Anbar is an Arabetic typeface design with visually connected glyphs, named after the historical Iraqi province Anbar, which is traditionally believed to be the birthplace of the earliest Arabic script, Jazm. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Anbar employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Anbar typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Anbar is available in regular and italic (slated to the left) styles.

Vaudeville JNL started out as the re-drawing of an angular Art Deco font hand-lettered on some old publications for sale online. After completing the basic alphabet, it was realized that it just didn't look good -- so a more traditional letter form was adapted to represent the style and times.

A funny Script typeface with a simple construction for to show a dynamic texture playing with the baseline. This letters are inspired on the work of House Induestries mixing a traditional serif with a playful script, like some retrospective alphabets in the vintage ads. Enjoy it, and thanks for buy it!

Calligrapher Carolingian Minuscule Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Carolingian Minuscule calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Calligrapher Gothic Textura Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Gothic Textura calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Calligrapher Insular Majuscule Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Insular Majuscule calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs.

Sans serif family Aleksa combine some of traditional Ukrainian letter shapes with contemporary vision. It makes a beautiful contrast that works really well with a modern design. The family features 9 weights, ranging from Thin to UltraBlack including italics. Designed by Kyrylo Tkachov and Marchela Mozhyna. Released by AlfaBravo in 2020.

Calligrapher Humanist Minuscule Font, is one of the calligraphic group of fonts called “21 Alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Humanist Minuscule calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs.

Albion’s old Masthead is inspired by traditional newspaper mastheads. A heavy Black Letter which brooks no argument, and can be emphatic and refined (emphatically refined?) at the same time. Ideal for signage with a ‘period’ feel, book covers, posters and banners. Why not add something solid to your latest project…

Erratic JNL earns its name from the varying widths and shapes of the hand lettering found on some old Art-Deco era sheet music. Following this unusual pattern throughout the complete typeface, the user finds a mix of traditional Deco type design and an overly wide M, N, W and 8.

The Framez dingbat font is a collection of frames and borders that can be used for logos, titles or any other display function. Inspired by the traditional frames of letterpress printers, these designs were conceived as part of the Jackazz family but can also be mixed with any other typefaces.

Calligrapher Rustic Capitals Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Rustic Capitals calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Kirillik is a hand-drawn font, based on early Russian cyrillic script (“Ustav”), elegant calligraphy written with flat ink brush. Traditional Slavic feel for ethnic Russia-inspired design. This is an all caps font that includes Latin and Cyrillic alphabet with extra characters (covering most European languages), numbers, punctuation and symbols.

Stuttgart Gothic is based on early 20th century hand lettering samples developed by Ernst Schneidler at the Stuttgart School of Design. It is a very bold style in the gothic tradition, but with additional characters for modern users. It is at once both quintessentially gothic and uniquely modern and decorative.

Inspired by the signwriting on traditional old canal boats in the UK, this bold, block serif design has many potential uses. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Calligrapher Square Capitals Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Square Capitals calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Choc is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

Calligrapher Carolingian Gothic Font is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Carolingian Gothic calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin glyphs.

Calligrapher Gothic Fraktur Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written in traditional Gothic Fraktur calligraphic style. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. The font contains all the Latin glyphs.

Calligrapher Insular Minuscule Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Insular Majuscule calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains all the Latin glyphs.

ISO GPS framed font for producing geometrical tolerances and other ISO GPS specifications in different documents types such as CAD, word processor documents, spreadsheets or slideshow presentations. Full set of symbols and modifiers from ISO 1101:2017, ISO 1660:2017 and ISO 17863:2013. Includes recently added symbols such intersection plane indicators and collection plane indicators. Fully compliant with ISO 3098 series and ISO 7083. Use this in conjunction with the IMA ISO GPS No Frame font to cover all ISO GPS specification indications. Single user licence is provided with this font. Contact Iain Macleod Associates Ltd (www.macleod.co.uk) for multiuser licences, site-licences or corporate licences.

Aviano slab is an extended slab serif and the newest member of the popular insigne series Aviano. The same classically proportioned letterforms are now available in a slab serif variant for powerful impact.

Calligrapher Roman Capitals Font, is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional Imperial (Roman) calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Font contains Small Caps and all the Latin glyphs.

The type family New Hotinok 2D continues Ukrainian tradition and in the same time connects it with Art Deco style. It is good for presentation, literary, arts and foods, especially sweets and coffee. Connection of geometry and ornamental effect can help in logo design. Includes four styles, Latin diacritics for many languages.

Alien Space display font is a playful and modern font. Alien space family contains regular and outline fonts. Alien Space is perfectly suited for traditional media and the web. Great for logos, banners, posters, and graphic artists. Its playfulness makes it great for creative projects, inspirational wall poster, or for communicating your brand.

Inspired by food labels, signs and coats of arms, PR-Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. There are several sets of glyphs which work together to make a variety of shapes, or banners of custom length.

Totebag JNL continues the stencil font series from Jeff Levine originally inspired by classic lettering stencils of the 1940s and 1950s. This particular design is common amongst "painting stencils", the individual letters used for marking and identification. Some characters are solid shapes while others have the more traditional "breaks" in the letters.

Endymion is a Tuscan display face that speaks of traditional fairgrounds and circuses, or 19th century poster design and even of the wild west. Its name derives from its ogee curves, which have been likened to the bluebell (Endymion) flower. Bring a sense of lively fun to your next design with Endymion.

Segnieur Serif is a high-contrast serif typeface leaning to the strong dutch typography tradition. Segnieur is family of 5 weights with italics suitable for a wide range of application. Segnieurs' OpenType features includes variety of ligatures, upright numerals and more. Segnieur supports over 200 latin based languages spoken in 212 different countries.

Walter Tiemann’s Fichte-Fraktur, released by Klingspor in 1934, has come to life again. This font contains the traditional long s which can be accessed by either the OT feature historical alternatives or by typing [alt] + b. Two framing elements can be reached by typing [alt] + shift + p and [alt] + p respectively.

Choc font is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light font was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.

Abelarde is a classic medieval gothic style font which combines traditional blackletter style lower case characters with more ornate and decorative capital letters with some nice swash features. We've done some simpler fonts in the same general vein like Cymbeline, Aneirin and Perigord, but Abelarde takes the style to a higher level.

Morris Fuller Benton started the Bodoni revival with this version for ATF in the early years of the 20th century. We consider it the first accurate revival of a historical face for general use. Sturdy and a little mechanical in the 19th century tradition, this is the Bodoni series familiar to us all.

Klone is a slab-serif font that gives the impression of being clean and very elegant. This font supports Latin and Western European languages. It is also equipped with ligatures, so you can design without limits. The Regular style has traditional square edges and corners, the Stamp style features rounded edges and corners.

Templit JNL is one of a number of fonts modeled from actual lettering stencils by Jeff Levine. This one takes its style from a set of individual letters and numbers used for marking and identifying objects. Some of the letters and numbers have solid shapes rather than traditional stencil breaks in the characters.

Chennai Slab is an extension of the original Chennai. Chennai Slab is a simplified slab serif with over sixty OpenType alternates for the ball terminals, unique simplified alternates and more traditional capital forms. Use Chennai Slab when you need a fun and versatile slab serif. The sans-serif Chennai makes a great complement.

Black Lonthe is an exquisite blackletter font that exudes timeless elegance. With its bold and ornate strokes, it captures the essence of traditional calligraphy while adding a modern twist. The sleek, sophisticated design of Black Lonthe makes it perfect for creating eye-catching titles, logos, and invitations that leave a lasting impression.

Calligrapher Humanistic Cursive is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“. All graphemes are taken from calligraphic pages written on traditional cursive calligraphic stile. This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. It contains all the Latin and specially-created Cyrillic glyphs.

Labyrinthus Rounded is a multiline decorative font that works very well for identity logos, posters and 3D-works. It continues the tradition of the precedent Labyrinthus but with a softer rounded impact. It's interesting to note that with it it's possible to play with the multiline concept to create endless overlapping geometric creations.