Postal JNL lets you print out initials, words or phrases emulating postage stamps. Although there's a limited character set, it can be used along with Printing Set JNL to match any additional word copy.

The Art Deco design of Riverside JNL was based on the hand lettered title found on the 1932 sheet music for "By the River Sainte Marie", and is available in both regular and oblique versions.

Zera JNL is one of those fonts that defy any simple description. While trying out effects on Transactive JNL, Jeff Levine came up with a set of letters comprised of intersecting rings that could illustrate chain, cellular structure, bubbles or probably anything your imagination can come up with to adapt the font to a particular project. Please keep in mind this design works best in larger point sizes.

Presentation JNL is built on the letterforms of Gilbert JNL (which in turn was modeled after Eric Gill's classic sanserif design).

Frankly Plain JNL is an all-caps version of the ever-popular Franklin Gothic, while Frankly Ornate JNL adds a decorative embellishment to the letters and numbers.

Stylette JNL is a new treatment for Jeff Levine's popular Stylor JNL. In this instance, a heavier stroke was applied to the left side of each character, giving an Art Deco touch to the original monoline design.

A little funky, a little fun and thoroughly unusual - this is the best way to describe Yargo JNL. This novelty font is best used in short phrases and at large point sizes. No kerning has been added so the letters can retain their hand-made look and feel.

Showpiece JNL was redrawn from the hand lettering for the name and address of a music publisher found on some 1930s-era sheet music. The lettering style has features influenced a bit by both the end of the Art Nouveau period and the beginning of the Art Deco movement.

Rookie JNL is derived from the lettering style found in Directory Board JNL, but with serifs added.

Erratic JNL earns its name from the varying widths and shapes of the hand lettering found on some old Art-Deco era sheet music. Following this unusual pattern throughout the complete typeface, the user finds a mix of traditional Deco type design and an overly wide M, N, W and 8.

In the city of Millbrae (just South of San Francisco in San Mateo County, California) stands an office building which formerly housed the Millbrae Theater. California has the distinction of preserving artifacts of its past, unlike many other portions of the US, and the perpendicular "Millbrae" sign with its neon tubes and Art Deco lettering is still attached to the renovated structure. Gene Gable (a friend of type designer Jeff Levine) took a photo of the sign and sent it along as simply an image of great lettering of the past to enjoy, but it triggered the inspiration to create the namesake font Millbrae JNL.

Newsprint JNL has its origins in an online auction image of wood type. Only the lower case a-z were shown and the type design included an extra-wide 'g' and 's'. Expanding on this idea but narrowing the 's' a bit, Jeff Levine created a capitals set and all of the necessary additional characters - even adding a generous selection of accented characters not usually found in his display fonts. Regular, oblique, narrow, narrow oblique, wide and wide oblique versions are available. All styles offer crisp, clean lettering for headlines, window signage and other display text applications.

Rancher JNL was inspired by classic wood type. This wide, slab serif typeface is reminiscent of wanted posters, broadsides and other printed matter from the 1800s.

Ramshackle JNL was modeled from a 1940s lettering stencil and takes its place amongst the many vintage stencil font designs redrawn by Jeff Levine.

The fun, lighthearted appeal of Toddler JNL will bring out the inner child in you. Perfect for any layout or project that has to do with newborns, toddlers, preschool, playtime or anything related to little ones. There's a fairly complete character set - and two different width blank boxes on the brace keys - which can be used as spaces between words.

The term "podunk" usually refers to a small, insignificant town. In this case, Podunk JNL refers to a bold and brash font that resembles cut-paper characters.

Pavement JNL is Jeff Levine's version of the extra-condensed lettering used on roadway information signs as revised by the U.S. Government in 2000. A companion font to this style is Endless Journey JNL.

Maplehurst JNL is an original design by Jeff Levine with a strong Art Deco influence.

Shadowland JNL is a simple titling font with a limited character set. Comprised of just A-Z with basic punctuation, the design is based on a set of wood type of a more modern era. The outer lines are crisp and sharp, while the interior letters have rounded ends.

The May 7, 1936 issue of “The Film Daily” carried an ad for the Will Rogers Memorial Hospital Fund. (In August of 1935 Rogers, along with famed aviator Wiley Post died in a plane crash.) While the fundraising for the hospital was a serious event, Rogers is remembered as a humorist, hence the font’s name of Humorist JNL.

Kanona JNL is modeled from one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Thanks to a wealth of source material provided by Tod Swormstedt of ST Media (and who is also the curator of the American Sign Museum in Cincinnati, Ohio), Jeff Levine has been redrawing many of these alphabets and presenting them in digital form. The original variations in letter widths from Becker’s hand-painted alphabet have been left intact.

From the backlots of Hollywood to a computer near you! Quiet on the set... Huntington JNL is a bold sans serif font inspired by titles preceeding the opening of the film classic "Casablanca". Art Deco meets Film Noir...

Airliner JNL is based on hand-lettering found on a promotional postcard for Kitty Davis' Airliner - a popular Miami Beach night spot of the 1940s. All of the usual things that make hand-lettering endearing can be found in the letter shapes of this font.

Bushwick JNL and Bushwick Oblique JNL are modeled from a wood type sanserif that has a strong resemblance to Franklin Gothic, yet keeps its own distinct personality.

The good old days of rock and roll... Kids hanging out under the streetlights singing four-part harmony... Relive those days with Doowop JNL - a fun and playful font with a decidely 50s flair!

A late-19th Century song book entitled "Gems of Scotland - A Beautiful Collection of Scottish Songs" had the words "Gems of Scotland" hand lettered in an ornate, condensed type style now reproduced digitally as Gemstone JNL.

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

Showgirl JNL was inspired by a photo of a 1940s-era Minsky's Burlesque theater. The neon letters on the marquee spelling out the word 'burlesque' exuded a wonderful period look.

A "tunesmith" is one so nicknamed because the person or persons craft (compose) a song from scratch. When the area of Broadway known as Tin Pan Alley was in its heyday, every music publisher's office would have sounds emanating from the various cubicles of men and women trying for the next big hit. Sheet music was the main source of songwriter's royalties during those days, and to please the general public with a song destined to be a popular piece was a lofty goal. It's then only fitting that the lettering inspired by a 1920s-era piece of sheet music for a song called "Jerry" would be named Tunesmith JNL.

With virtually no characters containing negative space to kern, Mainline JNL is an experimental typeface with a monospaced, fixed width design, utilizing a retro-techno-1980s look for a clean headline feel.

Hectonoid JNL is a more radical version of Oblogram JNL, with a jumbled alphabet and heavier stroke weights. Both fonts are derived from Jeff Levine's Yorso Square JNL.

Utica JNL takes the basic components of Boat Decals JNL and reworks the characters into a bold, block font with thick-and-thin line variations.

Proofreader JNL and its companion oblique version give a serif treatment to the rounded-end, architectural -style lettering of Rendering JNL.

Afterglow JNL is another variation of Jeff Levine's wood type font Twelve Oaks JNL; this time with an array of sparkling stars.

Inspired by a bold serif typeface used popularly in the 1960s, Reprint JNL is perfectly adept for handling any titling needs and will get the point across in short order.

Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.

Although wood types were at their peak of use during the letterpress era of the late 19th and early 20th centuries, there is a growing revival movement of "boutique" print shops who have embraced the look and texture of this form of printing. More modern in design that many of its counterparts, Pleasantwood JNL is still a nice addition to the wood type library re-drawn digitally by Jeff Levine Fonts.

Paramilitary JNL from Jeff Levine was modeled after a set of brass interlocking stencils and offers another choice in digital stencil typeface design.

A rubber stamp printing set from the 1930s (or possibly earlier) was the model for Winery JNL. Containing a pleasant serif font, it also provided a few little touches unusual for such toy sets of the time. The horizontal crossbar of the H has a diamond embellishment, as does the horizontal stroke of the number 3. Additionally, the lower right tail of the G curves away from the letter and the Q has a spiral tail. Re-drawn from scans of the original stamp impressions, this typeface is available in both regular and oblique versions.

Scandals JNL is free-form hand lettering with an Art Nouveau influence showing up on a 1928 piece of sheet music for the song "American Tune", and is based on the cover text noting the song was from the popular (9th Edition) of George White's Scandals; a Broadway musical-variety show. Available in both regular and oblique versions.