Squarish could have been the Universe or Helvetica of the 1980's, if only it was designed then. Now it is just a little quirky gridded typeface.

Scriptofino is a very fine and elegant script with lots of contrast. It is based on traditional American letterforms of Jefferson's day. Your fine typedesigner, Gert Wiescher

A fun font to create pop and young graphics, with a non-obvious font created starting from a handcrafted line. For an urban, snappy and fresh result.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Rosedal is the right choice for those who love decorating their works. Lots of frames are ready to embellish your cards, webpages, invitations, book covers, and more.

SPENGLER is a new inline font with over 180 GLYPHS, lots of Foreign Characters brand new and ready to be abused for a stupid price of $10.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Hello! Presenting a calligraphic font with natural scratched texture effect. It's a script with connected letters, lots of characters including West European languages support and few ligatures.

Schelter & Giesecke's grotesk font family, widely used for their marketing and in-house prints, now revived and extended with a Cyrillic character set and old-style numerals.

A heavy black display face with lots of retro 'cool'. Modernist to the extreme MB SIXTYTHREE oozes 'mod' culture. Great for magazines & headlines, logotypes, posters, album artwork.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is longer available due the complexity and the resulting memory and performance issues associated with the other styles.

This baby's got a fancy look to it. I personally used it for the nameplate at my frontdoor. You oughta do the same for your frontdoor too!

Ahoy there, folks! Have we got a typeface for you! It’s called Autoradiographic, and it’s inspired by those trusty old warning signs from back in the day. You know the ones…“Inflammable! Stay away!” And boy oh boy, does it have personality! Back in the post-WWII era, low waistlines were all the rage—but let me tell you, strict waistline alignment was not. No, sir! That’s where Autoradiographic comes in. It’s informational, sure, but it’s also neat as a pin and chock full of personality. And listen to this—Autoradiographic has everything you need to crunch those numbers like a pro. Mathematical symbols? Check. Fractions? Check. Currency symbols? Check, check, and check. And for those times when you really want to make an impact, Autoradiographic’s italics are narrow and loosely spaced. Now that’s what I call a typeface with some serious sass! So what are you waiting for? Grab a copy of Autoradiographic today—it comes in five weights and italics, so you’re sure to find just the right fit for your project. Don’t miss out on the chance to add some mid-century flair to your work—you won’t regret it! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

SIAS opens a new chapter in Irish vernacular typography: the Andron-2-Irish font family. The genes of the insular typographic heritage have been blended with the timeless classical style of the versatile Andron series. Whereas most Irish-style fonts available more or less stick to ancient designs, Andron-2-EIR is different: it’s an entirely new design in which Irishness meets the beauty of a matured Venetian Roman text face. Envision a new horizon for setting Irish text in its own visual mode! Now you can utilize Italics, Semibold and Small capitals for Irish just as you have been doing in other languages for a long time. But the icing on the cake is the fifth font: Andron Irish Middlecase honours the rich medieval tradition of Ireland by a special uncial-style glyph set. It corresponds to the Andron MC series. Last but not least the Irish type connoisseur will relish this font package for it’s unique utilization of Opentype functionality. In Opentype-aware applications, by just ticking a box you can switch to the special insular forms of s and r. By ticking another box you can transform the text from modern-day orthography to the traditional spelling with lenited consonants. This built-in intelligence has never been implemented in any Irish font before. Briefly, the Opentype substitution features are: [Ligatures] – default basic f-ligatures; [Descretionary Ligatures] – more ligatures for typographic reason, mainly t- and long-s-combinations; [Style set 1] – turns all lowercase r and s into their insular glyph variants; [Style set 2] – replaces all consonant-h digraphs by dotted consonants (ḃċḋḟġṁṗṡẛṫ, ḂĊḊḞĠṀṖṠṪ), works for lowercase, uppercase and upper-lowercase alike; [Style set 3] – provides another range of additional special ligatures (for Regular and Italic only); [Oldstyle figures] – turns the default lining figures into proportional oldstyle figures. Andron Irish will also perfectly combine with every other Andron product in mixed settings. For an overview please go to the SIAS main page. For a quick reference go to Andron Latin, Andron Greek, Andron English or Andron MC. For more wonderful new Irish fonts look at Hibernica and Ardagh!

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

Epsiolet is wacky, crunchy and unpredictable! Comes in Open Type with loads of different ligatures! Note: you will need to use OpenType supporting applications to use the autoligatures.

Tire Swing BB is lighthearted without being silly. It's whimsical without being cliche. It's a body copy font, or great for headers, and includes lots of European characters.

Hi! Introducing calligraphic font named "Megawatt". It's a script with connected letters, lots of characters including West European languages support and few ligatures. Thank you and have fun!

First designed for a design bureau, Ezzo is now available in 6 weights with italics and alternates. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

Completely computer generated, Rockford exudes an energetic, yet quirky handwritten quality. Rockford doesn't follow many typographical rules which make it perfect for casual notes, scrapbooking and greeting cards.

Bubblewrap is based on a 10 x 14 dot matrix grid and is perfect for projects where a little care and attention is the order of the day.

Auto-scanning an example of a vintage typewriter font created the design which is now the digital typeface Bitmap Typewriter JNL, available in both regular and oblique versions.

Danu font is a font with a traditional style with a minimalist approach, this font is inspired by Javanese script with curved letters and some dots in it.

Sweetheart Script revives handwriting from the mid 20th century with a lot of bounce and personality. Use it in casual settings where you need a bit of flair!

Lemy Butter is handwritten font with monoline style. This font is good to application for christmas wedding, tees, simple letter, notes, invitation, celebration, cute moment and many more.

Font with hexagonal dots for names, logotypes, titles, headers, topics etc. Big sizes of this font can be used for text on posters, t-shirts and other surfaces.

Buozzi is a family composed of 8 typefaces, inspired by sketches and notes from the printer, Paulista (Brazil) “Walter Buozzi”, suitable for Editorial Design (books, magazines and newspapers).

Take the tri-line font Trilium JNL, remove the middle lines, close off the openings and you now have Duonor JNL, and interesting sans with a sectional look.

A unique looking sanserif that connects like a script. It's different and innovative design creates a whole new look. A great decorative display font with lots of applications.

This is the cutest font in the galaxy. It's neat yet adorable! Use it for posters, note-taking, or even cute logo designs. Your imagination is the limit.

Inky Fingers… Well, the name says it all! This rather obese font was made by hand (literally) using my index finger, some sheets of paper and a lot of Chinese ink. As the eco-paper absorbed quite a lot of ink, I had to do a second ink-run! Inky Fingers is a very legible typeface, ideal for headlines, books and posters. It comes with Babylonian language support - including the Schwa/schwa glyphs for the Azeri speaking crowd. Ain't I nice?

ITC Beesknees font is the work of David Farey. He credits a number of sources as inspirations for his work, including Pushpin Studio, Peter Max, Bob Zoell and the Marx Brothers, whose typographic titles he admired as much as their cinematic humor. He was going to name the font 'Horse Feathers' or 'Monkey Business' after Marx Brothers films, then the name got shortened to 'Business', which then got transformed to 'Beesknees'. ITC Beesknees font contains a capital and small caps alphabet.