Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and magazines for headlines and in advertisements.

Similar in design to Franklin Gothic, News Gothic was one of a number of sans serif faces manufactured by American Type Founders in the early years of the twentieth century. Initially cut as a light sans, heavier versions were made in the 1940s and 50s along with some condensed weights. The News Gothic font family offers an uncomplicated design that is well suited for use in newspapers and magazines for headlines and in advertisements.

An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001) of the same name. In Armenian 'Bardi' means 'Poplar'. Extra compressed decorative stenciled typeface. Its letterforms resemble many Neo-Classicism extra compressed faces and magazine lettering of the 1950s-60s. For use in advertising and display typography especially in magazine headlines and logos.

This family, which includes faces in light, book, bold, and ultra weights, more stroke contrast than is typical of sans serifs, making it very legible in text. Because of its large x-height, it is recommended for used in point sizes ranging from 12 point upward. Of course, it functions well in display sizes, too. The contrast between the four weights makes this family optimal for use in hierarchical advertising systems, and corporate identity uses.

Condensed sans family Sidro comes in 9 weights – from extreme light Thin to dark Heavy. Compact, solid and still new and recognizable, Sidro is designed with purpose to serve in every project. It is tightly spaced family which is ideal for space saving in variety projects – from posters, packages and branding in general, to websites, editorial usage and applications. Sidro comes with Small Caps, Fractions and one Stylistic Set in extended Latin character map.

Collection of ribbon geometrical ornaments, that were popular in Europe in the 16th and 17th centuries in the age of Mannerism. The given ornaments can be attributed to the styles of strapwork of bandelwerk.

The typeface was designed for ParaType in 1999 by Oleg Karpinsky basing on his Dublon typeface (1994). A decorative face in Op-Art style with slab serifs. For use in advertising and display typography.

Perfect for anything from treasure maps to grocery flyers. This font provides directional arrows in outline, solid and highlighted forms. Each arrow is available in at least 4 directions, and many in eight directions.

Inspired by high speed, this font is made in only black in an italic style, giving this font an aura full of energy. Speedy fonts are suitable for use in futuristic themed graphic designs

Proven in newspapers around the world, Worldwide is a classic news face in the modern idiom, somewhat condensed, especially in the display weights. The Regular font of the Text family is loaded with features.

inspired in plakat stijl, a german style of lettering used in 30's advertise lettering

Letters in circles are certainly nothing new typographically, but nonetheless they were a favorite tool for sign makers in past decades for emphasizing names or key words in a message. Inspired by an image of an old-time hardware store sign in New York City with Franklinesque lettering, it has been reproduced as Circuletter JNL.

Originally made in seven sizes, 6 to 48 point. Our font was digitized from the 24 point which we found in 1947 in a Sparks, Nevada, newspaper shop. Typical of the late nineteenth century types for job printers, where the rule was “never start a line with a font used in the line above”.

Anzeigen Grotesk is a heavy, condensed sans serif face drawn in the style of typefaces popular during the early 20th Century. It was originally intended for use in advertising design, a field for which it is still well suited. Anzeigen Grotesk (which means “advertising sans serif” in German) is best used in larger point sizes.

The antique sheet music for the 1915 song "A Girl in Your Arms is Worth Two in Your Dreams" had its title hand lettered in a Roman typeface that reflected ever so slightly the Art Nouveau influences of the time. This design is now available as Romance Roman JNL, in both regular and oblique versions.

Drakoheart Revofit is an initiative to make sans fonts. It’s one of my personal favorites, in fact. In its first release, this font had a cool appearance but was improved with better kerning and a cool look in this new release. Perfect to write some digital texts as in web articles, blogs and branding.

Type Ultimate is an exquisite serif font that combines elegance and sophistication. It comes in regular and italic versions, each containing a stunning collection of 383 ligature glyphs and alternate glyphs, as well as 26 swashes for both regular and italic versions. With its extensive character set, Type Ultimate supports a wide range of languages, making it a versatile choice for various projects. This font is perfect for creating a memorable logo, establishing a strong brand identity, and making headlines that stand out. Its timeless and refined design also makes it an excellent choice for elegant wedding invitations and other formal occasions. Overall, Type Ultimate is a font that exudes beauty and refinement, adding a touch of sophistication to any project it's used in. Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu Ligatures Uppercase - AB,AC,AD,AG,AK,AL,AM,AN,AP,AR,AS,AT,AV,AY,BE,BL,BO,BU,CE,CH,CK,CO,CT,DE,DI,DO,EA,ED, EE,EF,EI,EL,EM,EN,EP,ER,ES,ET,EV,EX,EY,FA,FE,FF,FI,FO,FR,FT,FU,GA,GE,GH,GO,GR,HA,HE,HI, HO,HT,KE,KI,KN,LA,LD,LE,LF,LI,LL,LO,MA,ME,MI,MM,MO,MP,MU,NA,NC,ND,NE,NG,NK,NO,NS,NT, NY,OA,OD,OK,OL,OM,ON,OO,OP,OR,OS,OT,OU,OW,PA,PE,PL,PO,PP,PR,RA,RD,RE,RI,RO,RR,RS,RT, RY,SA,SE,SH,SO,ST,SU,TA,TE,TH,TI,TL,TO,TR,TS,TT,TU,UG,UL,UN,UR,US,UT,VE,VI,WE,WH,WI,WO,YO, YS,MEN,WER,FRO,RON,ROM,THE,AND,ING,HER,HAT,HIS,THA,ERE,FOR,ENT,ION,TER,WAS,YOU,ITH, VER,ALL,THI,TIO,OUL,ULD,IGH,GHT,AVE,HAV,ICH,HIC,HIN,HEY,ATI,EVE,HING,WERE,FROM,THAT,THER, TION,OULD,IGHT,HAVE,THIS,THIN,THEY, ATIO,EVER,MENT Lowercase - ab,ad,ag,ai,ak,al,am,an,ap,as,at,av,ay,ba,be,bl,bo,bu,ca,ce,ch,ck,co,ct,de,di,do,ea,ec,ed,ee,ef,eg,ei,ej,el,en,ep,es,et,ev,ew,ey,fa,fe,fi,fo,fr,fu,ga,ge,gh,gi,gr,ha,he,hi,ho,ht,ic,id,ie,ik,il,im,in,io,ir,is,it,iv,ke,ki,kn,la,ld,le,lf,li,lo,ly,ma,me,mi,na,nc,nd,ne,ng,ni,nk,nl,no,nt,ny,oa,oc,od,of,oi,ok,ol,om,on,oo,op,ot,ou,ov, ow,pa,pe,pi,pl,po,pp,qu,ra,rd,re,ri,rm,rn,ro,rr,rs,rt,ru,ry,sa,se,sh,si,so,sp,ss,st,su,ta,te,th,ti,tl,to,ts,tt, tu,uc,ug,um,un,up,ur,us,ut,va,ve,wa,we,wo,xp,ye,yo,ys,men,wer,fro,rom,ron,the,and,ing,her,hat,tha, ere,for,ent,ion,ter,you,ver,thi,ght,ave,hey How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Mock ups and backgrounds used are not included. Thank you! Enjoy!

Camden is based on the types used in Camden's 'Remaines concerning Britaine' published in London in 1638. The object was to avoid the contradiction inherent in most 'distressed' typefaces made to give the effect of the imperfections in old print. This means that apparently worn characters are perfectly repeated throughout a setting. The makeup of the Camden fonts means that, with a little extra keying time, alternate characters may be brought in which overcome this. Also many characters are provided which have 'period identities' such as the long s with ligatures, tied sorts ct, sp and st, swash characters in the italic and the double vv, all of which can add a specific age identity.

Mister Earl, released by Bitstream in 1991, was designed by Jennifer Maestre. Inspiration came from a page in a ‘how-to’ book published in the 1930s. Later versions of Extra Light, Light and Bold were added by Jim Lyles, with the help of Wally Petty. Mister Earl is named in honor of Earl Biscoe, a Bitstream designer who retired in the mid-1980s because of illness. In the winter of 1994–1995, Richard Stetler accidentally left a copy of Mister Earl outside his Alaska home... In the spring, amazed to discover the unfortunate font was still just about alive, he decided to release the result to a wider public as Snow Cap.

This family was created from the set of font faces used in Lima (Peru) by Antonio Ricardo in 1584 for the first publication ever printed in Southern America: a four-page leaflet in Spanish entitled "Pragm·tica sanciÛn" with information about the new Georgian calendar of 1582 which had not yet been communicated to the colonies. In our two styles (Regular & Italic), font faces, kernings and spacing are as close as possible to the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. A,B,D,E,F,M,N,P,R,V,W swashed capitals in the italic style.

Tiblisi is a font designed to emulate the feel of modern Georgian Script, which is called Mkhedruli. In earlier periods of her history, the Georgian language had several other alphabets, notably the Asomtavruli alphabet and the Nuskha-khucuri alphabet. The first printed material in the Georgian language, in the Mkhedruli alphabet, was published in 1669. Since then the alphabet has changed very little, though a few letters were added in the 18th century, and 5 letters were dropped in the 1860s. The font was named Tiblisi in honor of the nation's captial city. Tiblisi comes with full punctuation, a complete character set for most Western European languages that are based on the Latin Alphabet, and full kerning.

Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky and released by ParaType in 2006. The type family contains 9 styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Giant ink traps (or something like that) produce an original image of the family. Five condensed styles were added in 2007 by the same designer. Mellnik Text in 12 styles (added in 2008) has more narrow proportions and it is rather appropriate for text setting.

Holgada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a geometric sans serif typeface with refined rounded endings that provide a soft and friendly appearance. Its generic shapes make it suitable for any kind of project, text length and size. Thanks to its clear legibility, it can be used in long body texts in very small sizes, in big size headlines and everything in between. The rounded endings not only provide a particular softness when used in body text, but also a distinctive touch when used in display situations such as logos and headlines. Holgada consists of 12 styles, each containing small caps and glyph coverage for several languages.

How can Teutonia be called “Art Nouveau” with all those straight lines? It seems like a contradiction. In fact, however, Art Nouveau embraces a rather wide variety of stylistic approaches. Five well-known examples in the field of architecture serve to illustrate the range of diversity in Art Nouveau: Saarinen’s Helsinki Railroad Station, Hoffman’s Palais Stocklet in Brussels, Lechner’s Museum of Applied Arts on Budapest, Mackintosh’s Glasgow School of Art and Gaudi’s Sagrada Familia in Barcelona. Only the last fits comfortably within the common perception of Art Nouveau. Whereas Gaudi would avoid the straight line as much as possible, Macintosh seemed to employ it as much as possible. The uniting factor is that they all represent “new art” -- an attempt to look things differently than the previous generation. Even when they draw on the past -- e.g. Lechner in the use of traditional Hungarian folk art -- the totality of the expression in new. Teutonia clearly shows its blackletter roots in the ‘D’ and the ‘M.’ Roos & Junge of Offenbach am Main in Germany produced Teutonia in a "back-to-basics" effort that has seen many quite similar attempts in the field of topography. In 1883, Baltimore Type Foundry released its Geometric series. In 1910, Geza Farago in Budapest used a similar letter design on a Tungsram light bulb poster. In 1919 Theo van Doesburg, a founder with Mondrian and others of the De Stijl movement, designed an alphabet using rectangles only -- no diagonals. In 1923 Joost Schmidt at Bauhaus in Weimer took the same approach for a Constructivist exhibit poster. The 1996 Agfatype Collection catalog lists a Geometric in light, bold and italic that is very close to the old Baltimore version. Even though none of these designs took the world by storm, they all made a contribution to our understanding of letterforms and how we use them. Teutonia is compact and surprisingly readable at 12 points in print, but does not do as well on the screen. Extra leading is suggested. Four ligatures are supplied: ch, ck, sch and tz. The numerals are tabular.

Dopis (Допис on Cyrillic) is neo grotesque family available in four weights and in two widths. It is universal and neutral typeface, fully applicable in every situation. Contains extended Latin character set with Cyrillic support.

A display face with rounded terminals stylized like drops of a liquid. For use in large sizes in advertising matter and decorative headings. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.

Sablon is back! This time on the edge in Thick & Thin version, keeping its significant features especially in letters B, G, M and N. With new expressive figures best suitable in headlines and packaging graphics.

ITC Japanese Garden Ornaments is a symbol font designed by Akira Kobayashi (before Kobayashi became Linotype's Type Director in 2001, he worked as an independent typeface designer in Tokyo). The images in Japanese Garden are, as the name suggests, mostly floral or herbaceous, derived from designs used in Japanese indigo stencil dyeing. In Japanese Garden," Kobayashi says, "I tried to create a set of type fleurons that are very familiar to a Japanese eye, but not too exotic to people in other countries." Several of the designs fit together seamlessly in repeating patterns; others work either together or as isolated ornaments, a flexibility that also characterizes traditional Western type fleurons. "The original illustrations," notes Kobayashi, "were mostly cut from white paper squares, about two by two inches in size, and were simply scanned and traced. That is why there are few smooth curves and perfectly straight lines in the illustrations. I simply liked the ragged textures of them.""

Orchidea Pro is a typeface balancing on the verge of sans and serif. Called a stressed sans or a serifless serif, it does not feature any serifs, but resembles a serif typeface by build, and features unilateral nibs that speed up the reading and create a particular distinction in the form. Such solution results in a contemporary-looking yet elegant type, virtually unique in texture, that exists in the same stylistic space as flared serif families. Orchidea Pro will fit particularly well for use in magazines of any theme, as well as in branding for beauty-related products. The typeface comes in 8 weights + corresponding real italics, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 5 sets of digits, 4 stylistic sets in romans and 1 in italics, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

The characters in this font fit together in hundreds of combinations to form different city skylines.

Makika Sun enhances the handwritten expressive possibilities of an architect mom and a graphic designer dad in Bogotá, Colombia. In other words, it is a versatile handwritten font family designed for writing short messages in children's contexts. Makika Sun shines for its conceptualization and logic, combining ideas from the American calligrapher Austin Norman Palmer and the Italian calligrapher Ludovico degli Arrighi. Makika Sun, a creative font family specializing in titles and paragraphs for children's books, emerged in 2009 and has developed over the years. Its essence lies in the simplicity of handwriting. In 2023, Makika Sun was applied in the book "Secret Files Tardigrades 1" for children ages 5-6 on Amazon from MyMicroSchool. The main goal of Makika Sun is to emulate handwriting that is legible and accessible to everyone. Makika Sun stands out for its readability and uncomplicated, artisanal style. It offers four typographic styles that simulate different calibers of markers: thick tip (Makika Sun Black), medium tip (Makika Sun Bold), normal tip (Makika Sun Regular) and Makika Sun Dingbats, a set of arrows and figures perfect to enrich your writing. . In short, Makika Sun's versatility and stylistic uniformity make it easy to create writing in various typographic settings. Its typographic heart communicates harmony in messages meticulously designed for spontaneous contexts that require high readability. Makika Sun offers a dynamic range of styles in 4 fonts notable for their outstanding performance in the field of children's book design and the creation of playful brand identities.

An original design based on the Frederick Goudy design first shown in 1912. Originally a caps only design in one weight. Produced as a foundry face by Lanston Monotype 1924. Featured in: Best Fonts for Tattoos

Introducing "Citrus Shore," a cool and chic modern handwritten marker font that embodies a refreshing and vibrant aesthetic. With its lively brush strokes and contemporary style, Citrus Shore brings a burst of energy to any design project. Whether you're creating invitations, branding materials, or social media graphics, this font's playful and dynamic character adds a delightful touch of modernity. Its versatility and undeniable charm make Citrus Shore the perfect choice for those seeking a trendy and captivating typeface that leaves a lasting impression. With its expressive and authentic appeal, Citrus Shore ensures flawless communication across borders. Supporting a wide range of languages, from English to Spanish, French, and more, this font guarantees your message is effectively conveyed. What sets Citrus Shore apart is its inclusion of over 400 alternate letters and ligatures, offering endless creative possibilities for stunning and original typography. From captivating logos to distinctive headlines, this font breaks free from the ordinary, infusing your designs with a touch of individuality. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Citrus Shore - Playful Marker Font Includes: Over 400 ligatures and alternate letters Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!

Gigafly™ is a contemporary high-contrast sans-serif display typeface designed for branding and impactful posters. The family features very modern and sharp design language, opening a world of lively compositions full of strength, energy and movement. Its playful contrast makes it stand out from the crowd and gives it a unique type of cheerful elegance. Gigafly features lots of stylistic alternates, allowing to create a collage-like, dynamic compositions by mixing the styles and weights of the letters. To make things even more fun, the family contains a set of quirky icons that will inject even more personality into your designs (do not miss out on the super cool manicules!). The family is very powerful, extravagant, playful, yet it manages to keep its elegance - it can be more calm, measured and simple when needed as well. It has a vibe of modern, crisp sans-serif as well as fashion magazine type didone. The full family consists of 15 styles - 5 weights in 3 different optical sizes for headlines, display sizes and big posters. The family offers a 2-axis variable (weight and optical size) font that contains every style and gives even more flexibility and versatility. Each font features 1400 glyphs, including uppercase, lowercase, icons, tons of alternates, as well as other OpenType features such as stylistic sets, case sensitive forms, lining and old style figures, basic fractions and superscript/subscript, slashed zero, currencies and symbols.

Funky Sign - Groovy Hipster Font is an eye-catching display font that exudes retro charm and groovy vibes. With its pop, fancy, and colorful styles, this font offers a fun and playful typographic solution. It comes in two versions: clean and textured/rough, providing versatility and creative options for various design projects. Funky Sign is the perfect choice for creating captivating posters, logos, landing pages, titles, headlines, stickers, branding materials, cards, and any project with a music or funky theme. The Funky Sign font stands out with its funky and hipster-inspired style, bringing a sense of nostalgia and vibrancy to your designs. The clean version offers a polished and sleek look, while the textured/rough version adds a touch of authenticity and edginess. Whether you're designing a poster for a music event, creating a logo for a trendy brand, or crafting a funky landing page, this font will infuse your designs with a unique and dynamic flair. With Funky Sign - Groovy Hipster Font, you have a versatile and lively typographic tool at your disposal. Its retro and groovy styles, along with the clean and textured versions, offer endless possibilities for designing captivating visuals. Whether you're working on a music-themed project, creating funky branding materials, or designing eye-catching posters, this font will bring a unique and vibrant touch to your designs, setting them apart with its distinctive and playful appeal.

Grotesca Extra Condensed™ defines the term ""extra condensed"". With some unusual design quirks, this sturdy design has roots in styles popular in 1920s Germany. First brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain, the designer of Grotesca is unknown and the font was formerly sold only in Spain.

The family comes in five weights from Thin to Black, all with true italics; and a variable file in weight and slant. Concasse is multi-purpose and reads well in body copy, the open shapes ensure excellent legibility in even the smallest text sizes, while the lightest and boldest weights deliver impact to headlines and other display uses.

Venecian Old Face fonts had a strong influence on typeface design in the 1930s and 1940s in England. Such influence is evident in the font Electra, designed by William A. Dwiggins for Linotype in 1935. Electra combines its classic roots with the Zeitgeist of the 1930s, also displaying characteristics of the Bauhaus and Art Deco styles.

Renowned British designer Martin Wait designed Balmoral in 1978. Balmoral is an elegant and free-flowing copperplate script style typeface. Generous initial capitals complement the more restrained lowercase letters that join for balanced letter spacing in word settings. Balmoral is excellent for use on certificates, citations, diplomas, and in greeting card applications. Featured in: Best Fonts for Tattoos

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.