Massi is a fun, funky and retro all-caps font.

P22 Araminta is a new font family from the prolific hand of Ted Staunton. Araminta Regular is a Tuscan style decorative font in the Victorian tradition. The Araminta Caps features a multi-font chromatic type system which allows for layering in colors using optional floral embellishments or simple colorful splashes in drop cap settings. Araminta Regular includes over 390 glyphs for multiple language options, while the multi-layer caps fonts contain only the capital letters A–Z.

A display fontface for titles inspired on Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured. By mid-1997 I was developed the early type edition was called «Muisca Sans» as my work for the degree in Graphic Design (Universidad Nacional de Colombia), based on the concept of pre-Columbian figures characteristics within some of the very few visual elements recovered from the Muisca culture, ancient pre-Columbian tribe disappeared before the arrival of the Spaniards in what is now central Colombia. In fact, the name of the capital Bogotá (the capital of Colombia) goes back to Bacatá as primary or village downtown of what was once the imperial capital of tribe Muisca. Although this unfinished early typographic project has not yet been published, Tequendama is the evolution of the first one. Tequendama reminds the myth of Muisca culture and religion of this tribe. The god Bochica, a wise old man with a white beard heard the cries of his tribe suffered against flooding of their land losing harvests before the divine punishment resulted by the offended god Chibchacun. However Bochica appeared wearing a white robe sitting on a huge rainbow and he broken the mountain towards the southwest wise old man with a golden staff broke the mountain to drain the flooded savanna. This emblematic and iconic place would later be called as «Salto de Tequendama». Tequendama name also been adopted to a nearby province to Bogotá.

Violitta is an elegant minimalist signature handwritten font package with a personal charm. With a style that I feel is the first time being blended with a different brush so it has a natural hand. Violitta Regular contains upper and lower case letters, numbers and various complete signs. Violitta Minimalis includes alternative characters, with capital letters and small that is completely new.

Cordel Interior family draws inspiration from covers of 'cordel literature’, - small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil. Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’.

Stefan Claudius developed this font while he was sitting in a small chalet in Denmark with a hot wood-oven and nothing but snow outside. Probably the amount of white led him to make it so thin and to have as much space between the lines as possible. If you have that in mind, it looks best in large sizes.

Jesterday is a four weight - light, regular, medium and bold - type family that’s suitable for headlines but works great in informal body-copy as well. Even at a very small size it’s still very much legible. For added fun, Jesterday has been subtly enhanced with OpenType ligatures. Can you spot them? Download the demo version to try Jesterday for free.

Black Gold is sophisticated typeface with tons of alternate glyphs, ornaments and multilingual support. It's a very versatile font that works great in large and small sizes. Black Gold is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Feel free to contact me if you have any questions!

Helsing is a serif style font inspired by Bram Stoker’s 1897 Dracula as well as Edward Gorey’s rendition of the story. Helsing is characterized by his slighting skewed baseline, subtle texture, thick and thin contrasts, and decorative legs. Made as a graphic style font, Helsing is perfect for illustrative titles, small bodies of text, and pairing with contrasting lettering style fonts like Asterism.

Understood is a cool alternative for you to easily create a logo for your underground metal band. Using alternate front and ending letters brings the font to life, It comes with a basic character set and a small group of symbols and signs often used in the extreme music sector – the classics of Death- and Blackmetal like pentagram drops, roots, spikes and more.

In its loose, angular forms, it is reminiscent of thorn bushes dotting the immense Kalahari desert. Spiky and freeform, Doorn calls to mind the irregular hand-drawn lettering found on wooden signs outside small shops in tiny African villages. The font contains all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters used in European languages.

Eterna is a very beautiful font with diverse uses. In small sizes it acts like it was a Sans typeface, the swings and points tend to be overlooked. In bigger sizes it works as a very elegant embellished typeface, showing off the rich forms. The capital letters can also successfully be used as Initials. Your designer of very versatile fonts Gert Wiescher

Molagane is a Bold Minimalist Elegant Modern vintage font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It’s a very versatile font that works great in large and small sizes. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

ITC Outback was designed by Bob Alonso, a contemporary typeface with a distressed" look. It combines the rustic 1920s look of Rudolph Koch's Neuland with the proportions of a 1960s headline typeface, then roughens the edges 1990s style. The crude, rough ITC Outback is clearly intended as a display typeface but reads surprisingly well even in sizes as small as 18 point."

Introducing a vintage font Giftbox. It's a classic style font with thin lines decoration. Giftbox font set includes a main font file with lots of ligatures and a simple one which will be more usefull in a small size. Giftbox font has a west european multilingual support (please check out a screenshot with all characters). Thank you and have a lovely day!

Bitsream version of Baker Signet typeface designed by well-known calligrapher Arthur Baker in 1965 for Visual Graphic Corporation (VGC). A design on classical lines with subtle but effective calligraphic touches and flare stroke terminals. For use in advertising and display typography as well as for headlines and small texts. Cyrillic version was developed by Eugene Sadko and released by ParaType in 2008.

Caturrita Display is a new version of Caturrita. Better for titles and small pieces, with a large contrast in the heavy weights. It preserves the same structure of Caturrita, but with a more calligraphic touch, in the ligatures and almost all the characters. It comes in five weights, giving more elegance in the light ones, and strongly and expressive in the heavy tones.

Faesa Breages Modern Classic serif typeface with beautiful ligatures, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Features: Lowercase and Uppercase Ligatures Numerals & Punctuation Accented characters Multiple Languages Supported

Evelyn is a hand drawn bold brush font. Fall in love with its incredible charm and turn any design idea into a stunning progect one. This font will fit into any project, use this font for branding or create a logo, a beautiful frame for your home, or use book covers, stationery, marketing, a blog, magazines and much more for your small business.

A refreshing stars-and-stripes treatment, suggested by lettering artist Francisco Gonzales, combined with the letterforms of an old ATF typeface named "Rodeo", produced this delightfully novel font, suitable for patriotic occasions. Named for a small Texas town, which pronounces its name "Eerie-Ann." Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Frusta is an earnest family of slab-serifs softened by tapered serifs and slightly squared curves that give it a warmth often absent in other slabs. Monoline and with a geometric foundation, this three-weight family includes true italics that can be their own headline face. The airy, yet sturdy construction makes this perfect for small text, infographics, and headlines of all sizes.

Fat Kitty Kat is a hand made, rather bouncy and happy font. It was thought up, drawn and vectorized during an unusually long rainy period in a small Porto hotel room. Kitty Kat's glyphs are rather rough, but legible and fun to use. The font comes with extensive language support and a full range of alternates for the lower case letters.

Introducing CCS Kaelia Sans serif, a Bold Minimalist Elegant Modern vintage font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Hello! Introducing a decorative font named Chewing Gum. It's an abstract shape smooth typeface with curly elements. For the English alphabet, there are alternative characters included. It basically simplified letters that are more readable in small sizes (You can access these letters by activating a "Stylistic Alternates" on your OpenType panel). Twelve fancy ligatures will make your lettering more organic and natural.

Let Tarot wisp you away onto an enchanted journey. This whimsical serif typeface is perfect for headlines, small bodies of text, and feels like magic when paired with scripted type. Inspired partly by Helsing, Tarot features a similar essence, along with an alluring and spontaneous handwritten presence. Tarot is a charming font used to make anything created feel bewitched. Presto!

Carole Sans is the sibling to Carole Serif, a modern interpretation of the old-style serif model. Carole Sans follows the same skeleton and proportions, while creating a strong distinct texture with a wider range of weights. It performs great in small sizes, yet offers tons of character for packaging or editorial design. Designed by Matz Gasser and Helene Krieger.

La Marisa is a Minimalist Modern Elegant vintage font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. La Marisa is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Square "robocap" typeface containing some little bit of experimental letters such as "t" or "f". Designed by Dusan Jelesijevic who wanted to make a font that would look heavy as building construction printed on your shirts. Even if it looks strong and stable, it is surprisingly very readable at small sizes which make it perfect for titles, posters or logotypes.

Natural Cadence Modern serif Font typeface with beautiful alternate, special glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Accented characters Multiple Languages Supported Features: Lowercase and Uppercase Alternate Numerals & Punctuation

La Paz is a typeface created to emulate handwriting. It consists of three different alphabets which are interleaved to provide variations in height, weight and inclination, typical of handwriting. In addition it has tens of ligatures, ornaments and opentype programming that help to recreate human gestures. It's ideal for use in small sizes for designs with a warm imprint and with manual gestures.

Miso was designed for architects' drawings. It’s a clean and narrow typeface suitable for small text but also for headlines and logos. The spacing of Miso follows the logic of mono-stroke fonts as found in CAD software. The starting point for this typeface was the lettering style of the International Organization for Standarization found in ISO 3098-0:1997.

Prestige Elite is a word processor face which offers clear and monospaced type. The slanted versions have kept the same design as the roman font. The word Elite denoted a specific size of typewriter face. The Prestige Elite font family is easy to read, even in small sizes and is useful for tabular material with narrow columns, such as directories and lists.

Alore is a modern serif font family in geometric design, based on the complimenting design of AB ONE. By focusing on the small details during the design, a font was made that comes with a very dynamic style, combining modern elements with classical serif elements. Use Alore for a wide range of your projects, from headlines all the way to messages and text.

Bit Part JNL is an extra condensed monoline sans serif typeface that's well suited for movie credits, disclaimers and other forms of tight-fit word copy. Inspired by just the numbers "65" on the cover of a 1965 high school yearbook, this retro font will fit a lot of copy into a small area. The typeface is available in regular and oblique versions.

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

Literal is a classic sans serif typeface with closed shapes. Simple and elegant at the same time, it is perfect for a wide range of uses, where you need both large and small text, be it a print product, website design, logo design and much more. The font supports Extended Latin and Extended Cyrillic. Created in 2019. Type designer Igor Kosinsky.

Carole Sans is the sibling to Carole Serif, a modern interpretation of the old-style serif model. Carole Sans follows the same skeleton and proportions, while creating a strong distinct texture with a wider range of weights. It performs great in small sizes, yet offers tons of character for packaging or editorial design. Designed by Matz Gasser and Helene Krieger.

Fabrikat Normal is a geometric typeface which is based on 20th century German engineers’ typefaces. It is optimised for small sizes and long texts, but due to its constructed architecture it also works in headlines or display use. You can combine Fabrikat Normal with the more straight and space saving Fabrikat Kompakt or the reduced to the max Fabrikat Mono.

Foundry Journal is appropriately named for its intended purpose in journals, magazines and publications, where narrow column measures require a more condensed typeface, for the most economic use of page space. Foundry Journal has a characteristic subtle angularity, accentuated by well-defined curve to stem junctions, facilitating legibility and making it an ideal typeface when set at small point sizes.

Okay Cotton is soft & gentle -- specially made for situations where a pointy hard-edged font just isn't up to the job. This font is extra-soft but stays true to form -- delivering your message with clarity. The small details make Okay Cotton friendly & inviting. Okay Cotton is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.