Clinto Sans Serif Clinto Sans is a simple geometric sans serif font Clinto Sans are constructed using basic geometric shapes such as circles, squares, and triangles. The letterforms are based on simple geometric proportions, resulting in a consistent and harmonious visual rhythm. Clinto sans serif fonts embrace simplicity and have a minimalistic approach. They aim to reduce letterforms to their essential elements, eliminating any unnecessary embellishments or flourishes Clinto Sans also has Straight Lines and Clean Edges. Clinto Sans also have open apertures, which refer to the space enclosed by the curved or diagonal strokes of certain letters like "a," "e," "g," and "s." The open apertures contribute to legibility and readability, especially at smaller sizes. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments. - Alternates Stylistic alternates offer alternative shapes or forms for certain letters in the font, a, e, g, and r, etc. Stylistic alternates can be accessed through OpenType features in design software. OpenType is a font format that allows for advanced typographic features and character substitutions, you can access the alternate letterforms through the glyphs palette or the OpenType panel in their design software and apply them selectively to specific letters. Thank You _

Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather classical proportions; its clear ascenders and descenders lend more distinct word shapes. Weltin’s design has a dynamic, yet strong and very functional appearance with a fine but clear emphasis on the horizontals. This traditional approach makes it a versatile typeface for large-scale text setting, but it can also be used in complex information design projects, and orientation systems, for example. Hence it was developed carefully into a wide range type family system consisting of 32 styles. This even covers the requirements for display and headline setting. Corresponding condensed weights are suitable where horizontal space is scarce, as in narrow columns and tables, for example. The Agilta Hairline and Agilta Ultra Thin styles were especially made for display use. These fonts should be set at a minimum size of 20 pt for printed project, and about 40 pt on output to laser printers, depending on the paper used. Agilita’s character sets include special symbols and signs that may be used in dictionaries; like arrows for lemmata and signs for cross references, idioms or colloquial language. There are two sets of arrows available in each weight for use in orientation systems. Each font in the Agilta family is built according to Linotype’s Extended European character set guidelines. These offer support for more than 48 Latin-based languages used in Western, Central, and Eastern Europe, including Baltics and Turkey.

Elido (Odile in reverse) is the sans counterpart to the Odile type. Together they form a sans/serif superfamily with a wide range of variations for editorial use. Elido follows Odile’s proportions and matches the weight and typographic color of its serif twin. Elido is a sans with classical proportions. A slight geometric hint and open counters convey an airy feel. Elido’s family structure and relations within echo the conceptual approach of Odile. The arched stroke low off the stem reveals a script characteristic most pronounced in the Elido Upright Italic. This particular interpretation is gradually diminished in the Italic and becomes even less emphasized in the Regular. Six balanced weights, from an elegant Light to a pronounced Black, are in tune with three display solutions and a set of beautiful Ornaments. These variants allow for a diverse and multifaceted typography for the discerning type user. Sans serif initials amount to a rare finding. The charming monolinear Elido Initials come in two flavors, elaborate and rational, designed to hold their own in editorial and headline sizes. This type design boasts an extensive character set, many OpenType features including roman and italic Small Caps, five sets of numerals, beautiful ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant glyph “s” for the Upright Italic. These distinct qualities with its versatile and sincere traits make Elido an excellent choice for text and display use.

Hanna has its roots in the Plato and Cilantro fonts published earlier by Wilton Foundry. It is an informal roman and very legible at any size - a rare combination for many applications. Hanna was specifically designed to generate additional income for an orphanage in Ethiopia. Hanna Teshome runs an orphanage of roughly 140 children in Addis Ababa, Ethiopia. She is an amazing lady with a deep passion for orphan kids as well as innocent kids that find themselves in jail because their mothers have been imprisoned - they are treated as prisoners and are typically sexually abused - it is not uncommon for them to commit suicide when they are released from jail at age 18. Most of the orphans end up with Hanna because one or both of their parents have died from AIDS. Hanna relies entirely on donations to keep her orphanage running and this font is a small but tangible way for you to help make a difference in the lives of the orphan kids. I am committed to helping Hanna after visiting the orphanage several times and seeing the jails from where the kids have been rescued. Hanna is my hero because she stepped out of her comfort zone, with no financial support, to take care of the kids. My hope is that you will use this font as a messenger of good. All of Wilton Foundry royalties for this font will go to the support of Hanna’s orphanage in Ethiopia. Thank you in advance for your support on behalf of Hanna and the kids!

Starfire is a retro styled geometric sans-serif family with roots in mid-century graphic design.

Stereotype is a geometrical font in five weights based on the same square. It's a gradient!

This font family, of 3 weights, was inspired by old hand painted signs in Tel Aviv.

The beautiful and elegant typeface is excellent use in wedding invitations, art, posters, and small texts.

Sarastrada is a four weights typeface inspired in the Wild West posters. Published by Letter INC.

The Erbar font was designed by Jakob Erbar for the Ludwig & Mayer/Neufville foundry in 1930.

38 high quality illustrations portraying the first generation of kids growing up immersed in digital technologies.

The Erbar font was designed by Jakob Erbar for the Ludwig & Mayer/Neufville foundry in 1930.

KnewFont simulates neat and meticulous hand printing. Its letters slant left and come in five weights.

A revival of old hand painted sign in Old Jaffa, from the mid of 20th century.

Another batch of vintage letterpress cartoons, cuts, dingbats and embellishments is offered in Print Sellers JNL.

Font family designed for ornament use in texts, with four variants, arrows, emoji, geometry and symbols.

Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

Boink Scratchy Outline is a new variation in a series based on my classic "Boink" font.

BallPill — a trapless typeface in 5 weights alternates: ss01 ss02 ss03 – language: all latin glyphs and

Morris Fuller Benton’s version of the standard American nineteenth century blackletter made for ATF in 1901.

Highly legible single stroked stencil font family in 3 weights. Use for titles, signage, captions etc.

Equator is modern angular typeface available in two weights ready for traveling all over the world.

DB Flower Power is a collection of cute flowers in bloom with a spring themed feel.

The classic story of princes and princesses is represented here in DoodleBat Once Upon A Time.

A quick scribbled font, made to look written in a hurry...and believe me, it was!

52 high quality illustrations portraying the first generation of kids growing up immersed in digital technologies.

The beautiful and elegant typeface is excellent use in wedding invitations, art, posters, and small texts.

A French form of Fat Face, derived from the British; matrices survive at Berthold in Berlin.

A rough and ready typeface created from a series of doodles that comes in uppercase only.

Prospector JNL is based on a lettering example found in an old Speedball-pen lettering handbook.

Part 2 in the series of "things of more or less importance" which include different drawings.

Curbdog is a bold, playful display face with light horizontals and curved terminals in the italics.

Set of vintage ornaments that are easily combined in a rapport (pattern) compositions or elegant frames.

Shearlight is a beautiful signature monoline script typeface with elegant but strong shapes in every glyphs.

A cartoonish, happy font with an uneven baseline, great for use in children's books and cards.

AndrewAndyStencil is a sans-serif, stencil font in two weights derived from the Ingrimayne font AndrewAndreas.

An austere grotesque with a hint of 1990s flair. Designed in the suburbs of Washington DC.

Suzanne in a can is an expressive yet naive writing that has a straightforwardness about it.

A display font inspired by Designer Shock, Designers Republic and the chunky designer look in general.

PL Torino Outline was designed by Ed Benguiat in 1960 after Alessandro ButtiÆs 1908 typeface, Torino.