Hallo Jack is a funny, bold and cute display font with a sharp corner. Get inspired by its unique feel, and turn to add a lovely charm to any crafts project, this font suitable for any project about kids, children, or Student, like, book Cover, kids shirt, baby shower poster, and etc.

Black Vosten is a textured brush font with a contemporary design style. Made with a brush on paper, then scanned and carefully drawn into vector format. It has a charming, authentic and relaxed feeling and is perfect for adding a natural touch to your design. Fall in love with unique and authentic letters!

Montarsi is a typeface designed by Jeremy Dooley, inspired by Arabic calligraphy and contemporary design trends. The letters are fluid and graceful, inspired by the curves and swirls of Arabic script. Montarsi is a bold, contemporary calligraphic face with broad strokes and high contrast. It has a variety of styles and weights to give you an extensive range of design options. This font family, which includes eight weights, is ideal for producing brief texts for editorial, fashion, branding, magazine, television, window displays, and other media applications. Small caps, old-style figures, and width variations are also included. It's ideal for writing brief sentences because of the increased x-height. Montarsi is a classic spirit reinvented in a modern language, influenced by the delicate curves of letters and the way ink glides across paper. We especially thank Lucas Azevedo and ikern.

Isn’t it interesting to create a design in a stylish, firm font made of mixture of style and authenticity? This is the Gray Asphalt. Gray Asphalt is a racing-themed script font to give you steady, firm, solid impressions for word or message emphases. Its thick display is suitable to apply on bigger-sized texts. The font features you can enjoy are as follows. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Gray Asphalt fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs,

Would you like to have a unique, firm, energetic design? Global Bickers ensures you to deliver the clearest messages to anyone. Global Bickers a racing-themed script font made in thick displays. Unlike other useful cursive fonts looking similar to hand writings, this font really fits into bigger-sized texts. The available features in this font are: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Global Bickers is greatly appropriate for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs.

A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.

After Letrista Script, Calderón Estudio returns with a new contemporary and adaptable typeface. Tulipán Lovely Script is a font with three variations resulting in a subtle design that can be smooth as the fresh tulips that inspired it, markedly delineated as a tulip in full bloom, or rough as crocodile skin. Tulipán evokes the soul of vintage brush lettering. See our samples here. Features include: Tulipan Display: Stylistics alternatives, contextual alternates, swash, discretionary ligatures, standard ligatures, oldstyle figures, language support, titling alternates and 59 ornaments. Tulipan Broken: Broken effect, Stylistics alternatives, contextual alternates, swash, discretionary ligatures, standard ligatures, oldstyle figures, language support, titling alternates, small caps and 59 ornaments. Tulipan Rough: Rough effect, Stylistics alternatives, contextual alternates, discretionary ligatures, language support, cath words, 77 ornaments and free samples patterns! You will love it!

The Millea Leonee is a fashionable and quirky new handwriting font with some sexy and stylish extras. It was created to look as close to a natural handwritten script as possible by including lots of ligatures, and a full set of lowercase alternates. Millea Leonee is a stylish script font that features a varying baseline, smooth line, modern, and with a depth love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, wedding, invitation, signature, logos, branding, t-shirt, letterhead, signage, labels, news, posters, badges, and more. We designed this font with OpenType features to give an artistic touch on it. Millea Leonee includes: -Stylish modern handwritten script -Special Ligatures -Multilingual Support

What does a 1932 movie about a love affair between a circus' trapeze artist and a sideshow "little person" have to do with the 1960s counter-culture? They both share some commonalities. The title card for Tod Browning's "Freaks" inspired the lettering design for Hippie Freak JNL. It's in a retro style that was embraced by the youth movement that had its epicenter in the Haight-Ashbury district of San Francisco. Circus performers with birth defect abnormalities were displayed in what was referred to as "freak shows"; while young men with long hair and beards who sought peace, love and an end to the war in Vietnam were commonly referred to as "hippie freaks". As the saying goes "the more things change, the more they stay the same".

Balboa is a display design combining elements of early sans serif and grotesque types with contemporary types. It evolved from ATF Headline Gothic, Banner (a headline typeface I drew for the San Francisco Chronicle), and Newsweek No.9, a Stephenson Blake-like grotesque I designed for Roger Black's 1980 redesign of Newsweek Magazine. There are nine styles, including the three new styles that have been added in 2014: Medium, Light and Ultra Light.

Luckily, I am not allergic to waffles - but a guy named Ethan Tremblay is...and if you know the story about that guy, you know the name of this font is from! What can I say? A handmade font full of quirkiness and a rough outline. Comes in both Regular (outline) and Solid. Use both versions as they are, or combine them. I've added 4 different versions of each lowercase letter and multilingual support!

Handpainted font with attitude! An attitude which will help you when designing posters, packaging, headline, invitations and alike, that needs that authentic brush-look! I haven't got the count of how many pieces of paper I used to make this font. It was a lot! Comes with “contextual alternates” which means that the font has 6 different version of each letter. These different versions cycle as you type, and makes the font look more realistic!

The history of this font is those. Once I assorted the old children's books which have stayed from times of my childhood. On one of them I have seen a trade mark of a printing house consisting of two Russian letters "L" and "B". From they were begun also with my font. And though finally from these letters a little that remained, elements of these letters can be seen in font D-block B.

Last year I spent some time exploring the city of Bath in England. Its claim to fame are the Roman Baths in the city center, which are well worth a visit. Kingsmead is an electoral ward within Bath and I thought it was an apt name for this rather stylish - if old fashioned - font. Kingsmead Script is a handmade font. It comes with diacritics and some discretionary ligatures for double lower case letter combinations.

Thanks to the Quay Brothers, London, who provided me with original materials, I was able to revive Carl Otto Czeschka’s beautiful Czeschka Antiqua which was first released by Genzsch & Heyse in 1917. Since nowadays the word Antiqua rather refers to fonts with serifs, I dropped it, also because this fanciful font is a humanist sans. To get access to all ligatures, it is recommended to also activate the OT feature Discretionary Ligatures.

Abeille means bee in French. I am a little worried about the world's bee populations, as whole colonies collapse due to monoculture and pesticides. I have planted many bee-attracting plants in my garden and even put up a 'bee hotel' (which is full of tenants right now). Abeille is a hand drawn didone-ish font, kind of cute and happy, very legible and full of character. Abeille comes with a swarm of diacritics.

Hi, I’m the Lace line font! I’m drawn by hand. Each of my letters is a curved lace! I will perfectly fit sports design either it is a print, a sports team logo, or even the score of the match. I include Latin uppercase, lowercase, numbers and special symbols. So that I’m even more attractive my designer Kaer created a lot of great ligatures. I’m young and cool! Let's go, go, go!

Umbilical Noose is a rather scary typeface. It is quite similar to an older font of mine: Nyctophobia. The name comes from a Nirvana song called Heart Shaped Box, in which Kurt Cobain sings: "throw down your umbilical noose, so I can climb right back". I have always liked that phrase a lot. Umbilical Noose is an all caps font, but upper and lower case are different and you can easily interchange the glyphs.

is a sans serif font with a wide range of uses, This san serif output can cover any product from fashion products, such as beauty equipment, clothes, shoes, magazines, women's knick-knacks to anything related to today's women. I made this font more subtle than the typical san serif family. because it is intended for more detailed beauty. You can see a preview of it in the image I made. Thank you

The DF Dudok is a minimal bitmap typeface which works very well in small sizes both on your screen and on paper. I am connected in a culinary way with the architects’ name W.M. Dudok. It was the first restaurant where I cooked under the critical eye of my chef Gerhard Braun. (Now La Stanza in Rotterdam) Well, it is incidently getting into my typeface work, the cook, the architect, his wife and...who knows

Obrigado means 'Thank You' in Portuguese. It is my way of saying thanks to the unknown designer of a Portuguese port-wine poster from the thirties. Obrigado font is based on that poster. As I had to work with a handful of glyphs, I designed the missing ones myself. Obrigado is a quite elegant and refined art deco font, which would be ideal for posters and logos. Obrigado speaks most Roman based languages.

Collage BB font was created for visual imitating of cuted paper Serif letters. The idea was to imitate kid’s clumsiness and irregular shape of letters. Good readability allows using this font for making some long texts. The font contains all the Latin and Cyrillic glyphs. BB - Bajina Bašta (Bašta in English means Garden) is the name of the small town where I spent my carefree childhood. That’s why I was inspired by Peter Pan.

Airbolt is sporty, futuristic, and sharp font. It will make your design looks sporty and also futuristic design. Airbolt is a great fit for retro, futuristic, automotive, and gaming themed designs. Just look how it performs on the preview that I have provided, you will see its capabilities. But it will also work well with other themes. I can’t wait to see what you guys will come up with with using this font!

Fiorentina is a ecstatic, abundant, embellished script in the Renaissance tradition. It could have been made for the Medicis or Sforzas. But I designed it completely new after being inspired by colorful Florentine wrapping papers. I gave it many different swashes and understrokes, alternate upper- and lowercase characters, 659 characters in all! The font has all accents for the European languages, Baltic, Roumanian and Turkish. Yours very versatile designer of beautiful typefaces Gert Wiescher

The universe always made me curious as to what could be found beyond earth. For the past few weeks, I’ve been staring outside my bedroom window looking at the same star. Every day at one in the morning, it shone beautifully in the cloudless night sky as I face West. That same star paved way for some inspiration to create a futuristic typeface. Every day, I watch it before it disappears into the oblivion.

A wonderful, very condensed, 3D font. A few years ago, I was commissioned to digitize the letters from this typeface for the words 'LEGENDS OF RODEO' and liked the look of it so much that I went ahead and digitized the rest of the alphabet. This CastleType revival is very clean-cut and contains uppercase, numerals, and punctuation. Sculptura was originally designed by the Swiss designer, Walter J. Diethelm (1913-1986) in 1957.

The classic font as designed by F. W. Goudy for ATF in 1901, now in a hand-drawn version for a little bit of variation. Everybody else just offers another version of the same old Copperplate, but I now have a new rough one. Oh, just for the record, I have a couple of other versions of this font in my collection of the Copperplate Classic fonts. Your rough designer Gert Wiescher

Massive text suits my Only Kidding very well. Even at small sizes it is super legible, and it really keeps that handmade image. At larger sizes the crunchiness really comes forward and may surprise you how detailed edges the letters has got! I am going to use this font for one of my children's books - I am thinking something adventure-ish! What you think? Comes with fi and fl ligatures and double letter substitutions!

In Welsh mythology, Bronwen was the daughter of Llyr, the god of the sea. It is a popular girls name in Wales and it apparently means "white breast" or "pure heart". I really like this name and I think it fits the font. Bronwen is a fantasy font with a bit of roughness to it. It comes with some curly swashes and a handful of alternates. Use it for your books, cards and products!

Umerica first made its appearance in 2007 as a series of characters in a pdf I posted to Typophile. It has taken a lot of time, and determination, for me to finally decide to complete it. I had the basic font completed in 2008, but put it aside as the creation of the italics it deserved were beyond me. That was then. Now the italic version has finally been added twelve years later.

Phraxtured is a fairly accurate rendition of the letter forms used in an old German-language publication that I found in a trash heap. However, several characters in fraktur, such as the k, y, x, and S, look bizarre to English-language readers, and I have created more comfortable alternatives. The Phraxtured-Deutsch version has the more traditional characters. The ShadowedInside style is designed to be used in layers with the Shadowed style.

Finally, a serious alternative to that other comic font. After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look. The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look. Check out the other members of the JollyGood family

I've always admired the work of Rudolph Koch. Culpepper is what I think Neuland would have looked like if it had been developed with lowercase, small caps and a range of weights. I started work on this series in the late 80’s and, like so many of my ideas, it was shelved when life drew me in another direction. Culpepper is the name of one of the islands in the Galapagos chain.

The idea for the typeface Dekalb was born in 2013 after a day of photographing signage, murals and graffiti around Dekalb and Wyckoff avenues in Bushwick, Brooklyn. The initial drafts of the letterforms were first made into a single ultra-weight font that I used while working as the Creative Director for Sneaker News Magazine. After having made its first appearance in Sneaker News, I decided to expanded Dekalb to an eight style family.

Hello I'm back with a new product, this is Benalline Signature, this is a classic Calligraphy style font, vintage and retro but still looks elegant, luxurious and beautiful. Benalline Signature is a little different from some of the existing fonts, I made a slightly different shape and added an alternative character with a more decorative shape and also I added a special Ornament and swash made especially for the Benalline Signature. Thank you!

The idea for Quirky was born while I was looking at a book of etchings by British artist Graham Clarke. His signature, crawling spider-like across the page, fascinated me with its casual, almost messy, inky dark and light drama. I started scribbling the alphabet as I imagined he would write it, based on his signature, then continued, adding curls, making the characters more angular, and refining the dramatic play between dark and light. Finally, Quirky appeared. Apparently casual, Quirky is, in fact, a true connected script. Quirky is characteristic of contemporary handwriting: It appears loose, angular, unstructured, and free, while maintaining good form and legibility. Its baseline is varied, creating an impression of impatient handwriting, without losing legibility. Quirky comes in five styles: condensed -- the most dramatic form, with great drama between thick and thin condensed black -- as with condensed but allows the user to provide exceptional emphasis wide -- increased readability wide black -- increased readability and emphasis splat -- messy and ink-blotted -- a hint of grunge Use Quirky for advertising, for humorous greeting cards, for a funky fashion look or tongue-in-cheek spooky media. Quirky is a fully professional font with extensive use of OpenType Ligatures. For example: most common double letter combinations such as "ee" are rendered as two, slightly different shaped "e"s. This variation in letter shapes removes the cues by which the reader identifies that he is viewing a FONT and thus conveys a strong sense of hand-lettered text. Language support includes all European character sets and has been designed to be used with the following languages: Afrikaans, Albanian, Basque, Bemba, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Icelandic, Indonesian, Irish, Italian, Kinyarwanda, Luo, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Sango, Shona, Somali, Spanish, Swahili, Swedish, Swiss German and Zulu.

Cinque Donne means “Five Women” in Italian. It was inspired by the five sisters in my family as well as a group of five high school friends I have known for 46 years, aka “The Club Girls”. The Pro version has 3370 glyphs with all the bells and whistles! Women are connectors, encouragers and supporters. Young, old, shy, extroverted, when you put us together, somehow we make a beautiful impact on each other’s lives. This is what Cinque Donne does in a visual way. Some letters are simple and prefer to sit quietly. Others are flourished and proud and like the limelight in the middle of a word. And then there are alternates that are flexible and work in any number of surprising places. Stylistic sets can add a vivacious feel while contextual alternates bring better understanding. Classic or contemporary, subdued or flamboyant, these letters represent the variety of women that make life interesting for us all. Within the varied glyphs, I hope you find characters that remind you of the special women in your life. Let Cinque Donne salute them on the page! The Cinque Donne Family includes: Cinque Donne, Cinque Donne Bold, Cinque Donne Swash and Cinque Donne Pro. Check out the Buying Choices tab to see special discounted combinations! Crafters: All of my fonts have been specially coded for PUA (Private Use Area) so you can access all of the swashes and alternates using Character Map (PC) or Character Viewer (Mac) or with any number of apps including PopChar. If you would like to purchase PopChar at a special discount email me and I will send you the link. Cinque Donne Pro and Cinque Donne Swash include Swash, Stylistic and Titling Alternates, Contextual Alternates, Standard and Discretionary Ligatures, Roman Numerals & Fractions.

Joane mixes the elegancy of French didones, calligraphic endings and glyphic serifs, thus its features convey a warm unique style. Moreover, its curves have been beautifully designed, and it also comes with both and engraved and deco versions, which add more versatility to the way it can be used. Joanes is perfectly suited for magazines, branding, advertising, labels, web and packaging. Joane is my first typeface to be published worldwide. To achieve this goal, I received essential help from W team and friends. I personally want to say thanks to Diego Aravena for the patience, good will and learning; for the friendship and support to Franco Jonas and Raúl Meza. Because of their help I could find the treasures at the end of the process. Ale Navarro

I happened to mention to the proprietor of an antique barn near here that I'd be interested in any old typewriters she happened to come across. A conversation ensued, the proprietor withdrew into a back room, and she re-emerged with an old handwritten letter, dated 18 Sept. 1825 and spanning nearly three pages. The letter, penned by Samuel Clarke, a Princeton, Mass., pastor, sought donations for the victims of an accident at sea. I thought his script unique, stylistic, and definitely something worth digitizing, so I bought the old letter and took it home. Had to come up with several uppercase characters to round out the set, but the results seem good and proper. Full release has complete character set.