Inspired by the beauty of the sunset, the paradiso font is made with attention to the beauty of the harmonious letterforms and the height of the ascender is made higher and the width of each letter is made in a extra condensed style making this font look authentic and has the characteristics of deep beauty, this font is a Display category font which is suitable for use in designs such as billboards, logos, posters, and others.

This font owes its inspiration to the Bauhaus, the celebrated 1920s design collective which more or less invented modernism as we know it in the applied arts: from architecture and industrial design to graphics and typography. In its day, Bauhaus typography would have been considered brutally modern. Nowadays, when unadorned sans serifs are commonplace, it still has a freshness and quirkiness that sets it apart. With this new release I've tried to recapture the zeitgeist of those pioneering days.

This crisp and constructed Ludwig Wagner, Leipzig, blackletter font in textura style had been originally designed by Berthold Wolpe. Freshly redrawn and redesigned, it adds now to the treasure trove of historic typefaces. This font contains a bunch of useful ligatures, and it is recommended to activate Discretionary Ligatures too. By typing 'N', 'o' and period plus activating Ordinals you get an oldstyle numbersign. As usual in my blackletter fonts, the # key is occupied by the 'round' s.

The inspiration source for Diamas Monogram is a vintage publication called “Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series”. This wonderful design is representative of the diamond shape monograms that dominated monogramming at the time. This monogram style is now digitally recreated and revived for modern use in Diamas Monogram, with two letter monograms and a selection of additional frame styles for a final classy touch! A PDF guidebook for MFC Diamas Monogram is included in the font package.

Conseration is a condensed font family. This family has 5 styles: Light, Regular, Medium, Semi Bold, and Bold. You can use it according to your needs. Luxury, classy yet still looks fun and playful in the same time. This font is perfectly made to be applied especially in logos and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels or any type of advertising purpose.

This family was created inspired from the two sets of rough initials fonts used by the famous William Caxton in Westminster (GB) in the late 1400’s. As it was normal for the time, there were not any differences between I and J, U and V. It is not a mistake. We have reconstructed the few other missing characters. This font was conceived as a supplement for our 1479 Caxton but may be used with all our Blackletters fonts.

RTCO Preizton Font made based on the concept of vintage style graphic design. inspired by the matchbooks & advertising in the 60-80s era. There are 3 types of this font, including Sans, Serif, and Script. Sans font has an opentype ligature feature that makes the font dynamic, while in the Script font there are alternatives that make it look better. This font is suitable for graphic designs such as logotypes, merchandise, printed stickers, and other branding needs.

Introducing, Billson Script Font with signature style. This font will look outstanding in any occasion design concept, whether it’s being used on colorful backgrounds or as a stand as a headline in the minimalist background! Billson has multi-language support, swashes, alternate and ligature. Please enjoy the Billson Script Font and makes some stunning designs, like name cards, posters, invitations, quotes, logos, signature logos, packaging, prints ads and this font also good for kids media branding.

Leira hand drawn typeface is drawn by hand with a thick brush, resulting in really bold characters with some shakiness in line to get that personal touch feel. This typeface will suit for headlines, logo, titles, identities, packaging, posters, cards, quotes, etc. With the uniqueness of the shapes, Leira can definitely attract attention of anyone and be an eye catching font. The bold letters and playfulness of this font makes it stand out from the crowd.

Cyrillic (and Latin) poster font is limited in composition by uppercase. Monumental, dry, ascetic. Designed for the design of posters, title pages of projects, signage, book covers, building facades. It is formed based on architectural and drawing fonts. It combines Russian traditions and modern trends. The shape of the letters varies from round wide to oblong narrow, in this contrast lies the idea of the font. At first glance, this contradictory decision finds harmony with closer acquaintance.

Volkolak is the ultimate serif-sans-grotesque tribrid, its numerous cuts will give you many options represent a typesetter's dream! Designed as one, it offers a serif, a contrasted sans serif and a grotesque style. The numerous typesetting options offered this way gives it a ton of usability and functionality in many different mediums, editorial design, books, magazines, posters, visual identity, web design... You won't find a project in which you can't use this true workhorse superfamily!

Rick Bradley - known for his Fine Hand, Bible Script, Bradley Hand and Calligraphic Ornaments - drew this font from a gravestone in Ashbourne, Derbyshire, dated 1241. The irregularity lends a special charm to this 'English dialect' version of the international Lombardic style, while the ornamental points reflect the mediaeval 'horror vacui', fear of empty spaces where the evil one might creep in with his influences. Perhaps most useful as a display font, but complete with lower case and extras.

Blackblink is a beautiful vintage calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a complete set of uppercase and lowercase letters, a wide variety of punctuation marks, numbers, and multilingual support. fonts also contain a lot ligatures and many others contain alternative Style Sets like the heart swash alternative.

Jeenull is a distinctively appealing typeface with a thick character that gives a distinct impression ideal for a variety of serious and casual applications. What are you waiting for? Get this font and enjoy the beauty of letter combinations in words that you may use in a variety of projects. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.

This typeface was created as a personal project. Inspired by places like Chattanooga and Berkley, I wanted to create a bespoke typeface family for the US Virgin Islands. I noticed that the typeface Berlin Sans was in use all over the islands, in signs, logos, even on the side of police cars. So I built this typeface from the ground up with the goal of updating an old tried-and-true font into a family with versatile potential.

This typeface was originally designed in 1930 by W.A. Dwiggins as the cover for the book American Alphabets by Paul Hollister. Only the 26 letters of the alphabet were included on the cover, so the rest of the numbers, punctuation, symbols, and accented characters have been crafted in a matching style. This strongly geometric Art Deco lettering style has been lovingly revived and is now available as an OpenType font. Over 3,300 kerning pairs are included.

Thalweg serif typeface is a project focused on the digitalization and development of the Thalweg font. The font was originally designed in 1993 by the Bulgarian artist Ivan Kyosev. In 2018 Ani Dimitrova began the revival of the Thalweg font and converted the drawings into a digital form. The existing set of characters required some necessary expansions such as the development of capital letters, alternative symbols and many other functions. Furthermore, some additional weights were developed which aimed to make the font more complete. Thalweg was completed in 2020 with 16 weights ranging from Thin to Black with extra drawn italics and small caps versions, each style containing more than 1100 glyphs. The font comes with an extended coverage of the Latin, Cyrillic and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction. The Thalweg serif typeface is a perfect choice for body text, branding design, web design, editorial design and more. Ivan Kyosev (1933-1994) was one of Bulgaria’s most famous artists whose work influenced several generations of bulgarian designers. He was born on February 5, 1933, in the city of Burgas. In 1957 he graduated in illustration at the National Academy of Art in Sofia led by Prof. Iliya Beshkov. Mr. Kyosev was a member in the management of the “Graphics and Illustration” section in the Union of Bulgarian Artists, member of the UBA board, artist in the publishing houses “September” and “World”. Together with Boris Angelushev, he worked on the layout design of the “Literary Front” newspaper. Furthermore, in 1963 - 1964 he was the main artist in the publishing house “Prosveta”. Ivan Kyosev excelled in the field of illustration, book design and library layouts in various genres (classics, children's literature, poetry, journalism, memoirs, etc.). He is also the author of many fonts.

Never let it be said that a good pun and a good font name can't work well together. The vintage sheet music for a 1920s-era song called "King Tut" (not to be confused with the novelty tune by comedian Steve Martin) presented an oddly-interesting block font which is now available in digital form as Type Uncommon JNL. The pun derives from the font's name of "Type Uncommon", which is similar in sound to King Tut's full name (which is Tutankhaten).

Insigne Splats! is a series of vectorized ink splatters that can be quickly and easily used in your artwork. There are 64 unique and useful ink splatters. These individual splats can be combined, decomposed and organized to accent your designs. Splats! works well in conjunction with some of insigne's grungier faces such as Valfieris Aged, Arendahl, Majidah or Blue Goblet. Please see the printable sample .pdf for a full preview of all the splats available and the keys they map to.

Introducing "Vagodha" a captivating retro reverse contrast script font that brings a unique and striking visual appeal to your designs. Inspired by vintage aesthetics, this font features an intriguing twist with its reverse contrast, where the thin strokes are replaced by thick ones and vice versa. The result is a font that effortlessly stands out and grabs attention. With its bold and dramatic letterforms, "Vagodha" adds a touch of retro charm and edginess to your projects. Whether you're designing logos, headlines, posters, or any creative work that calls for a standout retro style, this font will make a bold statement. Features: Uppercase and lowercase letters Alternates Letter Ligatures Multilingual, numerals, and punctuation Thank You!

Waylom is based on 19th century letters written in calligraphy. These writings had some glyphs of a height higher than the others, which together with the flowing lines, the elegant curves and the flourishes, gave it a very interesting rhythm and a lot of personality. Using this font you will achieve a very elegant, and warm style. This font is slim, feminine, friendly and sexy.
 Waylom includes a wide range of latin languages, 720 glyphs with many stylistic variations, initial forms, swashes and ligatures, which you can mix and match to achieve a more interesting effect. I separated the highest glyphs to create Waylom Pro, to which I added some very useful ornaments to improve its possibilities, with a total of 823 glyphs. 
Waylom is very versatile and is ideal for high-end logos, magazines and book covers, fashion, headlines, cards, posters, websites, and packaging.

"Welcome to the vibrant and bold world of typography!" Aprek Febux is a display typeface that adds sharpness, aggressiveness, and excitement to your projects. Aprek Febux, with its unequaled capacity to generate spectacular displays, is the ideal answer for your diverse variety of visual creations. Aprek Febux offers more than simply lovely letters. This font enables maximum versatility and creativity in every step of your design with excellent features such as ligature and alternate. You may quickly construct one-of-a-kind letter combinations to add a personal touch to your projects. We also recognize the significance of engaging with a worldwide audience. As a result, Aprek Febux supports numerous languages, guaranteeing that your communications are clearly received by everyone on the planet. Enhance your projects with the powerful visual appeal of Aprek Febux. Get this font right away and see how your every design becomes more impressive and stylish!

A brighter slab n’ sans in 18 styles Referred to as Egyptian’s in the early years of the nineteenth century, today slab serifs are primarily used in display sizes but seldom used in body text. With Mislab, Xavier Dupré has designed a brighter and more legible slab serif than most. Mislab aptly combines the strength of a slab serif with the lightness of a sans serif. Bold and thick serifs make for strong impact in display uses while performing extremely well under the most stressful body text conditions. A slight cursive feel adds spice to the text while its delicate rounded rectangular structure is naturally adapted to screen displays. The capitals have fully assumed serifs while the lowercases have more discreet versions. Notable features include sanserif endings on the lowercase a, c, e & s, inducing fluidity and enhanced readability. This highly versatile typeface brings clarity to headlines. Mislab will provide foolproof stability to your layouts. Mislab, a new design by Xavier Dupré Type Directors Club 2014 Tokyo TDC 2014 Communication Arts Typography Awards 2014 Club des directeurs artistiques, 45e palmarès Slanted: Contemporary Typefaces #25

Nazanin, originally named Haghighi, is a modern Arabic text face first produced by Linotype in 1978. Its popular design was converted into OpenType format in 2005, taking full advantage of digital technology to allow accurate positioning of diacriticals and kerning refinements. The counters and inter-character proportions of Nazanin are characteristic of Persian display lettering and typography. This is particularly true of Nazanin bold, which gives a strong image when used for display purposes. Nazanin possesses fuller, deeper characters than is normally exhibited in Arabic typography: its angled counters contributing to fluid, well-balanced, yet vibrant, letterforms. Originally designed for Farsi typesetting, Nazanin has now become popular for Arabic typesetting as well. Nazanin is available in two OpenType weights: Nazanin Light and Nazanin Bold. Both of the fonts include Latin glyphs (from Palatino Roman and Palatino Bold, respectively) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. Nazanin incorporate the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

In the 1943 Three Stooges comedy short “Higher than a Kite”, Curly reaches into a box with the label “hand grenades” painted on its side and pulls out one of the devices. The bold, squared stencil hand lettering on that prop inspired Stencil Label JNL, which is available in both regular and oblique versions.

When I created my first website, I loved using vintage sewing pattern illustrations in my designs. Thinking back on it, I wanted to create a dingbat inspired by those images and Sewing Patterns is the result. The font features ladies-fashions in silhouette form for uppercase and lowercase letters and childrens- styles for the numbers.

OldHaroldRee is a modification of PhederFrack, a calligraphic fraktur face. It keeps the lower case letters and inserts a completely different set of upper-case letters, which is in the “Old English” rather than the “Old German” or fraktur style. It comes in two weights, a bit unusual for an Old-English style typeface.

A script typeface inspired by the signature bold, we created to provide ease in completing the work as typography, logotype, poster, title, T-shirts and other creative projects. Created in 2017 with more than 300 glyphs, it's rich of alternative characters, ligature and other cool features, so it is very easy to use for it.

Let your mind wander, think about new cultures, missing links. After discovering a bamboo pen, the founder of the first digital type foundry in the northeast of Brazil proposed a set of graphic signs for a fictional civilization. Stone, established in 1999, is the only record of a mystical culture from the age of rocks.

Buratino font got its name from a title character of Russian fairy tale — a clone of Pinocchio. Initially font was cut from a log and then scanned and converted into outline format. The font contains just upper case characters. Can be used in advertising and display typography. Designer — Gennady Fridman. Released by ParaType in 2009.

Austina Capitton is our new modern, clean, and stylish monoline signature font and was created to look as a naturally handwritten as possible. Built with unique style in OpenType features, this script comes to life as if you are writing it yourself. This font is very suitable to be used to brand a product because if you write a brand name it will look like your company signature. Austina Capitton is perfect for photographers, bloggers, trademarks, magazines, fashion, logos, business cards and much more. There are two styles in this font package, they are Alt and Regular. You can use Regular style if you like the curve of the font or you can use Alt style if you like simple and minimal ones. It's highly recommended to use it in OpenType capable software - like a Coreldraw, Photoshop, Illustrator and Indesign. This font come with Uppercase, Lowercase, Numbers, Punctuation and swash. It offers Multilingual Support, works on Mac and Windows OS and is easy to install. Enjoy!

Steiner Special is a revival and expansion of an art nouveau face called Swing, originally designed by Peter Steiner in 1974. Some of the original film type letters were slightly normalized and toned down for concept consistency, though this digital version lacks none of the original face's charm and sunny disposition. This particular kind of art nouveau face is one that appeals very much to kids. Steiner Special can be used in upper-lower or all-upper, and can maintain its enthusiasm and excitement through any bending, stretching, squeezing, warping or any thinkable filter your favourite design program has. Children book covers, candy and cereal packaging, fun headlines and posters for kid events are but few of the possible uses of this font. If you're designing anything for kids, give this font a try and you won't regret it. Steiner Special comes with over 500 glyphs and support for the majority of Latin languages. A full set of ligatures in included, as are a few stylistic alternates.

Introducing Beautica - A Modern Calligraphy Font This is a handcrafted and most natural, elegant, simple yet angelic font. This beautiful font can be used for various projects and promotions. Go ahead and use it on your website, your social media branding, Pinterest banners, printed invitations, and more! Inspire your audience, clients, or guests with richness of elegance with this modern handwritten font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Okasa, our newest typeface, is now available. We present to you a quirky and contemporary typeface, which you can use to produce an optimal visual display in each of your projects and to impress all of your audience with the unique look of your project. Because everyone does not necessarily understand Japanese letters, we supply fonts with letters that can be utilized for your project. We produced this display font with a Japanese theme or an Asian font, which we designed to fulfill the needs of your Japanese-themed project. Of sure, your initiative will be understood by people all around the world. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out. Caps only fonts

Neon Bugler Squared is a soft, boxy version of Neon Bugler, which is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context-it has a certain nostalgia to it, yet it also has a slick, clean, futuristic, sci-fi look. It can even be used in a semi-grunge setting. This is a very versatile font! Digitized by John Bomparte.

Axion STN is an original design by Alex Kaczun and is a stencil interpretation of his Axion RX-14 font. It is but one of several alternate designs based on his original Axion family of fonts. The wide gap within this stencil treatment works well with and compliments the spacing in the font, creating a tension within this modern grotesque and adding a class of destinction and interest. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion STN is a futuristic, techno-looking and expressive typeface with an appearance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

Hi Designer, Come again to complete your Sans and Script font collection ...! I would like to introduce my newest font: Besthan Script font DUO is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. The font also contains many Alternates and contains many ligatures Style Sets. You can see an example in the image above. Besthan Script font DUO is perfect for today's emerging market design, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of any occasion is a great way to highlight its best celebration, as it will be a supporter for the cause. Such as wedding invitations, branding, parties, graduations, birthdays, social gatherings, spring, etc.

Kidszones is a cute and fun display and decorative font. Its cool, playful & childish look makes it a fantastic choice for fashion, signature, album covers logos, branding, magazines, social media posts, advertisement, and many more. Use this display font to add that special cool touch to any design idea you can think of!