Proudly Presenting, Ohara a Inline Calligraphy Font. Ohara is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Ohara also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Ring Quad is brave and confident from thin to black. A cleaner, geometrical and professional aesthetic. Ring Quad is a modern & minimalist font. It’s perfect for branding, logos, quotes, posters, name card, stationary, and every other design that needs a striking typeface. Now, Ring font family prepared for any insane adventure life throws our way!

Proudly Presenting, Chocobelly A Handwritten Inline Font. Chocobelly is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Chocobelly also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

The Sidetic language is a member of the extinct Anatolian branch of the Indo-European language family known from legends of coins dating to the period of approximately the 5th to 3rd centuries BCE found in Side at the Pamphylian coast, and two Greek–Sidetic bilingual inscriptions from the 3rd and 2nd centuries BCE respectively. The Greek historian Arrian in his Anabasis Alexandri (mid-2nd century CE) mentions the existence of a peculiar indigenous language in the city of Side. Sidetic was probably closely related to Lydian, Carian and Lycian. The Sidetic script is an alphabet of the Anatolian group. It has about 25 letters, only a few of which are clearly derived from Greek. Consensus is growing that the script has essentially been deciphered.

A hand lettered font with inline effect Specifics: Modern Calligraphy with inline effect Numerical, Punctuation, Multi language included Hope You enjoy it.

‘Every Cloud’ is a cute hand-drawn type family. The family has 4 different weights and a matching inline style. It has a tall x-height, and the edges are rounded and soft. It was designed with applications such as advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and social media, and marketing in mind.

Emeritus is born from the carved letters found on buildings and monuments in Washington, DC. Muscular and low contrast but with assymetrical flared serifs that soften its stately presence. Small caps, inline caps, chiseled characters, and multiple weights and numerals offer an array of typographic voices. Notably academia, military, monumental, automotive, logos, signage, and so on.

Designed by Ashley Havinden, Ashley Inline is a monoweight all-capitals typeface with a hand-crafted look, suggesting European decorative wood-cut letters from the twenties and thirties. The term inline refers to the fine reversed-out line in the centre of the characters of the Ashley Inline font.

Say hello to Suerte. This new typeface with inverted contrast and bifurcated serifs was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. Our aim was to develop a wood type typeface adding a new personality incorporating Tuscan serifs. The complete alphabet was designed with a flat long brush and Indian ink and then vectorized. Suerte contains a big set of icons and dingbats.

Introducing a new Display Typeface called "Classic Ribbon". Inspired from music poster, carnival, typography and tatto from classic culture with inline style. This Inline style font works great as a headline for music promotion, film titles, Youtube tutorials and gig posters, and when combined with the included graphic presets and achieves a truly realistic classic look. This font is suitable for your projects such as logos, wedding invitations, branding, landing pages, apparel, posters, headlines, greeting cards, invitation cards, social media, crafting, quote and more. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others. This font is also support multi language.

Proudly Presenting, Hello Hungry A Inline Handwritten Font With Two Styles. Hello Hungry is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Hello Hungry also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Pondicherry is a nice city in the South-East of India. It has changed colonial hands over time, but after the last colonial power (the French) left in 1954, it reunited with India. I have always liked the name Pondicherry. It evokes something happy and exotic and I guess I had the same feeling when I developed this font. Pondicherry font is an outlined affair with an uneven baseline and an overall 'happy' feel. It is an all caps font, but upper and lower case differ and you can use them together. Pondicherry comes with a treasure chest full of diacritics.

So I made five rather odd characters for a logo for a friend… Then I thought I'd fill a couple of spare hours expanding it to a single alphabet… And some considerable time later I ended up with a whole font with full punctuation, a bunch of alternates, pretty broad international support and some OpenType features to keep things varied… There are elements of Art Deco, Art Nouveau, Lego, circuit boards and Ceefax, Memphis lamps and lab clamps, hieroglyphs, googly eyes and who knows what else… Intricate, insane, highly irregular, but somehow it hangs together… Throw down a few letters nice and big when the fancy takes you…

Kubikajiri is a scary, scratchy font, hand-made using India ink and a sharp, old-fashioned pen. You can use it for a variety of projects, like ads, posters and websites. Just be careful you don't lose your head...

Introducing our new exploration Beardsons, another vintage-inspired font with the additional effect: Normal - Inline - Shadow, packed as the layered font. Collected from many references such as vintage signage, logo, badges, and old fashioned graphics. Beardsons is An all-caps font, carefully crafted with a high ornamental taste. Beardsons is perfect for many display purposes. You can use this font for poster, label, logo, signboard, t-shirt, book cover, decoration, merchandise, and more! Multilingual support with extra ornaments included! Fonts featured: Uppercase Smallcaps Numbers & symbols Stylistic alternates Accented characters: ����������������������������ތ������������������������������������ Thank you for watching!

Inline and shaded display typeface.

Ripster, is a typeface family of 6 variants (Regular, Inline, Shadow, Soft, Soft Inline, Soft Shadow.) especially for titles, with very dynamic and strange shapes, it also contains Cyrillic alphabet such as Greek.

Sunday Monday font is a cursive, handwritten typeface. It has been crafted using India ink and an old steel pen. I have added some splatter and stain, to give it a 'grungy' look. Sunday Monday comes with kerning and all diacritics.

Use lowercase letters to make the side intials and uppercase letters to create the large center monogram.

Kumo Sans is a clear and comprehensible font stylized to mimic marker pen handwriting. The idea was to interpret swift and negligent hand movement in a distinct and easy to read familiar glyph silhouette. Family comes in three weights and italic slant option. Shadow version with outline and shadow effect is perfect for short catchy phrases, brand names and headlines use. Font contains Latin diacritics, Hebrew cursive writing, Bitcoin, Indian Rupee, New Israeli Shekel symbols, fractions etc.

Pema – a contemporary Tibetan sans serif encoded in the Unicode standard. This is the first Tibetan typeface influenced by western sans serif fonts. It was designed especially to match multilingual purposes. The rather calligraphic Tibetan scripts did not match with the design aesthetics of western and Indian fonts and so I came up with the idea to design a “modern” Tibetan sans serif. Pema comes in two weights, Regular and Bold, each equipped with almost 1.300 glyphs.

Inline styled after retro Luggage Label.

A two-font chromatic (or layered) set. The Primary font, which is the old Sutro Inlined Initials. Salvaged from the wreckage of my Type1 font library, the inlined initials have been in the shop for some repairs and detailing. I just added the fill font to support the inlined version. Each font works on it’s own but they work very well together. Caps only. Open Type.

A hand lettered, dual line sans serif type style was used for the title of “Filmland” – a 1931 movie fan magazine from India. This inspired both the digital typeface’s design and name. Filmland JNL is available in both regular and oblique versions.

Stephen Chick, of In Your Typeface Productions (IYTP) foundry, has created this rather prickly type design. Although for display, it is surprisingly legible at smaller point sizes. There is an Inline version, and also an Inline Extra version, which has only the inner contours of the Inline itself, which can be combined with the Regular to create cool two-color effects. The extended glyph set supports Central Europe.

Cruise is an elegant inline modular script font.

Inspired by the hand lettering found on a 1930s travel poster promoting visits to India, this bold sans serif Art Deco type design feature incised lines and a stylized A,E,F and S. World Travel JNL is available in both regular and oblique versions.

This font gets its inspiration from the typography of the Manuale ad Usum (1721), printed by Jesuit missionaries who worked at the beginning of the XVIII century with communities of "Guarani" native indians from the Northeast region of Argentina. It is a manual of sacraments published by Paulo Restivo and some collaborators among the native population. This manual features the peculiarity of being the first printed piece where there is a record of the place where it was printed: at the Loreto mission.

The Bing family is an experimental series of type designs inspired by classic movie marquees and contemporary fabricated signage. The Bing family consists of a multiple contour Inline, a single contour monoline Script derived from the Inline interior, and a single contour Black derived from the Inline exterior. All Bing fonts can be specified independently at medium and larger point sizes, or all three may complement one another as a type system.

Competition is a state of the art sports typeface. A large width range, slant angles from –12 to 12, and an adjustable inline make it extremely versatile. It’s devided into 5 subfamilies, from the sizes S, M, L & XL with decreasing inline weights to Solid without an inline at all. (By the way: S doesn’t mean it doesn’t look good in large sizes!) Choose from 105 predefined styles, or 1 variable font with axes for width, slant and inline weight (which is included in the family package). Competition embraces the Latin S character set and therefore supports 400+ Latin-based languages. Go for Gold!

Ancoa is a Sans Serif Display typeface, which plays with its rough form and works perfectly on posters, designs of different uses, contains 19 fonts and includes different styles from Inline, Layer Inline, Rough and the different Weights between Regular to Fat.

The Logansport, Indiana Pharos-Observer dated June 12, 1917 had the following headline running across its front page: “American Steamer Sunk by German U Boat”. The condensed slab serif typeface used to set that headline has been recreated digitally as Newspaper Publisher JNL, and is available in both regular and oblique versions.

Have you seen that new font from Comicraft it's lovely isn't it all soft and spongy it fair warms the cockles of me heart Mrs Robinson at number forty three she has one she got it down at the store on the corner you know the Indian convenience open all night my Albert gets his Heineken down there late of an evening and you know what I saw all manner of strange people down there last week super heroes I think they were Blimey!

It is the Ionian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

Modesto Initials had existed as a single font for several years. I recently added a fill font to put color in the Inlines. The Inline font still works by itself. The Fill font works alone too, as an ultra Modesto on steroids. They work best together. Modesto is a loose-knit family based on a signpainters lettering style popular in the late-19th and early-20th centuries. It evolved from the lettering I used for the Ringling Bros. and Barnum & Bailey Circus Logo. The Modesto family was not planned. It just happened, a few fonts at a time over about fifteen years. In 2014 seven new Italic fonts and two Chromatic families were added. There is a downloadable MODESTO USER MANUAL PDF in the Gallery section for this family.

Letuncial is a sans-serif typeface in which the shapes of the letters are derived from uncial, a writing style in the early medieval period. Like uncial, it has no true upper-case letters. Rather it has two sets of letters that are interchangeable. Fonts Letunical Inline Overlay-Middle and Letunical Inline Overlay Inside are designed to be layered with Letunical Inline to produce bicolored or tricolored letters and Letunical Shadow Inside is designed to layered with Letunical Shadow to produce bicolored letters.

An inline shadowed Clarendon designed in 1973 for VGC by Ernst Volker.

Pontiac is a sans serif OpenType font designed by Fanny Coulez and Julien Saurin in Paris. Pontiac is a functional font with something more, something warm, geometric but human, something distinctive, something French finally. We also designed an inline Art Deco version of this font, Pontiac Inline. Merci beaucoup!