Sunday Monday font is a cursive, handwritten typeface. It has been crafted using India ink and an old steel pen. I have added some splatter and stain, to give it a 'grungy' look. Sunday Monday comes with kerning and all diacritics.

Happy arila Hello, I made two handwritten fonts, one with thickness and can be used for whatever you are working on clarifying what you want to display, and a smooth script font is also here to make your work be sweeter

Bumper Sticker is a nice, uncomplicated display font. It is quite loud, a little heavy boned and very in-your-face. You could use it to design more bumper stickers, but I am sure you will come up with something better.

Just one is a fun and friendly handwritten font. Its casual charm makes it look very simple, easy to read and, ultimately, very versatile. This font will look amazing in any context, whether it’s used on a DIY, outdoor project or as a main title!. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : • Regular version • Character set A-Z in uppercase and lowercase • Numerals & Punctuation • Accented Characters • Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. If you have questions, just send me a message and I'm glad to help.

Hello guys… We proud presenting our new font. It’s name Black Friday Font . It’s a ‘crunchy’ comical sans serif, inspired by pop art style comic font. This special creative font is a fun that can be used for comics, manga, anime or any other design project. Good choice for project purpose, for creating logo, packaging, posters, headers, wall arts, cafe banner, t-shirt design, advertisements, kids stuff, social media posts and much more! Features: All Uppercase Numerals & Punctuations Multilanguage Works on PC & Mac Fonts include Multilingual Support for; Afrikaans, Albanian, Catalan, Danish, Dutch, English, Icelandic, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Polish, Indonesian, ZuluInclude

Introducing, Heaven Wanders, a unique handwritten typeface. There are two style with regular and slant. As you can see, this typeface has playful and fun look which is perfectly made to be applied especially in storybook cover, comics, cartoon characters, kids theme design, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Millestone Font This font was created to look as close to a natural handwritten script as possible by including some alternates lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. It's highly recommended to use it in opentype capable software - there are plenty out there nowadays as technology catches up with design ... Other than Photoshop, Illustrator and Indesign, many standard simple programs now come with Opentype capabilities - even the most basic ones such as Apple's Text Edit, Pages, Keynote, iBooks Author, etc. Even Word has found ways to incorporate it. Thanks for checking out this font. I hope you enjoy it! AminMario

introducing MELONS - display sans serif - MELONS is a cute and playful sans-serif font. It is great for t-shirt designs, books, magazines, branding, packaging, logos, quotes, mugs, tote bag designs, cards, banners, social media, and anything about your projects. The ligatures make it look so awesome. Features: All Uppercase Characters Numeral Multilingual Support Punctuation Ligatures PUA encoded I hope you love it. regards, Abo Daniel Studio

Organic Cotton is a straightforward, friendly and highly legible typeface. The lettering is based on contemporary brush/pen lettering with a little fun and lushness added. It is solid, fluid and organic without being hippie-dippy or whimsical - not that I am opposed to those things. Organic Cotton is well suited for packaging and branding and it comes with a 69 alternates, 28 swashes, and 14 ornaments.

Darby came about while playing with a loaded round-tipped brush. The letters remind me a bit of signage I remember seeing at county fairs in my youth. It's a casual comfortable font that lends itself well to outlining and drop shadows for emphasis. Not intended for long copy, it would work well in headlines or in signage where one is wishing to attract attention.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

Reloaded - Military Serif Font, first conceptualize was inspired by the classic vintage military stencil design . I wanted a typeface that could be a solid base for any military inspired project Reloaded Fonts can be used for wallpaper, pattern fills, web page background, surface textures. Perfect for making army posters , scrapbooking,invitation cards, stationary, gift wrap, packaging, buttons, pendants, holiday gifts, print on fabrics and so much more.

Whenever I create a font using a Chinese brush and ink, it almost always comes out scary-looking. Sensory Overload is not like that: it is quite a neat and tidy font, even if it is a little rough around the edges. Sensory Overload is an all caps typeface and would be ideally suited for book covers, headlines, packaging and posters. Comes with an overload of diacritics.

Yanice is a semi-condensed sans serif font that has a strong and subtle character. Perfect for modern & industrial themed designs. Yanice is available in 4 styles that you can use according to your needs. Get the Yanice font now at a great price to speed up your work. Feature Font : Standard Ligature Multilingual Support Symbol & Punctuation I hope you enjoy and thank you. Viaction Type

The Richie™ typeface grew out of a lettering experiment inspired by the work of Czech type designer Oldrich Menhart (1897-1962). Menhart’s typefaces were primarily text designs with a strong personal calligraphic influence. Monotype Studio designer, Jim Ford, wondered what a display typeface from Menhart might look like, and began drawing bold script characters with a broad-tipped chisel marker. “It was a familiar but laborious exercise,” explains Ford, “I tried to achieve an authentic – yet controlled – randomness that would serve as the foundation of a typeface.” Ford first drew a large suite of characters using the marker. All the drawings were then carefully adjusted, and scanned. Ford then pieced together a typeface from the best versions of letters, and refined those further. The result is a rugged, somewhat eccentric and playful script built on an obvious hand-drawn foundation. In a world of smooth scripts, the Richie design is heavy, chunky and rough. Its hand-made feel and vigorous rhythm put the power of raw brush lettering into the typographer’s hands. OpenType® fonts of Richie include standard, contextual and discretionary ligatures, in addition to contextual and stylistic alternates, old style, lining and superior figures, plus a large complement of swash characters. The name “Richie”? It grew out of Ford’s original premise for the design. “I wondered what it might it look like if ‘Old Richie’ had designed a heavy display face or script.”

Are you trying to make an elegant, modern, and stylish statement with your invitations, social media, website, or printed materials? Ready to enchant your audience and enhance your branding? Introducing Carloti-A Sans Serif Font Carloti is a gorgeous uppercase sans serif font that will whisk you away to a place of style! We are hoping that through this elegance and passion edged font, you can maximize your designs, reign in sales or make lasting impressions. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Carloti includes Multilingual Options to make your branding globally acceptable. Features: Standard Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Blimps- A Brush Font Blimps is a fantastic font. A display font that is combined with handcrafted script brush font. Designed primarily as a captivating font to add the right amount of modernity and style, This font is an excellent choice to ensure a great font match for your designs and projects! Well suited to titles, poster designs, branding, logos, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Hedgehock Script Inspired by Sign painting style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Opentype Feature Stylistic Alternate Alternative Character Ligature Swash Extended Latin Pro

Mirabella script- a new handmade calligraphy font. This font is ideal for branding and decorate your any project, are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your small business, book covers, stationery, marketing, magazines and more. Also for you, I have prepared many alternatives that will help you make your project more unique. Following international symbols support: ÀÁÂÃÄÅĄÇĆÈÉÊËĘÌÍÎÏÐÑŃŁÒÓÔÕÖØÙÚÛÜŚŠŸÝŹŻŽßàáâãäåçèéêëìíîïðñòóôõöøùúûüýÿąćęłńśšźżž

Proudly present "Bekind - Modern & Retro Font" Bekind is a modern & retro serif that perfect for branding, logo design, embroidery project, cricut, and many others. This font come with awesome uppercase and lowercase, number and punctuation, and lovely alternate. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Henretta Signature is a handwritten signature script with a natural & stylish flow. This script is perfect for personal branding but also works well for many applications, wedding invitations, advertising and more. Features : • Character Set A-Z • Numerals & Punctuation (OpenType Standard) • Accents (Multilingual characters) • Ligatures • Swashes There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.

Oldblend is a playful and elegant retro font and was designed as a display type for titles, headlines, and posters and will work well with any retro execution. It is characterized primarily by a modern look with straight shapes, but on closer view, you will notice its subtle connection to retro type design. Oldblend includes uppercase, lowercase, ligature and also Multiple Language Supported I can’t wait to see what you guys will come up with with using this font!

Baekrajan is a luxurious, casual and distinctive script that is perfect for your branding design, wedding invitations, business cards, and more. Baekrajan features Uppercase and Lowercase characters, figures and ligature standards that are very realistic. There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen :)

While researching the history of Onitsuka Tiger's branding and graphic design, I came across an odd, yet highly appealing piece of custom lettering on the company's ONICK ski boots from the 1970s. Reminiscent of aspects of the typeface Black-Out by Eli Carrico (released by my type foundry Wordshape), yet vertically compressed with razor-sliced counters and odd stencil element that makes up one of the legs of the "K", the ONICK lettering is a potential source for an intriguing modular font. I immediately thought of Ryoichi Tsunekawa as a potential collaborator to bring this piece of lettering to full-fledged life in the contemporary context. Based in Nagoya, Tsunekawa runs an independent type foundry called Dharma Type, including three specialized foundry sub-labels: Flat-It, devoted to display lettering; Prop-A-Ganda, a series of fonts inspired by and based on retro propaganda posters, movie posters, retail sign lettering & advertisements in the early 20th century; and Holiday Type, a series of decorative and retro scripts for holiday use. The past year has seen a flurry of notice of his work abroad, having been featured in both MyFonts' "Creative Characters" and YouWorkForThem's newsletter. As the work of most Japanese type designers is almost wholly unnoticed abroad, for Tsunekawa to be interviewed by two of the most popular type distribution companies in the world is definitely something beyond the norm. Perhaps it is because he works independently, or perhaps it is due to the charm and friendliness with which his typefaces are infused. Either way, this attention is both welcome and appreciated. Beyond mere charm, Tsunekawa's work is nuanced, detailed, and accessible due to its high level of finish. His fonts stand apart from his contemporaries in Latin typeface design in Japan due to his fascination with pop, vernacular and historical lettering from "non-pure" sources- whereas type designers like Kunihiko Okano and Akira Kobayashi have spent years analyzing the essence of Western letterform construction and unlocking the essence of Latin forms, Tsunekawa views surface and the awkward nature of his sources as being of value, as well. His irreverence for the formal doctrines of history imbue his typeface designs with a rugged inventiveness that would be missed by most- glyphs without source designs are guessed at and approximated, often in a manner wildly divergent from what Western eyes would assume. It is in these moments that I find sheer delight in Tsunekawa’s work and what make me most pleased to invite him aboard Neojaponisme and Onitsuka Tiger’s type development project. His assorted typefaces show an eclecticism in finish and as holistic systems- Tsunekawa's return email to me about the proposed type project showed a digital sketch of how a completed typeface family from the source lettering might look, rendered with an effortlessness and dedication to detail that belies a skilled craftsperson. Further development showed Tsunekawa’s rigor- the typeface in development rapidly featured glyphs ignored by many: a full set of fractions, Eastern European diacritics and accents, superior and inferior numerals, alternate characters, and custom ligatures - all designed with regulated, detailed spacing. ONICK is a typeface Tsunekawa should be proud of- an homage to a moment in history rendered in the absolute best fashion. We are proud to present it to the world! --Ian Lynam

Gundrada ML was inspired by the lettering on the tomb of Gundrada de Warenne. She was buried at Southover Church at Lewes, Sussex, in the south of England in 1085. The Latin inscription on her tomb, STIRPS GUNDRADA DUCUM, meaning “Gundrada, descendant of the Duke” may have led to the speculation that she was the daughter of William, Duke of Normandy and bastard son of Robert the Devil of Normandy and Arletta, daughter of a tanner in Falaise. In 1066 William defeated Harold at the Battle of Hastings and was crowned William I of England. More commonly known as William the Conquerer, he commissioned a string of forts around the kingdom and charged trusted Norman Barons to control the contentious Anglo-Saxon population. William de Warenne, husband of Gundrada, was one of these Barons. There has also been the suggestion that Gundrada may have been the daughter of William’s wife, Matilda of Flanders, by a previous marriage. According to the Dictionary of National Biography (Oxford University Press, Oxford, England 1921-22), both of these contentions are in dispute. Searching the past of a thousand years ago is like wandering in a heavy fog: facts are only dimly in view. Regardless, I know that I found these letterforms immediately engaging in their simplicity. Unadorned and unsophisticated, they have a direct honesty that rests well in the company of humanistic sans serifs like Franklin Gothic or Gill Sans, appealing to a contemporary sensibility. The lettering on the tomb is in upper case only. Although Gundrada does not sound Norman French to me, her husband certainly and her father probably were Norman French. Nonetheless, the man that carved her tombstone was probably Anglo-Saxon, like most of the people. For that reason, we are quite comfortable with a fairly generic lower case from an Anglo-Saxon document of the time. The time was a time of transition, of contending language influences. This font reflects some of that tension. Features 1. Multi-Lingual Font with 389 glyphs and 698 Kerning Pairs. 2. OpenType GSUB layout features: onum, dlig, liga, salt & hist. 3. Tabular Figures and Alternate Old-Style Figures. 4. Alternate Ruled Caps (line above and below, matching to brackets). 5. Central Europe, Western Europe, Turkish and Baltic Code Pages. 6. Additional accents for Cornish and Old Gaelic. 7. Stylistic alternates A, E, y and #. 8. Ligatures ST, Th, fi and fl. 9. Historic alternate longs. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Greatwall is a brush styled script, created by hand with a brush pen. This font is best used for your design project that has the concept of fun, brave and sporty. It is perfectly suited for signatures, stationery, logos, typography quotes, magazines or book covers, website headers, clothing, branding, packaging design and more. It's a handwritten script font containing upper and lowercase characters, numerals and a large range of punctuation. Greatwall includes: - Basic Character ( Uppercase and Lowercase, Numerals, Symbol and Punctuation) - Multi-Lingual support - Alternates and Ligatures: as is us es os ee dd ff ll mn ht oo of tt th st ss and you ond out. - PUA Encoded

According to the market demand, fonts tend to be unique fonts, so I decided to make a unique display serif font that is in your view. The Brays font is a font with many ligatures that is very unique and sought after, comes with a stylish style to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Brays Font is a great choice for beauty brands, magazines, travel, newspapers, books, brand names, branding, branding, quotes, album covers, and other projects. The Brays font is here to take the quality of your designs to a higher level. Brays Font is my Twenty ninth Font created in 2022 The Brays font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • All capital letters • Stylistic ligatures • Stylistic alternate • Multilingual Support • Numeral and punctuation

Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of Switzerland and Univers out of France, and at a time when Akzidenz Grotesk and DIN were riding high in Germany and Gill Sans was making waves in Great Britain, it was intended to compete with all of those foundry faces, and later came to be known as the “Italian Helvetica”. It maintains traditional simplicity as its high point of functionality, while showing minimal infusion of humanistic traits. It shows that the construct of the grotesk does not have to be rigid, and can indeed have a touch of Italian flair. While the original Recta family lacked a proper suite of weights and widths, this digital version comes in five weights, corresponding italics, four condensed fonts, and small caps in four weights. It also includes a wide-ranging character set for extended Latin language support.

Old Spokes - Vintage Display Font. Old Spokes is a super unique vintage display typeface. Old Spokes font inspired by display of the posters with vintage themes. Old Spokes have classic, retro and trendy impression is very visible. But in Old Spokes font I combine several variations such as the ligature. It makes this font even more unique and different. Old Spokes is also great for any kind of display purpose from album, cover,poster, label, tshirt, apparel, signage, quote, logo, greeting card,logotype and many more. Old Spokes is also support multi language. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Hidorka is a very cute, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs. Hidorka is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -2 Type Font -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Glandan is a very cute, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs and strokes! Glandan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative -Ligature -Punctuation -Number -Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design

Mongilon is a very Beautiful, elegant and unique handwritten font. Expertly designed to become a true favorite, this font has the potential to take your creative ideas to the highest level! This font is PUA coded which means you can easily access all the glyphs and strokes! Mongilon appeals because it is sleek, clean, feminine, sensual, glamorous, simple and highly readable, thanks to its many luxurious letter joints. I also offer a number of viable alternative styles for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting cards/weddings, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -Uppercase -Lowercase -Alternative - Ligature - Punctuation -Number - Multilingual support. Need help or have questions let me know. I'm happy to help. Thank you & Congratulations on the Design.

Abongia is a very cute, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! This font is PUA encoded which means you can access all the glyphs and sweeps easily! Abongia is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many fancy letter connections. I also offer a decent number of style alternatives for all letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help.

Bergidan is a very Beautiful, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! This font is PUA encoded which means you can access all the glyphs and sweeps easily! Bergidan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many luxurious letter connections. I also offer a decent number of style alternatives for all letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements. for your purposes. . . . . . 4 Type Font Regular Slant Bold Bold Slant need help or have questions let me know. I'm happy to help. Thanks & Congratulations on the Design.

Once, Blackletter was a calligraphy style. Full of ligatures, with letters bumping into each other to create an unapologetic picket-fence pattern. Some even claimed that the regularity improved legibility! But then Blackletter was cast into metal, and only a handful of established ligatures survived, while most interletter connections were disentangled. Everyone since followed suit, and hundreds of years later, digital Blackletter fonts were modelled mostly on the metal fonts that prevailed rather than the original handwriting. Up until now! AJ Quadrata is an authentic revival of the textura quadrata hand, and its major inspiration is a 15th-century Latin manuscript of the Bible from Zwolle, the Netherlands. The typeface is delivered in two flavors. The default cut is a modern take on textura quadrata that can be useful for today and tomorrow. The standard ligatures feature employs nearly all letters. The tittle of i retains its original, hasty squiggle form (except for the Turkish localization). Discretionary ligatures include medieval ligatures da, de, do, pa, pe, po (and their mixed-case counterparts!). Stylistic sets allow to use historic letter variants such as long s and rotunda r, closed-counter a, and alternate capitals. AJ Quadrata Medieval is perfect for setting Latin. Default forms of capital F, H and O are swapped with the alternates. The squiggles above i only appear for disamibiguation nearby m, n or u, as in original manuscripts. Discretionary ligatures and historic variants are promoted to the standard ligatures feature to make room in the discretionary ligatures feature for a variety of scribal abbreviations. Dedicated stylistic sets include medieval punctuation and justification alternates — glyphs with elongated terminals used for lengthening lines that end up too short. The Rubrum styles can be layered and colored to create the illuminated effect on the capital letters. Besides a faithful rendition of extended Latin including Vietnamese, numerous synthetic additions are included: polytonic Greek, Armenian, and Cyrillic (with Bulgarian and Serbian/Macedonian localizations). Both flavors of the typeface can be considered a starting point that can be further customized using OpenType features, including Stylistic Sets (some features differ between AJ Quadrata and AJ Quadrata Medieval): ss01 Alt E ss02 Descending F / Roman F ss03 Uncial H / Roman H ss04 Angular O / Round O ss05 Contextual closed-counter a ss06 Diamond-dot i j / Always dotted i, j ss07 Contextual rotunda r / No r rotunda ss08 Contextual long s / No long s ss09 Dotless y ss10 Serbian Cyrillic ss11 Alt Cyrillic de ss12 Alt Cyrillic zhe ss13 Alt Cyrillic sha ss14-ss17 [reserved for future use] ss18 Scribal punctuation ss19 Alt linking hyphen ss20 Justification alternates