Introducing the newest product, Griston font, this font is perfect for creating signature logos and watermarks for photography studios or photography logos, best for initial logos or brand signatures. Made with elegant, professional and unique taste, You can try it first by typing what you want below made simple but has a very luxurious feel, this font has a lowercase alternative that is very similar to handwriting using a pen so it is suitable for signatures, logos, watermarks and more. again. can create custom personalized signatures, create custom logos, so this awesome signature is for all. maybe next time I will make an italic or slant version if this font is in great demand and can help with many things you want for signatures, logo branding, or watermarks. If you have any questions about the latest fonts, please send a short message thank you

This beautiful writing, which belongs to the Greek culture, is in a good place among the world writing cultures. I wouldn't have done it if I didn't make the font in this article. Dozens of beautiful fonts all have the same elegant lines.

This typeface got its name from "anyar", which means "new/modern" in local Indonesian (Javanese). Just like it's name, this typeface gives a modern and simple look. Anjara's medium contrast makes it easily stand out in any compositions, especially it's bold version.

In 1960 Ludwig & Mayer released this Matheis design which was completely redrawn, digitized and extended for most main European languages, West and East. To take advantage of all ligatures in this font, I recommend to activate both OT features, standard and discretionary ligatures.

Restrick is a strong display font. uses curved corners for flexible use on a variety of media displays. This font is very suitable for use as a headline in a newspaper, poster, or magazine. This font is available in regular and italic format.

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing, really.

670 Characters in this tiny font. It's small, it's clean and there are no gimmicks. This is as simple as a bitmap font gets.

Middle Thread is a Script Font with a retro style. Soft curves are combined with high-contrast glyphs, conveying an attractive retro and vintage quality. This font consists of 4 Middle Thread Fonts Regular, Extrude, Swash and Swash Extrude, with many unique ligatures and alternatives provided. Great in layout design for quotes or body copy, best used as a display for posters, headings, logos, branding, magazines, product packaging, and a wide variety of things. Mix Regular and Swash to create a unique and very beautiful look, especially when you add the Extrude feature of the font, it really adds uniqueness and interest by looking even more amazing. What do you get: Middle Three Regular, Swash, Extrude and Swash Extrude OTF, this font is accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, it even works in Microsoft Word. Fully Encoded Characters are accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. (www.vecteezy.com) Feel free to follow, like and share. thank you very much for checking my store!

The font has a truly futuristic nature. It perfectly conveys the atmosphere of technology and futurism and it's the best choice for sci-fi and hi-tech topics and pictures. The font letters are unrounded, it's build is very simple and straight. The font includes 7 styles: thin, extra light, light, regular, medium, bold, and black. With the variety of font widths, there is the ability to make different combinations in graphic or web design projects as well. Carefully kerned letters look well in paragraphs and titles. Special attention to uppercase headings. The font counts 477 glyphs for each style. The thin style is free to use.

This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities. FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen. This FontFont is a member of the FF DIN super family, which also includes FF DIN.

Fieasto is a modern serif typeface with many styles. High contrast version of the famous Didot display that has been synonymous with fashion for decades. This font has more than 378 glyphs with multilingual letters included. Based on modern serif fonts but by rethinking the height of lowercase letters to make this font look more fun, this font is modern and nostalgic and works great for logos, mastheads, and quotations. It's a beautiful pair with minimal serifs or lightweight script fonts. Includes: - Uppercase and lowercase letters are full - Numbers, Punctuation, Multilingual Accents - Alternates Glyphs We really hope you enjoy and are interested in our offer. If you want to upgrade or need a license or ask questions, you can send me a message and you can immediately start your service doratypefoundry@gmail.com. Thank You

The best things in life begin with a B. Bikes, Burgers, Beers, Babes. The B Complex font is a picture font by illustrator Adam Turman that shows his drawings of some of the things he draws best.

'Meeeeoooow'! Seventies is another of my 'funkadelic' attempts (1) to fill the existing gap of seventyish looking fonts. In my opinion, that decade has a hidden treasure regarding type that remains unexplored: Only very few fonts rescue its 'groovy' essence, its ‘colourful’ qualities. But, don't have a cow man , and keep on truckin! With Seventies, my new foxy mama , your projects will stand out among the rest. Since there’s not much information available about this kind of lettering I had to get ideas from other styles: Nowadays it’s easy to find all kind of books or guides to understand and practice how different styles of calligraphy and lettering should be done. However, for some reason, 60s and 70s letters seemed to ignore/be free of rules... Was this suggesting the birth of postmodernism? I incorporated some ideas of the copperplate style of calligraphy: The ductus of its forms may be compared to the way letters are made in snell/engrosser’s script. Obviously, this is just the idea behind; the delicacy of thins is replaced here with the graceful imprint of really thick thicks with a brushy look and tons of good vibe . Seventies will work awesome in posters, brands, magazines, book-covers of any kind, due to its modern look adapted to our century. Well, catch you on the flip~side ! STYLES To make you more psyched , Seventies is a layered font! See examples in the posters using Seventies Shade, Seventies Shine and Seventies Printed. NOTES (1) My first one was with Beatle in 2014.

Any prototype you can imagine, Skolar Sans can materialise. This industrious type family is more than just a versatile partner for our award-winning Skolar collection: it is a true sans-serif type system envisioned for the age of responsive design. We developed Skolar Sans to accommodate contemporary typographers and the challenges they confront: an ever-changing spectrum of outputs and devices, in which serious typography can get lost. Skolar Sans is engineered to cope with complex editorial texts and data-rich layouts alike. Its construction is designed for easy reading, and its subtle personal style and a touch of flourish. From gently thin to black, the finely-tuned weight variants will fit any composition from wide-screen dashboards to compact mobile editorial designs. Its four subtly graded width variants allow you to fit any page context with comfort. The 72 styles; 36 weight and width variants in uprights and true italics with ligatures, arrows, scientific figure variants, and fleurons. The two variable fonts (one for uprights and one for the italics) allow user precise navigation of the Skolar Sans design space and streamline delivery. The linguistic scope of Skolar Sans PE is an exact match to Skolar PE: Latin, Cyrillic, and Greek (including polytonic) scripts and support for hundreds of languages and transliterations.

Your font choice is important because without the right font, you have a higher risk of failure to attract the audience's attention resulting in having a big trouble competing with competitors. A good font shows characters of your projects and makes them more prominent than the others. Therefore, Fresh Lemons is here to be the perfect, eye-catching font option. Fresh Lemons is a visually amazing display font with thin lines suitably applied for a more elegant, modern looking display. In addition, such a font shows professional, high quality nuances on your designs due to the simple forms and consistent proportions to be legible enough. You will receive a clipart as a bonus and you can also enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Fresh Lemons fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Another very squarish and futuristic font from Brian Kent. This time I've kept the very thin style of the diacritics, but I have redesigned the A and H (and a couple of other letters and glyphs ;) - mostly to give them a little more "meat". And then added the usual plethora of accented letters for our unique language support, of course. Result! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Thalweg Poetica is a revival font that comes with a story created in 1993 by the Bulgarian artist Ivan Kyosev. It is a sequel to the Thalweg font family completed in 2020. The construction of characters combines the upright character of the Thalweg font and the handwritten character of Thalweg Italic. The font partners perfectly with the Talweg font family and gives designers a new opportunity for expression. Thalweg Poetica contains 4 widths / Normal, Semi Condensed, Condensed & Extra Condensed / and 8 weights ranging from Thin to Black with small caps versions, each style containing more than 1100 glyphs. The font comes with extended coverage of the Latin, Cyrillic, and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols, and fraction. The Thalweg Poetica family is ideally suited for small text, books and magazines, branding, posters, as well as web and screen design, headlines, and more. The Regular and Medium weights are perfect for body text and they give an interesting texture to the text. The range of styles gives good flexibility to this family.

Gonzi is a geometric sans-serif typeface in 30 styles. Its circular lowercase letters and large, expressive capitals combine to create a modern, clean typesetting with a distinct personality; all the while keeping accessible and legible. Gonzi consists of five weights, each one as narrow, medium and wide: Thin, Light, Regular, Bold, Black Condensed, Medium, Extended Each one of font styles is also provided as Italic, totalling 30 high-quality styles. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Quickly Freehand is a sans serif font in a casual handwriting style, this is an alternative font for when you get bored with the formal atmosphere. Comes with two versions, regular and italic, to complement your design needs. You can use this font for product labels, taglines, children's craft, prints on t-shirts, paper bags, headlines, cheerful quotes and even long text writing. This font can be used in various graphics software, even in Microsoft Word. Supports 27 languages allowing Quickly Freehand to be used in the wider world.

Some words from the designer... Like long legs walking a runway in stiletto heels, ITC Cherie is both sophisticated and feminine. West coast designer Teri Kahan developed this art nouveau-style font into two distinct all capital alphabets – one with a “high waist”, placed in the capital position, and the other a “low-waist,” placed in the lower case position. They work separately or together, and this dual nature gives a designer the ability to make subtle changes in a logo or line of text. Additional flourished letters round out this versatile headline font.

It is reasonable to assume that a majority of people interested in typography will attempt some variation on the blackletter theme at some time or another. However, there seems to be a paucity of open-faced designs in this style and, having played around with a few thoughts, eventually I came up with RM Whiteletter. Light in appearance but classical in design, this clean looking open-face font provides a good counterpoint to more traditional blackletter designs. This font includes both the full Latin-1 Supplement & Latin Extended-A sets.

Hand lettering isn’t a perfect art form, and this is why it often has an appeal over formal typesetting. Individual interpretation can lead to variations in style, character shape and overall design concept. Case in point: The hand-drawn title for the1933 sheet music “Why Can’t This Night Go on Forever” is a simple Art Deco sans, however it mixes character widths and even angles the letter ‘C’ in a nonconventional way. Deco Design JNL is the digital version of this alphabet, which is available in both regular and oblique versions.

Introducing, Crusthy modern handwriting with signature style and brush texture. This font comes with textured handwriting font so natural and this font looks authentic but still readable and incredibly versatile. This font will look outstanding in any occasion design concept, whether it’s being used on colorful backgrounds or as a stand as a headline in a minimalist background! Crushty has multi-language support, swashes, alternate and ligature dan you can apply it in OpenType mode in adobe photoshop or adobe illustrator. Please enjoy the Crushty Font which makes some stunning designs.

Sambal Pedas is a handwritten font with a dry brush texture. This texture is very detailed. This font looks rough and will be great in any design. It is very recommended to use in crafts, posters, books, branding, quotes, print templates, packaging, invitations, music labels, product label, logo, shirt, magazine or anything else. This typeface comes in uppercase and lowercase, with punctuation, symbols, numerals, swashes and also has multilingual support. Swashes is alternate from numeral 0 - 9, You can access swashes from your OpenType panel in your design software. Enjoy !

Oishigo is a freeform handwritten font, it has a tail that goes up and down randomly which makes this font look different and beautiful. This font has many different ligatures, more than 50 ligatures and additional alternates and swashes Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic alternate, Ss01, Ss02 50+ igature, Swashes, Multilanguage

Our Stories is a cute bubbly monoline font. The anatomy of each letter is playful, making this font look cute bubbly and clean. Our Stories has a fun taste with a cute and bubbly impression. This font is perfect for making quotes, T-shirts, mugs, or just annotating photos, and many other things.

Combine, designed by Carlos Fabian Camargo G, is powerful and attractive, multi-layered chromatic type family that consists of 12 fonts, typographically grouped in two logics: “Script and Caps”, so that they could be colored separately or in group. Both designed with contrasting optical techniques and combinable at the same time. The unforgettable central idea of Combine was inspired by unique types of speedball letters designed by ancient artists in Canadian posters of shows and fairs in 1930. This is why its Typographical tools work independently or in group, resulting in highly polished designs that need fonts with coupled effusiveness. Their combined resources offer guaranteed distinguishing letters with shadow effects and worn, in order to help enhance their expressiveness. Combine is excellent in any project on paper or screen as it has more than 2100 glyphs and features of OpenType distributed strategically in fonts easy to use. SEE BELOW THE MAIN ADVANTAGES: • Combine Script & Shadow: It offers incredible case sensitive fluency and eloquence drawn with vertical cursive letters with ornamental non-stop excitement and complementation. It also has a variety of significant upward and downward, alternative strokes combined with its vintage ties that also give authenticity to their designs. • Combine Caps 1,2,3 & Shadow1,2: Guarantees you a colorful horizontal area of narrow case with 2 types of shadows, sound and other shade with diagonal stripes. Its geometric uniformity gives a friendly, open and subtle character by Typographic and special resources and visual properties coloring layers separately or in groups. In addition, its 2 layers of skeletal illuminations, adding internal lines and simultaneously contributing to play perfect confrontation and contrast with their geometric ideas and aesthetics for special attention. • Combine Words & Shadow: It can be used to design a perfect tone in each one of the 50 slogans written diagonally, making a brilliant feeling suggestive seductive style. Compatibility and flexibility works by monoline thin cursive strokes ideal for featured items with and without shade. Combine was selected at the Bienal Tipos Latinos 2016

Leo is an economic magazine and book face meant for use in sizes suitable for immersive reading, with different cuts optimized for different body copy size ranges, like footnotes and legal text. Designed with the explicit intent of relaying information without calling attention to itself, this typeface places itself squarely on the "function" side of the eternal debate about form versus content. The roman Leo fonts were built with as little ornamentation as possible, with wedge serifs, a high x-height and a skeleton somehwat rooted in the designers' reflections on the modern, post-war Dutch archetype. Rather than follow traditional models with entirely different forms, contracted widths and steep slants, the Leo italics deliver naturally subtle emphasis in reading by closely relating to the forms, stance and rhythm of their roman counterparts. The 12 Leo fonts contain over 700 glyphs each, and include support for the vast majority of Latin languages. Included OpenType features are built-in small caps, lining and oldstyle figures in both proportional and tabular sets, superiors, numerators, denominators inferiors, ordinals, automatic fractions, ligatures, and optional long descenders for optimal counterspace management in book and magazine text layout. For more information on Leo's character set, features and some print tests, please consult the PDF in the gallery section of this page.

The font "Lugo" is a heavy typeface designed for use in headlines and caption text. Their design has a strong visual impact, a persuasive and seductive personality throughout its organic shapes. This is a versatile and expressive font. Lugo can create an appealing atmosphere, conveying a gamut of message and emotions. It is well suited in the jobbing areas like packaging, logotypes, magazines, web pages and advertising, etc. Lugo has all the advantages of OpenType features that allow a variety of combinations: You may choose to set types in connected or unconnected ways, being used as body text or headlines for its good legibility, visual impact and accurate kerning. It has more than thousand glyphs: swashes, standard and discretional ligatures, stylistics and contextual alternates, old style numerals, word ending and tails. It has also an extended character set to support Central and Eastern European as well as Western European languages. Lugo is a city in northwestern Spain in the autonomous community of Galicia. The Celtic name Lug suggests that it may have been a sacred site. Augustus founded the Roman town of Lucus Augusti in 15-13 BCE following the pacification of this region. It is the only city in the world to be surrounded by completely intact Roman walls.

Machin is a French word meaning 'thing'. Apparently, it is also a species of macaque from the Philippines, but I named this font after the French word! Machin is based on a really old font I made back in the day. It was called Whynot and (because I didn't know a thing about making fonts at the time) I could not get it to work properly, so it had its 15 minutes of fame before it was pulled off of the internet. Machin was made using the recycled glyphs from Whynot and it does work. It comes with extensive language support (yes, Vietnamese and Sami too), some handy ligatures and a lot of scribbly panache.

Brillo Typeface stems from the effort of combining the modern look of a grotesque sans serif font with the elegance of the calligraphic copperplate's swashes. The result is a typeface that is perfectly suitable for modern graphic applications, such as publishing, branding and web, but which has some ornamental features that differentiate it from all the other grotesque families. Brillo doesn't want to be a neutral typeface. It's a font with a strong personality, which can give outstanding aesthetic and conceptual relevance to the graphic projects which will be used in. Brillo is a typeface thought for titling rather than for texts. For this reason it works better with character sizes bigger than 16 points.

One More Typewriter font is a monospaced typewriter font in two styles: Regular and Italic, and two weights: Regular and Bold. This makes it versatile and ready to use in modern and vintage designs alike. This font is also very legible at a wide range of sizes and looks great in both long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc.

Introducing "Rainbow Symphony" is a cute and unique type of handwritten font, made with hand strokes to produce a unique and cute font shape, this font style is thick and thin so it adds a natural and aesthetic impression. This font is very suitable for design needs such as Branding, Logotype, Magazine, Quotes, Wedding Invitations, and many others, please try it yourself and perfect your design with the Rainbow Symphony font. If you have any questions, don't hesitate to contact us.

Heroic Trouble is a Modern Handwritten Script Font. Heroic Trouble is a modern handwritten script font. Heroic Trouble Monoline is a thin-lettered and refined script font that emanates sophistication and elegance. Its stylish alternates and ligatures make this font the perfect match for any project. You can use this feminine font for clothes, fashion, magazines, wedding invitations, and cards. Heroic Trouble also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

This squared font is designed to look robotic in style.

Sisters is a lively set of stencil display typefaces designed by Type-Ø-Tones’ co-founder Laura Meseguer. The family features four fresh fonts that share foundational principles of construction yet complement each other—as sisters do—by celebrating their differences. Variations in contrast, weight, and design characteristics result in four distinct styles dubbed One through Four. This cool quartet contains no lowercase, asserting the family’s rightful place in the titling typography space. Like many Type-Ø-Tones typefaces, Sisters was conceived as a custom lettering project—in this case, the design was crafted for the identity of an art exhibition. Laura initially drew only the limited character set the show required, but from the outset, she saw great potential for a fully developed type family based on her lettering concept. The first member of Laura’s new family was, naturally, Sisters One. She later added contrast to produce Sisters Two, then equalized the weight of Sisters Two to create Sisters Three. To round out the group, Laura added a deco touch to Sisters Two, resulting in the festive but retro-elegant Sisters Four. Each Sister shares DNA with the other members of the family, just as human siblings do :). Credit for the Sisters name goes to Eider Corral and we couldn’t imagine a more fitting moniker for this little family.

This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one... But Paulo, we have all those already, why would we want to add PG Gothique to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 fonts that cover pretty much every style you could ever need, and if you do require more, this family is available as a single variable font that covers all the weights and widths in between. PG Gothique is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This type family has a style that will suit the purpose. There are 99 fonts in this family, ranging from Thin to Ultra weights across six widths in both roman and italic*. Activate Stylistic Set 1 and you will get the alternate slab serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique has an extensive character set that covers every Latin European language. If you would prefer PG Gothique as a single variable font, please choose PG Gothique Variable. Test drive PG Gothique today – both the Regular and Italic fonts are offered as a free download. See full details and hi-res examples at https://paulogoode.com/pg-gothique Key features: 9 Weights 6 Widths 99 Fonts Small Caps Old Style Figures European Language Support (Latin) 600+ Glyphs per font *Compressed weights do not include italics.

Sixpak is rooted in the concept of creating a font in which each individual character is composed of no more than six squares with rounded corners, to resemble enlarged pixels.

Craw Modern was designed by Freeman Craw in 1958 and first released by The American Typefounders Company, (ATF). In typography, 'Modern' is a style of typeface (classification) developed in the late 18th century that continued through much of the 19th century. Characterized by high contrast between thick and thin strokes and flat serifs. Bodoni is among the most popular of the Moderns. Moderns are also known as Didone and New Antiqua.