Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Callisto is a classic serif stencil fonts that is a stencil font like no others. Elegant curves are paired with great legibility and wide range of available glyphs. While stencil fonts are generally thought of as too masculine and rough, Callisto is very feminine and soft, which makes it perfect as a logo font for those who seek to further emphasise their brand's identity. Despite being a display font, Callisto looks great at smaller sizes, so short headlines and headers will look natural and email legible even in smaller sizes. Callisto comes in two styles —Regular and Half —which can easily be combined within the same body of text. Regular is a more minimal style, with wider and more open apertures, while Half is a hybrid between a serif and stencil font that still has longer strokes and stems. Each style consists of 415 glyphs, ranging from fractions to diacritics. There are a number of glyphs with cool stylistic alternatives (which is awesome for branding), lots of punctuation and OpenType features. Callisto is a great font for designers and artists who need a feminine font with a really strong character.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Sweet Gothic Serif is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. It is a serif variant of Sweet Gothic. Sweet Gothic Light (without serifs) is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. Sweet Gothic Serif has been developed to expand the usefulness of the Sweet Gothics, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

Andrade is a new typeface designed by Dino dos Santos in 2005. This typeface was inspired in the typographic work of Manoel de Andrade de Figueiredo (b.1670-d.1735), Nova Escola para Aprender a Ler, Escrever e Contar, printed in 1722 at Offcina de Bernardo da Costa de Carvalho. This is one of the most important books, and almost forgotten, about Portuguese calligraphy and typography, and the work of Andrade de Figueiredo is among the most amazing examples of type design of the Eighteenth Century. His work inspired Ventura da Silva, a Portuguese typographer, who in 1803 published a book named Regras Methodicas, where he redesigns some of Figueiredo's type specimens. But Ventura's purpose was to create a more elegant and readable typeface than Didot and Bodoni. This kind of typeface used to be called leitura and is a transition between the baroque and modern typography. Andrade is a brilliant text typeface and is available in Regular, Italic, Bold, Bold Italic, Ligatures, Ligatures Italic, Swashes and Ornaments. Andrade is my tribute to Portuguese typography and to the work of Manoel de Andrade de Figueiredo in particular.

Sluggo, a loose, 3D-ish face with the look of a slightly sloppy brush line, comes with attitude to spare. Has five styles: Regular, Lefthook, Righthook, Open, and Black--all spaced and kerned so that you can stack them for special effects.

As you consider the words you need to convey, it’s clear that you’re looking for something that feels just as precise and intentional as the message you’re promoting. Structia is a typeface that does not shy away from its influence—it leans into the hard edges and geometries that are typically associated with brutalist architecture. And yet, even as it draws inspiration from an austere and somewhat daunting aesthetic, Structia also possesses a sense of control and discipline that is undeniably alluring. At the core of Structia’s appeal is its mechanical precision. Every line, every curve, is carefully calculated and crafted to create a sense of mathematical accuracy that is difficult to resist. There is no room for error or imperfection in Structia—every stroke is sharp and precise, with chamfered corners that add an extra layer of texture and visual interest. This is not a typeface that allows for ambiguity—it demands clarity and specificity, and it delivers both with remarkable consistency. But Structia is more than just a collection of angular shapes and precise lines. It is a typeface that conveys a sense of scientific accuracy and chilly logic—a kind of elegance and refinement that is unexpected. There is a beauty in the way that Structia balances the hard-edged geometries of brutalism with a sense of control and finesse that is undeniably modern. It is a typeface that feels at once futuristic and timeless—a design that can be used in a wide variety of contexts and still feel fresh and relevant. And then there are the two effect styles—Structia Panel and Structia War—which take the basic geometry of the typeface and push it even further into the realm of science fiction. Structia Panel feels like something you might see on a spacecraft or in the architecture of an alien planet, with thin, laser-like struts that give it a futuristic edge. Structia War, meanwhile, takes the concept of Structia Panel and adds a layer of battle damage, as if the letters have been through a cosmic conflict and emerged victorious. In the end, Structia is a typeface that demands attention and respect. It is not a typeface that will fade into the background or blend in with the crowd—it is a design that is meant to be noticed and admired. And yet, even as it draws your eye with its hard-edged geometries and precise lines, it also possesses a sense of elegance and refinement that is undeniably alluring. Structia is a typeface that balances the old and the new, the hard and the soft, the mechanical and the human—and the result is something truly remarkable. Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Alegros is a stylish and elegant serif font. It is suitable for a wide variety of designs due to its neat and clean style. Incredibly versatile, this font fits a vast pool of designs, elevating them to the highest levels. Comes with some alternates and ligatures, so you can combine them to make a perfect typography design. It is ideal for your upcoming projects. Such as luxury logo and branding, classy editorial design, magazines, Packaging, poster, movie, cosmetic brand, fashion promotions, art gallery branding, and more. This font is PUA encoded which means you can access all of the glyphs.

Hello Guys, In this case I will let You know if I’ve released new font product with the name “Pretty Night” “Pretty Night” is a font that is designed with a natural impression on every scratch, As you can see in the preview how "Pretty Night" is written like handwriting, it is suitable for various brands. What You Will Get darling? :) - Pretty Night otf - Pretty Night S-1 otf - Pretty Night S-2 otf - Bonus swash and doodle otf - Bonus swash and doodle otf S - Bonus swash and doodle otf S2 Please enjoy and have fun with this font. Thanks

Rasteroids Old is a typographic flashback to computing of the early 1980s, when 7-pin dot-matrix printers were the state of the art, and most home computer displays were TVs hooked up to RF modulators. Rasteroids Old not only captures the dot-matrix printer look, but recreates the rasterized appearance of text on those lower-resolution monitors. Rasteroids Old is a fixed width font lacking any descenders. Furthermore, the character set is limited to the subset of US-ASCII that would be available on a typical machine of 1980. As such, it is not intended for large areas of copy.

Holingston is a Handwritten brush script that is written casual and naturaly. the letters are made with brushes on paper and then scanned carefully drawn into vector format. This typeface is ideal for use in any professional project, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandise etc. It has 4 styles, regular, regular slant, clean and clean slant variations, this package is also has many alternatives underlines that make your text and design more interesting. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy !

Litho Display is a bold display typeface, it has 8 fonts in the family with four different styles. Litho Display has been created with bold headline and poster typography in mind. It is perfect for use on typography heavy posters, packaging or on screen idents. The four different styles Litho Display comes in is Regular, Rounded, Rough and Press each with an italic pairing. With these styles Litho Display is versatile for various different uses whether it needs to be clean type for a poster or on screen or a more rough and rustic style for some packaging.

Monoskull is a chic street marker typeface. Its stylish ligatures make this font the perfect match for any project. This font is consisting of a fashionable style street marker make looks natural and touch of stylish. This font was created to look as close to a natural handwritten script as possible. It is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and anything that you want. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Plantain Stencil is based on Plantain which in turn is my interpretation of Plantin Adweight, which was one of my first commissioned projects (by Smarter Image, long before they went bankrupt). Plantin Adweight is one of the most beautiful designs of the Plantin family, which is a modern revival typeface, cut under the direction of F. H. Pierpont in 1913, who based the design on that of a famous 16th century printer, Christophe Plantin, for whom Pierpont’s font was named. The stencil cut of Plantain adds a bit of sparkle to the design. Supports most European languages that use the Latin alphabet.

Linotype Rowena is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This text font was designed by the Latvian artist Gustavs A. Grinbergs and is available in six weights, from light to black. The font has a light stroke contrast and its basic forms are the circle, rectangle and triangle, making it a constructed face. The impression of the font on the reader is elegant and cool, very like poster fonts of the 1930s. Linotype Rowena is suitable for headlines and shorter texts with point sizes 12 and larger.

Linotype Brewery is part of the Take Type Library, chosen from the contestants in the International Digital Type Design Contests of 1994 and 1997. This text font is available in six weights from light to black and was designed by Gustav A. Grinberg. An outstanding characteristic of the font is its light stroke contrast and its constructed forms. Its tiny, triangular serifs first become noticeable in very large typesizes, much like the Dutch fonts of the 17th century, Copperplate, for example. Linotype Brewery is cool and elegant and well-suited to middle-length texts and headlines.

Camelong Brush is a handwritten font to get the best texture for each letter. Camelong Brush is designed to perfection, each letter character will make your design strong and charming. Each letter and symbol is painted using the finest brushes and ink. Camelong Brush contains upper and lower case characters, numbers and various punctuation marks that are ready for you to use with unique and charming characters. Camelong Brush Font is suitable for any modern design such as for advertising banners, modern cards, invitations, announcements, seasonal designs, social media promotions, web design, branding and logo styling and more.

Kyoto Northern is a great choice for a brand identity, suitable for packaging, web banners, headlines and business cards, very unique and natural. This font is handwritten using a marker pen, equipped with a ligature following the habit of writing quickly, so you can feel the sensation of handwriting which is very natural. When you write in a relaxed and calm state, your writing will look very good and the writing flows well. Kyoto is the name of the city that we chose as a representative of calm and natural. Type and feel the amazing handwriting.

Introducing Summer Vacation. Summer Vacation font is a simple and classy font, comes with opentype features such as stylistic alternates,swash and ligatures. We make this font looks classy, readable, stylish, catchy and easy to use. Summer Vacation is the great choice for photography, signature or signature logo design, quotes, album cover, business card, and many other design project. From business cards to photo watermarks, Summer Vacation is here to elevate your work to the highest level. What is include : · Numeral and Punctuation · Ligatures and Alternate · Multilingual Support I hope you enjoy this font. Thank You, Dedi T

'Natural Curves OG' is a friendly typeface that works seamlessly without any trimmings. It's perfect for giving any work a hand-drawn look and feel. The typeface is balanced so the eye doesn't move straight to any singular letter, which means that creating a hierarchy with other elements in your design is simple. Colour blocking to support brand identity is easy with this typeface, and it adds character simply and authentically. This typeface was created for my own brand's identity, and it's been great to add splashes of art in the form of type all over my website and collateral.

Hardly is a delicate and elegant script font with a modern and sophisticated appearance. Its thin letterforms feature fluid strokes and subtle curves, creating a graceful and refined feel. The font is perfect for designs that require a sense of elegance and sophistication, such as wedding invitations, branding, or editorial design. Hardly is a versatile script font that can be used for both body text and headlines, and its delicate yet readable style makes it perfect for a variety of design projects. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Hello Everyone, introduce our new product Font Queenssa it is Quick Brush Modern Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Queenssa is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Design this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. You can activate 12 Ligatures glyphs OpenType panel.

Endeline Script is a chic, refined script font. Its stylish ligatures make this font the perfect match for any project. This font is consisting of a fashionable style script make looks classy and touch of stylish. This font was created to look as close to a natural handwritten script as possible. It is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and anything that you want. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Introducing Silent Forest is a best Terrible Hand Drawn Font that is handwritten brush casually and quickly. Letters are made with brushes on Procreate. Then scanned and carefully drawn into vector format. That is why Silent Forest has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel to make these two styles. It also has many alternatives and underlines that make your text and design more interesting. Silent Forest is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

New year, new font. Let us introduce our first font on 2019: Cairlinn. A clean serif that is forged with the spirit of vintage typography. It is heavily inspired by the old letters that are used in classic advertisements. This 300+ glyphs monster is packed with wide variation of letters, accessible via OpenType features. If you're a fan of vintage/classic typography (like me), this font is a precious addition to your design arsenal. Suits best for any project that requires a vintage touch, such as: labels, t-shirt design, typographic quotes, packaging, wedding invitations, and many more. THANKS AND ENJOY!

Flawless Flygirl is a quirky sans-serif font inspired by the titling sequence from the 1964 film, "The World of Henry Orient". Fun and full of personality, it is one of those lettering styles that was a joy to flesh out and make into a typeface filled with double letter ligature alternates to keep the typesetting weird and wonderful. With a pseudo unicase character set, and offbeat letter weighting, Flawless Flygirl is fun to typeset, with ligature combinations that are pleasant surprises. You’ll find this Flawless Flygirl is ready to dance to the beat of your designs.

HELLSCOURT is a display font intended for horror themes such as halloween events, horror movies and other horror events. With a rough style, adding to this font is even more scary, because technically it is digital hand lettering, so it adds to the impression that this font is handcrafted and the vector process does not refine the rough parts so that it still has a rough impression. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

Lempicka is a ligature-rich typeface duo with support for Latin and Greek. Lempicka Display and Small Caps are a pair of light, clean fonts with strong Art Deco character. Lempicka Display has over 150 ligatures and alternates (in Greek, too!), so it's extremely customizable and versatile. Lempicka Small Caps is Display's little sister: the perfect complement for creating hierarchy in a layout.⁠⠀ This is a beautiful typeface for wedding invitations and personal stationery, as well as unique logo design and branding projects. The name of this type family is an homage to Art Deco painter Tamara de Lempicka.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

SK Rohkea is a modular display typeface that combines strict geometry and smoothness of lines. The main features of the typeface are the constant inclination of the oval and the elongation of forms. They give the typeface a unique character, especially when it is used in large inscriptions and headings. The SK Rohkea typeface has capital and lowercase letters that support the extended Latin and Cyrillic set and even icons! Thanks to the combination of modernity and refinement, the typeface is great for the widest range of design tasks, no matter whether it is printing or web design.

If you love outrageous clothes, makeup, hairstyles, platform-soled boots, flamboyant costumes, so Glamwords is what you need for your design creations. Glamwords typeface is new font with a nostalgic reference to the Glitter style developed in 1970s. This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2009, this font family can be used for very short texts however it is particularly effective for headlines in larger point sizes so that its details are emphasized. Glamwords is a very geometric face best used in experimental designs (i.e., logos, web sites, flyers, and expressive headlines).

Linotype Nowe Ateny is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Dariusz Nowak-Nova, Nowe Ateny is a frantic handwriting font whose capital letters include technical-looking grid lines and end points. These seem to anchor the letters without reducing their volatility. The font consciously lacks elements which increase legibility, sacrificing them for the sake of more design oriented ideals. Nowe Ateny is thus good for headlines in larger point sizes, especially when the look of the text is as important as its content.

Kuunari is structured square sans type family of 42 fonts. It has three widths and 7 weights in both upright and italic versions. The base form is a round cornered rectangle and this form constructs the glyphs throughout the fonts. Kuunari is a straightforward sans serif. It doesn't make any fuss about itself, it just does the job proudly and with confidence. It is very versatile; it can be used for titles and logos to make a statement or more delicately for body text and lead paragraphs. All in all you can achieve diverse and rich typography with the Kuunari type family.

Squickt was the first script I designed. The name is an atrocity, I don't remember what was on my mind, when I decided on that name, but after 25 years it is to late to change, so I have to stick with it. I have recently gone over the script and changed a little stroke here, a curve there and I added Small-Caps. The font is very useful for all kinds of signs, that have to look spontaneous. You can even condense or extend it without me going berserk; Squickt is very robust. Your scribe Gert Wiescher

Sagor, designed by Cihangir Öziş in 2019, is a modern font that adds a different flavour to your works with its cool look and unique details. Sagor is suitable for fashion, branding, packaging and editorial uses. It is an excellent choice for short sentences, big hero titles, unique logo fonts, in particular. It can also be used to add a new look to historic design structures. Sagor is particularly elegant and assertive, especially in lowercase letters. Features: Latin Basic Latin Western European South Eastern European Uppercase Lowercase Numbers - Decimal Digits Standart Punctuation Standart Ligatures Alternate for "a" Letter Symbols - Currency, Basic Math, Arrows