Pandemizing is a decorative font with microbe-like letters and additional medical figures. It reminds you of the importance of healthcare. Supports multiple languages.

An old printer's advertising cut for Red Star Oil Stoves yielded a typeface that was both vintage and somewhat techno at the same time. Originally drawn as a slanted logo, the individual letters had an array of chamfered, angled and flat sides combined with a bold outline. This font is available in both vertical and oblique versions.

Robot OS CORP AI Wrote version: 2.0 is the first version, including 340 characters, there are 4 types of handwriting that are: Regular (Regular); Italic (Italic); Bold (Bold); Bold Italic (Bold Italic). The sturdy, strong, robot-like design is the idea to design this typeface

Unlike the modest fonts in your menu content with discreetly imparting information, Carnival is conspicuous by design. Deliberately engineered to attract eyeballs, the typeface’s unmistakable silhouette produces a dramatic visual texture that stands out in print, on screen, or in any environment where your message demands to be noticed. The steady yet vibrant rhythm created by its letterforms also makes Carnival ideal for fashioning alphabet patterns and graphic devices. Flaunting a lean slender body anchored by stout stroke endings, Carnival turns conventional typographic thinking on its head by inverting the relative thickness of its stems and serifs. This reverse-contrast approach stretches all the way back to the roots of modern advertising, when similar types became the favorite for posters, packaging, and loads of consumer products during the 1800s. The striking style prevailed well into the next century, as Harold Horman, co-founder of New York City-based Photo-Lettering. Inc., modernized a version for the company’s popular film-typesetting service in the early 1940s. Digitized and expanded by Dan Reynolds in 2013, Carnival had previously been used exclusively for House Industries projects. Now you can get in on the action, and use this stunning slice of type history anytime you want your work to turn heads. SUGGESTED USES Carnival’s unique character commands attention, making it the perfect voice for promotional pieces, editorial design, labels, packaging, posters, and any other application that needs to strike the right tone. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Megar is a display font with a bold retro feel and available in 2 styles, regular & oblique. It is suitable to complement your work with a retro or pop art theme. Megar is sold at affordable prices and you will get lots of bonus background gradient & gradient shapes. Get this font right now! Don't miss this product from us! Also check out our other products. Viaction Type

Inspired by a bustling village within Aotearoa New Zealand’s capital city of Wellington, Tinakori is an elegant and sophisticated serif font that invokes art deco, classical art and thin balletic structures. It’s been a passion project that’s finally come to fruition. The simple italic and bold versions help accentuate the individuality of the serif which is precise but holds a fluidity that makes it feel inventive.

Bill Display is a post-Max Bill font, developed in close cooperation with the Max Bill Georges Vantongerloo foundation. MAX BILL Last universal scholar, most important design teacher of the 20th century: There are superlatives, always very enthusiastic, when the importance of Max Bill is discussed. The trained silversmith studied at the Bauhaus, with personalities such as Josef Albers, Paul Klee and Oskar Schlemmer. He worked as an architect, later as sculptor and designer.

Hand Boys Is a typeface signature font that is inspired from Boys handwriting style. Suitable for making Greeting Cards, invites, quotes, book content, T-shirt, child magazine contents, short story, poster label etc.

Geometric typefaces can harken back and visually tie themselves to so many genres, from constructivist posters, to techno club flyers, to raw industrial era power. The Offroad family finds its origin of inspiration in the O’Neal MX logo for their motocross division, represented in its truest form in the MX styles of this family, and expanded to a type megafamily. Offroad grabs hold of that unique pseudo-unicase style and runs with it to create a range of widths and weights that are perfect for historical through modern use. It embodies the hardcore motocross rigidity from the limited inspiration of the original logotype and expands to include a full and expansive glyphset, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Offroad Collection bundle: 382 glyphs per style - including Capitals, Lowercase (Unicase Style), Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) 45 fonts in 6 width subfamilies: Extra Condensed, Condensed, Standard, Expanded, & Wide. 5 weights per subfamily with obliques: Light, Book, Regular, Bold, & Black. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Offroad Collection is for you: You're in need of a geometric pseudo-unicase family with a big range of weights and widths You're a die-hard motocross fan, and want to design anything within that genre You're a club flyer designer, and need a kick-ass techno style font family You're totally into constructivist design, and want to create designs within that genre You just like to collect quality fonts to add to your design arsenal

The Kairos™ Sans family melds 19th century wood type design traits from fonts called Grecians with current-as-today sans serif letterforms. The distinctive octagonal corners of the original design are still there, but Kairos Sans has been streamlined through the sensitive shaving of its serifs. Drawn by Terrance Weinzierl to complement his Kairos family, Kairos Sans provides a natural counterpoint sans serif design and stands on its own as a powerful communication tool for everything from two-foot high display copy to the smallest sizes of text content. Kairos Sans is available in 48 styles; 8 weights in three widths, all with matching italics. In addition to a full Latin character set that support most Eastern and Western European languages, it also has the necessary characters to support Greek and Cyrillic scripts. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended.

Childlike on the surface, Gongo hides the maturity and wisdom of age. Flowing freely across the page with a graceful ease, Gongo manages to make its mark with every letter, resonating deeper than first appearances. For authority backed up in a friendly tone or wisdom imparted in light hearted words, Gongo is the go to font.

TD Tinda is a display typeface classified by its hand-lettered style infused with a pronounced calligraphic influence. Each glyph carries an organic unevenness, imparting a playful and expressive quality. TD Tinda is particularly well-suited for label and packaging design, posters, and headlines. Typeface Designer/Copywriter: Inu Catapusan Art Director/Copy Editor: Regine Ylaya Foundry: Tribox Design

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.

Great ultra bold sans serif font and demi bold wonderful for display.

Multilayer Roman font with 8 levels, inspired on ’70-80s, it wears sharp edges and compact proportions, with a way fresh contemporary retro volumetric style, ideal for branding & packaging, logotype, headlines, covers, sign letters, label, ticket design, and even 3D lettering. It contains a variety of design resources like stylistic alternates, sensitive case adaptations, old-style numbers, fractions, ordinals, ligatures, localized forms, all of them are accessible via character set panel. Design period: 2019 & 2021. Release: 2021 Graphic interpretation: Pedro González Concept: Bruno Jara Development: Peggo Fonts Foundry.

Loosely based on Bembo and Plantin, the Perrywood font family retains some old style characteristics which give the face a familiar feel, however much attention has been paid to optimizing the design to give good quality output at small point sizes and from low resolution output devices. The consistency of character shapes allows close letter spacing to give compact word shapes, excellent word recognition and an overall economy in text. Perrywood offers good legibility and, coupled with an even text color will be very useful for text setting, in correspondence, for faxes and reports.

Kettering 105 is inspired by the classic, geometric slab-serifs such as Lubalin, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern slab-serif, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. The Kettering 105 family comprises of six weights and is closely related to Kettering 205, its more intensely Deco flavoured cousin.

The font Kyiv is an attempt to unite old-style antiqua with the Ukrainian tradition and modern requirements. Besides having usual italics the Renaissance tradition of "semi-italics" renewed, compact weights are also provided. Special charm is added by decorative motives of chestnut leaves and flowers. The weights are included in a way to promote the solution of various tasks both text, and an accidental set in various combinations. The font Kyiv was awarded the 2nd prize in category of text fonts in the first Ukrainian typeface competition Ruthenia in 2010.

Kafenia is a geometric display typeface, consisting of capitals and small capitals only. Inspired by the combination of vintage and decorative aesthetics with squarish and compact look, Kafenia claims to be a classy and old stylish slab serif. With more than 1540 glyphs Kafenia is a great tool for your designing needs. Flexible, easily wrapped and reformed with plenty of open type features, Kafenia aims to provide versatility and lots of options for unique results in logos, posters, headlines and every design inspiration you dare bring to life.

Introducing, A NEW POWERFUL BOLD FONTS WITH ALTERNATES, Point Panther! Point Panther is a headline font with super bold style that contains up to 6 Alternates each characters! You can make a unique branding with this fonts. this powerful bold fonts also included italic and outline style! This fonts suitable to use for poster, branding, merchandise, and any street art style! Also support multilingual. What will you get: Point Panther Regular (Regular, Italic ) Point Panther Bold (Bold, Bold Italic) Point Panther Outline Regular (Regular, Italic ) Point Panther Outline Bold (Bold, Bold Italic) How to access the alternates! If you use PS/AI you can see the tutorial in this : https://helpx.adobe.com/illustrator/using/special-characters.html You can use the PUA for software design that not support Opentype. For another questions, please send a mail to saridezra@gmail.com. Thank You!