A unique, special historical font. Add the feeling of the '60s to you designs with Dymond.

Display font for pixel lovers - mad for right angles and hard edges? Constructivists ate my bitmaps.

Skrawl will add some creepy boldness to your life. Just don't let it babysit your kids.

Kennerley Old Style was designed by Goudy for publisher Mitchell Kennerley in 1911. Goudy described it as a "book letter with strong serifs, firm hairlines, and makes a solid, compact page." One of Goudy's best text faces, Kennerley is considered an original American classic as it is not based on historical type designs.

Searching for some company? Beat Boy is ready to take action - He wants to put that beat to your designs. I am not sure which category Beat Boy fits in...is it graffiti? Comicbook text? Something for candy labels? Cute posters or hardcore skater flyers? ... the purposes of use could be many!

Because ebooks will not normally accept .otf fonts, and they don't support Opentype features, this font family was designed to be used for the ebook conversions of print books. It uses old style figures. The italics are slanted a bit more. And Heavy is a little bolder than the bold in Contenu Book.

Glitch is an accentuated modern typeface. It emphasizes the digital identity of your product. More often than not, pixel fonts look rough. Glitch has a more elegant, subtle shape, improving perception. Gitch is suitable for crypto projects, programmers, and game design. It also has its place in printing, web design, and media.

It's Tushy not stussy, even it's Pretty but ain't lazy. yoo what's up, this font is dedicated for you to be your crafting material. Super ready for any craft project as branding image, any tags, card maker, invitation card, greeting card, wedding decoration for your farmhouse wedding or rustic look, or decorative material.

Granic is an athletic font family with 3 weights (each in regular and italic) for the sans serif and slab serif versions. The corners are reverse rounded to match the style better. The 3 weights cover most situations needs and the sans serif substitute those situations when slab serif is not suitable.

Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability. Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.

Dominatrix is a dirty little font who won't let up until you say the safe word. And I'm not telling you what the safe word is. This font comes with autoligatures so consecutive duplicate letters won't look identical. It also has more European characters than you can shake a leather whip at.

Many blackletter and calligraphic typefaces are elegant and can be used for items like invitations and liturgical or religious texts. Rankensteen is probably not one of them. It is crude and bizarre and with a somewhat menacing appearance. It seems more appropriate for a letter from a pirate than for a formal invitation.

The design of Vivala Re highlights a powerful contrast between thin curved lines and straight stems. The inline style is not limited to the inside of the strokes but is actively incorporated into the design. This font is well suited for all headlines in posters, book design, magazines, brochures and web design.

Designed to be the ultimate grunge font, Kryptonite and Kryptonite Bizarro are nearly illegible at small sizes, but can't be touched at large sizes. The Kryptonite family has a limited character set and is named for the element capable of killing Superman (with all due respect). Not for the faint of heart.

Reepika is a thick serif font inspired by 70-90s design styles, A mix of groovy styles combined with streetwear styles but still looks not stiff. Perfect fit for logo design. posters, branding, album covers, fashion, apparel, merchandise, and more. What's included? Uppercase Characters Lowercase Characters Alternates & Ligature Support 75+ Language FEATURES Reepika

ITC Schizoid, from designer Frank Marciuliano, displays a stroke contrast which could not be larger, abrupt and uncompromising. Fine strokes turn into thick bars and create angular, consciously awkward forms. Nervous, unbalanced and amusing, Schizoid is an appropriate name for this font. The experimental ITC Schizoid is best used for headlines in print.

In Issue Number 84 of Push Pin Graphic, Seymour Chwast offered up this rather odd variant of his own extrablack, superbold in-your-(type)face, Blimp. Not recommended for body copy, but makes interesting and unusual headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Capsa is a typeface designed for use in books. Although inspired by Gros Romain Ordinaire and Saint Augustin Gros Oeil from the Type Specimens of Claude Lamesle, this typeface does not intend to be a revival or an interpretation. The Vignettes and Patterns provide a very classic yet contemporary look to the design.

A vigorous typeface suited for bold designs, Dynatomic is inspired by an amazing hand-drawn lettering of a 1964 polish movie poster designed by Andrzej Krajewski. It's a very eye-catching typeface that works surprisingly well even at not-so-big sizes, making it a great choice for a wide range of applications.

Brew up some sweet Halloween fun with Eeeek Images, a Halloween picture font featuring 60 Amy Dietrich illustrations. From curious crows to cascading candy, Dracula to darling bats - Eeeek Images is MONSTEROUSLY fun... DARE NOT pass it up! Posters feature various fonts by Atlantic Fonts including Rowboat, Mountain Goat, Farmstand, Trailmap, and Judlebug.

Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too soft and feminine, but has a sharpness and angularity in some of its characters that jars against this softness.

Hillusy is a scrip font traced from handwriting using a pen monoline. displays a variety of letters so that it looks more casual and less stiff. This font is suitable for use in almost any casual style design and is not rigid, such as branding, advertising, printing, portfolio, business cards,signature, etc.

The idea of Amsterdam Modern comes from the roofs of buildings ranged along the canal in Holland and the font was designed to have not only an industrial but also a handcrafts atmosphere. The family consists of three weights and is the best used for packaging, logos of products and short sentences.

Doncaster is a bold display face which emphasises legibility and clarity. The seven typefaces have a timeless quality, making them equally at home today or even in Victorian inspired design work. All of the faces are ideal for poster work, signage or for really eye-catching but not ostentatious headings and titles.

The Zapf Renaissance Antiqua type family was designed by Hermann Zapf for the German Scangraphic Dr. Böger GmbH in Hamburg, from 1984–1986. The typefaces were engineered for use in digital CRT phototypesetting. This version was based on Scangraphic SH version (For Display use) and not on the SB version (for text use).

Here is a faithful revival of Gothic Number Ten, released by the Cincinnati Type Foundry in the late 1800s. Not your garden-variety sans-serif, its quirky caps will warm up your headlines. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Not inspired by any one thing, Candy Randy came about as an attempt to capture the feel of hours spent aimlessly perusing childrens' advertising and packaging from the early 1960s. It always reminds me a bit of Christmas and was named after an imaginary character in tales told to my youngest sister.

Kanjur was inspired by a page from an 18th century Buddhist book. Used for block text at first glance it has a very striking resemblance to Asian lettering. It is an English reading caps only font with minimal characters ( A-Z 0-9 & £ $ ¢ ! ? , . ). It is not intended as a serious font, just enjoy.

Introducing the new Brothers Display Typeface!!! is a luxury and glamour display typeface,certainly not the kind of typeface you see everyday and Utterly unique.This font is both modern and nostalgic and works great for logos, magazine, social media,etc. Already matched up and ready to be used together for your next design!

Angele is an elegant serif font with stylish curves. This beautiful serif is timeless and can not be missed in your font collection. This font collection will give your design projects that instant touch of class. Once you download this collection you will be able to start designing straight away. Have fun creating!

Masking tape, also known as painter's tape, is a type of pressure-sensitive tape made of a thin and easy-to-tear paper, and an easily released pressure-sensitive adhesive. It is available in a variety of widths. It is used mainly in painting, to mask off areas that should not be painted.

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. ITC Founder's Caslon® was created in 1998 by Justin Howes, an English designer who used the resources of the St. Bride Printing Library in London to thoroughly research William Caslon and his types. As was common in the eighteenth century, Caslon had punchcut several different sizes of his types, and each size had a slightly different design. Howes digitized every size of type that Caslon cast, keeping their peculiarities and irregularities and reproducing them as they appeared on the printed page. This family has the 12 point, 30 point, 42 point, and Poster styles, as well as a full set of bona fide ornaments. In keeping with the original Caslon types, none of the sizes have bold weights, the numerals are all old style figures, and a full set of ligatures (some with quaint forms) are included. ITC Founder's Caslon® is a remarkable revival in the true sense of the word, and works beautifully in graphic designs or texts that require an authentic English or historical flavor.

FF Fago Thanks to his many years of involvement in major corporate type projects, Ole Schäfer had the necessary resources from which to construct his FF Fago™. The result is an extended family that provides comprehensive typographic support and whose qualities come to the fore in all relevant contexts ? from print to office through internet and wayfinding systems. FF Fago The sizable x-height together with the generous and open design of the characters ensure that the sans serif Fago remains clearly legible even in small point sizes or in potentially difficult situations, such as on wayfinding systems. A subtle contrast in line weight and letter forms that are reminiscent of those of an antiqua typeface provide the font with a restrained yet friendly and lively tone. Available in five weights, each with three different kerning widths and matching genuine italic variants, FF Fago is equipped for practically every situation. There are also small caps, oldstyle and lining figures, a selection of ligatures and geometric symbols. The range of potential applications of this universal font is almost inexhaustible ? it can be used in packaging design, on signs, posters and even for setting longer text sections. Fago is the ideal partner for those working on major corporate projects! FF Fago Correspondence Sans und Correspondence SerifThe Correspondence versions of Fago have been optimized for use in the business environment and in office communication. The carefully modified characters have a particularly robust feel, so that the clear, easily differentiated glyphs allow for straightforward communication even on screen. With these aims in mind, Schäfer has not only adjusted the x-height, but has provided certain letters in the sans variant ? such as the lowercase "i", the "r" and the uppercase "I" ? with serifs. Correspondence Serif, on the other hand, has been conceived as a slab serif throughout and in appearance has the look of the letters produced by the old office typewriting machines. An individual note has been added by providing a few unusual serif forms, as for example in the case of the "m", the "v" and the "y". Both Correspondence Sans and Serif are available in two weights with complementary italic versions and thus are ideally suited for use with standard office programs. This is all rounded off with a selection of office symbols. FF Fago Monospaced The use of a few typographic tricks is necessary to ensure that the letters of the alphabet appear to have the same width. Narrow letters such as "r" and "i" have been made to seem more expansive by using prominent serifs while the broader letters ? a good example is the "m" ? have the forms seen in a condensed font. And it is thanks to this design strategy that Fago Monospaced has the character of old typewriter text. What was once unavoidable because of the technology of the time is now a welcome alternative that can be used for the purposes of emphasis. As an additional supplement to the Fago superfamily, Fago Monospaced can be used, for example, to set short notes or draw attention to special text passages. There are three weights, in their original form without italic variants or small caps, but offering an alternative, technical form of the "0" with a crossbar.

Introducing Nusara, the contemporary sans serif font that's taking the design world by storm. With its classic typography and modern twist, Nusara is the perfect font for designers who want to make an impact. Whether you're creating text or display materials, Nusara is versatile enough to handle it all. Nusara is also incredibly easy to read. Its clean lines and well-designed characters make it a breeze for your audience to read your message. And because it comes in nine weights—from Thin to Black—with matching italics, you have plenty of options when it comes to customizing your design. Whether you're creating a website, a brochure, or a social media post, Nusara is the perfect font for the job. With its contemporary look and feel, and its classic typography roots, it's a font that's sure to make an impact. So why not add Nusara to your design toolkit today? With its versatility, readability, and nine weights to choose from, it's the perfect font for all your design needs.

The Mule is a very special mix – it has a donkey father and horse mother, and they often inherit the best qualities of both. "The mule is an example of hybrid vigor, Charles Darwin wrote: The mule always appears to me a most surprising animal. That a hybrid should possess more reason, memory, obstinacy, social affection, powers of muscular endurance, and length of life, than either of its parents, seems to indicate that art has here outdone nature." They are typically very strong for their size compared to horses and are able to cope with bad weather better than donkeys. Mules rarely become ill and their behavior is Intelligent and sensitive. In the right home, they can make great companions for other equines, and wonderful pets. However, if they are unhandled or not correctly trained, mules have the potential to be dangerous. The inner shapes of Mule Cargo are almost identical between the Regular and the Heavy weight. This shared genom make them very powerful pair and a useful design tool for display purposes.