Kumo Sans is a clear and comprehensible font stylized to mimic marker pen handwriting. The idea was to interpret swift and negligent hand movement in a distinct and easy to read familiar glyph silhouette. Family comes in three weights and italic slant option. Shadow version with outline and shadow effect is perfect for short catchy phrases, brand names and headlines use. Font contains Latin diacritics, Hebrew cursive writing, Bitcoin, Indian Rupee, New Israeli Shekel symbols, fractions etc.

Pema – a contemporary Tibetan sans serif encoded in the Unicode standard. This is the first Tibetan typeface influenced by western sans serif fonts. It was designed especially to match multilingual purposes. The rather calligraphic Tibetan scripts did not match with the design aesthetics of western and Indian fonts and so I came up with the idea to design a “modern” Tibetan sans serif. Pema comes in two weights, Regular and Bold, each equipped with almost 1.300 glyphs.

KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.

Dayang is a font that has a geometric shape and is directly related to traditional culture. This font is made with an organic theme and brings out a sense of "passion" in each letter.

Longwood JNL is a condensed Roman typeface based on wood type examples. The nonconforming line and curves make this a unique font that can replace any of the "traditional" type designs used for titling.

Bang-Zoom! is a traditional comic book font based on lettering by award-winning illustrator and letterer Galen Showman. Its five weights and styles and smart OpenType features allow for professional comic book typesetting.

Create old style initials, evoking traditional printers' marks for stylish business or personal stationery. Includes 37 borders, each accessed by a single keystroke, which will automatically line up with the letters in the monogram.

Looking for vintage script fonts? Angkasa is a vintage handwritten font inspired by traditional Calligraphy, Angkasa font includes a full set of Classic upper and lower case letters, multilingual symbols, numbers, punctuation and ligatures.

Nevins Hand is our first release of a new collection of fonts based on the designs of Peter Nevins, a San Francisco poster artist who does hand-lettered fonts in the Art Nouveau tradition.

Another in a series of typefaces (Joost a Gigolo and Modern Art) based on the works of comic-book artist Joost Swarte, which continues in a long-standing Dutch tradition of unconventional lettering design.

A two-font chromatic (or layered) set. The Primary font, which is the old Sutro Inlined Initials. Salvaged from the wreckage of my Type1 font library, the inlined initials have been in the shop for some repairs and detailing. I just added the fill font to support the inlined version. Each font works on it’s own but they work very well together. Caps only. Open Type.

Inline styled after retro Luggage Label.

ITC Japanese Garden Ornaments is a symbol font designed by Akira Kobayashi (before Kobayashi became Linotype's Type Director in 2001, he worked as an independent typeface designer in Tokyo). The images in Japanese Garden are, as the name suggests, mostly floral or herbaceous, derived from designs used in Japanese indigo stencil dyeing. In Japanese Garden," Kobayashi says, "I tried to create a set of type fleurons that are very familiar to a Japanese eye, but not too exotic to people in other countries." Several of the designs fit together seamlessly in repeating patterns; others work either together or as isolated ornaments, a flexibility that also characterizes traditional Western type fleurons. "The original illustrations," notes Kobayashi, "were mostly cut from white paper squares, about two by two inches in size, and were simply scanned and traced. That is why there are few smooth curves and perfectly straight lines in the illustrations. I simply liked the ragged textures of them.""

Introducing Khat Jannah, a captivating and unique font that breaks away from traditional design conventions. This exceptional typeface pushes the boundaries of Arabic typography, offering a distinct and visually striking display font unlike any other.

A traditional calligraphy-style gothic font with a twist. The uppercase letters were designed for easier readability than typical gothic text. This gothic font can be used in all caps and still be extremely legible.

Lost Hills JNL is a split-serif Western font based on Jeff Levine's Brogado JNL. Named for an actual location in California, this font has all the basic characteristics of a traditional Old West design.

Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .

A hand lettered, dual line sans serif type style was used for the title of “Filmland” – a 1931 movie fan magazine from India. This inspired both the digital typeface’s design and name. Filmland JNL is available in both regular and oblique versions.

NaNa Rounded Pro Font family is designed by Naghi Naghashian. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

There are very few Western-style stencil digital fonts available, hence Overland Stage JNL. In the days when stage coaches, wagon trains, the Pony Express and the first transcontinental railroad crossed the landscape of this country, merchants shipped their goods any way possible to the growing territories and states. Picture wooden cases filled with dry goods, hardware or foodstuffs marked in hand-cut stencil lettering and nailed shut for their cross-country journey. Companion fonts to complement this design are Frontiersman JNL (Western lettering with an inline engraving) and Frontiersman Black JNL.

NaNa Pro Font family is designed by Naghi Naghashian. The characterset of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

You need traditional christmas symbols to illustrate your text? How about using these historic designs that had been used in good old typography. xmas is not too far and always comes in winter time. Happy Xmas.

Florid Sans perfectly balances minimalist quality with a combination of contemporary details and classic styles. Florid Sans is geometric in nature with humanist quality rooted in the Swiss tradition. Comfortable, breathable apertures make it stunningly versatile.

Old Galaxy is an old fashioned interstellar sci-fi with a twist of good humor geometric display font. It is perfectly suited for traditional media and the web. Great for logos, banners, posters, and graphic artists.

Reaver is my attempt to create a horror or bestial font that doesn't conform to the traditional stereotypes of either. A few have called it Geigeresque, and an earlier name for this font - Chupacabra - also inspired.

Arrieta is a versatile typeface family designed to serve various design purposes. It combines the traditional mechanical typography process of punch cutting with the expressive strokes of a nib pen, resulting in a reliable, angled typeface.

A font package to generate traditional three-letter monogram designs, or a single initial. Includes 29 borders, each accessed by a single keystroke on the computer keyboard. The borders will automatically line up with the initials.

Hadrian Bold pushes the limits for an extra-condensed titling face. Though remaining in the tradition of the 20th-century 'grotesque' designs, its heavy verticality and tight spacing demand attention for headlines at virtually any size.

The Yearbook font family contains Yearbook Filler, Yearbook Outline, and Yearbook Solid. Yearbook evokes traditional Slab-Serif lettering used by high school and college teams; the first two of these faces are designed to be superimposed.

A traditional Italian style font family inspired by the rural landscape and characterful back streets of Tuscany. The blend of gently rolling hills leading onto sharply peaked mountains has influenced the natural shapes of the letterforms.

Stephen Chick, of In Your Typeface Productions (IYTP) foundry, has created this rather prickly type design. Although for display, it is surprisingly legible at smaller point sizes. There is an Inline version, and also an Inline Extra version, which has only the inner contours of the Inline itself, which can be combined with the Regular to create cool two-color effects. The extended glyph set supports Central Europe.

Electrostatic JNL was inspired by the 1930s lettering for radio station WMCA in New York City. It was found as part of an ad for the station in a 1932 radio broadcasting trade magazine. WMCA went on the air Feb. 6, 1925. According to Wikipedia, the "MCA" call letters stood for the Hotel McAlpin, where the station's original studio and transmitter were located. "W" is the call sign prefix for all broadcast stations East of the Mississippi River; with the exception of KDKA (Pittsburgh), which was the nation's first commercial radio station. This bold novelty typeface with lightning bolds intersecting the characters can be used to represent anything from electricity to stormy days; power generators to brute force and so forth. Electrostatic JNL is available in both regular and oblique versions.

POLIGRA is an experimental typefamily and a homage to traditional printing of the pre-war era in Poland. Most of the typefaces based on traditional printing are either clean, geometric typefaces or completely distressed lettering. The POLIGRA project explored everything in between. The letters, cleaned up, redesigned where necessary, and defined in their entirety, have a friendly and warm character, as if taken out of the press. The selection of typefaces was based on theater and sports posters. All of them have blocky and geometric character, each of them is an all-caps typeface. The POLIGRA family includes 13 typefaces.

Vaquero is a Wild West style font. It is characteristic of a lot of western era signage, with super-narrow characters and unusual decorative spurs and serifs. There are some similarities in Vaquero to some of our other western fonts. It sort of ties together the historic tradition of western era type and the more fanciful tradition of romantic type derived from the era of the wild west. It has the width, height and general letter shapes of Academy, but the decorative elements are similar to more fanciful fonts like Riudoso. The result is very evocative of the old west.

Ciroke is a distinctive modern blackletter typeface that seamlessly fuses the classic elegance of blackletter with the clean and contemporary aesthetics of sans serif fonts. This unique fusion results in a visually striking and versatile typeface that effortlessly bridges tradition and modernity. Ciroke is an ideal choice for projects that demand a modern yet timeless aesthetic. It works well in branding, editorial design, packaging, and any application where a balance between tradition and contemporary style is desired. The font's versatility ensures that it can be used across various design platforms, from digital screens to print media.

Each year whalers from Japan kill more than 1000 whales. Japan says that the killing of whales is a 'cherished Japanese tradition', and that it is taking 'scientific data'. A portion of the whale meat is canned and marketed as 'traditional food'. How sad is that? A huge whale being reduced to a chunk in a can… Canned Whale is a hand drawn, outline style font with a cartoonesque twist to it. It can be used in ads and posters, it can be filled in with color, or kept as an outline. Canned Whale comes with extensive language support.

Although traditional Heiti typefaces may not be as lively as Songti, the modesty of M Hei makes is enduring and stand out from other similar typefaces. M Hei’s design is based on the hallmarks of traditional Heiti typefaces: it has little to no thick-thin contrast in strokes and has square cut terminals. Its dots (點), ticks (剔) and downstrokes (撇、捺) are subtly curved and longer than usual; all stems (豎) and crossbars (橫) remain simple and clear; and hooks (勾) appear rounded. Together they make a harmonious form which is clean but pure, classy but contemporary.

Tradition meets tomorrow in Mexborough. Mexborough owes its origins to a challenge from a client of ours- they wanted a clear and easily readable typeface to use for signage in public spaces, but with enough flair and style to be suitable for use in heritage precincts. The result is a family of six Roman faces in a single weight, encompassing Regular, Text, Flamboyant, Small Capitals, Capitals and Title forms. These faces combine legibilty with traditional character, ideal for signage and poster work, where dignity and character are required. Mexborough's simple clean lines also lend themselves readily to web and online use.

Sondela is a gently rounded, informal font, whose name means "welcome" or "come closer". It echoes the openhearted tradition of the Zulu people, where all who come are welcome. The font is available in regular and display (Pizazz) versions. Sondela Pizazz incorporates the zig-zag pattern that has been used in traditional Zulu beadwork for generations. It is highly effective when used in conjunction with the unadorned Sondela regular. The numerals are mono-spaced so that they will line up correctly in columns of figures. The letters of the alphabet are correctly kerned so that they appear correctly in text.

Cruise is an elegant inline modular script font.