During the heydey of automobile travel hundreds of motels, motor courts and tourist cabins sprung up along the roadways in order to offer weary drivers (and most often their families) rest with a night's lodging. Tourist Cabin JNL takes the inline portion from the inline font Asbury Park JNL and creates this pleasant monoline design. The original design inspiration (from which the inline portion of the letters was taken) was a 1930s WPA (Works Progress Administration) Federal art project poster with the hand-lettered words “Work with Care”

Destructive Decisions is a font based upon the inherent flaws of human nature—presented under the guise of complete legibility. At first impression this font is very readable, but upon closer examination you'll notice the edges are fuzzy and some of the lines are off-kilter. You can read it, but it is also a bit foggy. No matter how hard it strives for perfection. This font was originally designed for a cable tv show about substance abuse, but is now available for use in your web and print designs, too.

Newgrange is a distinctive Celtic-style font designed as a companion to our Stonecross font. It has the same size and weight as Stonecross and the same carved/chipped style, but rather than being based on traditional insular minuscule letter forms, it's based on a squared uncial style similar to our Lindisfarne font. The result is unusual and rather more modern looking than we expected, but it's great for stylized titles. The name comes from the giant prehistoric stone tomb at Newgrange which some have called Ireland's answer to Stonehenge.

If you've had too much coffee but not enough of Too Much Coffee Man you can now indulge in an excess of characters created by the hand of Too Much Coffee Man's creator, Mister Shannon Wheeler. Don't worry, in our efforts to ensure clean and confident lettering samples, we kept Shannon on decaf until he was done. Dip this font in your system folder and your hard drive will get a caffeine and sugar rush guaranteed to increase its memory partition and bring the images on your monitor into sharper focus.

Orgovan is based on calligraphic script models lettered with a flat brush, which have been a mainstay in the sign makers' and display artists' handbooks since the beginning of the 1960s. Careful adjustments to the construction of the character shapes made the glyphs more open. This ensures that the face is well legible in small sizes, making it suitable for more demanding typographic applications. The Punk and Rounded variations of the base model offer an even broader range of possible applications, while the Fat Cap, Flower Power and Hairy cuts are contemporary decorative alternatives.

Diorite is modern face built on classical letterforms -- but left with a bit of residual roughness. Some might call Diorite forthright, others brutal. (It reminded the designer of the dark, hard igneous rock of the same name, treasured by the ancient Egyptians for statuary.) The typeface has a relatively chunky, four-style family; the italics are true cancellaresca corsiva, also writ heavy. "The cancellaresca is of course a Gothic design," notes the designer. "Just use a broader pen, and you'll see!" Has four styles: regular, bold, cursive, and cursive bold.

It's unpredictable! It's enigmatic! It has a winning smile and a devil-may-care personality. It can be charming and obliging and yet also elusive and impractical. It is the doer of deadly deeds, it is the dextrous hand of ELEPHANTMEN artist Justin Norman. It is swift and decisive, hesitant but packed with Talent. Ladies and... uh, More Ladies... Moritat has entered the building. Whoops, actually Moritat has LEFT the building. Moritat is the alias of Justin Norman, comic book artist and illustrator. The font is based on his pen lettering.

Dahaut is a stylized, modernistic uncial variation. The idea for this font came from a small sample of hand lettering in a title on a book by Peter Tremayne. The idea of a bolder, more angular variation on uncial script seemed intriguing, so we developed it into a full font. It should work very well for titles and catches the eye by presenting traditional uncial letter forms in an almost futuristic style. For those who care about such things, the name comes from a princess in a Breton folk story.

The family tree of this friendly face runs deep. Its primary inspiration is Twentieth Century, designed by Saul Hess as a monoline version of Paul Renner’s Futura. The design was reinterpreted by Herb Lubalin as Avant Garde in the 1970s. This version softens the harsh geometry of the original designs with rounded line endings: the result is a warm, inviting face that is elegant, confident and inviting. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Manual is an 80 font super family formed of 10 weights in 4 different widths. The font is styled with a slight retro feel to give it a unique appearance. Manual is a blue-collar font that works hard for you and your design ideas. The higher x-height enhances the readability for smaller, more informative text sizes whereas the black weights create beautiful, impactful headlines to fit a variety of spaces. The support of the expansive weights and widths will give your design a truly unique feel.

Vitro is a rectangular sans serif with a pinch of grotesque. The solid technical appearance has been achieved through careful optical adjustment, resulting in a modern and stylish font that stands out in the crowd. Vitro is suitable for a wide range of branding purposes, including brochures, logos, packaging, posters, signage, websites etc. Details include nine weights with italics and over 450 characters per style. Opentype features consist of digital numerals, numerators, denominators, tabular, fractions and language support covering Western, South and Central Europe—remastered to version 2.0 for enhanced OpenType features and usability.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Van der Leck originates from the lettering that Bart Van der Leck created for ‘Flax’ magazine in 1941. The letterforms‘ restricted shapes and abstract, stencil-like forms reflect the strong geometric language of De Stijl and show influence from his abstract paintings.

Baroty is a modern sans serif font that we made with great care to make your project beautiful and perfect, to make your project look unique and different from the rest. By using this typeface, you may anesthetize the entire audience, allowing them to remember your project easily and firmly. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Fabbabi is a vintage bold retro-font suggested uses would be for headlines that catch the eye. The glyphs are hard edged with soft corners that makes for a fun playful look in the uppercase version and an useful display font using the lowercase letterforms for subheads and the like. Slightly condensed, this bold font applied to projects that need an attention grabbing headline but expresses the fun of the info being convened. Best used larger than 42 points in size. Fabbabi is a wonderful, beautiful and fabulous big baby of a font- Ciao!

Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Bayer-type is based upon Herbert Bayer’s 1931 universal, modern serifed alphabet. Although the ‘modern’ style appears to be a radical departure from his first sans single alphabet of 1925, the structure of this later serifed style is still grid based and geometrically constructed.

Efrida is a sanserif font family with a sporty and maco feel. Naturally, this typeface will make your diverse projects look attractive, distinct, and flawless. because we created it with great care so that you can use it for a variety of purposes in your amazing project of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

The Xavier family of typefaces is based on the delightful deco typeface called Ashley Crawford, originally designed in 1930 by Ashley Havinden. After designing Xavier Black (Serif) and Xavier Sans Black, I added Bold Sans, Medium and Medium Sans and finally added lowercase to the medium weights. Although more manageable than Ashley Crawford, Xavier, due to its very playful nature (splayed A, M, etc.) needs to be used with care, especially in terms of spacing. Xavier is a playful typeface and I have been particularly pleased to see it used in children's books.

Her father named her Estella Dawn, or morning star. She truly shines bright, for as the owner of Stella Roberts Fonts, she has dedicated part of her net profits to helping her siblings pay for their medication; they both suffer from Cystic Fibrosis and diabetes. Calm in spirit, loyal to friends and family, nurturing and caring-- Stella has been a friend of Jeff Levine's for years. His Estella JNL font was dedicated to her, as is this other namesake font, Morningstar JNL. The design is a cross between retro-techno and a slight calligraphic touch.

Introducing the Gracella font in the Elegant Sans Serif style. A versatile font that can be used for both formal and casual. Gracela is a regular style font, not too thin nor too thick, and very suitable for the needs of logos, branding, websites, Features. - Supports all languages in the world (37) - Versatile Single Font. - One font for all needs. Make sure you test out the fonts using one of our examples before making any purchases to know what you're getting yourself into. Thank you for taking care when choosing fonts!

Fuuld is a brutalist condensed modern display font that mixes organic and geometric, hand made, and digital production. it has a contemporary look perfect for logos, posters, branding, magazines, and avant garde social media accounts be it instagram, TikTok, or whatever. The cool thing about this font besides how cool it looks is that it uses less ink than a regular font in its weight. this makes it perfect for any environmentally conscious print projects. Try the font with no fill and a stroke for a whole new style.

Claremont is a serif font family designed by Les Usherwood (Typsettra). Usherwood originally created four weights – a light, extra bold, light italic, and extra bold italic. Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) digitized the family and created eight new weights, and it was released exclusively for the Red Rooster Collection in 1993. Claremont shares similarities to Bookman Old Style, but also shares properties with slab serif Egyptian-style typefaces. Like all Usherwood typefaces, the family was engineered with great care for maximum legibility and aesthetics. ©1993. International TypeFounders, Inc.

Raquel | modern elegant serif font Raquel is a modern serif font that exudes elegance and sophistication, with thin strokes that create a delicate appearance. The font also features unique swashes on some of the uppercase letters, adding an artistic touch to your designs. With support for various languages and punctuation marks, Raquel offers flexibility for use in a variety of design projects, from logos to book layouts. Crafted with care and attention to detail, Raquel delivers exceptional quality to enhance the appearance of your designs. Create stunning and refined designs with the Raquel font!

Introducing Artik our stunning modern serif font, perfect for adding elegance and sophistication to any design project. With its clean lines and contemporary flair, this font is ideal for creating eye-catching headlines, logos, and branding materials. Crafted with care and attention to detail, our modern serif font features subtle curves and sharp edges that create a perfect balance between classic and modern design elements. The elegant serifs add an extra touch of sophistication and ensure readability in any size, making it a versatile font choice for both print and digital media.

This is not a stencil font. At least it isn't intended to be. The foundation for the entire font comes from a progression in experimental rules on stroke intersections (pinching, separating) while maintaining proportions and elements from a more conventional typeface. More latitude was given to the unicase "Fat" face but still retains the overall flavor of the original. The end result is a typeface that's hard to categorize as any one personality. Most likely a good candidate for logo, display, or headline work, the applications for Encoder are yet undeciphered.

As a result of fascination for East European type design, MRF couldn’t resist to make a unique interpretation of a typeface named Pracht. Originally made by the Czech type designer Carl Pracht in 1941–43. Having a rather calligraphic style both in regular and italic, MRF preferred it to be more straightforward and modern-looking. The italic version was executed with traditional italic letters (a, f, g, k, v, w and y). The numerals were made in a classic manner as old-style figures. Can be treated as both a text and display font.

Glotona's Black & White are four modernist typographies written by hand and combinable with each other by layers to create multi-colored typographic headlines. Glotona is my tribute to Bodoni fonts, revolutionary fonts when they appeared in the S XVIII and still in force today. The great contrast between antlers, give foot to the design maintaining the elegance of the modernist typefaces, the manual writing and the roundness of the serif and antlers bring freshness and empathy, the careful configuration of the kerning and the proportions give maximum readability to these fonts.

Slocals! Check out the action of our radical new font, PLEASURE POINT! It's Bananas, Totally Tubular, Stoked and ready to ride some waves. Back in his grom days, Comicraftsman John JG Roshell could be found down at Pleasure Point, waiting for The Big One, and this is IT! Don't be a criddler, paddle hard and rip this font to your motherboard to keep it real every time you gun, rail or tail. And if you get rag dolled, dude, don't blow out your squeaker. Pleasure Point will hang loose and chillax you to the max.

Distill draws its inspiration mainly from Theo van Doesburg's De Stijl era lettering. The type he designed for the Aubette Café, De Stijl Magazine, etc was used as a starting point and then expanded upon. While this typeface was inspired by historical references, it also has the ability to invoke a contemporary feel under the right conditions. Distill will work hard whether you are designing a neo-constructivist poster or a futuristic website. Distill is a family of 12 fonts: 4 weights, each containing condensed, regular, and expanded widths. It also features several alternate characters.

I'm always experimenting with new ideas for display fonts. I took the inside counter of a capital 'O', divided it into quarters, and applied an outline stroke to all the elements. By removing two quarters of the inside counter I had the beginnings for an interesting new design. Of course, the hard part was getting all the other letters in the alphabet to work well together using this approach. It's often a labor of love trying to shape an idea into a new typeface. I find the entire process stimulating and rewarding.

Magenta Diamond - a Monoline Handwritten that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it.

Although the Art Deco movement is generally attributed to the 1930s and 1940s, a number of design influences were showing up during the late 1920s in what is referred to as the Art Nouveau period. The Dutch illustrator Anton Kurvers’ hand lettering on the front cover of the (1927) magazine “Het Vlaamsche Volstooneel” clearly shows the clean lines and Avant Garde geometrics that foreshadow Art Deco. This attractive pre-Deco lettering has been recreated digitally as Dutch Deco JNL, and is available in both regular and oblique versions.

Relic forest island III, This is the newest font from the previous generation, Relic island I and Relic Island II, this design comes with a more detailed touch with very charming carvings, comes with several families that you can make your best design choice for later this year and in the future, with several monograms and families that you can choose according to your design, this design will add inspiration to your project, and see, how it will work for you, and make this font your best choice thank you very much

Four interchangeable all-caps typefaces, made specifically for designers to layer and play with. Here’s more at the designer’s site. It combines hard and soft, geometry and pattern. Layer and mix styles within a single word, retaining coherent visual tone. Havelock Solid operates as a background layer, Multiline sits nicely atop it, Inline frames Multiline’s center strokes, and Stencil lets details peek through. If you’re working with translucent color, the blending can be gorgeous. Please note, if you're also looking at Havelock Titling: both collections are included in Havelock Complete for a lower price.

CamingoDos is characterised by tight shapes, elliptical curves, subtle contrast and a strong, humanistic appearance: attributes that were all applied with particular care and attention for legibility. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design. Furthermore it now has two additional related families: CamingoDos SemiCondensed and CamingoDos Condensed. CamingoDos comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

I do groceries a couple of times a week. When I am shopping for food, I always read the ingredients list; I don’t want too much sugar, nor palm oil, trans fats or a lot of E numbers. It used to be quite hard finding products that didn’t contain artificial flavours or colouring, but it is getting better. Artificial Flavour is an anti-ode to the time we couldn’t get enough of the stuff - it is a handmade, all caps font which comes with extensive language support and a sweet set of alternates.

Dritch. is a mystical font with a unique and modern geometric style. It is suitable for logos, quotes, social media posts, film titles and stationary. It works with different themes such as mystical, tribal, ethnic, magical, and fantasy. Enjoy! is a fresh, geometric, sans-serif font family. The geometric, near-monoline construction lends a classic durability, tempered by softened edges and vibrant shapes. Friendly and charismatic in lowercase; sophisticated and authoritative in uppercase. Hard lines and sharp corners mesh with smooth, rounded letterforms, while humanist nuances add warmth

Halloween has never been so much fun. You don’t need to go near a spooky house in the dead of night or deal with creepy creatures while you wait for trick-or-treaters to pass out candy. With this Halloween font and our new Halloween-themed templates, it will be easy to get your Halloween party started without all that hard work! Of course with this font your various design projects will be perfect and amazing, get a beautiful title and start using our font for your special project.

One of my favorite blackletter fonts - Schwabacher - redrawn and redesigned, whereby I took care to stick to the original forms as close as possible. This font which has its roots in the 15th century represents at the most the uprising humanism in this period. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. By using the OT feature Stylistic Alternatives you get the historical German umlauts which are small e above a, o, u, A, O, and U. This font contais also oldstyle figures.

Stenzilla is a stencil font based on a rounded sans serif, a careful design, with cuts on the same diagonal axis for the curved strokes and elegant slight curves on the oblique strokes. Useful for branding, highlighted paragraphs, signs, headlines, or reading text. The design incorporates characters from the Cyrillic alphabet, special characters, and characters with diacritical marks. It has the versatility of a sans serif that allows it to be used in a wide variety of designs and styles along with the cut-stroke grace of a stencil font.

Chivertta combines elements of casual and modern aesthetics. The font is inspired by a logo discovered on the streets of Buenos Aires. One of Chivertta’s distinctive features lies in its careful design and its wide repertoire of ligatures and stylistic alternatives. This extensive collection offers a wealth of options, allowing designers to enhance their creative output, imbuing their designs with a greater sense of authenticity and realism. In essence, Chivertta transcends convention, offering a powerful tool for designers and resulting in designs that come out with authenticity and contemporary style.