenever there is a need for a “classic” looking face.

Sheet music at the beginning of the 20th Century reflects both the musical and artistic tastes of the times in often colorful ways. It seemed to be a favorite thing amongst songwriters of that era to come up with very wordy song titles. The cover of the sheet music for 1907’s “Every Little Bit Added to What You’ve Got Makes Just A Little Bit More” checks in at fourteen words, but the hand lettered title (done in an Art Nouveau style) made it worthy of transposition into a digital type face. Nouveau Years JNL is available in both regular and oblique versions.

A title is something strong. Something that leaves its mark through time, in the memories and in the hearts. A title tells things about the content, its purpose, its meaning, its point. For your needs in strong titlecase letters comes Anthracite. Looking almost like they were carved out of raw wood in the 1820s, the letters of Anthracite will not only imprint well but they will also impress. Its carving gives a feeling of relief, or shades, of textures that will be unique every time you use it. The perfect font if you want to stand out and be read.

The hand lettered cast and production credits for the 1942 music comedy “Holiday Inn” (starring Bing Crosby and Fred Astaire) inspired Vacation Resort JNL, which is available in both regular and oblique versions.

The typeface was designed for ParaType in 1999 by Oleg Karpinsky basing on his Dublon typeface (1994). A decorative face in Op-Art style with slab serifs. For use in advertising and display typography.

Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.

Mindline Script is a unique blend of classic modern calligraphy font with contemporary, sophisticated accents. It is perfect for wedding, event, invitation, escort card, table number, header menus, display, logos, slider blog, custom address, stamps, packaging, greeting card, etc. Mindline Script comes with a complete set of standard characters, eastern diacritic symbols, consist 505 glyphs in total. The alternative characters were divided into several OpenType features such as Ligature and Stylistic Sets. You can create an attractive message by using the alternate characters in your design. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. This font support Latin Pro accent letters of Central Europa, Western (À Â Æ È Ë ã ä æ è...) Thanks and have a wonderful day!

Smooth and shapely without a trace of fat. A seductively handsome devil without the attitude. This typeface wears a tie at the office, but keeps a pair of sneakers and a beach volleyball in the car. Ely Rounded is a family of four weights plus matching italics (with more on the way). Each weight includes extended language support for European, Cyrillic and Greek. OpenType features include fractions, tabular and proportional figures plus a few ligatures thrown in for good measure. This is a typeface that works well from text sizes to billboards, and is equally at home in print or on the web. Future updates of purchased fonts are, of course, free. Buy the full set and receive yet-to-be-released weights at no charge — even as the price of that growing full package increases.

Say hello to Viennese Waffles!! :) A nice, wobbly, playful pencil font with a handwritten inscription-with a fine texture built right into it!! Great for outstanding quotes, playful branding, children's books, fancy greeting cards, cooking recipes, menu design and more! Font Features A-Z; character set a-z; 1 language (English); numbers and punctuation marks, symbols A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love and magic ♡ Thank you for checking it out and feel free to send me a message if you have any questions! ~ Anastasia