Kirani is a beautiful fonts that I made with the aim to meet the needs of the industry in the creative world for those who are bored with ordinary script fonts. You can also use Kirani for your promotional needs, whether it's for logos, flyers, magazines, brochures or even for advertising. Oh yes, and this font also has multilingual support.

This is a blackletter display font with additional ornaments inspired by gothic and horror metal styles because its shape is very unique and very suitable for any project you will use with this theme. Features : Uppercase & Lowercase Multilingual support Number Symbol Ornament Punctuation Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Shootout - Street Typeface with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

Menthari, Lovely Handwritten Font This font so beauty and classy, perfect for Lettering project like cutting silhouette, quotes t-shirt design, mug, advertisements, wedding, cover books, posters, business cards, social media and more. It completed with numbers and punctuation. Multilingual support, and came with PUA encoded. I created more than 50 stylistic alternates to make this font very classy and look so beauty.

Ok, I'm allergic to cats and have never had one, but I can still create a typeface that embodies feline character! Cica combines the careful nature of cunning cats with the playfulness of kittens. It's simply fun to use and expresses multiple personalities depending on your choice of all upper case, lower case or mixing the two. Take Cica home with you today!

This is a blackletter display font with additional ornaments inspired by gothic and horror metal styles because its shape is very unique and very suitable for any project you will use with this theme. Features : * Symbol * Number * Alternate * Punctuation * Multilingual support * Support in Mac and Windows OS * Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

I have always been fascinated by Grigory Rasputin, the rogue ‘monk’ who influenced the Russian Tsar Nicholas and - according to rumours - bedded the Tsarina. Grigory font was handmade with the use of a Chinese marker pen and rough paper. Grigory comes with all the trimmings; some alternate glyphs, a few double letter ligatures, a great amount of diacritics and basic Cyrillic as well.

Moonlight Serenade is a 1939 song composed by Glenn Miller, with lyrics by Mitchell Parish. Moonlight Serenade font is an all caps affair - very legible, very recognizable and very useful. Upper and lower case differ slightly and are quite happy to mingle. In the words of Mitchell Parish: I bring you and sing you a Moonlight Serenade! Comes with a universe of diacritics.

Wkwkwk - a strong and bold typeface with inky brush style. This font is great for headline, specially for adventure or travel projects. It's all caps with multilingual support and textured brush strokes will catch every eyes into your projects. Wkwkwk is a word to express "laugh out loud" for Indonesian millennials. I create this font for adventure purpose, that's fun but still stronger.

Burobu, in case you’d like to know, means ‘blob’ in Japanese. I thought it was quite an appropriate name for this blob-like font! Burobu is a messy font and comes with a generous helping of jittery, jumping glyphs, exaggerated strokes and over-the-top arms, ties, bars and counters. Comes with an ultra-cute blob dingbat font and copious amounts of diacritics.

This little charmer combines an uppercase designed by American lettering artist J. M. Bergling with a lowercase designed by English architect Roland W. Paul. The result has a wiggle in its walk and a giggle in its talk: oh, baby, that’s what I like! Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Epic Miracle is beautiful rounded bold retro serif with a 90s touch. A great serif that works beautifully in modern designs. You can definitely create amazing logos, headings, apparel designs and more. Epic Miracle is an essential font for branding as well if you want to go BOLD. I can't wait to see what you can create with Epic Miracle!

Shohibul - Brush Font with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

My new font is beautiful and smooth modern calligraphy with a floating baseline. Charme Script will look beautiful on Christmas and holiday invitations, wedding invites and stationery, logos, and more. I love using it for emphasis words and pairing it with serifs Includes: Charme OTF & TTF Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: www.instagram.com/dmitriychirkov pinterest.com/dmitriychirkov7

Obcecada Sans & Serif are two geometric digital typefaces in regular and bold versions, very condensed and thin with a rounded finish on the horns and joints with a modern style. They include the Cyrillic and Greek alphabet. These fonts are the result of my obstinacy for very condensed fonts, in this case I have inclined to a very fine proportion with short ascending and descending that gives them elegance decó.

Rigestha Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance.Rigestha Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters.

With the publication of the “Today Sans Now” Elsner+Flake extends its offering of the “Today Sans Serif” type family, developed in 1988 by Volker Küster for Scangraphic, by another cut so that the gradation of the stroke width can now be more finely calibrated. The type complement is available for 72 Latin-based languages as well as Cyrillic. Where available, small caps were integrated, and mathematical symbols as well as fractions were included. In order to make the symbols for text applications in regard to headlines more flexible, the insertions which were formerly added, for technical reasons in order to sharpen the corners, were eliminated, and the optical size adjustments of the vertical and diagonal stem endings (I, v, H, V) to the horizontal bars (z, Z) were scaled back. Already since the end of 1984, Volker Küster experimented with broad sticks of chalk and a broad felt pen in order to develop a new sans serif typeface which, in the interest of easy legibility, would be built on the basic structures and proportions of the Renaissance-Antiqua. Using a normal angle of writing, his experiments lead to the form structure of the characters: a small contrast between bold and light weights, serif-like beginning and end strokes in some of the lower-case characters, and the typical, left-leaning slant of all round lower-case letters and the typical left-leaning axis of all round letter forms. In this way, a rhythmization of a line of type was achieved which created a lively image without being “noisy”. With this concept, Volker Küster has enlarged the Sans Serif by a distinctive, trend-setting form variation.

Betabet was drawn using traditional serif fonts as a guideline. The scribbled style and serifs combine to make an unusual font. Betabet does not look like handwriting, but works well where handwriting or script fonts might seem too insubstantial.

Polydot is an experimental Font, built following its own rules. It has interesting letter shapes, making it a perfect choice for creative packaging and magazine design. At the same time it makes a beautiful, neat but vivid text pattern when used in smaller sizes: Use it for children’s books, food and beverage, cosmetics or health topics. Each Glyph is based on at least one dot on the body line, and has up to two more on the lower case level and the ascender level. Since they have the same size and are on the same height on all letters, no matter what weight and shape, these dots give a strong structure to the typeface, allowing for dynamic and easy letter shapes, inspired by brush strokes. It’s not a hand font but it has the dynamics of one. It has no serifs but provides the structure and readability of a roman type. It has an extensive choice of weights, but it’s characteristic dots have the same size and it has the same tracking through all weights. Try it, it’s special.

New Year Deco: An Art Deco Font for Festive Celebrations! Raise a glass to the New Year with this elegant, vintage inspired Art Deco header font. This first edition of New Year Deco is the introduction to an experimental design that I hope will evolve into the ultimate in Art Deco fonts. Starting with 4 alternative styles with varying degrees of decorative flourish, this all-caps design is tailor-made for invitations, award ceremonies, elegant title designs and logos. It includes unique uppercase and lowercase characters, along with numerals, punctuation and language support. And also includes a variety of illustrated symbols, underlines and icons for an extra graphic touch. See the visuals for more. For the future development of this font I encourage my customers to contact me with suggestions and requests. If you would like to see a bolder, thinner, fatter, taller or wider version, contact me and I’ll add it to the next update!

Nauman Neue is a modern humanist sans serif typeface made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideal for web and on-screen applications. In 2021 Nauman was expanded to sixty styles, including two helpful widths condensed and semi-condensed. Included in the font are 900 characters per style, ten weights and three widths with matching italics. Opentype features consist of seven numerals variations, including inferiors, superiors, fractions, tabular, lining, and old style. It also has alternate lowercase a, e, I, M, small caps, arrows and language support covering Western, South, Central Europe and Vietnamese.

Give a simple rounded fun groovy, fancy, to any text project. Also good for a logotype or brand name. This is a gift to my graphic designer friend Gita from Indonesia, I call her gitch gitch, so I made it the name on this font.

The design for this typeface is based upon four sheets of an old latin book I purchased in Hanover (Germany) a couple of years ago. The letters preserve the rough edges of the original printing, I just added a few missing letters and some ligatures.

“So-called Baskerville Old Face of the type foundry Stephenson Blake & Co. of Sheffield. The Script is probably not immediately linked to Baskerville, but it is very much influenced by it. It is one of the most beautiful types of which the mats still exist; it has an incomparably different spirit than the ‘streamlined’ re-cuts of today’s Baskerville. Even keeping the general restraint extremely expressive. According to Berthold Wolpe (‘Signatures’ No. 18), the punches were cut and shown in samples in 1776 by Isaac Moore, who came from Birmingham to Bristol.” – Jan Tschichold, “Meisterbuch der Schrift”, Notes On The Plates, Page 231 Publisher note: I wanted to improve the contrast between thick and thin, reduce some ink-traps and give stems, serifs and links a smoother overall feel. I have also added some alternative letters and old style numerals.

John Quincy Adams, sixth President of the United States, didn't hit his stride until he'd left that lofty office. It was during his many years in Congress that he assured his legacy, not least because of his long, masterful oratory opposing slavery. His speeches, in fact, won him the nickname "Old Man Eloquent." So when I decided to simulate Adams's penmanship in his legendary diary (which he kept for nearly 70 years), it seemed fitting to call the font by that name. I focused on his handwriting from about 1810, when he was Ambassador to Russia, but also consulted pages from later years. Old Man Eloquent has both regular and bold weights. The OpenType version has more than 450 glyphs, including alternate uppercase characters, old-style and lining figures, and numerous ligatures; all formats contain several common (English) words.

Schramberg is a new typeface inspired by vintage labels and combining with modern design. This font come with sans serif. Schramberg features with stylistic alternate, contextual alternate and stylistic set. This font come with script and match your vintage design, t-shirt, logo, labels, badges, posters and etc. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Happy creating! Runsell Studio - Magelang - Indonesia

Delator font is a display typeface, inverted contrast, and condensed. Inspired by the personal experience of the designer who, with resilience and daily struggle, managed to get ahead. Its name is linked to the song of an Argentine rock artist called "Corazón delator", this means that it is a typeface that does not go unnoticed, it attracts attention for its shapes and its way of being and above all, when it is present, it automatically "gives itself away".

Lewis F. Day, in his book Alphabets Old and New, offered this typeface as an example from sixteenth-century England of lettering incised in wood. The font is essentially monocase, but there several lowercase letters are alternate letterforms. Please note that, due to the ornate nature of the letterforms, this font does not contain math operators, fractions or superior numbers. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

The Artful Dodger is a character in Charles Dickens' Oliver Twist. Dickens wrote his books in the Victorian Era, which also gave birth to a beautiful and extensively used typeface called Clarendon. The typeface was developed by Robert Besley and first published in 1845. Artful Dodger was modeled on the glyphs found in a 1865 book, which was typeset in Clarendon. Artful Dodger has not been 'cleaned', so the glyphs look rough and worn, just like the book I found them in.

Need to cram a zillion words on to a single page? Nicotine is your vice. Cram it. Nicotine Jazz is a bit more musical as it trades uppercase and lowercase letters for an interesting unicase effect. Italic can be used for extra emphasis. The condensed nature of the Nicotine fonts allows for impressive use at larger, poster sizes. Another interesting tidbit? The I in Nicotine is a silhouette of a traditional filtered cigarette; that's how the font got its name.

We've already updated and revitalized Film Fiction Sans to ensure it perfectly matches your evolving creative vision. The inclusion of tabular figures, old-style figures and alternative glyphs expands your design palette and allows you to adapt the font to your unique style. TA Film Fiction Sans has been updated experience the appeal – this can be your font of choice to enhance your brand identity, cinematic efforts and editorial design. This brilliant typeface is not just a typographic tool, but a creative catalyst for headlines, logos, web elements, signage, posters and fashion apparel, packaging. TA Film Fiction Sans does not follow trends, it defines them, imbuing each project with a true modern essence. Embrace the possibilities with 9 different styles, each boasting a large set of 758 glyphs. Discover additional features of OpenType features such as aalt, dnom, frac, kern, liga, numr, ordn, salt, sin, ss01, ss02, ss03, ss04, ss05, ss06, ss07, tabular figures, old-style figures and alternative glyphs. Not only does this font speak multiple languages, it also covers a variety of design needs – offering seamless language support for Western European, Central/Eastern European, Baltic, Turkish, and Romanian languages. Test your alphabet, explore the nuances and witness the transformation. And if you're at any creative crossroads, I'm here for you. If you want to customize TA Film Fiction Sans, need font files or have any other questions, please reach out to me at t@taft.work. TA Film Fiction Sans be the cornerstone of your creative journey. Elevate your designs, embrace innovation and redefine possibilities with TA Film Fiction Sans, where each character tells a story.

Gotta tell ya: think out of the box and this font is addictingly fun to use! Introducing Historic Warehouse, a substantial, yet elegant family, invoking advertising fonts of the early 20th century. Why the name? When asked to design a banner for Tucson’s Historic Warehouse District, I couldn’t find the look I wanted from any known fonts. After drawing what I wanted in Illustrator, there were three (and in the process, four) fonts just waiting to be realized. Happy to oblige. Here’s Historic Warehouse Regular, setting the stage. It’s sturdy, bold, and plays curves against rounded angular shapes. To its left is Historic Warehouse Condensed, trim, elegant and at its best at very large sizes; to the right is Historic Warehouse Wide, with charming style and presence. Finally, there’s Historic Warehouse Extended, extravagant in its proportions, with a beautifully-crafted form like a fine carriage. As the song says, “Everything Old Is New Again,” and this family looks as fresh and clean at the beginning of this century as it might have at the beginning of the last.

The design of the Tabwa font was inspired by the font Neuland designed by Rudolf Koch in 1923. Rather than attempting to re-create his font in a digital form as so many others have done, I have tried to capture the "spirit" of his font and merge this with the spirit of Africa. As a result the characters differ markedly from Koch's original styles and have much less of an "Art Deco" look to them. To further modernize the font I have included all the characters missing in Koch's original (a full lower case, as well as all punctuation, diacritics, special characters etc). The result is a thoroughly modern re-interpretation of the original "Neuland". The numbers (0 to 9) bear no relation to Koch's originals but, I believe, are far more in keeping with the alphabetic characters in the font. The triangles that decorate the characters of this African font are typical of the patterns found in the Tabwa culture of central and west Africa (in the Congo region).

Violinist is a vintage script font. As the name suggests, this font is inspired by classic billboards/boards. Besides that, I also combine it with a script style and it’s a little irregular in its shape style. I strengthen the vintage/retro impression with the character ligatures, there are 140 ligatures in this font. But if you want to use this font with a neater impression, you can disable this ligature feature. This font is perfect for projects with vintage/retro and classic themes. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.