You request perfection--that ideal equilibrium of compact dimensions and geometric underpinnings that leaves you with pure, clean lines of a highly legible sans. We give you Solitas, a 7-weight sans-serif from Jeremy Dooley. Made of 42 fonts, from the slender thin to the powerful bold and their matching italics, this typeface family features typographic options including ligatures, fractions, alternate unicase, upright italics, and titling caps. Coupled with its pure design and style, this makes Solitas a successful workhorse typeface. The result of simplification and reduction, Solitas is well-suited for the headlines and shorter texts of promotions, packaging, editorials and branding, both in print and on your website. That's it. It's that clean, that simple, and possibly that perfect for your next layout. Get it today.

Benda is a modern geometric script font with roots in the calligraphy and lettering of legendary artist Jaroslav Benda. With bold, predominantly low joins, the robust monolinear character strokes shine in one-word and short inscriptions as well as in longer headlines. The practical letterforms do not clutter the space with loops and curlicues, while the emphasised baseline helps to underline the importance of the message. What’s more – Benda is a smart font, automatically replacing conflicting characters with suitable alternatives as you write so that the final text flows seamlessly. Because Benda is the sequel to Jaroslav, it derives the slant, colour, and geometric characteristics from the sans typeface, forming the perfect companion to the font. So much so, it can serve as a second italic emphasis in long texts.

Classica Pro by Bernd Möllenstädt A real alternative for letterpress printing A masterpiece It was only after many years, shortly before the end of his life, Bernd Möllenstädt brought out these early drafts of his Classica Light and Light Italic from his drawer, and asked me to produce for him on the computer a Bold and Bold Italic, from which we later wanted to interpolate further cuts like Regular and so on. The boldening of letters with an oblique axis and with hairlines which should not grow to the same extent as the general line widths, is hard to cope with perfectly, even for the smartest computer program, and even more so, when it concerns an as complicated set of data as those conceived by Bernd. The automatically generated result could therefore only be a first step that had to be improved manually later. This was about the stage that we had reached when Bernd died in March 2013, leaving me behind with comprehensive corrections on proofs of this automatically generated Bold. Although I was aware that it would mean a lot of work to complete the project, I did not want to leave it unfinished and decided to finalize and publish the Classica, also in Bernd‘s honor. In the course of the two years that I worked on this font family it somewhat naturally became also my own. New details were added and some of the existing changed. A book typeface requires the supreme and forgives rarely, it represents a true masterpiece. My intention and my ambition were to create a real alternative for letterpress printing, with a font family that contains all the typographic options for an excellent typesetting, and is better readable and has a better appearance than other existing typefaces. Whether this was achieved, the reader may decide. Volker Schnebel, Hamburg, december 2014

Nora Grotesque is a modern sans serif type family of five weights plus true matching obliques, all completely equipped with opentype features, fractions, lining numbers, old style figures, capsular numbers, superscript and inferiors. It has been designed parallel within the neogrotesque universe of typefaces and is inspired by humanist proportions and humanist-grotesk features in multiple languages, support Central and Eastern European as well as Western European languages. Working on Nora Grotesque type family, we've aimed to create a modern geometric grotesk with the widest implementation range, a reliable workhorse. Nora Grotesque is equipped for complex, professional typography with a high x-height for maximum legibility and a powerful personality then other alternates. We've been especially careful working on the uniq geometry of each glyph, both from the point of view of visual correctness and forms continuity.

Introducing Bradrock, a vintage slab serif typeface. Inspired by old-school cowboy design, and circus-style. Bradrock has a more decorative typeface by adding bold bifurcated serif on the letterforms. This font is a perfect choice for vintage or old-school themes. Bradrock is an all-caps font, which represented strength, confidence, and an old-school aesthetic. You can use this font for many purposes such as vintage logos, mugs, embroidery, prints, display, short text, packaging, cards, emblem, signage, and many more! Equipped with special characters to get your design more powerful. TTF & OTF in a zip file including : Uppercase Small-caps Numbers & punctuation Accented characters Stylistic alternates Stylistic set 01-03 That's all, folks! Thank you for visiting.

The geometry of Paul Renner’s sans letterforms was tempered by optical correction to follow earlier typeface proportions, with capitals close to old-style forms, yet still retaining the spirit of the New Typography. His early experimental characters were included as alternatives in the sans which was to become the Futura released by Bauer in 1927–30. Unusually, old style figures also appeared in his early versions but they too were soon discarded. Foundry Architype Renner as a new four weight family has been developed from the original Renner Regular and Bold, created by The Foundry for the first Architype Collections in the early 1990s. This new family features the old style figures and the experimental elements.

Brish is a bold modern high-contrast sans serif typeface that balances visual interest with restraint. Perfectly designed, the Brish has dramatic angled terminals and elongated stroked ends that give it a sense of elegance and dynamic rhythm, making it an obvious choice for fashion, beauty, or luxury branding and typography. Its large x-height and rounded shape ensure it maintains flexibility and legibility in a variety of applications, such as headlines, signage, and display settings on websites. Brish also Comes in Italic style by offering a more classic and refined look, presenting a touch of the traditional Didone serif. Brish is a truly versatile 18-style font family ready for any project.

Kwersity is a boxy, geometric, slab-serifed typeface with strokes of uniform weight. Its circular elements are almost rectangular. The narrower style has a high x-height. Both the narrower and wider variants come in three weights, regular, semi-bold, and bold. (In its original, pre-2020 form, what is now semi-bold was bold. What is now bold is new as of 2020.) There is also a shadow version; Kwersity-semibold can be layered on top of it to color the interior of the letters.

Kingsad is inspired by the contemporary trends of visual design nowadays. Combining the modern and elegant vibes with the breakthrough of typography hierarchy, but still holding on to the function and voices of the sans-serif core. Contains 5 styles in a family from thin to bold to expand the versatility usage. Perfectly fit for your logo and modern visual branding touch. In short, Kingsad is an easy font to go with.

Max J. Gradl was a German jewelry designer. A Web search today turns up several examples of his work from the turn of the 20th century. He seemed to favor green stones in silver metalwork. Gradl also did advertising work and co-authored a book on architectural design. Most important for our purposes, though, are the incredible hand lettered alphabets and monograms the man left behind. I’ve digitized one of those delightful alphabets and tried to keep it true to the original. Beyond the base character set of letters, numerals and basic punctuation, I had to extrapolate forms that, I hope, hold true to Gradl’s design. Enjoy!

Nektar is a soft & smooth sans serif typeface with spirit, personality and distinction. This bold, semi-condensed and human sans serif is inspired by the "perfect imperfection" of old prints. The typeface is lively and eye-catching, ideal for where and when you want to make a positive and human impression. The font has over 650 glyphs. It has Multilingual support (including Cyrillic script).

A heavy, bold font based on two hand lettered type specimens from the 1920s. Original designer unknown. The font has a unique combination of both Old World and Asian influences, while still maintaining a fun, upbeat casual feel. Contains a full set of Alternate Caps found under the "Stylistic Alternates" OpenType feature. Contains language support for both Latin-based and most Eastern European languages.

Inspired by the old style serifs of 19th century print labels that have a classic touch in this modern era Carefully crafted with lowercase and uppercase to complement this font as well as using variable bold and thin shapes to give a sense of beauty and strength to the letterforms Carterwood is great for designing posters, labels, sign paintings and other media to enhance your visual appearance

Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The powerful letterforms can make a strong impression on everyone. Try this HANDSOME serif that reminds you of the old days, about one hundred years ago.

Amasis is a slab serif design which has been drawn with a humanist approach, rather than the traditional geometric construction associated with this style of letter. The result is a typeface that has an affinity with the Ionics, although in character it belongs to the latter decades of the twentieth century. The Amasis italic fonts, rather than being sloped roman or cursive in nature, are related more to the Old Style italics. Amasis works particularly well in small sizes where readability is important. Amasis has proved excellent for use on low resolution printers and for facsimile transmissions.

Introducing Ultra System; A modern exploration of 8 fonts, each carefully designed to naturally compliment one another. With 6 clean sans fonts and 2 textured script fonts, Ultra System gives you a variety of ways to combine and arrange each font, allowing you to create striking & modern typographic designs. This typeface collection consists of 8 fonts; Ultra System Script • A textured, bouncy & flowing marker script font containing upper & lowercase characters, numerals, and a large range of punctuation. Ultra System Script Alt • This is a second version of Ultra System Script, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Ultra System Sans • A wide, bold sans font containing uppercase only characters, numerals, and a large range of punctuation. Ultra System Sans Line One • A thick outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Line Two • A thin outlined version of Ultra System Sans, pair this with other Ultra System Sans fonts to add emphasis to words or phrases. Ultra System Sans Italic • Italic variations are included for all 3 Ultra System Sans fonts. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you, but if you need any help accessing then please feel free to drop me a message. Language Support • All Ultra System fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Caroni is a cute handmade typeface, which was originally created in 2018 as a free font. It has a simple and clean look, and works great for longer texts. Caroni has already been used in numerous children's books, so now it was time to extend Caroni's look, and add more styles. The Caroni Family at a glance If you like Caroni, you will love the Caroni font family! Caroni now comes in bold and italic, and it has nine awesome siblings: Avenue (all dressed up with stylish serif strokes) Lime (the skinny version of Caroni) Avenue Lime (the skinny version of Caroni Avenue) Tabanca (dark and heavy, this is Caroni's brush version) Doubles (enhanced with fine lines) Fete (with fun little dots) Coconut (Caroni's outline style) Soursop (Outline with dots, a great display font) Carnival (a quirky and fun all-caps version) Caroni was created while staying with a friend in Trinidad, hence the names :) Languages supported: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

Hassan is a traditional-style Arabic text face designed by Hassan Sobhi Mourad, an experienced calligrapher and teacher of the art and first produced by the Linotype Design Studio (U.K.) as a PostScript font in 1993. An individual Naskh style, Hassan cleverly combines elegant proportions, echoing an inscriptional Thuluth in its tall vertical stems and deeply rounded final jim and ain. The effect of verticality is enhanced by the tense, reined-in kerning strokes of ra and waw, the well-poised lam-alif, and the compactly drawn ligatures. The broad-band strokes of Hassan Bold smooth some of the angularity and relax the tension apparent in the Light. The traditional-style ligatures are rendered with an easy flow. Because of the economical character count, Hassan Light and Bold text may be headed by the compact titling styles (Hisham, Mariam) as well as designs like Ahmed or Kufi which answer to the inscriptional qualities of Hassan. In addition to other uses, Hassan would be particularly suited to document text-setting. Hassan’s two OpenType weights include Latin glyphs from Janson Text Roman, and Janson Text Bold, respectively, inside the font files, allowing a single font to set text in both most Western European and Arabic languages. The OpenType glyph ranges incorporate Basic Latin and the Arabic character set, which supports Arabic, Persian, and Urdu. The fonts include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Meet our Gurland - Bold Retro Elegant Serif Font A captivating blend of boldness and timeless charm. This font exudes an elegant, vintage vibe with its strong, distinctive serifs and bold strokes. Perfect for making a statement with a touch of retro sophistication.

Get inspired with Fester Behance presentation After several years of iterations, our brand new sans family of 16 styles is ready to take over with vector excellence! Fester is a semi-condensed Grotesque developed to beam big messages across the galaxy with a clear, bold voice. Emerging as if from the future, this low-contrast sans warps slick lines and sharp terminals into unexpected geometric shapes for extra flair. Ranging from Thin to Heavy, the typeface is loaded with 8 weights + italics, one variable style, over 760 glyphs, and Extended Latin + Cyrillic for flawless work at hyper-speed. Fester syncs with designs that feature big type, sharp layouts, interfaces, outlines, and raster images to help decipher any cutting-edge idea and make a memorable first contact. Family overview: 8 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 760 glyphs Variable Font 1 free font - Fester-ExraLight 130+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates Slashed Zero

Honey Beachy is a retro display serif font that exudes a classic charm and bold character. With its design inspired by retro styles, this font brings an elegant touch and evokes a sense of the past. Each letter is meticulously crafted with careful attention to detail and proportion, resulting in a visually appealing and unique appearance. Honey Beachy is perfect for projects that require a vintage feel, such as posters, logos, packaging, and promotional materials that aim to capture a nostalgic and sophisticated atmosphere. This font will add a special touch to your designs and captivate viewers with its retro allure and distinctiveness. Honey Beachy Features: - Regular And Outline - Uppercase And Lowercase - Alternates And Ligature - Numerals & Punctuation - Accented characters - Multilingual Support - Unicode PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

Proudly present Mockey Clown - Cloud Type, created by ikiiko Mockey Clown is a decorative hipster font in a cloud style. This font is a contemporary and stylish typeface that is ideal for any creative project looking for a distinctive and trendy look. This font style is ideal for designs that need to communicate a sense of movement and whimsy because it has rounded edges, flowing lines, and a slightly bolder appearance. This letter has 3 styles that you can mix or play with to make it more decorative with the addition of bold or contrasting colors, creating a trendy look that is perfect for modern designs. Overall, this typeface is a sleek, customizable choice for any design project that needs a fresh, trendy look. This typeface is perfect for an youth stuff, magazine layout, poster, fashion brand, urban style, quotes, or simply as a stylish text overlay to any background image. What's Included? 3 Styles: Regular / Outline / Fill Uppercase & Lowercase Numbers & Punctuation Ligature (Bonus) Multilingual Support Works on PC & Mac

Kitchen Knife - Display Font a bold, quirky display font with a fun, trendy street style vibe. From posters designs to t-shirts and packaging, Kitchen Knife will give your designs that alternative minimal look and make your creative work look supercharged. Kitchen Knife was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. With a Kitchen Knife , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Magilla is a new elegant serif font that will add a touch of luxury and style to your projects. This is a very versatile font that works well in large and small sizes. Perfect for editorial projects, magazine headers, Logo designs, Clothing Branding, product packaging, and showcasing masculine and feminine qualities. Magilla is equipped with uppercase, lowercase, numbers and full punctuation + Multi language support and PUA-encode. A SUMMARY OF WHAT'S INCLUDED: Magilla Regular Magilla Bold Magilla Outline To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Features: 3 Font weight Uppercase & Lowercase letters Alternative & Ligature Styles Numbers & Punctuation Characters with accents Supports Multiple Languages This type of family has become a work of true love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you do with Magilla! Feel free to use the #Dora Typefoundry tag and # Magilla Serif font to show what you've done.

Stacked Letter – Display Font a bold, quirky display font with a fun, trendy street style vibe. Stacked Letter was hand-drawn, making its outlines somewhat irregular and quirky. It has an almost hand-lettered look; the characters jump around the baseline giving it a charming but urban look and feel. Stacked Letter suitables from posters designs to t-shirts and packaging, Stacked Letter will give your designs that alternative look and make your creative work look amazing. With a Stacked Letter , it will be very suitable for your project, which is related to fun, trendy street style vibe. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.