Get ready to groove with our latest creation, RETRO DISCO font! RETRO DISCO brings the perfect blend of quirky boldness and unique letterforms, adding a dash of playfulness to your designs. With RETRO DISCO, the fun doesn't stop! You can easily play around with its uppercase and lowercase modes to find the perfect fit for any form you desire. But that's not all – we've taken it up a notch by offering 3 widths for each type: Narrow, Regular, and Wide! So no matter the project, this font is here to serve your creative needs. Features: Retro Disco Main File Has 3 Variable: Narrow - Regular - Wide Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Join the party and let RETRO DISCO be the life of your design projects. Embrace the groovy vibes and create something truly unforgettable! Enjoy Designing! Dharmas Studio

In the tradition of the stock cuts that printing type foundries offered as metal, these spot illustrations remind you —for their look and technique— of vintage publications like victorian age newspapers and magazines. Similar to their counterparts in the Whimsies, Absurdies, Ombres, Bizarries and Whimsies series, the Genteta is another collection of little people in funny and absurd situations, recreated in black ink, from imagination and with no reference or models, and then carefully digitized. The Genteta trio of dingbats includes more than 150 new images. Their vectorial file format means you can use them at any size with no loss of quality. Every Genteta dingbat offers ready-made images for a variety of creative projects. They can be used as they come or easily customized in any graphics program. At small sizes they are ideal spot illustrations with a whimsical touch; at large sizes they can bring a whole page, a spread or even a big poster to life. Use them in creative projects including, but not limited to, flyers, brochures, book jackets and editorial illustration.

Brazilian designer Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its vertical strokes. They are slightly bent", simulating a subtle flare. Like many classic sans-serif typefaces (e.g., the original Syntax and Univers), this family does not include true (calligraphic) italics. Instead, a masterful set of obliques has been created. As Stanley Morison articulated in the early 1920s and 30s, these slanted versions of the regular "roman" faces may even work better when one wishes to emphasize certain words or passages within a text. The Beret family of typefaces is suitable for numerous applications, in both text and display sizes. The following nine fonts make up the family's design: Beret Light, Beret Light Italic, Beret Book, Beret Book Italic, Beret Regular, Beret Medium, Beret Medium Italic, Beret Bold, and Beret Bold Italic. Beret was awarded an Honorable Mention in the 2003 International Type Design Contest, sponsored by the Linotype GmbH."

An isolated letters typeface design with a comic feel. All letters start with a prominent circular dot. All final shape letters end with a smaller dot, in addition. The Nuqat (Arabic for dots) font family has four members which include two weights, normal and bold, and comes in regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. The Nuqat font family employs variable x-height values. Nuqat includes only Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nuqat includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

The Arabetic Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Wozniak is a workhorse sanserif typeface in 16 styles that includes a 16 styles display font on itself. On its default shapes brings a modern, clear and bright personality to the text and a wide range of possibilities by supporting many OpenType features, such as oldstyle, lining & tabular numbers, small caps, inferiors & superiors, discretionary ligatures, numerators & denominators, extended fractions, case sensitivity forms and more, all carefully crafted and balanced for excellent legibility and optimum performance both on screen and on paper. But that's not all, every style also includes two complete uppercase sets of display alternates and more than 180 stylistic ligatures inspired by the digital revolution and the early 80s aesthetics. All this blend into a flexible and multifunctional set of over 1600 glyphs, support for more than 200 latin script languages and the potentiality of use in long text settings, headlines or branding, travelling from modern to vintage with absolute ease and naturality. Wozniak was named after Steve Wozniak as a tribute to the pioneers of the digital revolution.

The Dalecarlian runes, or dalrunes, was a late version of the runic script that was in use in the Swedish province of Dalarna until the 20th century.The province has consequently been called the "last stronghold of the Germanic script. When Carl Linnaeus visited Älvdalen in Dalarna in 1734, he made the following note in his diary: The peasants in the community here, apart from using rune staves, still today write their names and ownership marks with runic letters, as is seen on walls, corner stones, bowls, etc. Which one does not know to be still continued anywhere else in Sweden. The Dalecarlian runes were derived from the medieval runes, but the runic letters were combined with Latin ones, and Latin letters would progressively replace the runes. At the end of the 16th century, the Dalecarlian runic inventory was almost exclusively runic, but during the following centuries more and more individual runes were replaced with Latin characters. In its last stage almost every rune had been replaced with a Latin letter, or with special versions that were influenced by Latin characters.

The Dickens's Fairytale – it's a new chapter of VVDS products - The collections of fancy display fonts which will include many typefaces that will be perfectly combined not only with each other, but also with other collections of this series. As a result, you will get a large collection of beautiful fonts and graphics that will help you create beautiful designs without having to look for anything else. All these collections are inspired by classic books design of XIX and XX centuries like Franklin's Library Classic Collection and modern publishing houses like Barnes & Nobel Collectible Editions. This collection is the first one and including 12 font files. The Serif presented in two styles - cutted and normal. The cutted style has two weights - Regular and Bold. Also, there are two types of shadows - block and offset. Plus decor for cutted serif. The cherry on top - curly calligraphic Script with Swirl calligraphy elements for decoration. The both of types has many Open Type Features as Oldstyle Figures, Fractions, Stylistic Alternates and ending lowercase letters for script. • OTF & WEB • Multilingual

Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. He was mainly influenced by William A. Dwiggins (1880-1956), the typographic consultant of Mergenthaler Linotype, who started to develop more legible, alternative fonts for newspaper printing as early as 1930. Swift was named after the fast flying bird. Austere and concise, firm and original, Swift is suited for almost any purpose. Swift has been specially developed to sustain a maximum of quality and readability when used in unfavorable print and display processes, e.g. newspapers, laser printing and low resolution screens. Its robust, yet elegant serifs and its large x-height provide an undeniable distinction to the typeface, making it suitable for corporate ID and advertising purposes as well. Swift 2.0 family was designed in 1995. It's an improved version with technical and aesthetic enhancements and new family members. The Cyrillic version was developed for ParaType in 2003 by Tagir Safayev. Please note that this family includes only basic latin characters; it does not include accented characters required for western and central Europe.

A completely isolated letters typeface design with an overall Hebrew look and feel. Glyphs were designed with an emphasis on isolation and vertical feel with a visual connectivity measure to help easy reading. The Ibrani (Arabic for Hebraic) font family has two members, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Ibrani employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Ibrani includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Cags Hetonal is a rounded sans serif font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Akoher is a vintage display font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Arcandias Downtown is a serif with high contrast combined with alternates so that it can match projects created using this font with trends in modern times.This font is made with precision for each character so as to create a quality font that is beautiful to look at. Arcandias Downtown can be used in various projects, both Magazine Titles, Posters, Newspapers, and others. This font has a variety of alternatives, so that any project that uses this font will look striking, beautiful, and modern.

Racoti is a sans serif font with four weights: Light, Regular, Medium, and Bold. It has a simple, calm, and elegant aesthetic. This font is ideal for a wide range of projects, including quotes, websites, logos, greeting cards, branding materials, and more! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Boetia is an Art Nouveau period font which is designed to give some of the feel of ancient Greek lettering and design. It also echoes the lettering of the Psychedelic poster era and would be a great addition to any 60s font collection. The overall effect is both modern and classical at the same time, with readable, bold character forms perfect for posters or other titling uses. If you like our Hendrix or Pantagruel fonts you're going to love Boetia.

Heno disquel is sans serif style font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Anes Ramuk is modern typography fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Paes qimoe is aesthetic display font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Pluck is an attractive Display typeface that created elegant and modern look. To pick this font is a solution for your awesome graphic projects such a magazine Header, movie poster or flyer design that require a unique touch. This font is a great option in designing logo tagline, and also can be used in invitational cards and another printable stuffs. Pluck Features: Pluck standard glyphs Numeral and Punctuations Multilingual support Discretionary Ligatures Thankyou for picking this font for your awesome projects Regard, Grontype

Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each weight features both caps and lower case, and supports over 200 languages. Marseille will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes La Belle France.

Hibagon is the Japanese equivalent of the Yeti from the Himalayas, or Bigfoot from North America. It is usually sighted on Mt. Hiba (Hiroshima prefecture), hence the name. I have never seen Hibagon myself, even though I have visited Hiroshima several times. Hibagon font is a nice, handpainted, all caps font with a mythical feel to it. It probably won’t scare you, but it will look good on anything that needs a bit of brushwork, or a bit of roughness.

Kod's hulling is rounded sans serif with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Rohn is a modern squarish typefamily with a large x-height. Its letterforms are based on the shape of square with rounded corners. With particular details and large x- height, it is more legible at small sizes both on screen and paper. It has seven weights from Thin to Black with corresponding oblique styles and each weight includes ligatures, fractions, old style numbers, case-sensitive forms and more. Rohn is ideally suited for branding, logo, packaging, magazine, poster and editorial design.

Wakeup Today - Slab Rough Brush Font Club Strong Brush Font is a Authentic brush Font that is written casually and quickly. Every glyphs are made with Procreate. Then trace down into a vector format, and carefully crafted into a typeface. That is why Wakeup Today has rough, authentic and strong characteristic more natural look. You can activate Ligature OpenType panel. Wakeup Today Perfect for designs,branding projects, Logo design, Quotes product packaging and another Project thet require cool strong brush font.

Crayonize is a casual handwritten font with a fresh crayon look, available in two weights. Both styles are all-caps with two options for each letter and numeral, for a natural, organic hand-lettered feel. Contextual alternates feature is included, making it easy to cycle the alternates. Crayonize is excellent for display purposes and small chunks of text: packaging, books, apparel, editorial, greetings cards, opening titles, screens, the list has no end. Give it a try, have fun, and keep on creating!

Saffran is a project of Erasmo Ciufo and Alessio D’Ellena. Saffran is a clear sans-serif with big x-height, short ascenders and descenders, that works well both for headlines and main bodies of text. The objective of the design is to improve readability of small size texts, by clearing the junctions and enlightening the structure of each letter as a consequence. The broken junctions, inspired from the hebrew alphabet, turn into spiky endings that connect to the flat sides only under 7pt.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights ,10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.

Pattycake family is artsy and friendly. Pattycake is a 3D sketched block letter font with lots of hand-drawn energy and bounce. Pattycake Solid is a smooth and cheerful stand alone font that complements Pattycake, and works nicely as a loose fill under Pattycake so you can easily have fun with color! Both fonts have double-letter ligatures in upper and lower for plenty of movement, and are ready to brighten any fun project, especially those designed for young people.

Diegolk is a sans serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Sisco is a complete font family of 18 weights intended for editorial use and brand identity. Open counterforms give it a touch of modernity and technological. Sisco is designed to be legible in small sizes in both paper and display devices. It contains a set of authentic Small Caps and various sets of numerals, fractions, ligatures, and an extensive map of suitable characters for most languages ​​based on Latin characters. Sisco is a typeface that will bring the future to your graphic projects.

Aderyn is a hand drawn, elegant font with a light touch to it. Aderyn is soft and sleek, but also comes in bolder styles to give a little extra oomph to your designs. Aderyn is Welsh for 'bird', a language I meant to master, but never took beyond 'good morning', 'bird' and 'cat'. I know, it's pathetic… Aderyn comes in 12 styles, all of which have kerning, stylistic and contextual alternates for both lower and upper case letters. It even has a smiley!

Cemains is a modern sans serif typeface with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Taurus Retro is an AWESOME swash typeface with its swashes built in as character alternates, instead of being a pesky, separate typeface. This typeface is great for any project that needs both boldness and femininity. It comes with eight font styles. Great for any projects needing a retro or throwback feel, restaurant menus, along with book, movie, and album covers. It has a feminine and juvenile feel simultaneously, and is layerable for cool effects. It has 480+ glyphs, supporting a variety of languages!

Beilu moolli is beautiful modern fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures,s and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Goneasi is classic fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, social media, wedding, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Brotherline is a connected script built from a single bold mono-line, inspired by hand-lettering style and various calligraphy letterforms.The first idea with this font is to create a font for Logotypes. Curves are smooth and flow with very nice circle shapes. This font is great for logos, logotypes, packaging, and store-front or signboard. NOTE: To access the alternate glyphs, you will need a program that supports OpenType Features. Activate the Ligature (liga) and Contextual Alternates (calt) for better experience.

Kine Lariwa is a soft serif font with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

The lettering on the cover of the sheet music for 1919's "The World is Waiting for the Sunrise" was set in a decorative sans serif with an engraved line adorning each character. Reminiscent of the headlines of legal documents, way bills, stock certificates and the like, the digital version of the design was given the name Legal Eagle JNL and is available in both regular and oblique versions. A companion font without the engraved lines is also available as Junior Clerk JNL.

Roundica is a modern geometric typeface inspired by both classic typefaces of the 20th century like Avantgarde, Bauhaus, Futura, Helvetica and some modern fonts such as Abeat By Kai, Comfortaa, Gotham. Started in 2018 Roundica is the main reason for the appearance of Fontease Type Foundry. With its 834 glyphs Roundica includes extended Latin language support, but also Cyrillic and Greek. Designed with OpenType features like ligatures, fractions, small capitals etc., Roundica is perfectly suited for graphic design and any display use.

Musont is an elegant sans serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.