Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

Originally designed in 2003, TitanText now becomes TitanTextOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

Capstone is a display typeface influenced by the bold angular features of stone architecture, especially that of cathedrals and archways. It works well for short bold titles or brands.

Rockids is a bold display typeface, Comes in two styles sharp and softed with bold characters, this font is perfect for headlines, posters, movie titles, Games, branding and others.

Originally designed in 2003, Titan now becomes TitanOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

PL Fiedler Gothic Bold is a display sans serif designed by Hal Fiedler. The distinguishing characters in the PL Fiedler Gothic Bold font are lower case q and t.

Bold corroded font

Bold Serif style

A creepy and gloomy display typeface is called Ghostly Whispers. This typeface is perfect for use in stationary, logos, t-shirts, paper, print design, website headers, picture frames, flyers, album covers, posters, image sliders, and other items.

Softly Darkish is a brush display font. This font is ideal for use in a variety of contexts, including stationary, logos, t-shirts, paper, print design, website headers, picture frames, flyers, album covers, posters, and image sliders.

SysFalso™ is the calligraphic version of the font family Sys™ Designed to be part of the corporate image of YU SpA, an insurance brokerage firm, in order to archieve a more casual and fun communication.

Once again, another eclectic mix of vintage cartoons, ad cuts, sales builders, dingbats, borders and embellishments come together in Print Shop Cuts JNL. These charming images add that touch of "retro" to any digital or print project.

From cartoons to ad helpers to embellishments and ornaments, Letterpress Pieces JNL is another collection of vintage imagery from the pre-computer era of printing and advertising.

Utopia, created by Robert Slimbach and presented by Adobe in 1992, was intended to solve a number of typographic problems related to office correspondence. This demanded versatility, so Slimbach created a font family with cuts for text, for titles, extra bold for headlines, small caps, all caps with numerals, old face numerals, fractions, ligatures and scientific markings. Not just its forms, but also its aesthetics make the balanced, elegant Utopia suitable for any use.

Treasure Stones is a display typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage theme. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Going back in time, Locomotype presents Bradia, a classic style font that brings out a vintage and old-fashioned feel. Available in three weights: Light, Regular and Bold. Discrectionary Ligatures feature is also included to enhance some letter pairs when applied to typographic designs. Bradia is a stylish and versatile typeface perfectly suitable for a wide range of applications, especially headlines and short lines of text, posters, packaging, logotype, in both print and digital media.

Mantana - Retro Vintage DIsplay font is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more. Mantana - Retro Vintage DIsplay font comes with stylishtic alternates and ligatures. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

In a classic logotype style, Indiana Script is a sharp and steady typeface created by Måns Grebäck. With its bold brush strokes and vintage tilt, this typeface works great in old-style logos and headlines. It contains ligatures and alternate characters, and supports a very wide range of languages. Write _ after a word to get a swash. Example: Indiana_ With ligatures activated, write _ and a number for more swashes. Example: Visual_2 Music_6

Kanzaki is a display typeface sculpted with special curves inspired by old typography combined with semi-reversed contrast. A semi-serif font that has a classic and elegant feel, yet warm and friendly. To beautify your creations, Kanzaki is equipped with various opentype features such as disrectionary ligatures, alternates, swashes and stylistic sets. Available in 5 weights: Thin, Light, Regular, Medium, Bold and its matching italics. Perfect for branding, packaging, logotypes, labels and posters.

NovaHispane typeface is a serif typeface with a clear, serious, elegant, old and modern touch at the same time. This typeface is perfectly suitable to be used in books, magazines or any printed media that requires showing a set of traditional or modern styles. Its four weights Light, Regular, Bold, and Heavy make a well-marked visual game for highlighting words from text; in addition to having the italic forms for each weight.

Morthern is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font. With both weights you have two different shapes in terms of uppercase letters that aim to distinguish between title of the letter and the paragraph.

Routemaster is a hand-drawn condensed title font by the graphic designer Daniel Thomas. Found under the stairs, hand painted on a dusty rolled up bus route canvas. Re-created and refined with additional glyphs, Routemaster is old, bold and unique. A characterful font. Pleasant for posters, lovely for a logo, brilliant for branding, tasteful for t-shirts, playful for packaging and becoming for book cover design. Enjoy your design journey with Routemaster

Jaferon is a display font that comes with a stunning superhero style. Ready to take the lead in projects that call for a bold, bold touch and a bold look. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Nezue is our first font family consisting of neat and elegant lowercase and uppercase letters, comes with 9 styles (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, and Black) Formed in a modern style that can help your visual branding look younger, detailed letterforms for optical contrast can make this font even more attractive

Introducing Mixoma, a combination of Serif and Sans strokes gives Mixoma a stylish look. The available stylistic alternates are designed to make your typography look more unique and help bring out your inner Mixologist. Mixoma is available in 9 weights, Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black each having an italic version. Enjoy!

Harald Geisler wants to make you as brilliant as Albert Einstein. Or at least let you write like him. Or at least write in his handwriting. — The Wall Street Journal Imagine you could write like Albert Einstein. The Albert Einstein font enables you to do exactly that. In an joined effort, creators Harald Geisler and Elizabeth Waterhouse, spend over 7 years on finalising the project. It was made possible with the help of the Albert Einstein Archive, the Albert Einstein Estate, and funding by a successful Kickstarter Campaign of 2, 334 backers. The outcome was worth the effort: a font unprecedented in aesthetic technique and a benchmark for handwriting fonts. To create a result that is true to the original, Harald Geisler developed a method to analyse the movement of the famous writer. Letter by letter, every glyph was digitally re-written to create a seamlessly working font. It is the only font that holds 5 variations for each lowercase and uppercase-letter, number, and punctuation sign. Each based on meticulous detail to the original samples of Albert Einstein’s handwriting. The OpenType contextual alternates feature dynamically arranges the letters automatically as you type to ensure that no repeated letter forms are placed next to each other. Stylistic variants can also be accessed through stylistic sets. The font has 10 fine-tuned weights ranging from extra-light to fine and extra bold to heavy. The result is a vivid handwritten text true to the original. A PDF documentation, showing step by step how the font was made and comparing numerous original samples, is included with the font and can be downloaded here. The work has been recognised internationally, by press, Einstein fans, and designers. Some quotes used in images: “The font is beautiful“ — Washington Post “If you could write like Einstein, would it help you to think like Einstein?” — The Times (London) “Finally, if your colleagues aren’t taking you seriously, then perhaps you could start sending e-mails in a new font that mimics the handwriting of Albert Einstein.” — Physics World “Geisler and Waterhouse are really asking deeper questions about the diminishing (or evolving) role of our flawed, variable penmanship as a conduit of thought in today’s pixel-perfect landscape.” — QUARTZ “Your writing will look imaginative — which is exactly what Einstein would've wanted." — Huffington Post Arts & Culture "Forget Myriad Pro, Helvetica or Futura. The only font you’ll ever need" — Gizmodo “Capture a piece of Einstein's genius in your own writing." — Mashable

Moho is inspired by the Victorian sans shapes, movements and expressions of modernism art deco and constructivism, conceiving a decorative and elegant font, modern and readable display. This provides a retro look style of elegance of the 30s. Moho Condensed font family is straight, vertical, with joints and links or curvilinear or angular. Moho provides an innovation in the form of letters, to replace traditional forms of curves by straight or vice versa. Condensed Moho is a category of inline square letter, has an efficient OpenType programming for all Moho family, and basic for Moho Std Style family to compose texts in European languages ​​of East and West, having im Pro a wide set up to 610 glyphs. Designed to hold and typesetting over 14 pts or less increasing readability depending on the tracking. Moho Condensed is ideal for publishing newspaper and magazine design, convenient for the design covers and labels due to its space saving. Moho Condensed typefaces are closely related to the arts and fashion are very useful in creating logos and brands.

Risotto Script is a sexy font designed by Felipe Calderón, it represents the texture, sound, smell and flavor of food that come in those interesting packages with different concepts. This font makes you want to eat it because it is designed with a unique texture like a lot of vegetables, it has flourishes that suggest herbs and country roots. Calligraphy with folded pen and food packaging were two of the inspirations to develop this project that will work well wherever it is applied. Risotto Script Pro has 672 glyphs that have the purpose of covering a lot of writing options with different results, by applying OpenType programming as: - Standard ligatures - Stylistics alternatives - Contextual alternates - Discretionary ligatures - Swashes - Terminal forms - Stylistic Set 1, 2, 3 and 4 - Initials (it includes leaves in some endings) NOTE: The X height is generous, in order to design signs to 8 and low size. You`d better get the “extras” for a more complete experience. Most of the Standard ligatures include Stylistics alternatives with detailed endings Multiple language options.

Azkanio is a sweet and charming script with a unique style. Get inspired by its bold feel, and turn any design idea into a true standout with this bold script!

Bookseller Bk is a typeface designed for books and legible text at a small sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Bk includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Bk is also available in Caption size. 12 fonts for legibility at smaller sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.

Bookseller Cp is a typeface designed for books and legible text at a smaller sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Cp includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Cp is also available in Book size. 12 fonts for legibility at small sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.