WigWag Bold and Wigwag Deluxe are bold, informal lettering styles inspired by mid-20th century Showcard Lettering. Especially by the work of Speedball lettering artist Ross George, and also the work of Cecil Wade and Samuel Welo. Designed around 2001 by Jim Parkinson, Wigwag has recently been refreshed and re-released.

Enchanted is a unique contemporary font that mimics the style of handwriting and brush scripts; yet it is neither. Great for logos, captions and large bodies of text. Paragraphs set in Enchanted are easily read since the letters do not connect; aiding in its legibility. Enchanted contains seven stylistic alternates.

Jvne77 Studio presents: Cittá Novela is an upright typeface family inspired by vintage architecture from the mid 20's to the 60's. A classy and didonesque streamlined sans which will perfectly set in a poor line space for Titling and text. Multilingual, diacritics, ligatures and alternates for near 570 glyphes.

A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse.

Formosa is the old, colonial name for Taiwan. Formosa means beautiful in Portuguese and I think this handwritten typeface has a certain beauty itself. It comes in three styles, all of which make extensive use of ligatures, to give the font an authentic, handwritten feel. Like most of my fonts, Formosa comes with Babylonian language support.

This time for Summer Sunshine! Made with love and joy, inspired by the warmth of summer. Comic look, so it will make your design more beautiful, cute, fun, and colorful. Features: Character Set A-Z (All-caps) Numerals and Punctuation (OpenType Standard) Accents (Multilingual characters) PUA Encode I hope you can enjoy the font :) Regards Figuree Studio

FreeDee is a re-draw of some experimental lettering first drawn during A-Level (just after high-school) art and design studies. It was originally purely self initiated, and one of the first things I used Illustrator to draw. This version takes the original handful of letters and extrapolates a full alphabet with basic latin accents.

The Formetic family can be used for logos, advertising slogans, posters and banners,etc. Designed for use in many different kinds of materials. The design is Sans-serif, modern, geometric and I created digital fonts when designing this first for numbers and players names for a football team. Formetic comes in 6 styles, 3 weighted with corresponding Oblique versions.

The word Zawiya in Arabic language means Angle in English language. "Zawiya" is a Kufic modern square-shaped Arabic typeface. The typeface has only right-angled angles which makes it full of open and closed squares and free from any curves or arches. This font comes in two different weights. I am originally an engineer and I have liked to draw geometric shapes since my early childhood. I decided to design a typeface that embodies both of the technical and artistic human that I have inside me. The main characteristic of "Zawiya" Typeface is in its modern and attractive right-angled and square-shaped styles for its all-Arabic characters. The character "Faa" is one of its most distinguished characters that I myself adore it so much. "Zawiya" Typeface is suitable for books' covers, advertisement light boards, titles in magazines and newspapers, posters, greeting cards, cards, covers, satellite channels, exhibitions' signboards and external or internal walls of malls or metro's exits and entrances, geometric instruments and tools, technical devices, computers and laptops, IT and electric devices and also calculators. It is advisable to use the font in fields related to sciences such as geometry, mathematics, physics, chemistry, astronomy, industry, economy, and other fields. It can also decorate surfaces of calculators, geometric tools, rulers, pens, computers, cars, ships, trucks, and other related electric and electronic devices. It is sharp design qualifies it to be printed in public signs in streets, airports, hospitals, schools, malls, hotels, mosques, and other public places. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it! The inline version has a wider spacing after the letters CEK = no connecting words. Otherwise just as lovely and retro! Nick Curtis says: "Here’s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22° slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font. Fontleroy Brown is the solid version, produced at the request of the King of Ding, Jeff Levine." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Recobant is a very charming and stylish font, and is designed to resemble engraving. It also features ligatures and multi-language support. I have made this font as smooth as possible, reducing the number of nodes in each glyph to ensure optimal cutting with Circut, Silhouette or other craft machines.

After having finished Pondicherry font, I stayed in the 'Indian Mood' (so to speak) and named this font after another Indian city. Bombay Blue turned out to be a handsome typeface with a flirty air, suburban chic and just enough sleaze to keep everyone happy. Comes with a diacritical pantheon.

Le Major is my new elegant serif font that will bring in your projects a touch of luxury and style. It's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines and much more. Flip through all the previews and get inspired like I was while creating this font.

Seasonal Drift is a brush font that I made using one of my father in law's Chinese brushes and ink. For some reason this font reminded me of the ocean, like waves and currents and driftwood. Seasonal Drift comes with a healthy dose of language support and some cool discretionary ligatures.

Sans serif font family with a minimalist style has 6 thickness styles, I hope this will please you in preparing your work with this elegant font. which can be used in various projects, wedding invitations, magazine headlines, social networks, signage, etc.

Since I am still in a Japanese mood, I decided to name this font after my favourite pastime in Japan: hunting for the smallest, nicest sushi bar in town. After all, there’s just nothing like eating freshly made sushi and washing it all down with a cup of green tea or a warm sake. Sushi Bar is a very detailed brush font - all caps, but upper and lower case differ and can be mixed. It is an ideal font for posters, albums, headlines and book covers. Comes with a bento box full of diacritics as well!

Women Frame is a modern calligraphy font with sweet pressure. i hope this font perfect for creating signature logos and watermarks for photography studio or wedding invitation. I made it with love and magic!! Women Frame includes full set of beautifull hand lettered uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. All lowercase letters include beginning and ending swashes. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. if you have questions, please provide a short message to us

I added the hollow model of the font he developed by taking an example from the ancient Greek inscriptions found in Turkey to my fonts. Use it in good works.

Streetscript Redux is an update to the now discontinued Streetscript. In the original version, it seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said) All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.

Hello everyone, I would like to introduce my newest font Hey Magnolia Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work. This font can be used easily and simply because there are many features in it. contains a complete set of lowercase and uppercase letters, assorted punctuation, numbers, and multilingual support. font also contains multiple ligatures and many contain alternative Style Stylistic Sets such as a heart swash alternative to combine with two words, for example: Ashley-Haston. You can see an example in the image above. Hey Magnolia is very suitable for market designs being developed today, this font has a stylish, trendy, natural and soft font, with this font you can take advantage of opportunities every moment is a great way to highlight the celebration of the best of the party, because this font will be an advocate for the purposes such as wedding invitations, branding, parties, graduations, birthdays, gatherings, etc. Thank you, Mytha Studio

Lush was a formal script until it had a few too many drinks and, as a result, loosened up a little bit. Harkening back to the handlettering of the 40s and 50s, Lush has evolved into a casual, but well-dressed script that maintains a rather aggressive rhythm. Transitions often whip back quickly, forcing the letters to reel from the movement and resolve efficiently. It is not as warm as some scripts, intentionally so, so as to distinguish it from its predecessors. Type and lettering fans will revel in the options afforded to each character—in some cases there are up to 15 different variations with multiple glyph recipes available to produce the most unique and fluid lettering combinations possible. An often overlooked segment of contemporary script fonts, the uppercase letters have at least 3 options to work with that mesh well with the 36 ornamental flourishes to add even further embellishment. In total, there are over 1,650 glyphs in the typeface that includes these OpenType options: Stylistic Alternates, Contextual Alternates, Swashes, Titling, Historical Forms, Initial Forms, Oldstyle Numerals and 3 additional Stylistic Sets. With this release, I have tried to provide as much flexibility and 'forgiveness' within the typeface so the lettering enthusiast can have fun and explore thousands of iterations… and it's pretty easy math to figure this out: with over 970 alternates and 270 ligatures, I intended this typeface to be one that keeps on giving. One important fact to note… this marks the first release of a smooth, non-brushed, non-textured script from me—but it won't be the last. That said, I will have to admit that the brush has influenced many of the characters and their construction. Enjoy :)

He's rough around the edges, but he's an outlaw from the Old West, what did you expect? He's Saratoga Slim, a playful shaken up dust devil of a typeface. With a shaken appearance and rough hewn letters, he steps onto the scene, yet is clearly legible to read. He's alot like a one of those ruffigans that is crude around the edges, but when he looks at you and says, "Get what I'm saying partner?", you know exactly what he means. Put some rough and tumble type into your designs with Saratoga Slim. He's been through the ringer a few times but keeps coming back for more. Isn't that what you look for when you create a design...durability...? Here it is, Saratoga Slim, looking at you! Get it today!

»COSMA« is an old greek word that stands for »beauty« and »order«, I thought it a very befitting name for my new font-family. My »Cosma« has that special high-contrast Renaissance beauty but is very orderly in appearance. »Cosma« is a classical beauty with modern touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from UltraLight to Bold and all the necessary weights in between. Great for body copy and headlines! With 964 Glyphs it is a truly European font designed for all Central European and Latin using countries. »Cosma« has a set of Cyrillic that is also good for Serbia, Macedonia and Ukraine. Sorry, no Greek! But it has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many alternative letters and ligatures. On top I designed two sets of alternative, decorated caps each in normal and oblique. »Cosma« comes in Normal, Italic and Oblique, sometimes you just don’t want to use Oblique instead of Italic that would be too playful for the occasion. »Cosma« doesn’t come cheap, but I start off with an 80 % reduction, so that is a good chance to get all 49 cuts for a phantastic price. Oh, I almost forgot, If you buy the whole family, you get the variable fonts to go with it for free, that’s a good investment into the future. Enjoy!

Schwenk is a wide reversed-contrast typeface made to be used in display settings – headlines, logotypes, store windows. The Regular style is adjusted for smaller point size while the Thin is made in a higher contrast for large headlines. An alternative (wide) capital letter I is available via the Stylistic Set.

Quintet is a narrow, stylized sans serif font made up of thin, looping lines. This font tries to walk the line between retro and modern and to incorporate some hand drawn imperfections without being too obvious about it. I kicked off designing without any particular inspiration in mind but, as time went on, started associating it in my head with an old-timey, swingy jazz aesthetic. So hopefully it captures the spirit of the Jeeves and Wooster throwback theme song and opening credits, the music of Stéphane Grappelli and Django Reinhardt (who the name is a nod to), and countless album covers from that era.

urgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!

Storefront is what the prolific and talented American sign painters of the 1920s and 1930s would have created if they had access to the advanced lettering and type technologies we have today. Rooted in an incomplete Alf Becker alphabet sample, Storefront is my usual overdose on alternates and swashes, my eternal attempt at giving typesetting that ever-elusive handmade impression. Though the main shapes, especially the majuscules, are almost a standard recitation of the natural evolution of nineteenth century scripts, the additional variants available within the font provide a leap in time to what sign makers and packagers are doing today. I can honestly say that Storefront’s influences are probably less historic and more in line with my recent travels and frequent supermarket visits. It’s difficult to avoid current visual culture when you're constantly bombarded with it. Not that I try. I certainly welcome the overflow. I'm probably addicted to it by now. With a very cool aesthetic, plenty of alternates and swashes, extended Latin language support, Storefront is over a thousand glyphs for your branding, packaging, and sign making pleasure.

The hand lettering on a World War I recruitment poster for the French Air Service inspired French Nouveau JNL, which is available in both regular and oblique versions.

Shift Comic is the usual alternative to many similar typefaces. It’s based on my handwriting. I decided to make a thinner variety than most available on the market.

This font is dedicated to the glory of the human spirit and honor. Osovec is a fortress of World War I. On the 6 August 1915, the defenders of the fortress, the Russian soldiers, against whom the enemy had used poison gas; though half-dead, were able to rise to the counter. Thus it was that 60 Russian soldiers routed the 2 thousand strong enemy army. This heroic episode has gone down in history as"Attack of the dead". The font contains more than 700 glyphs, support for all 104 European languages, all Slavic languages, a variety of OT features, including ligatures, old numerals, alternatives, ordinals, and many others.

Floridium grew out of an affection for the old wood types of the 1800s. Painters Roman* was the initial inspiration. It was the source for the �banana� and �snake head� serifs. But the design�released by Adobe as Juniper�was too quirky to be useful. I tried to make it more sophisticated and modern while keeping the original personality of the 19th century types. The name resulted from a trip to Miami while the initial drawings were being made. Not the best way to name a typeface, but while we were in Miami Beach there was this tall blonde in a bright yellow bikini sitting on this bright yellow Porsche and...

While strolling through the Phillips Collection in Washington, DC, I came across a delightful painting by Wassily Kandinsky entitled “Succession”. Many of the forms seemed to me typographic so, of course, a font followed, and this is it: wild, wacky and delightfully different. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

The idea for Granat goes back to my mysterious typeface Telepiu and later Teleneue. The straight horizontal bars in combination with the round joins create a very unique character. With Granat I wanted to push this style even further. Like in Teleneue Granat comes with a monocase version without any ascenders or descenders for all 7 weights from Regular to Ultrabold.