Hand lettering found in the September, 1936 issue of the French film publication “La Cinématographie Française” is rendered in a lovely Art Nouveau serif type style. This is now available digitally as French Film JNL, in both regular and oblique versions.

The typeface was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov. Based on Anons by Gennady Baryshnikov. An extra condensed sans serif. For use in advertising and display typography. The decorative styles were added in 1997 by Alexander Tarbeev.

Saracen is the Latin (wedge serif) member of The Proteus Project, a collection of four interchangeable type families designed in different nineteenth century styles. The Saracen typeface was designed by Jonathan Hoefler in 1992. Saracen is a design in the ‘latin’ style, characterized by wedge-shaped serifs, a genus of type that emerged in the mid-nineteenth century. A part of The Proteus Project, the typographic theme-and-variations based on related Regency styles, Saracen was created for Rolling Stone, in whose pages the typeface first appeared in 1993 . From the desk of the designer: Though the wedge serif printing type is a nineteenth century innovation, Saracen does not resemble any font from this era. It’s mysterious that typefounders of the Victorian age who sought the extreme and fanciful in their work — exploring all manner of serif treatments, and creating extra-condensed and super-expanded designs — never made a latin font of this straightforward proportion. <

VLNL Berlagebrug Designer Donald DBXL Beekman daily crosses the Berlage bridge spanning the Amstel river in Amsterdam. The Berlagebrug was built as part of the city planning project ‘Plan Zuid’ by H.P.Berlage and opened in May 1932. Its name, carved out of two granite headstones, sparked the design of this font family. The original lettering is attributed to Anton Kurvers in the early 19th century, and can be seen on many Amsterdam buildings and bridges. It’s typical lettering of the Amsterdamse School, the Dutch equivalent of the expressionist art deco architectural style, and mostly known for its extravagant brick work. VLNL Berlagebrug is a rounded display font that comes in three outline styles matching the building materials used in the bridge. Gietijzer (cast iron) is smooth, Zandsteen (sandstone) has a softly distressed outline, and Graniet (granite) is outspoken rough and crumbled. The capital letters in VLNL Berlagebrug are in the Amsterdamse school style, the lowercases are more straight alternate capitals, giving you more design options.

“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles. One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints. This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.

Super family Deca consists of ten fonts. Six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif . These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Serif and sans serif fonts were designed in comparable proportions, they are balanced by color and have similar details in basic shapes. These features provide high compatibility and assume collective usage of the fonts in documents.

Super family Deca consists of ten fonts. Six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif . These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Serif and sans serif fonts were designed in comparable proportions, they are balanced by color and have similar details in basic shapes. These features provide high compatibility and assume collective usage of the fonts in documents.

Handwriting is a unique and personal expression of language created by individuals using a pen, pencil, or other writing instrument. It encompasses various styles, characteristics, and nuances that make each person's writing distinctive. Pointed shapes and characters refer to the specific forms and angles of the letters and symbols in a written script. Pointed shapes in handwriting typically involve the presence of sharp angles or well-defined points in the formation of letters. This can contribute to a more angular and edgy appearance in the overall writing style.

Empirelines are the family of blackletter style with Uppercase and Lowercase feel nice balanced. Provide alternates font in lowercase variant style make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window >> glyphs In Adobe Illustrator choose toolType >> glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Haksen

The Guminert font is Modern Sans Serif inspired by masculine men, that's why we made this font with all our heart to give a masculine impression in sans serif form. And this font also has Alternate font styles, Ligatures, Multilingual Support and other additional symbols/ characters to use in any of your creative needs in any project. Font Details: Sans Serif Style: 12 Weight (Light - Extra Bold) Release : 03/ March/ 2022 Version: Vol 2.0 Thank you for your support of our products and using them in your creative projects.

Sean Henrich ATF is a sharp, rounded geometric display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface. Sean Henrich ATF font has six weights; ultra light, extra light, light, regular, bold and extra bold, each available in italic, making a total of twelve styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for PC, in Open Type, PostScript or TrueType.

Dirty Baker’s Dozen, was released in 1998 and has since become the gold standard in raunchy stencil fonts. This version of Dirty Baker’s Dozen is pants-full of handy symbols, fractions, accents and what not. Need numeric ordinals? Probably not, but if you do, Dirty Baker’s Dozen will be there with boots on and numeric ordinals a-blazing. Two new styles were introduced in 2009: Scorch & Spraypaint. When you're using Scorch or Spraypaint styles in an OpenType savvy application, common letter pairs will be automatically replaced by custom pairs for a more realistic, filthy effect.

Inspired by the heuristic typography of the Concrete Poetry movement, Solidus is a hardworking and unobtrusive sans in the Neo-grotesque style. Its simplified features, generous spacing and squarish curves imbue a sense of sobriety and allow the textual information to take centre stage, whether in body copy or at display sizes. Solidus is available in nine distinctive weights from wafer-thin Hairline to a hefty Black, each with accompanying italics. Typical of the Neo-grotesque style the italics are slanted in construction and have the same advance width as the uprights.

A versatile compressed font for film posters, credit blocks and trailers, Due Credit is a display font specifically designed for the film and television industry. A versatile typeface that’s suitable for bold headline titles and small credit blocks, with an additional horror genre inspired extra style. Watch Due Credit in action in this showreel: https://youtu.be/2XeoqG17wo8 Contents: Due Credit Version One and Two Uppercase Characters Lowercase Capitals Light, Regular, Bold and Extra Bold Weights Additional Cast and Crew Glyphs (simply drop in crew titles in one click) Additional "Horror" genre style with Alternatives

FIREBIRD regular, outline and bold, is an 3 font system that can be layered in different ways to create a infinite title effects used commonly in poster and 3D logo design. Firebird’s layer combinations give you complete control in producing styles like, outline, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Firebird works great in any graphics application that allows you to utilize layers or 3D effects.

SILVER CHISEL Regular, Outline and Bevel, is an 3-font system that can be layered in different ways to create a infinite title effects used commonly in poster and 3D logo design. Silver Chisel’s layer combinations give you complete control in producing styles like, outline, 3D, beveled. It can be used alone and/or in layered and allows you adjust leading and kerning. Each font contains the similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Silver Chisel works great in any graphics application that allows you to utilize layers or 3D effects.

STEEL regular, outline and bold, is a 3-font system that can be layered in different ways to create infinite title effects used commonly in poster and 3D logo design. Steel’s layer combinations give you complete control in producing styles like outline, 3D, and beveled. It can be used alone and/or in layers, and allows you adjust leading and kerning. Each font has similar metrics, so when your title is set, copy and paste-in-place to create layers of different weights/styles to build out your desired effect. Steel works great in any graphics application that allows you to utilize layers or 3D effects.

Introducing Mattcool! A vintage styles monoline font with a natural flow. It's the perfect choice for personal branding projects, handwritten quotes, homeware designs, product packaging or simply as a modern & stylish text overlay to any background image. Mattcool is available in three styles script Regular, Bold, and Rough and two styles on Sans. Mattcool also comes with uppercase, lowercase, numerals, punctuations in script and sans version and so many variations on each characters include opentype alternates, common ligatures and also additional swash to let you customise your designs.

Ardone is a well-modulated humanist serif font family with Garalde roots. A distant ancestor is Minister (a German font designed by Fahrenwaldt in 1929) through my first font, Diaconia Old Style. This first style, book, is slightly condensed and very elegant with thin bracketed serifs. There are many OpenType features with over 600 characters: Caps, lower case, small caps, ligatures, discretionary ligatures, swashes, small cap figures, old style figures, numerators, denominators, accent characters (including CE), ordinal numbers (1st-infinity: lining and oldstyle), and so on. Ardone is designed for text use in body copy.

Carnas, a new monoline sans with a light, slender and informal appearance. It is however forceful and strong enough for headlines and signage. Despite the reduction in its shapes, it is pleasantly readable for both shorter and longer text applications. The Carnas family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Handcrafted typeface with a friendly character. Two weights in three styles. Weights: Regular and Oblique. Styles: normal, rough1, rough2. Weight and shape of the letters allows using the font to solve any graphical problems. Package design for food or cosmetic products. Posters or music cover. Logos. Prints on sweatshirts or t-shirts. Children’s books or comics. Barbariska could be used in all sorts of projects. Features: ligatures, contextual alternates, old style numbers, fina and init for capitals letters. Support: cyrillic, cyrillic extended, latin, latin extended (Western European, Central European, South-East).

Suctenss Inspired by the realistic calligraphy marking style in many big cities. This style is bolder and easier to read, perfect for your "street art" design style. I incorporate real graffiti experience into computer fonts, I think it will be different to other fonts if you can feel it, because I draw graffiti, mark and throw up since I was in high school. Features : - All Caps - numbers and punctuation - Alternate & Ligature - multilingual - Swash / Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Fargo is a decorative logotype font. Drawn and created by Mans Greback in 2020, this vintage sport lettering works has velocity, style and class. Use [ ] < > after any word to create a swash. Example: Snow] For a longer swash, use several characters: Decorative>>>> The typeface is provided in four styles: Regular, Italic, Bold and Bold Italic. Each style contains an alternate alphabet and ligatures, giving the calligraphy true customized possibilities. The font has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

Snikers Inspired by the realistic calligraphy marking style in many big cities. This style is bolder and easier to read, perfect for your "street art" design style. I incorporate real graffiti experience into computer fonts, I think it will be different to other fonts if you can feel it, because I draw graffiti, mark and throw up since I was in high school. Features : All Caps numbers and punctuation ligature and alternate multilingual Swash / Ornament PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Hesorder font Inspired by street graffiti markings style in many big cities. This style is bolder and easier to read, perfect for your "street art" design style. I incorporate real graffiti experience into computer fonts, I think it will be different to other fonts if you can feel it, because I draw graffiti, mark and throw up since I was in high school. Features : - All Caps - numbers and punctuation - Alternate - multilingual - Swash / Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

"Urban Crazy" is a graffiti font that contains several different styles and layers within it. When these styles and layers are properly combined in a design, they can create a three-dimensional (3D) effect on the text. Fonts like this are often used in street art, posters, and other designs that aim to add dimension and depth to their typography. With "Urban Crazy," you have the flexibility to create text with various effects and styles, ranging from simple to highly complex. This allows you to customize the design according to your creative vision.

About Magnify Pro Magnify Pro Geometric sans 2 Style in 1. Magnify PRO Geometric sans is the latest version of "Magnify" by. Faldykudo. Comes up with more complete language support and features, including ink-trap and reverse contrast will add more different taste & style to the art of modern typography. Magnify PRO has two style in one font, normal & inverse contrast. If you are like normal: just type with regular letters, if you are like reverse contrast: just access your opentype features to find the alternate letters. Thank You.

Wildside Inspired by the realistic calligraphy marking style in many big cities. This style is bolder and easier to read, perfect for your "street art" design style. I incorporate real graffiti experience into computer fonts, I think it will be different to other fonts if you can feel it, because I draw graffiti, mark and throw up since I was in high school. Features : All Caps numbers and punctuation multilingual Swash / Ornament PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Qualux is a versatile high-contrast serif font family. Qualux comes from the words Quality and Luxury. This font has vintage characteristics with a luxurious style in light, but also has a friendly and playful style in bold. Each glyph has a soft, rounded tip. This font is suitable for many various projects such as logos, branding, magazines, signage, fashion and many more. Qualux consists of 8 styles: Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, and Bold Italic. These fonts feature Kerning, Standard Glyph, Stylistic Alternate & Ligature, Numeral, Symbol, and Multilingual Supports.

Wee Todd is a well-connected script font in the rough style of a lefty. Several of my closest friends are lefties and I, over the years, have carefully observed their writing style. For the most part they have unique, interesting handwriting and Wee Todd is a reflection of that style. Notice how Wee Todd’s characters connect. I’ve designed additional ligatures and characters into the typeface so that characters are substituted as you type (in OpenType savvy applications), giving the appearance of natural, spontaneous handwriting. Try it and see!

Block-style typefaces make excellent sports-themed fonts, and Stadium JNL is no exception-- but this lettering style is also filled with nostalgia for decades past. Modeled from one of the many classic designs found in the Speedball® Lettering Textbook, this style of alphabet was quite popular in signage of the 1920s and 1930s. Stadium JNL fills the bill either way-- a font that is just as much at home on a gridiron or baseball diamond, or as lettering for a garage, warehouse or attention-getting ad copy.

Kathleen Serif is a geometric serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing. Kathleen Serif font has three weights: Light, Regular, and Bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

Honest draws inspiration from the serif fonts prevalent in print media during the 1970s and 1980s. Its letter shapes are well-suited for prominent uses like logos and striking headlines due to their distinctive style. The font's large x-height makes it suitable for tight leading in headlines. Honest offers a variety of options, including seven different weights and two styles: Standard and Italic.

The idea was to create a typeface with a high black ratio that would work well in a compact style. The five styles of Vivala Black share similar metrics, so they can be easily substituted for each other in a body of text. OpenType features include ligatures, fractions, ordinals, numerators, denominators and stylistic alternates. Fields of application are posters, magazines, packaging, books, and corporate design.

Breakdance is inspired by dance moves, the first font created with this concept is sans serif with a curved shape in one direction. Curves are made not too extreme, so that they maintain the shape balance. And now Breakdance comes in several styles and is divided into three typesface, namely script, sans and serif. Each typeface has several different styles and the total is 18 fonts.

New release! Kindson brush script is a font duo with a strong handwriting style . It is available in two styles: Kindson Clean & Kindson Rough. Kindson fonts are perfect for various purposes such as boutique brands, photography, magazine, quote, business cards, logos, posters, labels and many more. Kindson is equipped with multilingual support, ligatures, and is PUA Encoded. Files included in complete family: - Kindson.otf - Kindson Rough.otf

BlinkHead is a powerfull block typeface inspired by industrial revolution and machineries. It comes in three styles for the moment with possibility to be added more later. It has a dynamic, curved letter ending that makes it perfect for some modern logo designs purpose and even powerful headlines. The folded style comes as an option to change some letters in plain text for more dynamic appeal.

Rolan This is a light elongated font that includes light, regular and bold weights, as well as these weights in a rough style. It is versatile and will perfectly fit into any project in both modern and vintage style, it is perfect for creating a logo, banners, flyers, labels, branding and much more This font family has only Capital letters and some of them are different.

Linsingen is a font family inspired by Brazilian tea barrel labels printed with lithography in the beginning of the 20th century. The family consists of three styles - Linsingen Vintage, which preserves the shapes found in the original prints; Linsingen Moderna, a contemporary interpretation of the original shapes, with increased contrast and sharper lines; and Linsingen Stencil. All of the three styles are suited for titles and headlines.